Category Archives: Actors

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NOLLYWOOD FILMMAKER OMONI OBOLI STARTS HER TIFF MEDIA ROUNDS WITH THE LOVELY FOLKS AT AFRO-GLOBAL TV & PLANET AFRICA

We had the perfect start today for Nollywood filmmaker and star OMONI OBOLI as she launched her media campaign for her film OKAFOR’S LAW, participating in this year’s Toronto International Film Festival: she enjoyed an hour long interview with Toronto-based AfroGlobal TV and Planet Africa magazine publishers.20160906_113744 20160906_120045Sitting down with show host, Patricia Bebia Mawa, Omoni (pictured below on her throne-like interview hot seat) talked at great length about being a female director and writer in what has mainly been a male domain. She also shared how she manages to maintain a fulfilling home life with her husband and children while building her career and expanding her professional horizons.20160906_120128 20160906_130347The crew and other AfroGlobal TV personalities joined Omoni for post-interview photos – as you can see she quite the hit in the studio!20160906_130536 20160906_130559 20160906_130613 20160906_130722Okafor’s Law has its world premiere red carpet next Monday (Sept.12) at 8:45pm at the Isabel Bader Theatre in Toronto. Check the official festival website for screening dates and times, and to purchase tickets online. www.tiff.net/.  And to watch this episode of AfroGlobal TV tune into Rogers channel 708 if you’re in Toronto or follow Afroglobal Television on Facebook for the video link.Okafor's Law red poster flat

 

Joanne Latimer

SHADOWTIME PRODUCTIONS PRESENTS PROVOCATIVE DARK COMEDY “AUNT DAN & LEMON” IN TORONTO SEPT. 14th

Award-winning Toronto theatre director Dan Spurgeon brings Wallace Shawn’s Obie Award-winning play Aunt Dan and Lemon to Toronto audiences next month at Theatre Passe Muraille Backspace. The play takes us into the disquieting world of Lemon, a reclusive British invalid who fills her days reading and remembering. She recounts the overwhelming influence on her life of her parents’ friend Aunt Dan, a sophisticated, passionate American scholar whose colourful stories and seductive opinions provide Lemon an escape from her unhappy family life.  Her deepening influence on the young Lemon shapes this exploration of the superficial nature of political orientation and the allure of hardening one’s heart. A forceful morality tale that is both an exquisitely painful horror story and the blackest of black comedies, Aunt Dan and Lemon examines the ease with which good and evil become reconciled in the human mind.

Program from original NY production

Program from original NY production

Shadowtime Productions is proud to present the first professional production of this poetic, deeply unsettling play in Toronto in almost 30 years. With racism, xenophobia, and authoritarianism on the rise around the world, Aunt Dan and Lemon is an uncannily timely study of how even the most literate, civilized individuals can drift en masse into depravity and justify the most obscene acts of history.

What the critics said about Aunt Dan and Lemon:

A provocative, disquieting play that slyly raises questions about the unseen links between the personal ethics of citizens and the policies of their leaders. Variety

Stimulating and demanding – the most dangerous play in town. I can’t remember the last time I saw a play make an audience so uncomfortable, and I mean that as high praise. NY Times

 Arresting and disturbing. Shawn uses shock tactics to propose unpalatable arguments. London Times

 A wondrously subversive, cataclysmic morality tale that is entertaining, infuriating, and determined to provoke its audience. Newsday

 One of the most significant plays since the end of World War II, a powerful challenge to our collective responsibility.  Daily Mail

The cast features award-winning and popular actors Joanne Latimer and Helen Juvonen in the title roles (pictured below) with Philip Cairns, Jane Hailes, Daniel Cristofori, Daniel Carter and Breton Lalama. Produced by Drew Blakeman with Set & Scenic Design by Elizabeth Traicus and Costume Design by Jenni Lee Pickett.

Joanne Latimer

Joanne Latimer

Helen Juvonen

Helen Juvonen

PRODUCTION HISTORY
The world premiere of Wallace Shawn’s Aunt Dan and Lemon was produced by the New York Shakespeare Festival (Joseph Papp, producer) at the Royal Court Theatre in London, England in August 1985, with Linda Hunt and Kathryn Pogson in the title roles and Shawn in the ensemble cast. This production opened in New York at The Public Theater in October 1985, winning that year’s Obie Award for Playwriting. The play was revived off-Broadway at the Acorn Theatre in 2004 with Kristen Johnston and Lili Taylor, and returned for a West End revival in 2009 at the Royal Court starring Lorraine Ashbourne and Jane Horrocks. Aunt Dan and Lemon has received major regional productions through the years, including at Steppenwolf (Chicago), Mark Taper Forum (LA), and Woolly Mammoth (Washington, DC). The 1987 Dora-nominated production at Tarragon Theatre was the most recent Toronto production.

Wallace Shawn

Wallace Shawn

AUNT DAN AND LEMON runs September 14th through 25th – space is limited so get your tickets NOW!!

Theatre Passe Muraille Backspace, 16 Ryerson Avenue, Toronto
Showtimes: Wed thru Sat @ 7:30pm, Sat & Sun matinees @ 2:00pm
Tickets available from www.passemuraille.ca
Media night: Thurs. Sept. 15th 

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ANOTHER GREAT “NOLLYWOOD” FILM FOR THIS YEAR’S TIFF-GOERS TO SEE

For this year’s Toronto International Film Festival (Sept. 8-18), the focus for their City-to-City program is Lagos, Nigeria – home to “Nollywood” filmmaking. One of the films being featured is 76 helmed by the multi award-winning director Izu Ojukwo, and starring Ramsey Nouah, Rita Dominic, Chidi Mokeme, Ibinabo Fiberesima, Memry Savanhu and Daniel Kanayo Daniel.IMG_3500 IMG_351076 is a love story that centers around the challenges women married to men in the armed forces go through when their husbands are captured in war. The 76 story is told using the backdrop of the Nigerian 1976 Dimka’s coup. The movie isn’t about a botched coup attempt but is clearly about the women who are courageous enough to bear a soldier’s last name. It is visually pure, emotionally engaging, intellectually stimulating and humorously therapeutic.

Six years after the Nigerian civil war, Dewa (Ramsey Nouah) a young officer from the middle belt gets entangled in a romantic relationship with Suzy (Rita Dominic) a young lady from the southeastern part of Nigeria. Their budding romance was almost ruptured by the overwhelming strains of tribalism. Now heavily pregnant, her world comes crumbling when news of her husband’s involvement in a botched coup attempt hits the headlines.IMG_3506 IMG_3505 IMG_3514You can check out the official preview trailer here:

Visit the official TIFF website for tickets, screening times and additional information on the City-to-City “Nollywood” programme

www.tiff.net/tiff/

 

 

 

 

 

Okafor's Law red poster flat

NOLLYWOOD’S BOX OFFICE QUEEN BRINGS “OKAFOR’S LAW” TO TIFF!

The reigning queen of the Nigerian film industry – known as “Nollywood” – OMONI OBOLI is bringing her latest film OKAFOR’S LAW to this year’s Toronto International Film Festival next month.  The multi award-winning director, writer, producer and actor will enjoy a world premiere red-carpet screening for her romantic comedy on Monday Sept. 12th at 8:45pm at the Isabel Bader Theatre located in Yorkville where TIFF was first founded. Omoni’s hoping this will be the start of N. American audiences and studios getting to know her and her work. Hollywood has been complaining loudly about the lack of opportunities for women directors, especially women of colour but Omoni has been making her own opportunities in Nigeria; her previous 6 films have raked in over a quarter billion Naira (Nigerian currency) at the box office. Omoni headshotOmoni began her career with her first movie role in ‘Bitter Encounter’ (1996) then in ‘Shame’. She then went on to play the lead female character in three major movies; ‘Not My Will’, ‘Destined To Die’ and ‘Another Campus Tale.’  She took time away from the biz to complete her university education and get married but after ten years, cinema called her back.

Since then, Omoni has shot to prominence as the class act of Nollywood because of her professional demeanour and strong work ethics. Playing lead roles in blockbusters like ‘The Figurine,’ ‘Anchor Baby’, ‘Being Mrs Elliott’, ‘Feathered Dreams’ and Mo Abudu’s ‘Fifty’ has set her apart as one who knows how to choose good screenplays. She has also set the bar higher by being the first actress from Nollywood to bag such international awards as Best Actress in two international festivals in the same year (2010) – the Harlem International Film Festival and the Los Angeles Movie Awards for her lead role in the movie, ‘Anchor Baby’. She’s pictured below with castmate, the late Sam Sarpong (L) and Anchor Baby director Lonzo Nzekwe (R) at the Toronto premiere.Omoni 5Omoni has won and also been nominated for several other awards, both locally and internationally. The movie, ‘Anchor Baby’ currently has the record for the longest running African movie in the UK cinema for the year 2011 and the longest running Nigerian movie in the UK cinemas in history. She wrote, directed, produced and starred in the movie, ‘Being Mrs Elliott’ which happened to be her directorial debut. ‘Being Mrs Elliott’ was chosen as the opening movie at the 2014 edition of the ‘Nollywood Week in Paris’, and it is the first Nigerian movie to be screened at the new Banquet Hall of the Presidential Villa, ASO Rock.  Her movie ‘The First Lady’ which recently screened at The Nollywood Week Festival in Paris won the highly coveted ‘Audience Choice Award’ which is the only award at the festival. Her recent Wives On Strike garnered great reviews from both fans and critics and was hailed as the comedy of the year.

Director’s Statement: The idea for Okafor’s Law came on a fine evening during dinner and drinks with friends. I happened to be the only woman in the group and the conversation was very ‘male’ in tone and subject. Somehow, we started talking about our exes and how most guys felt they could always go back and have sex with their old girlfriends even after a relationship had long ended. It was apparently a belief widely known in Nigeria as ‘Okafor’s Law’ It was a very interesting conversation and emotions ran high. At a point, one of my friends turned to me and said ‘Omoni you are a filmmaker. Why don’t you make a movie about Okafor’s Law’. I looked at him and said ‘why not?’ The idea was born! I couldn’t get it out of my mind. I talked back and forth with those friends, getting all their thoughts on the subject.  I initially contacted a writer because I was busy with other projects, and we talked about the story. Somehow, I never got a script from him so a couple of months later, I decided to write my story myself.
Apart from the main theme of ‘Okafor’s Law’, the movie takes us through a journey of love, passion, infidelity, violence and forgiveness. It’s also laced with humour which is a common thread in my movies. I love to take people into the world of my movies and make them forget for almost two hours, their own lives.  Omoni Oboli, 2016_MG_9971FILM SYNOPSIS:  Chuks (aka Terminator) is an ardent player with the ladies. He enjoys the attention of women, including girlfriends from the past. He believes that once a man has had a woman, he forever has access to her. When challenged by his friends to see if he can prove the universality of that theory with three ex-girlfriends from his school days within 21 days, he accepts it. Turning on his best charm he sets off to try and prove himself, but his quest brings him to three women, Ifeoma (Fifi), Kemi and Ejiro, whose situations in life have changed drastically since school days. This challenge of their various new statuses makes his quest to win the bet more and more insurmountable as he tries to prove the immutability of the age-old law, OKAFOR’S Law.

Okafor’s Law also stars African screen favourites Blossom Chukwujekwu, Ufuoma McDermott, Toyin Aimakhu, Ken Erics, Gabriel Afolayan and the “George Clooney of Nollywood” Richard Mofe-Damijo (below)image7You can find out more about Okafor’s Law from the official TIFF website where you can also purchase screening tickets www.tiff.net/tiff/   Look for the special City to City programme which features Lagos and the talented Nigerian filmmakers who call that city home. 79be306f-9fb4-4e48-b518-2fcd1a68337e

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Mini Holmes presents…A Star-Studded Benefit for comedian KEVIN McGRATH this Tues. Aug.16

Anyone who has ever visited a comedy club will know how hard comedians work and as Rodney Dangerfield used to say… “I can’t get no respect”. Well, this Tuesday Aug. 16th many of Canada’s top comics will be paying respect to fellow funny man, Kevin McGrath (pictured below), with a special benefit show at Cherry Colas Rock’n’Roll Cabaret in Toronto raising funds to help support Kevin as he goes through painful rehab after a horrendous car accident that left him with numerous broken bones and serious internal injuries. Kevin will be in hospital for the next few months followed by several months in the rehab hospital.kvimghs001Benefit producer Mini Holmes, a very funny lady and media personality herself, told me “This is close to our hearts because we all love Kevin and also because we know as comics this could have been any of us. We are all on the road gigging nightly.” MiniKevin McGrath has kept Canadians laughing since the early 1980’s. He got his start with The McGrath Brothers, a comedy music act that featured impressions of The Beach Boys, The Bee Gees, Paul McCartney, Stevie Wonder, and many more  he began performing solo stand-up comedy when the McGrath Brothers disbanded. Kevin has appeared on CTV, Global Television, The Comedy Network, CBC, and has appeared in every major city in Canada. Kevin’s comedy is fueled by his obvious love for his wife, his fear of flying, a reluctance to engage in anything involving strenuous activity, and his undying love for music.

Hosted by Mike Bullard, the show will feature comedians who came up thru the ranks with Kevin including Mike Wilmot, Derek Edwards, Mike MacDonald and Simon Rakoff. Mini will also perform a set just to add a little estrogen to the manly mix up on stage! All of these generous performers are donating their time and talent so all $s from ticket sales will go to Kevin.

Mike Bullard

Mike Bullard

Mike Wilmot

Mike Wilmot

Derek Edwards

Derek Edwards

Mike MacDonald

Mike MacDonald

Simon Rakoff with name

Cherry Colas Rock N Roll Cabaret, 200 Bathurst Street (just N. of Queen)
Tuesday August 16th   9:00pm.
$15 in advance / $20 at the door 

Tickets can be purchased via Facebook event page:   https://www.facebook.com/events/151586161942592/

As their original agent back in the 80’s “golden era” of stand-up comedy in Canada, I love these guys and really hope you will come out and show ’em a little love AND cash for Kevin.

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TORONTO’S SHADOWTIME PRODUCTIONS TO PRESENT ACTOR/PLAYWRIGHT WALLACE SHAWN’S PROVOCATIVE “AUNT DAN & LEMON” THIS SEPTEMBER

Toronto-based SHADOWTIME PRODUCTIONS is thrilled to bring actor/playwright Wallace Shawn’s dark, provocative and polarizing play AUNT DAN & LEMON to local audiences for the first time in nearly 3 decades when they raise the curtain at Theatre Passe Muraille’s Backspace on September 14th for a 2 week run.Aunt D & l posterAunt Dan & Lemon takes us into the world of a young recluse named Lemon (alias Leonora) who spends her nights reading chronicles of Nazi atrocities. Lemon tells the audience about the overwhelming influence in her life of her parents’ friend “Aunt Dan,” an eccentric, passionate professor whose stories and seductive opinions enthrall Lemon from the time she is a young girl. The relationship that develops between Lemon and Aunt Dan and the conversations that went on in a small house on the bottom of an English garden form the focus of this play about political orientation and the allure of certain ideas-even if they lead to murder. A forceful play exposing the banality of society’s evil, Aunt Dan & Lemon explores the ease with which good and bad become reconciled in the human mind.

Director DAN SPURGEON recently told me… Although the play premiered over thirty years ago and has seen prominent revivals both in New York and the West End, its messages may be more relevant now than ever before. The Trump candidacy and the Brexit vote have revealed a disturbing trend towards racism, xenophobia, and authoritarianism, and Shawn’s script brilliantly examines how such abhorrent mindsets can come from even the most benign sources and banal experiences. Considering it hasn’t been seen in Toronto since Tarragon Theatre’s Dora-nominated 1987 production, the time is absolutely right for revisiting this intelligent, uncanny and frightening work.

The world premiere of Aunt Dan & Lemon was produced by the New York Shakespeare Festival (Joseph Papp, producer) at the Royal Court Theatre in London, England on August 27, 1985. Wallace Shawn (Princess Bride – pictured below) played Lemon’s father plus various ensemble roles in this original production. Wallace ShawnThis production opened off-Broadway at The Public Theater on October 21, 1985 with Academy Award winning actress Linda Hunt (Year of Living Dangerously – below) portraying Aunt Lemon. linda huntNearly 20 years later, the play received a New York revival off-Broadway in 2004 at the Acorn Theatre with TV’s Kristen Johnston (Third Rock From the Sun & Sex in the City) playing Aunt Dan and Lili Taylor (The Conjuring, Blood Ties) playing Lemon (pictured below L & R respectively)Kristen & LiliDirector Spurgeon went on to explain…. One of the most interesting things about this play is the playwright’s forcing the audience out of their comfort zone, by refusing to acknowledge the standard storytelling tropes we’re used to – there is no hero or villain, no separation of “the good guys” from “the bad guys.” The main conflict occurs between the playwright and a complacent audience, with the revelation of uncomfortable truths and questions about the modern world.

So mark your calendars for when Aunt Dan & Lemon confronts and challenges Toronto audiences once again.  All performances at Theatre Passe Muraille’s Backspace theatre. Ticket information and times will be posted closer to opening. Follow Shadowtime Prods. on Facebook: www.Facebook.com/shadowtimeprodns

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Canadian-Nigerian filmmaker LONZO NZEKWE shares indie success story & this year’s TIFF spotlight on his home country

I first met self-taught Canadian-Nigerian filmmaker LONZO NZEKWE about 5 years ago when he asked me to promote the debut screening of his first feature film, Anchor Baby, here in Toronto during the annual Toronto Int’l Film Festival. Although Anchor Baby was not part of the Festival, we arranged that the screening take place at a major cinema multiplex during the period when most int’l film media and industry folks were in town. The screening was a resounding success with a packed house (we actually turned people away), lots of media coverage and Lonzo was off and running with his feature film that was made mostly in and around Toronto on a shoestring budget.anchor-baby33865_165229630154037_4176194_nOver a dozen or so int’l film awards later…Screen Shot 2016-06-29 at 8.15.51 AMScreen Shot 2016-06-22 at 9.31.53 PM….the writer/director has now brought his latest project, a 37min. crime thriller, Meet The Parents, to the screen and that, too, has started amassing critical kudos and awards including the Best Short Film award at the 2016 Africa Movie Academy Awards. Meet The Parents by Lonzo Nzekwe 12289712_10156318942150525_7545685570378629312_nI recently sat down with Lonzo and asked him to share some insights into his self-made career, and about the upcoming Toronto Int’l Film Festival where he will be supporting fellow filmmakers and stars of Nollywood, as the Nigerian film industry is called, who are coming into town as part of this year’s TIFF City to City: Lagos program.

Having only spent a short time studying filmmaking, can you share some of the most challenging obstacles you’ve experienced being a self-taught producer/director?
One of the major challenges is getting funding for new film projects. Up till now, all my film productions have been self-funded because it’s tough to get investors when you are an independent filmmaker. Another challenge is getting media exposure for the films after they’ve been shot, but thanks to social media and my IronFlix movie streaming platform, I’m now able to reach a global audience without breaking the bank.

Your first film was the feature length Anchor Baby (2010) which went on to win so many international awards after premiering here in Toronto. How did such immediate success impact your career and/or goals for your future?
Anchor Baby (pictured below) catapulted me to the front of the line after its success. The film played in Nigerian cinemas for about 12 weeks, the UK for 6 weeks, Ghana and Canada for about 2 weeks. As dark as the ending of that movie is, there’s something special about the film as a whole because it pulled no punches and it’s brutally honest. All the 13 film awards including Best Film at the Harlem International Film Festival and two nominations at the 2011 Africa Movie Academy Awards made people take notice. I guess at the time, they wanted to know what’s up with this self-taught first time filmmaker.38609_150496438294023_1449759_nYour most recent film was a short titled Meet The Parents which is garnering critical acclaim as well as moviegoer praise. It recently won Best Short Film Award at the 2016 Africa Movie Academy Awards – what sort of comments/responses have you received about this second film from the African and worldwide film community?
It’s interesting because after I made Anchor Baby,  a few people thought its success was a fluke. The truth is that Anchor Baby was easy for me to make and I knew at the time that I have the potential to write and direct other good movies. By the way, Meet The Parents is 37 minutes long and I consider it a mini-feature film because it actually feels like you’re watching a full feature length film. When you watch Meet the Parents, you can clearly see the growth on the writing and technical aspects of my filmmaking. I’ve received great reviews from film industry people here in Canada as well as Nigeria. Recently, a well respected industry insider in Toronto watched the film and wrote that he likes the film’s look, especially the real sophistication in the way I crafted the images and sound. I jokingly tell people that the film has a “38 Special” flow to it because a snub-nosed 38mm handgun played an important role in the major turning point of the film.

As a film writer, what inspires your stories? I gather Meet The Parents was inspired by a Jay Z song?
I get inspirations from my pains, worries, love, loss and life in general. Meet the Parents was originally inspired by a Jay Z song of the same title in his 2004 Blueprint 2 album. It’s about a father who abandoned his infant son for a life on the streets and 15 years later, fate brings father and son together again in deadly street fight that will alter their lives forever. I’m a huge Jay Z fan from his Reasonable Doubt days and his music in general has been a source of inspiration as a black filmmaker. He paints vivid pictures with words and every time I heard that song, I get these haunting cinematic images in my head that won’t go away. So I decided to put it into film in my own personal interpretation and also added other plausible twists and turns that made the film special.

You recently launched another exciting project, this time it’s a film, documentary & TV streaming platform called IronFlix that offers entertainment from Africa-based production companies.  What inspired this new business and how did you create IronFlix.com?
I believe that filmmakers should create their own path to success instead of waiting for someone to else to get you there. I started IronFlix because I kinda see the direction film consumption is heading. VOD streaming is not the future; it is now! I want to be able to reach my audience anywhere in the world without depending solely on cinemas and traditional television networks.

I originally came from Nigeria, a country that built their film industry (Nollywood) from scratch without help from the government. Most people like me (Nigerian filmmakers) don’t worry about things like “Oscar So White” because we try as much as possible to create our own opportunities and create a market for our work. No one can marginalize us and tell us the types of movies or stories to tell. We have our own film industry, film festivals, cinemas and the Africa academy awards that’s slowly being recognized around the world. One of my main goals is to collaborate with like-minded individuals working in Nollywood, Hollywood and other western film industries to help spread genuine African stories to a global audience.

What are the top films being viewed on IronFlix that we should all watch out for?
Some of the great films and Tv shows you can watch now on IronFlix include Anchor Baby, Ojuju, Making of A Mogul, Pamper Your Mum, Form 36 and many many more.

Your next film project is called Laundrymen – is that a short or feature film? Can you share any teasers or background info on this new production?
Laundrymen will be a feature film. I’ve been developing it for over three years now and it’s a revenge crime thriller. It will be my most ambitious project till date and I’m looking forward to starting production. I’m still raising funds to shoot it so if you know anyone interested in financing a great film, please contact me let’s make it happen.

What advice (or cautions) can you offer emerging indie filmmakers starting out along a similar career path as you did?
All I can say is just do it. Most people talk about what they are going to do when they have the right money, equipment, cast and crew etc. Truth is, you will never have everything right the way you want it. Also, make sure whatever film you’re making is saying something, and it’s something you can be proud of after all is said and done. Your time is way more valuable than money because you can’t replace the time you lost on a film that isn’t about anything.39839_150497681627232_4139089_n

You can follow Lonzo on his journey with Meet the Parents, as well as his activities during TIFF via social media:
https://www.facebook.com/MeetTheParentsMovie/
http://www.ironflix.com
http://www.imdb.com/title/tt1666555/

And I’ll be posting updates throughout TIFF so subscribe to my blog or follow me on Facebook.com/FordhamPR or Twitter & Instgram: @FordhamPR

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“V IS FOR VARIETY” SHOWCASES CANADA’S FUNNIEST LADIES @ TORONTO’S BUDDIES IN BAD TIMES THEATRE

Thanks to funny ladies SHANNON McDONOUGH and MAGGIE CASSELLA for inviting me to their final V is for Variety show at the Buddies in Bad Times Theatre (Toronto) last Friday.  Their V shows will return in the fall but for this last laff-fest before their summer hiatus, the audience was treated to some insanely funny (i.e. f*cking hilarious!!) monologues from Shannon (below) and Maggie (lower pic)….11707424_10155686975205018_8005997095153765894_n maggie…..plus emotional and insightful observations on life presented by my old friend from 1980’s Yuk Yuk’s days, writer & producer of TV & film hits like Miss Congeniality, Family Ties, Desperate Housewives, KATIE FORD (below).  A lot of folks were sniffing and wiping eyes after Katie’s gentle reminder about finding beauty and joy in simple everyday things.KatieEngaging young singer and writer Jennifer Walls also shared a few songs accompanied by Chris Tusjiuchi on piano. Jennifer actually performed her own show, Amazing Women, in the theatre right after the V is For Variety show. Whew…that girl has energy to spare!
One of the show-stopping sketches performed by Shannon & Maggie was an updated version of the great 70’s TV show All in the Family, with Archie & Edith discussing their grandson Joey (below) that had the audience squirming with laughter and recognition of the underlying message of acceptance and love (an eerie premonition of what was to happen within 48hrs in Orlando?!).archie & edithMaggie and Katie recently formed a creative alliance, Ford Cassella Productions, that will be bringing us lots more laughs so I encourage you to follow them @FordCassella on Twitter and Facebook, plus Periscope and Instagram.

Thank you to all the entertainers for a fabulous evening of entertainment, and make sure you catch the next V is for Variety show when it relaunches in September.

DEFENDING THE CAVEMAN OPENS IN TORONTO TO NEAR-CAPACITY HOUSE!

Bravo, Andrew Chapman, who owned the stage last night when Defending the Cavemen opened at Toronto’s Alumnae Theatre. The Toronto-based TV host, comedian and actor shared comedic insights into how men’s and women’s brains work when it comes to communicating, negotiating and collaborating….oh what a tricky minefield we walk!Broadway’s longest running solo show has been brought to town by I Love It Productions and if the giggles and guffaws from last night’s audience are any indication, this current show should play to packed houses (runs until Feb 26th).  Prior to opening the doors to the public, we had a photo shoot with local media so Andrew was put thru his paces with photographer Anders Marshall from Snapd newspaper (below)…20160211_191404 20160211_191806 20160211_191617Then the fabulous KJ Mullins, publisher of Newz4U.net joined the camera gallery (below)…20160211_192235As the audience arrived, we spotted some groovy folks who’d come out to support the show including young actor Carlos Cartaxo Jr. (below, r)…20160211_193857…and my hard-working intern Gabriella Luchetta joined me, along with her parents Teresa and Ernie who really loved the show. Here’s Gabs (below left) with her mum at the caveman cut-out…LOL!20160211_193003 20160211_200008After the show, two couples who had “participated” on stage with Andrew took their bows, too. You can tell by their faces that they had a ton o’ fun.couplesIf you’d like to see what all the laughter’s about, you can still get tickets to Defending the Caveman…details and tkt sales link can be found on the website: www.thecaveman.ca20160211_195530

 

Andrew Chapman(2)

MEET ANDREW CHAPMAN, star of “DEFENDING THE CAVEMAN” opening Feb 11th in Toronto

In less than a month, one of the funniest Broadway plays ever to grace the stage will open at Toronto’s Alumnae Theatre (70 Berkley St) starring a very funny young comedian who will entertain, inspire and provoke audiences with this “battle of the sexes/he said-she said” tour de force. DEFENDING THE CAVEMAN star ANDREW CHAPMAN sat down with me and shared a few insights on his approach to the role and offered some background to his own burgeoning career in stand-up comedy, TV and film acting. Be sure to check out www.thecaveman.ca for dates & tickets to the show…you shouldn’t miss it or this terrific young talent.

Andrew, what first attracted you to the play?
I’d heard about Caveman through the theatre and comedy community for a number of years and knew that people related to it a lot. Also, it has a strong stand-up comedy aspect to it which is something I do as well, so it seemed like a good fit.12115946_533852020095819_1423922453001874820_nWhat do you hope the audiences get from the show?
A damned good laugh! And a glimpse of themselves and their own relationships, and I’ve seen a lot of elbowing and rib-poking “yeah, that’s you..” with couples during my past performances.12144710_533852033429151_98043124632265989_nYou’re quite a young man – how do you build your character when the subject is all about relationships, the battle of the sexes, men are from Mars/women are from Venus kinda thing when your own life experience is relatively short to date?
Mighty nice of you to say….I draw from people I know who’ve been married for years or been in long term relationships. Luckily the material is something that relates to those kinds of relationships. I’ve been in a few long term relationships and lived with a girlfriend (scandalous!) so I have some familiarity with it, for instance, I’ve been asked “You’re not going to wear THAT shirt, are you?” LOL

I understand there are interactive elements where you bring couples up on stage so how has your stand-up or TV hosting work helped you with this theatrical role?
It’s basically a 2 hour stand-up set, really. And yeah, in stand-up you don’t want hecklers or people talking, but in this show – I HIGHLY encourage it! It adds a new element to the show and makes each show “one of a kind”. So, hosting and doing stand-up comedy, you talk WITH the audience (in a way) and bring them into your world, and the same is with Caveman.IMG_6683Have you had any formal theatrical training and if so, where and under whose tutelage?
When you see the show, you’ll clearly realize that I have not had any formal acting training..haa haa. But working in comedy clubs and on busy TV or film sets can be the best training, esp. when you need to be able to improv a situation with “civilians” participating on stage.

What other projects have you been working on where we can see you?
I’ve been lucky enough to work on a variety of different projects recently. I just wrapped a film in Cancun that will be out in the Fall, called “The Duchess Of Cancun” (below shows Andrew working very hard on the beach in Cancun!) 10603475_1034453386622264_990104589620432725_nI’m currently appearing in the web-series “V Morgan Is Dead” for VerveGirlTV/Youtube (see sexy screen-cap below) and right before Caveman opens Feb 11th, I’ll have just wrapped the film “Spy House” as well as a 3 week stand-up tour of Ottawa/Kingston/Toronto clubs. FYI: during the run of “Defending the Caveman”, a show I hosted called “Made Up” will be airing on DisneyXD in the US.IMG_6567

DEFENDING THE CAVEMAN

Feb. 11 to 26th @ Alumnae Theatre, 70 Berkley St, Toronto

Tickets & info at: www.thecaveman.caDRAG HIM 5.5 x 8.5 TEMPLATE CLEAN