Monthly Archives: February 2022

MEET CONNIE BOYD, THE MAGICAL WOMAN WHO CASTS A SPELL OVER HER AUDIENCES!

CONNIE BOYD is a Canadian magician, inventor, producer and director, with a background in dance, theatre and circus. She is known for physically demanding, artistic magic such as the “solo” guitar suspension (the World Magic Awards 1999) and an up-side-down straight jacket escape over a bed of nails (Shanghai Magic Festival 2012). Connie has appeared on television shows such as “Masters of Illusion,” “the Best Magic of Las Vegas” and the “World Magic Awards”. She launched her magic career in Las Vegas in 1987, eventually starring & headlining in production shows such as the Folies Bergère at the Tropicana Hotel, Jubilee at Bally’s and opening for celebrity headliners such as the recently departed comedian and TV star Louie Anderson. Connie was named Best Cabaret Magician in 1999 at the World Magic Awards in Los Angeles and the “Prix du Public” at the Grand Prix du Magique in Monte Carlo in 1996.In 2006, Connie was asked to consult on talent with a cruise company in Europe which led to a new career producing, mentoring and directing multiple shows on cruise lines internationally, casting female magicians as the lead performers. In June 2020, she created Magical Women, a YouTube channel dedicated to documenting some of the best women in magic in the world in all facets of magic. She writes a monthly Magical Women series for Vanish Magic magazine and has recently been featured in Genii magazine and MagicSeen in the UK.  She also created a conference on Digital Transformation for Magic in 2020 for “United Magicians for the World”. More recently, she launched a new series on the YouTube channel called Blast from the Past which features vintage videos of female magicians from the past.

Being such a busy lady, I was thrilled to get a chance to chat with Connie and ask her about her amazing career and all the women in magic she has worked with or met. What a great conversation we had!

Connie, you’ve created a wonderful web portal showcasing women in magic from around the world and their incredible talents. What inspired you to generate this platform?  Pre-pandemic, I was extremely busy and happy producing, directing and mentoring magic shows and talent.  I was in Italy when the lockdown started there in March 2020.  I had magicians on cruise ships returning to Italy from winter seasons in the Caribbean and South America.  Contracts were cancelled and my talent were repatriated to their home countries on three different continents.  My own magic shows were literally “frozen in time”, indefinitely on “ghost” cruise ships at sea in the Mediterranean.

For the first time in thirty plus years, I didn’t have any magic obligations or projects to complete.  After much reflection, I realized that there wasn’t a source or resource anywhere in the world, dedicated to documenting and supporting women in magic.  I decided to create the Magical Women project and the “Magical Women with Connie Boyd” YouTube Channel, dedicated to represent female magicians past and present. I started by reaching out to female magicians I knew and everyone was enthusiastic about the project and willing to participate.  Being a credible woman with success in magic helped; I understood the challenges many of the world-class magicians encountered as women in unconventional careers and in under-represented groups.  Thanks to the pandemic I had a rare opportunity to record talent that would not normally be readily available.

Tina Lenert, a fabulous magician and one of the first magicians I interviewed, provided an apt quote that summed up how I felt at the start: “life begins at the end of your comfort zone” (Neale Donald Walsch).

Most of us know all the famous men in magic from David Copperfield to Penn & Teller, Doug Henning, Siegfried & Roy, way back to Houdini, Blackstone and of course, The Amazing Randi – why don’t we hear more about the women? There must have been some great female artists over the past century?  One of the accomplishments I’m most proud of is participating and collaborating on the VANISH International Magic Magazine’s special edition “Female Magicians through the Centuries” that was published in February 2021 as a FREE publication.  The essay and photos were provided by Sébastien Bazou, the publisher of “ArteFake” an entertainment e-publication in France.  VANISH’s publisher and editor is a great advocate of diversity and generously created the graphics, layout and free Special Edition. You can view it here: https://bit.ly/3BrqWQx As you will note from the VANISH Special Edition women in magic have existed through time.  It’s true that female magicians are still less than 2% of the magic community, but it’s important to note that the women who have committed to careers in magic are making a huge impact and statements that cannot be denied.

One of the wonderful elements I’ve discovered through the Magical Women project is the increasing number of female contemporary magicians.  French magician Léa Kyle was the first female magician to place in the finals on “America’s Got Talent” last season and she’s currently headlining in Las Vegas.  Venezuelan magician Dania Diaz was a finalist on “Spain’s got Talent” and was the first Latina female to reach the finals on “America’s Got Talent: the Champions” in 2019.  Amanda Nepo is the youngest female magician at sixteen years old to fool Penn & Teller with magic that she invented. Australia’s Helen Coghlan is a four-time “Penn & Teller Fool Us, FOOLER”.  The list goes on and on and it’s a truly exciting time for women in magic.

You have over 30years experience performing illusions and entertaining audiences with your prestidigitational skills – when did you first realize this was the career for you?  I discovered magic in Las Vegas.  In fact, I debuted my first magic act there in the late ‘80’s.  My magic story is unorthodox.  My professional background pre-magic was theatre and classical ballet, with aerial and juggling circus skills in the mix.  I was performing in Las Vegas at the Riviera hotel in “SPLASH” with a juggling act when I discovered magic.  I fell in love with the levitation magic of the headlining magician and puppeteer, Barclay Shaw.  I studied and watched his mesmerizing performances nightly.  Barclay was the catalyst for my magic career and it was he who suggested that I become a magician.Starting magic from zero wasn’t easy, but I discovered magic uses every skill I have and I’ve learned more.  Good magic is a complete, theatrical artform, it taps into my creativity, physicality and artistic vision.  I have been fortunate, able to invent magic and create magic effects that are specific to me and my skill sets.  It’s challenging, it’s frustrating, but it’s also been a perfect fit.  I was determined to succeed and it helped that I had exposure and access to some of the very best magicians and entertainers in the world.

You’ve interviewed and reviewed so many ladies of magic for your YouTube channel, magazines and blogs. Who are the outstanding magicians we should watch for now that theatres, casinos and clubs are opening up after Covid?  There are SO many, I am pleased to report.  Here’s the list that pops into my head:  Léa Kyle, Daniz Diaz, Billy Kidd, Carisa Hendrix, Laura London, Alana, Helen Coghlan, Josephine Lee, Alexandra Duvivier, Amanda Nepo, LeRoya Sanford, Kayla Drescher, Krystyn Lambert, Tessa Evason, Katherine Mills, Anchal, Jen Kramer, Ekaterina and many, many more.Veteran magicians are also making a difference magically on and off stage with performances, philanthropic charities, mentoring and writing.  This includes magicians such as Juliana Chen, Tina Lenert, Fay Presto, Julie Eng, Diana Zimmerman and Lisa Menna,

Magic overcomes all language barriers and appeals to all ages – what is your favourite audience composed of…families, grown ups, corporate shows?  Since 2000, my magic shows have been on tour internationally on cruise ships, on television and in theatres.  My favourite audience is a theatre full of a mix of families and adults; theatre and magic savvy and first timers.  It’s a mix of people who wish to suspend disbelief and believe in magic for that moment in time and even those who wish to discredit it.  The biggest reward is hearing the audible gasp when they react to your magic and performance. They can’t help themselves and respond with surprise, and that’s my favourite moment, always.Who has been your role model or favourite magician (male or female) over the years?  First would be Barclay Shaw for helping me to discover magic, for never considering a woman couldn’t be a magician and for encouraging me to pursue magic.  David Copperfield for his inspiring work and performances which encouraged me to work harder.  Don Wayne, inspired me to create and to understand how to use magic techniques and the psychology behind the magic.  Joanie Spina was brilliant on and off stage, she was instrumental to discovering who I was on stage and for staging many of my best acts.  Recently, it’s Diana Zimmerman for her tireless support, encouragement and wisdom.

Without giving away any secrets, Connie, what has been your most astounding, amazing stunt…and, conversely, have you ever had anything go wrong?  The number I most known for, that’s a signature piece, is a number I created called “Floating & Flying”.  The magic is powerful as I am costumed in a simple leotard.  In the midst of a classic floating ball magic act, I fly into the air to retrieve a floating ball over my head.  This is a moment in my show that I receive the “magic gasp” I mention earlier.Has anything gone wrong? There have been many things, I have fallen into a band pit, been trapped in a trunk due to a missing key, forgotten my lines, forgotten which show I am performing, vaulted from a suspension on a rocking ship, spun like a top when a technician plugged a 110 volt prop into 220 volts, I’ve had the audience in hysterics with a urinating bunny and I’ve almost been snapped in half by a drunk volunteer.

What upcoming shows, videos, live tours do you have coming up for yourself? As the theatres and tours re-start there is great interest in a touring, all female magician magic show, I am very excited about that.  At the moment there is a shortage of North American female illusionist performers.  With my shows en route from Europe, I’m on the lookout for new up and coming talent to develop, cast and mentor. I’m currently working on a Magical Women coffee table book about contemporary Magical Women performing today.  This is in conjunction to the research and monthly Magical Women articles I’ve created for VANISH International Magazine since August 2020.  Lastly, I’ve created and am developing several magic routines to compliment my motivational speech about “finding the positives within negatives to reinvent yourself.”

And finally, is there a magic school you would recommend for ladies who would love to pursue magic as a career?  In Canada there’s the Canadian Association of Magicians (CAM) is a good start to find magic clubs near you:  https://www.cammagic.org

We have a Magical Women Facebook group for women in magic: https://www.facebook.com/groups/268813231889920

From Las Vegas:  Luna Shimada a magician and the daughter of legendary Japanese magician Shimada.  Luna created “the Shimada Legacy School of Magic” with virtual and local magic classes school: https://www.facebook.com/The-Shimada-Legacy-School-of-Magic-2145275525505784/

Jeff McBride has the “McBride Magic and Mystery School”.  Jeff’s wife Abigail is very hands on with the program and Jeff has mentored several female magicians. https://www.magicalwisdom.com

Any other news or information you’d like to share, Connie? Next month is Women’s History Month.  If you have sources to post the link for the free VANISH Special Edition, “Female Magicians through the Centuries” that would be great to share.  Also, the “Blast from the Past” playlist from our YouTube channel pays tribute to many vintage female performances.

I invite you all to visit my websites: www.theMagicalWomen.com  &  www.connieboydmagic.com
VANISH International Magic Magazine:  http://www.vanishmagic.com
VANISH Special Edition: “Female Magicians through the Centuries”:
https://www.dropbox.com/s/kmj5t47yszslfc6/VanishSpecialEditionJan2021.pdf?dl=0
YOUTUBE:  www.youtube.com/c/MagicalWomenWithConnieBoyd
FACEBOOK & INSTAGRAM
Facebook Magical Women Group:  https://www.facebook.com/groups/268813231889920
Facebook Magical Women Page:  https://www.facebook.com/magicalwomen1
Instagram:  https://www.instagram.com/themagicalwomen/
LINKEDIN https://www.linkedin.com/company/magical-women

Wow…I had no idea there was such a community out there for female illusionists. It was such a pleasure speaking with Connie and now I can’t wait to see one of her shows and experience the mystical world of magical women.
Connie is busy packing her bags and gathering her fellow magical ladies together and taking to the road for more shows, post-Covid.

 

CANADIAN COMEDY HALL OF FAME LAUNCHES VIRTUALLY – MEET THE BOARD & CHECK OUT PLANS FOR FUTURE

Having spent the late 70s performing with the comedy sketch group, The Flamingo Cabaret, then throughout the early-mid 80s running Yuk Yuk’s Komedy Kabaret as both business administration and as the agent for all the comedians (Funny Business), followed by several years running my own agency, Class Acts, where I was media rep. for comedy icons Billy Crystal, Jay Leno, Jimmy JJ Walker, Gilbert Gottfried and Dennis Miller, I definitely have an emotional connection to the CANADIAN COMEDY HALL OF FAME.  The Hall of Fame has been launched virtually by a group of showbiz and media veterans who, like me, know where all the bodies are buried…LOL…as well as understanding the need to recognize the great comedy artists who have paved the way for those now standing up and making us laugh throughout these dark Covid days.

I recently spoke with four of the Founders and asked about their inspiration for sharing their passion with Canadian comedy fans as well as audiences around the world. I started with the Acting Exec. Director of the Hall, TIM PROGOSH:TIM: Congrats on the launch of the Canadian Comedy Hall of Fame. You have been a steady presence in the comedy world on tv, stage and theatre, and produced the Canadian Comedy Awards for many years. What inspired you to undertake such an initiative to formally celebrate Canada’s funniest people?   The short answer is simple – watching Ed Sullivan with my family and my Dad pointing out that Wayne and Shuster were Canadian.  I felt proud that these funny guys were almost regulars on such a prestigious show that presented The Beatles – WTF eh!? They were so funny doing sketch comedy and I fell in love with the genre.  It is a genre at which Canada excels.  The long answer involves politics. I have an honours degree in Political Science.  I could never understand why our sense of being Canadian often morphs into just being anti-American.  Why can’t we celebrate our achievements proudly?  It just so happens that one thing we do very well is comedy.  From the very first political cartoons in the 1860’s through the two world wars, the advent of silent movies and the rise of television, Canadians have always been leaders and recognized for those achievements around the world.  But do we celebrate that accomplishment? Do we teach that story?  Do we preserve the memory?  Somebody has to start and when my dad passed last summer, I wanted to make the dream we shared become a reality.

KENNY ROBINSON:  As one of Canada’s most renowned stand-up comedians, you’ve worked clubs, theatres, opened for bands, appeared on numerous tv shows and specials, even acted in films over the past 4 decades. How do you feel about being a part of this long-time-coming Hall of Fame (virtual for now)?   I’m thrilled to be a part of the establishment of the Canadian Comedy Hall of Fame. We often complain about the lack of a star system in Canadian showbiz…or how its necessary to flee our homeland to pursue our dreams. Every Canadian school kid can tell you about the super stars of comedy but what about those who remained or the talents behind the camera, the writers’ room and at CBC radio?Canadians don’t beat our chests enough – we lack swagger – we even sing our national anthem with soft, coo’ing voices. We are a nation of corduroy pants-wearing mo’fos who think we’re dressed up.  My reputation in the comedy business is one of being outspoken and profane, the antithesis of the polite Canadian, and that’s what I feel will be my contribution to the Canadian Comedy Hall of Fame!  We NEED to BIG UP OUR OWN – STRUT IN OUR MUCLUKS. Because if we don’t sing our own praises, who will? Not our gun loving, no healthcare having neighbors to south.

JIM SLOTEK: As a journalist, you’ve covered the Just for Laughs Festival for the past 20 years as well as writing reviews and criticism for major comedy concerts. How has comedy itself changed since “the golden age” of Canadian comedy back in the 80s?  If you mean for comedians, there are far fewer big paydays now (a longshot even then). If you got seen by the right person at Just For Laughs, on the basis of one lucky set, you could end up with a holding deal or even a development deal from a U.S. network. A Canadian, Ivan Fecan, was an NBC VP with a keen interest in comedy. Lorne Michaels practically had a direct pipeline for Canadian comics. People like Mark McKinney and Bruce McCulloch got to sharpen their skills as SNL writers before Kids in the Hall hit its stride.Canadian comedy is way more diverse now. Russell Peters cracked the code of the huge unaddressed market of young first-and-second generation New Canadians. Kenny Robinson’s Nubian Disciples was a breakthrough in giving comics of colour a stage to share real life experiences. People like Jean Paul and Gavin Stephens and Sabrina Jaleese did so. And LGBTQ is represented like never before (Trevor Boris, Richard Ryder, Martha Chaves, Lara Rae).

RICK WHARTON: You’ve spent decades in the comedy biz – as an actor, improv comedian, radio and TV personality, director, producer and now run the fabulous Festival Theatre up near Ottawa. Why do you think it’s important that Canada recognizes its comedy stars, past and present in a Hall of Fame?  Well, it’s time. No one had done it and you would think it would be an automatic. The wealth of talent is just mind-blowing. As well, there are so many people in the business that need to be recognized. Everyone knows the front runners like Jim Carrey, Mike Myers, John Candy…there are so many more people who are deserving for recognition of their work.RICK:  Running such a prestigious venue as Festival Hall, you must have hosted many comedy shows there? Can you share some of the names and backstage antics…and do you anticipate hosting Hall of Fame special concerts?   Good question. Sometimes the show is backstage and the audience does not even know. Tim and I have talked about the Hall of Fame coming to the theatre. We ran a “Funniest Person in the Valley” contest for the Comedy Awards for a few years which was very successful. We had the finals at Festival Hall with Mike McDonald as the headliner. It was his first show back after his illness. It was hilarious and special. We have had a great amount of Canadian Comedy talent come to the theatre. Women Fully Clothed (Jayne Eastwood, Teresa Pavlineck, Robin Duke, Kathy Greenwood), Derek Edwards, Ron James, Glen Foster, Derek Seguin, Gerry Dee, Mary Walsh, Carla Collins, The Yes Men (Neill Crone and Kevin Frank), and Terry Hart guested with me on my Canadian Comic Witness Program. Always fun and craziness back stage – I would get in trouble if I shared, maybe sued! But I must admit, my own favourite comedy moment was opening for Gerry Dee doing one man improv and having that rush, hearing all the laughter and doing a killer set.

KENNY: How have these past (nearly)2 years of Covid restrictions affected comedians who have been prevented from performing to live, in-person audiences? Have you or others been performing online?  I guess I’ve been luckier than many the past two years – I had a western tour while my friends in Ontario were already in lockdown. Like many comics, I’ve done a hand full of Zoom shows which were a life save; it allowed me to socialize with fellow comics and show off my new material which I had to keep writing. What really has been my saving grace are the comedy workshops thru the “Windows to Opportunities” program that I’ve been running. Originally, the program was designed to expose black youth to the arts, but with the schools being closed, we have reached out to adults wanting to get into the business. At the end of May, we will present our second Zoom class performance. And it’s free.

JIM: Do you anticipate the Hall of Fame sharing news clippings and videos of our comedy heroes, past and present, as part of the attraction? If so, do you anticipate any difficulties with rights from broadcasters or are they on-board and understand the benefits of collaborating with the Hall?  Honestly, this is such a maple syrup level Canadian endeavor, I can’t envision rights owners being difficult. The good karma and good publicity are worth more than the few dollars they might be protecting.

TIM: Moving fwd, your current project is raising funds for development. Last year saw the launch of the virtual Hall of Fame and securing charitable status. For this year, 2022, what are your plans to fully develop the concept and planning of a bricks-and-mortar location? The plans were developed over the past 10 years to create something special.  Not just glass cases but an immersive experience, but I am getting ahead of myself.

Stage One is to create a yearly induction.  Make it real, so to speak.  Our nomination committee has created a great blueprint for integrity which is the backbone of any hall of fame. Now that we have the process defined, we are about to present the slate of nominees for voting.

Stage Two is the actual festival that will surround the inductions.  Something worthy of the inductees.  Shows, exhibits, galas, and parties.  If there is one thing that brings the comedy community together it’s the parties. Fortunately, I Executive Produced the Canadian Comedy Awards for 16 years as well as the television shows that were nominated for Best Variety Special at the old Gemini awards.  I have produced festivals in three provinces and 6 different cities. I sit on the board of Festivals and Events Ontario and have learned what works and what doesn’t and most important how to listen and be flexible.

As for bricks and mortar, we had a few attempts with commercially motivated developers that did not come to fruition.  The CCHoF was going to be a great addition to several developments: one in Toronto and one in Niagara Falls that did not get off the ground.  That is why I am so focused to just start the process to celebrate. To celebrate before we lose more great talent. Mike MacDonald was a good friend as was Roger Abbott.  They were a big part of the Comedy Awards, and they were fantastic advisors to me.  We are not getting any younger and the world is a crazy place.  It became a mission for me to get this going and set it up so it would continue.  When it comes to an actual location, we have a solid business plan and exciting creative developed over 10 years of research involving some of the best minds in museum build and touring shows.  We will start with a tour and a few exhibits while we secure funding to acquire the proper space in the proper location

For now – we have a virtual home.  The nominees will be announced this spring then voting. The induction festival is in development for later in the year.   We can all be proud and celebrate these fantastic Canadians, what they have done for our industry, paving the way for all who followed and perhaps more important, making us laugh.  The tricky part is allowing ourselves to be proud.  As Kenny Robinson said “Sometimes you just have to blow your horn when no one listens.”

Thanks Tim, Kenny, Jim and Rick – up to Feb 15th, you can become a Lifetime Member for the modest fee of $25 – that’s less than most cover charges at the club!!
Sign-up now and get in on the ground floor of the CANADIAN COMEDY HALL OF FAMEhttps://canadiancomedyhall.com/ 

JOHN CANDY

DAVE BROADFOOT

RICH LITTLE

PHIL HARTMAN