Women at Play(s) 7 is a festival of original short one-act plays written, directed and performed by Canadian women-identifying playwrights, directors, and actors. This seventh edition features seven short plays for a dramatic, comedic, unexpected rollercoaster of a show. From Boomers to babies, from China to the Cheakamus, from literature to larceny, these plays take viewers on a journey through the lives of a truly diverse group of characters.
Runs Mar 28-30 and Apr 2-6 at the Alumnae Studio Theatre (70 Berkeley Street) Toronto (upstairs – sorry, no elevator)
Dates: Mar 28-30, Apr 2-9 7pm – Saturday and Sunday Matinees 2:30pm & 7pm
Tickets: Regular: $28 and students/seniors/art workers: $22 https://www.ticketscene.ca/events/50820/ or at the door (cash only)
Reservations: womenatplays2023@gmail.com To accommodate those with mobility issues, a shortened PWYC version has been added at an accessible venue: the Performing Arts Lodge – 4 of the 7 plays will be presented. PAL is located at 110 The Esplanade, Toronto on April 10 at 7pm
Email reservations to: womenatplays2023@gmail.comWomen at Play(s) was created in 2005 by Artistic Director Marianne Sawchuk (pictured below) to provide a creative outlet for women playwrights, directors and actors. It was conceived to inspire artistic achievements in theatrical performance for women. WaP is a grassroots artist profit shared organization that showcases women of all diversities, 2SLGBTQIA+ inclusive, from Gen Z to Silver Foxes for an audience of those who want to experience a variety of great theatre.For the seventh Women at Play(s) 7, non-binary actors have also been welcomed into the collective. Women at Play(s) had 3 successful shows in Vancouver where WaP 3 broke the Jericho Arts Centre’s house record on closing night and had, so far, 3 successful shows in Toronto where it has managed to survive the pandemic. In 2023, Marianne Sawchuk was honored with a Playwrights Guild of Canada Tom Hendry “Bra D’Or” nomination for her ongoing support of women playwrights in Canada.
For more info, you can follow Women at Play via social media:
https://www.facebook.com/womenatplays/
https://www.instagram.com/women_at_plays/
https://linktr.ee/womenatplays
Thrilled to see friend and theatre buddy TRICIA WILLIAMS promoting a fundraiser performance for the Fringe-bound Grown Ass*d Broads Talkin’ Dirty that features legendary Canadian stage & screen actor VALERIE BOYLE. Tricia passed along all the details and, if you’re in Toronto this Friday night, I encourage you to head down to the Performing Arts Lodge to enjoy a night of theatrical hijinks. Here’s what it’s all about….On Friday March 14th, there will be a fundraiser for the upcoming 2025 Toronto Fringe Festival comedic play, Grown Ass*d Broads Talkin’ Dirty. This night of music and comedy promises to be fun and full of hilarity, and features renowned singer/actor who also wrote the play, the indomitable Valerie Boyle (pictured below)Valerie starred, wrote and produced her own one-woman show,Sophie Tucker,which toured Canada, as well as workshopped in London, UK, and she was also Shirley in Shirley Valentinewhen the play toured Canada. She also starred as Mother Superior in Nunsense for twelve productions – a role she is going to resurrect again in 2025 at the Victoria Playhouse, Petrolia, for the Nunsense 40th Anniversary. Valerie also has numerous big & small screen roles to her credit including a turn on Murdoch Mysteries. She is a Canadian treasure.
Another featured performer will be Curtis Sullivan(pictured below) whose time at the Stratford Festival includes the roles of Admiral von Schreiber in TheSound of Music, Captain Watson in Carousel, Tony (cover) in The Boyfriend and Giuseppe Palmieri in The Gondoliers.Rounding out this night of show-stopping musical performances will be Tiffany Deriveau (below) who has performed in Soul Sistas as Tina Turner, Wanda in Beehive: the 60s Musical, Mama Morton in Chicago and Crystal in Little Shop of Horrors, in various theatres across the country.Bringing the comedy will be Christel Bartelse(below). As a solo artist, Christel has wowed Fringe audiences and beyond with her one-woman shows including CHAOTICA, ONEymoon, Significant Me, All KIDding Aside, The Surprise and Encore. She has been nominated twice for a Canadian Comedy Award and has toured every major Canadian fringe festival, as well as several in the U.S. and has performed twice at the original Edinburgh Fringe Festival.The emcee for the evening will be Tricia Williams who has graced the Toronto Fringe Festival stage for the past three years in hit shows such as the Sorauren Book Club, Hymns and Hearseand Disarming Venus. She is also a cast member of Grown Ass*d Broads Talkin’ Dirtyalong with Jorie Morrow, Andrea Davis, Morrie Sinkins and Julie Burris.The fundraiser will take place at the Performing Arts Lodge (PAL), 110 The Esplanade in the Crest Green Room Theatre. Tickets are $20 cash at the door and $10 cash for residents of PAL. Doors will open at 7:00 pm and show time is 7:30 pm.
So come on down to PAL, just around the corner from the St. Lawrence Market and have a great night of fun and laughs with a cast of great Canadian actors…including my friend, Tricia. Tell her I sent you!
Congratulations to Bruria Cooperman and her director Eva Almos on last night’s opening of Rebel Bubbie, Inc. at the Alumnae Theatre as part of this year’s annual Toronto Fringe Festival. The theatre was mostly populated by friends and family (and Bruria has a big family) who laughed throughout her 60-minute show recounting stories of her life and what it means to now be a “bubbie” (Jewish grandmother). Even as a first-timer at the Fringe, Bruria owned the stage and seemed very comfortable sharing her thoughts and experiences, never shying away from recounting some of the naughtier moments in her life.So here’s a little background on the show, the stories and the bubbie…. Hot off her scene-stealing appearance in the Adam Sandler film, You Are So Not Invited to My Bat Mitzvah, Bruria Cooperman is a semi-reformed, self-confessed renegade who wrote and stars in an unfiltered one-woman comedy, co-written with Almos. As we learn, she was always in search of adventure, discovering that marriage won’t stop you from being arrested, banned from a casino, being taken into police custody in Yugoslavia for nudging a mule (!) or getting kicked-out of a bagel joint. From performing improv in NYC in the 60s & 70s, being at Woodstock, to drag racing, floating in a weightless space tube, authoring books – Rebel Bubbie has done it all…and only arrested twice (she holds up 3 fingers in a sly aside from the stage!)Cooperman has led a life of trail-blazing: she was part of the first generation of children born in Israel, post-Holocaust. From an early age, she exhibited an attitude of “Hey, look at me!” This adventurous child got into all manner of scrapes with her playmates and on her own. Always finding humour in the darkness, she wrote a book about children born to Holocaust survivors titled For This I Survived? Children of Survivors Beyond the Trauma (avail. on Amazon).When the curtain came down on last night’s show, Bruria was surrounded by well-wishers who embraced her and offered kudos and encouragement for the rest of the run.
And head of ACTRA Toronto, David Gale (pictured below L) also dropped in to congratulate Bruria on her show Emmy-nominated creator Eva also had friends come out to support the show (pictured below, R) and she was pleased to sit and relax after the show…The Toronto Fringe Festival runs over the next 10 days at various locations with numerous plays, musicals, puppetry and dance so check out their website for details Rebel Bubbie, Inc. show is 60-min. and all shows are staged at the Alumnae Theatre, 70 Berkley Street, Toronto. Info & Tickets: www.FringeToronto.com
Here are the dates and times:
Thursday, July 4th 6:00 pm $10.00 Thurs July 11th 8:15 pm $15.00
Saturday, July 6th 12:30 pm $15.00 Friday July 12th 6:00 pm $15.00
Sunday July 7th 2:15 pm $15.00 Sat. July 13th 3:15 pm $15.00
Wed. July 10th 6:00 pm $15.00
Just 6-weeks until Toronto welcomes the annual theatrical Fringe Festival, offering a multitude of comedy and drama presentations by hundreds of actors, writers, directors and hard-working crews. Hot off her scene-stealing appearance in the Adam Sandler film, You Are So Not Invited to My Bat Mitzvah, 75yr old Bruria Cooperman, a.k.a. Rebel Bubbie, a semi-reformed, self-confessed renegade, stars in an unfiltered one-woman comedy at this year’s Toronto Fringe Festival.Always in search of adventure, Rebel Bubbie has discovered that marriage won’t stop you from being arrested, banned from a casino, or getting kicked-out of a bagel joint. From performing improv in NYC in the 60s & 70s, to directing and producing theatre, to drag racing (the 4-wheeled kind), floating in a weightless space tube, writing books – Rebel Bubbie has done it all! And only arrested twice!Cooperman has led a life of trail-blazing: she was part of the first generation of children born in Israel, post-Holocaust. From an early age, she exhibited an attitude of “Hey, look at me!” This adventurous child got into all manner of scrapes with her playmates and on her own. Always finding humour in the darkness, she wrote a book about children born to Holocaust survivors titled For This I Survived? Children of Survivors Beyond the Trauma (avail. on Amazon).Rebel Bubbie posts fun videos sharing her “Yiddish Word of the Day” on her YouTube channel – subscribe to: @RebelBubbie. Follow on Facebook & Instagram.
Definition: Traditionally, a bubbie (the Yiddish word for grandmother) wore floral housecoats, made chicken soup and gave you the biggest hug. Today’s bubbie still loves you, but wears designers suits, plays tennis and orders in. Bruria’s co-writer, executive producer and director is Eva Almos (pictured below) who has found success as a writer/executive producer on both the East and West coast. A graduate of the Warner Bros. Television Writers’ Workshop, Eva began her career as staff writer of multiple episodes of Duckman. She won a CableACE Award and was nominated for an Emmy for Outstanding Animated Program for the episode “Noir Gang.” She has worked on numerous live action and animated series including The Wild Thornberrys, Pinky and the Brain and Invader Zim.Eva went on to develop and executive produce the animated series Carl Squared for Teletoon, developed Dave Darling-Head Case for Starburns Industries, and developed/wrote the popular TVO/PBS series Wild Kratts where she also plays fashion-designing villain Donita Donata. I remember Eva as the voice of so many brilliant radio commercials in the 80s/90s – so good was she, that Eva became the go-to voice actor for every advertiser, but bigger things beckoned her in Hollywood…and the rest is tv history!I’m thrilled to be publicizing Rebel Bubbie, Inc. throughout the Toronto Fringe Fest period so watch for news on my social media throughout the next 6 weeks.
All 60-min. shows take place at the Alumnae Theatre, 70 Berkley Street, Toronto
Thursday, July 4th 6:00 pm $10.00
Saturday, July 6th 12:30 pm $15.00
Sunday July 7th 2:15 pm $15.00
Wed. July 10th 6:00 pm $15.00
Thurs July 11th 8:15 pm $15.00
Friday July 12th 6:00 pm $15.00
Sat. July 13th 3:15 pm $15.00
Tickets: www.FringeToronto.com
With thanks to my friends at B.Rebel Communications…..
Featuring an expressive mixed program of contemporary dance works, with choreography by ROBERTO CAMPANELLA, CHANTELLE GOOD, SYREETA HECTOR and LESLEY TELFORD plus a cast of stellar performers – NOVEMBER 2 – 5, 2022 at Fleck Dance Theatre, Toronto
Following a 3-year hiatus, ProArteDanza presents its fall 2022 season performance featuring a quadruple-bill mixed program of unique, innovative and expressive choreographic voices. With works created by Roberto Campanella, Chantelle Good, Syreeta Hector and Lesley Telford, these four pieces seek to reconnect audiences and explore the complexity of the human condition through concepts surrounding internal conflict, change and memory. “After being absent on stage for 3 years and with an increased sense of loneliness experienced by many, we are all trying to reconnect, one way or another.” – Roberto Campanella, ProArteDanza Co-Founder and Artistic Director
To kick-off their exciting repertoire of performances, ProArteDanza presents BEAST A LA MODE. Choreographed by Syreeta Hector, BEAST A LA MODE examines the powerful influence that environment has over one’s identity. This 30 minute performance explores aspects of ourselves that are both revealed and concealed,investigating the uneasy contradictions of character we develop in order to survive everyday life, and highlighting our essential need to compete with our collective identities.
To follow is Roberto Campanella’s emotionally resonant FEARFUL SYMMETRIES (2016) – pictured below, with the movement motif of running, which poses the question: is the ensemble on stage actually getting anywhere or merely struggling to keep up with an ever-changing world? Campanella’s choreography is accompanied by Fearful Symmetries, an orchestral work by composer John Adams. TETHERED TO YOUR PALMS, with choreography by Chantelle Good, explores the act of preserving memories both within ourselves and with others. Whether it be a scent, an image or a sensation, how can we take care of the sacred moments that stay with us, while honouring the truth of the initial experience? How can we hold someone’s memory of a shared encounter, even when it is different from our own? TETHERED TO YOUR PALMS’ music is complete with Nils Frahm’s Said and Done.
Concluding the evening is a contemporary work choreographed by Lesley Telford.ONLY WHO IS LEFT is inspired by a quote by Bertrand Russell: “War does not determine who is right – only who is left.” Set to music by Michael Gordon, Beethoven, and Mozart, the piece explores the heroism and beauty of carrying on, the futile sensation of the fight and the acceptance of where we end up.
Dances are performed by Joey Arrigo, Sasha Ludavicius, Connor Mitton, Jake Poloz, Kelly Shaw, Eleanor van Veen, Evan Webb, Carleen Zouboules, and ProArteDanza apprentice, Giulia Petti.
ABOUT PROARTEDANZA: ProArteDanzais a repertory contemporary dance company which challenges and inspires our artists and our audience through bold new work and invests in the future of the art form through educational programs. Committed to “passion in performance”, ProArteDanza strives to reach the widest possible audience through an open, equitable and inclusive culture which fosters artistic risk-taking, innovation and collaboration.
DETAILS When: November 2 – November 5, 2022 at 8pm Where: Fleck Dance Theatre (Harbourfront Centre), 207 Queens Quay W, Toronto Length: Approximately 1.5 hours with an intermission Price: Tickets range from $25 – $45, with senior, student, and arts industry discounts available. To purchase tickets, please visit https://proartedanza.com/ or call the Fleck Dance Theatre Box Office at 416 973 4000.
CONNIE BOYD is a Canadian magician, inventor, producer and director, with a background in dance, theatre and circus. She is known for physically demanding, artistic magic such as the “solo” guitar suspension (the World Magic Awards 1999) and an up-side-down straight jacket escape over a bed of nails (Shanghai Magic Festival 2012). Connie has appeared on television shows such as “Masters of Illusion,” “the Best Magic of Las Vegas” and the “World Magic Awards”. She launched her magic career in Las Vegas in 1987, eventually starring & headlining in production shows such as the Folies Bergère at the Tropicana Hotel, Jubilee at Bally’s and opening for celebrity headliners such as the recently departed comedian and TV star Louie Anderson. Connie was named Best Cabaret Magician in 1999 at the World Magic Awards in Los Angeles and the “Prix du Public” at the Grand Prix du Magique in Monte Carlo in 1996.In 2006, Connie was asked to consult on talent with a cruise company in Europe which led to a new career producing, mentoring and directing multiple shows on cruise lines internationally, casting female magicians as the lead performers. In June 2020, she created Magical Women, a YouTube channel dedicated to documenting some of the best women in magic in the world in all facets of magic. She writes a monthly Magical Women series for Vanish Magic magazine and has recently been featured in Genii magazine and MagicSeen in the UK. She also created a conference on Digital Transformation for Magic in 2020 for “United Magicians for the World”. More recently, she launched a new series on the YouTube channel called Blast from the Past which features vintage videos of female magicians from the past.
Being such a busy lady, I was thrilled to get a chance to chat with Connie and ask her about her amazing career and all the women in magic she has worked with or met. What a great conversation we had!
Connie, you’ve created a wonderful web portal showcasing women in magic from around the world and their incredible talents. What inspired you to generate this platform? Pre-pandemic, I was extremely busy and happy producing, directing and mentoring magic shows and talent. I was in Italy when the lockdown started there in March 2020. I had magicians on cruise ships returning to Italy from winter seasons in the Caribbean and South America. Contracts were cancelled and my talent were repatriated to their home countries on three different continents. My own magic shows were literally “frozen in time”, indefinitely on “ghost” cruise ships at sea in the Mediterranean.
For the first time in thirty plus years, I didn’t have any magic obligations or projects to complete. After much reflection, I realized that there wasn’t a source or resource anywhere in the world, dedicated to documenting and supporting women in magic. I decided to create the Magical Women project and the “Magical Women with Connie Boyd” YouTube Channel, dedicated to represent female magicians past and present. I started by reaching out to female magicians I knew and everyone was enthusiastic about the project and willing to participate. Being a credible woman with success in magic helped; I understood the challenges many of the world-class magicians encountered as women in unconventional careers and in under-represented groups. Thanks to the pandemic I had a rare opportunity to record talent that would not normally be readily available.
Tina Lenert, a fabulous magician and one of the first magicians I interviewed, provided an apt quote that summed up how I felt at the start: “life begins at the end of your comfort zone” (Neale Donald Walsch).
Most of us know all the famous men in magic from David Copperfield to Penn & Teller, Doug Henning, Siegfried & Roy, way back to Houdini, Blackstone and of course, The Amazing Randi – why don’t we hear more about the women? There must have been some great female artists over the past century? One of the accomplishments I’m most proud of is participating and collaborating on the VANISH International Magic Magazine’s special edition “Female Magicians through the Centuries” that was published in February 2021 as a FREE publication. The essay and photos were provided by Sébastien Bazou, the publisher of “ArteFake” an entertainment e-publication in France. VANISH’s publisher and editor is a great advocate of diversity and generously created the graphics, layout and free Special Edition. You can view it here: https://bit.ly/3BrqWQxAs you will note from the VANISH Special Edition women in magic have existed through time. It’s true that female magicians are still less than 6% of the magic community, but it’s important to note that the women who have committed to careers in magic are making a huge impact and statements that cannot be denied.
One of the wonderful elements I’ve discovered through the Magical Women project is the increasing number of female contemporary magicians. French magician Léa Kyle was the first female magician to place in the finals on “America’s Got Talent” last season and she’s currently headlining in Las Vegas. Venezuelan magician Dania Diaz was a finalist on “Spain’s got Talent” and was the first Latina female to reach the finals on “America’s Got Talent: the Champions” in 2019. Amanda Nepo is the youngest female magician at sixteen years old to fool Penn & Teller with magic that she invented. Australia’s Helen Coghlan is a six-time “Penn & Teller Fool Us, FOOLER”. The list goes on and on and it’s a truly exciting time for women in magic.
You have over 30years experience performing illusions and entertaining audiences with your prestidigitational skills – when did you first realize this was the career for you? I discovered magic in Las Vegas. In fact, I debuted my first magic act there in the late ‘80’s. My magic story is unorthodox. My professional background pre-magic was theatre and classical ballet, with aerial and juggling circus skills in the mix. I was performing in Las Vegas at the Riviera hotel in “SPLASH” with a juggling act when I discovered magic. I fell in love with the levitation magic of the headlining magician and puppeteer, Barclay Shaw. I studied and watched his mesmerizing performances nightly. Barclay was the catalyst for my magic career and it was he who suggested that I become a magician.Starting magic from zero wasn’t easy, but I discovered magic uses every skill I have and I’ve learned more. Good magic is a complete, theatrical artform, it taps into my creativity, physicality and artistic vision. I have been fortunate, able to invent magic and create magic effects that are specific to me and my skill sets. It’s challenging, it’s frustrating, but it’s also been a perfect fit. I was determined to succeed and it helped that I had exposure and access to some of the very best magicians and entertainers in the world.
You’ve interviewed and reviewed so many ladies of magic for your YouTube channel, magazines and blogs. Who are the outstanding magicians we should watch for now that theatres, casinos and clubs are opening up after Covid? There are SO many, I am pleased to report. Here’s the list that pops into my head: Léa Kyle, Daniz Diaz, Billy Kidd, Carisa Hendrix, Laura London, Alana, Helen Coghlan, Josephine Lee, Alexandra Duvivier, Amanda Nepo, LeRoya Sanford, Kayla Drescher, Krystyn Lambert, Tessa Evason, Katherine Mills, Anchal, Jen Kramer, Ekaterina and many, many more.Veteran magicians are also making a difference magically on and off stage with performances, philanthropic charities, mentoring and writing. This includes magicians such as Juliana Chen, Tina Lenert, Fay Presto, Julie Eng, Diana Zimmerman and Lisa Menna,
Magic overcomes all language barriers and appeals to all ages – what is your favourite audience composed of…families, grown ups, corporate shows? Since 2000, my magic shows have been on tour internationally on cruise ships, on television and in theatres. My favourite audience is a theatre full of a mix of families and adults; theatre and magic savvy and first timers. It’s a mix of people who wish to suspend disbelief and believe in magic for that moment in time and even those who wish to discredit it. The biggest reward is hearing the audible gasp when they react to your magic and performance. They can’t help themselves and respond with surprise, and that’s my favourite moment, always.Who has been your role model or favourite magician (male or female) over the years? First would be Barclay Shaw for helping me to discover magic, for never considering a woman couldn’t be a magician and for encouraging me to pursue magic. David Copperfield for his inspiring work and performances which encouraged me to work harder. Don Wayne, inspired me to create and to understand how to use magic techniques and the psychology behind the magic. Joanie Spina was brilliant on and off stage, she was instrumental to discovering who I was on stage and for staging many of my best acts. Recently, it’s Diana Zimmerman for her tireless support, encouragement and wisdom.
Without giving away any secrets, Connie, what has been your most astounding, amazing stunt…and, conversely, have you ever had anything go wrong? The number I most known for, that’s a signature piece, is a number I created called “Floating & Flying”. The magic is powerful as I am costumed in a simple leotard. In the midst of a classic floating ball magic act, I fly into the air to retrieve a floating ball over my head. This is a moment in my show that I receive the “magic gasp” I mention earlier.Has anything gone wrong? There have been many things, I have fallen into a band pit, been trapped in a trunk due to a missing key, forgotten my lines, forgotten which show I am performing, vaulted from a suspension on a rocking ship, spun like a top when a technician plugged a 110 volt prop into 220 volts, I’ve had the audience in hysterics with a urinating bunny and I’ve almost been snapped in half by a drunk volunteer.
What upcoming shows, videos, live tours do you have coming up for yourself? As the theatres and tours re-start there is great interest in a touring, all female magician magic show, I am very excited about that. At the moment there is a shortage of North American female illusionist performers. With my shows en route from Europe, I’m on the lookout for new up and coming talent to develop, cast and mentor. I’m currently working on a Magical Women coffee table book about contemporary Magical Women performing today. This is in conjunction to the research and monthly Magical Women articles I’ve created for VANISH International Magazine since August 2020. Lastly, I’ve created and am developing several magic routines to compliment my motivational speech about “finding the positives within negatives to reinvent yourself.”
And finally,is there a magic school you would recommend for ladies who would love to pursue magic as a career? In Canada there’s the Canadian Association of Magicians (CAM) is a good start to find magic clubs near you: https://www.cammagic.org
Jeff McBride has the “McBride Magic and Mystery School”. Jeff’s wife Abigail is very hands on with the program and Jeff has mentored several female magicians. https://www.magicalwisdom.com
Any other news or information you’d like to share, Connie? Next month is Women’s History Month. If you have sources to post the link for the free VANISH Special Edition, “Female Magicians through the Centuries” that would be great to share. Also, the “Blast from the Past” playlist from our YouTube channel pays tribute to many vintage female performances.
Wow…I had no idea there was such a community out there for female illusionists. It was such a pleasure speaking with Connie and now I can’t wait to see one of her shows and experience the mystical world of magical women. Connie is busy packing her bags and gathering her fellow magical ladies together and taking to the road for more shows, post-Covid.
Several years ago, I was thrilled to work on promotions and PR for filmmaker friend Bobby Del Rio‘s feature film The Market and I was pleasantly surprised to learn of the impact the film has had on so many of the actors involved, especially now that there is a distribution deal in place to take the film to viewers across the globe…and that my fave streaming platform, Amazon Prime, now offers it as part of their catalogue. One good thing about quarantining is that it’s given us plenty of time to watch tv and discover all manner of films, documentaries and tv series. I reached out to Bobby to see how he’s dealing with the production “lock down” and was pleased to hear how well he has been handling these past 6 months both personally and professionally. This is what he told me….Bobby, it’s been several years since we worked together on your feature film The Market, and you recently landed a distribution deal for the film so how did that come about and what countries can now view The Market? Thank you for your help, Glenda. You were an important part of our team that helped us get here!
The distribution deal came about while talking to my friend Rebeka Herron about another project. When I mentioned I thought the unfortunate economic collapse was a very relevant time to release my feature film about a Wall Street conspiracy theory, she certainly agreed and offered to distribute the film through her Parallel Universe Pictures. They have been amazing to work with. The film is currently available on Amazon Prime in the US & UK. In Canada, we’re on Vimeo on Demand. From watching all your social media posts, I gather you’ve been very busy writing, directing, acting…can you share any news of upcoming film/tv releases? I really appreciate the support, Glenda. I’ve been blessed to stay busy during a difficult time in our industry. My next project is The Kult, a web series I’m co-writing with Megan Laursen. We created it together, Megan is directing, I am playing one of the lead roles. We have assembled a brilliant cast of stage and screen veterans, and will be announcing production details in the coming months… We’re looking at early 2021, and I’m incredibly excited about it.
Megan Laursen is a 22-year old prodigy who has become my writing partner and main collaborator. She will be directing some of my feature screenplays, and I am attached to star in a few of her films. You will hear her name again and again, and it’s my true pleasure to work with such a talented artist at the beginning of her bright career. I am also working with filmmaker Paul Persic on a new feature film. Paul is actually our DOP for The Kult, and a talented director himself. He is yet another young, prodigious film talent that has an incredibly bright career ahead of him. Megan, Paul and myself have a really great synergy that is yielding a large number of film projects at a very high skill level. It’s humbling and exciting to work with (and learn from) artists half my age.
How have you navigated the Covid production shut down? Has this given you the time and space to focus on your writing? While Covid has certainly created many challenges, it has also been a blessing in disguise for me. I learned how to edit, launched a couple of podcasts, polished some scripts and binged historically great television franchises like Lost and The Sopranos. I am slightly embarrassed to admit that I have never been so busy in my entire career! I have been offered lead roles in SEVEN different projects, and have many other projects in development as a writer.
While many of my projects are on hold from a production standpoint until after Covid is over, many are in pre-production. I anticipate an INCREDIBLY busy 2021 – starting around spring/summer. While the quarantine year has been challenging, I think it’s been a very important time for contemplation. I view our industry in a period of calm before the storm…
Back in 2017, you presented your play, Professionally Ethnic which was, in fact, written a decade earlier. Considering the timeliness of the subject of diversity in film & tv, do you have any plans to put the play on film? Due to many geopolitical events, my play Professionally Ethnic has certainly been getting attention. I have been working extensively with director Rouvan Silogix for an extended theatre run and also a film adaptation! While theatre has been hit harder than film during the pandemic, many discussions are ongoing. Since writing is a major part of my career, I have actually found myself MORE in demand as a writer. While many production challenges continue, development opportunities abound. Rouvan is one of my best friends, and a truly brilliant artist. While we don’t have official release dates on anything related to Professionally Ethnic yet, we have a few strong possibilities on the horizon for this particular project… My hope is that an analysis of race politics will bring us all closer together as human beings…You were also a recurring character on the hit web-series My Roommate’s an Escort (2017-19) – did that experience inspire your own web-based creativity? How do you see the future of traditional network tv vs. web-based or streaming platforms for entertainment delivery? Playing SAM in both seasons of My Roommate’s an Escort taught me a lot. While I was the creator & showrunner of IRL the Series (sold to Bell Media) before I worked for Katie & Trish as an actor, I certainly learned a lot from the Escort experience. It’s amazing how voraciously an audience is willing to consume a web series if you have the right product.As for traditional network tv vs web-based content, the lines have blurred. I personally do not see a difference between conventional television and shorter-form content. I think the viewer has shifted their thinking to that of patrons in an art gallery: While some canvasses are large and some are small, they are all ultimately still viewed as different paintings. I think that is how movies/tv shows/web series/streaming platforms/etc. are now seen: as simply different styles of content – all equally relevant, though unique in their own ways.
Ultimately, the audience is looking for a well-crafted story, told by skilled artists. I simply focus on telling my stories the best way I can with the resources available to me. That strategy has consistently yielded positive results for me my entire career. I do my best, and constantly seek to improve. Everything else is out of my control…
How can readers follow you on social media? I have a very active Facebook account where I approve everyone. (This sometimes gets me in trouble. lol) and I also have a growing platform on Instagram (@bobbydelrio) and my Twitter handle is @Bobman
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Thanks, Bobby, and congrats on all the well-earned successes to date and your future gigs. I encourage readers to check out Bobby’s social media for news of upcoming projects and thank you all for supporting Canadian talent.
Congratulations to the performers and in particular, artistic directors KRISTINA KULIKOVA, ANTON AZANOV and CHANTAL FRY-SALETTI on last night’s opening of THE SHIVER SHOW at the Glenn Gould Studio theatre in Toronto. So many hours of rehearsal and sweat-equity have gone into this stunning blending of dance, figure skating, circus arts, music and operatic singing, as well as beautiful costuming, hair and make-up.The brainchild of Kulkat Entertainment’s Kristina Kulikova, the Shiver Show blends 7 different disciplines of dance with figure skating, aerial circus arts, a little burlesque, video and some very talented musicians into this unique theatrical experience that had the audience on their feet more than once throughout the show!
Prior to showtime, several of the performers were interviewed backstage by Fairchild TV – here’s Kristina, Anton, opera singer Dina Shikhman and Kristina’s talented sister Elena Kulikova (singer/painter) chatting with the news crew.Out in the lobby, one of the charming ballerinas entertained the crowd prior to the show with a very unusual performance….move over Edward Scissorhands!
One of my favourite routines was this stunning flamenco dance, accompanied by Dina singing Carmen.
And to close the show, all the performers came out to take their bows to a standing ovation…bravo!
Afterwards, the dancers schmoozed with the excited audience and I was thrilled to accompany Toronto’s leading online influencer, MoVernie, introducing him to all the performers, starting with Kristina herself.There are 2 more shows today, Saturday Feb 10th at 4pm and 7:30pm – so there’s still time to catch THE SHIVER SHOW. Info and tickets available at: www.ShiverShow.ca or call 1-888-407-4520
Thank you for supporting Canadian talent…and if you’re looking for the perfect entertainment for your corporate event, festival or gala, please contact Kristina to see how she can customize a show just for you. You can reach her via the website.
Stunning young soprano Barbara Suhodolčan won lots of new Canadian/Croatian fans when she performed at the Holy Trinity Croatian Catholic Church in Oakville on New Year’s Eve. This marked Ms. Suhodolčan’s Canadian debut but thanks to the overwhelming response from the audience, local promoter Katica Visic of Cronnexion Entertainment is hoping to invite Barbara back to Canada later this year for a mini-tour in Southern Ontario and possibly beyond. I had the opportunity of speaking with Barbara just before she flew back home to Croatia earlier this week and here’s what she had to say about her experience….
Barbara went on to tell me about upcoming shows, especially one about which she is very excited…
And she is especially proud of her mum and dad for their support and dedication to helping her career. Both accompanied her to Toronto, along with her piano accompanist and another musician.
She is totally delightful to chat with and is most definitely destined for fame in the very near future. After the interview, Barbara and I had some fun taking photos in her hotel lobby where we found a great big Christmas tree still in tact.To learn more about this lovely, talented artist, you can follow her on Facebook & Instagram, or keep an eye on my blog for news of her (hopefully) return to Canada. Here’s a recent video of her performing a Victor Herbert classic.
Over the past three decades, I’ve had the privilege of working with the hosts of CIUT radio’s “Howl!” spoken word/music show (Tuesdays, live at 10-11pm) who have interviewed numerous clients of mine, supported events I’ve promoted and I’ve even appeared on-air myself chatting about life as an arts publicist. Howl! is one of the few live media platforms available to local Toronto artists to promote their creations and performances, and as CIUT 89.5FM is holding it’s annual Spring membership drive May 8-14, I would like to encourage all my readers/followers to kindly support this amazing grassroots radio station.Nancy Bullis and Valentino Assenza share hosting duties, alternating on-air duties each week. They have welcomed poets, authors, musicians, actors, theatre folk, songwriters – all sorts of entertainers who add to our city’s cultural landscape. Please join them Tues. May 9th between 10pm and 11pm and call-in or log on to the CIUT website to donate (details at end of this story)
Above L to R – Valentino, Nancy & studio engineer Robert
“It is an honour, a privilege and a sheer joy to prepare for and interview writers and artists in Canada of all genres to showcase their work on HOWL,” Nancy told me. “The radio is a great place for them to introduce new work and CIUT 89.5FM provides for this opportunity. A conduit is available here for, as you say, Glenda, “the grassroots promotions & media opps for emerging artists via HOWL!” Exactly! I think that society would be a dismal place without music, poetry, spoken word and the other arts to help us understand who we are and for artists of all kinds to express themselves. I’m a big believer in Kurt Vonnegut’s “canary in the coal mine theory of the arts.” It truly is my pleasure to be part of HOWL, CIUT 89.5FM since December 1999.”
And Valentino added…. “For me, life is about words, and so I make HOWL! about words too. Whether it’s a series of them that make up a novel or a cool poem, sound lyrics in a song, HOWL! is about words, and how powerful they are, and I like to expose the people that transcend words through their art.”
Above, Nancy interviews Grammy-nominated flutist and composer Ron Korb prior to his departure for LA and the Grammy red carpet. And below, she’s with Cuban jazz trumpeter and composer Alexis Baro whose CD launch was the following weekend.Before Nancy and Valentino took the helm at Howl!, the show was the sole domain of legendary poet, artist and musician Nik Beat (pictured below). I remember working closely with Nik back when the CIUT studios were located in an old Edwardian house on St. George St…up 2 flights of rickety stairs, into the rafters. Nik was one of the first people in the city to support poetry and spoken word performers and he and I just clicked when we first met at one of my Scribes & Muses! (or S&M for short…LOL) performances back in the late 80’s. I headed up an artists’ collective of writers, poets, musicians who performed live around the city – Nik was the only media host who gave us on-air time. Needless to say, I am indebted to Nik and Howl!/CIUT for the successes that came from those early days.So to honour Nik and all those artists he helped over the years, and for Nancy & Valentino’s ongoing weekly showcase, please reach out and support the station which supports the artists. Thank you.
CIUT 89.5 FM SPRING 2017 MEMBERSHIP DRIVE
Presenting the Sound of Your City for 30 years
On Air Campaign Runs May 8-14
Your contributions and support have kept CIUT thriving for 30 years and we want to continue to be the sound of your city for another 30 + years!
Donations can be made right now by simply clicking on the Donation button on the website www.ciut.fm
Phone lines are open 6am-2am 416-946-7800 OR 1-888-204-8976
Show your support on this 30th anniversary because we can’t do it without you!
GOAL: $60,000 Total so far: $2,700
To accommodate those with mobility issues, a shortened PWYC version has been added at an accessible venue: the Performing Arts Lodge – 4 of the 7 plays will be presented. PAL is located at 110 The Esplanade, Toronto on April 10 at 7pm
Women at Play(s) was created in 2005 by Artistic Director Marianne Sawchuk (pictured below) to provide a creative outlet for women playwrights, directors and actors. It was conceived to inspire artistic achievements in theatrical performance for women. WaP is a grassroots artist profit shared organization that showcases women of all diversities, 2SLGBTQIA+ inclusive, from Gen Z to Silver Foxes for an audience of those who want to experience a variety of great theatre.
For the seventh Women at Play(s) 7, non-binary actors have also been welcomed into the collective. Women at Play(s) had 3 successful shows in Vancouver where WaP 3 broke the Jericho Arts Centre’s house record on closing night and had, so far, 3 successful shows in Toronto where it has managed to survive the pandemic. In 2023, Marianne Sawchuk was honored with a Playwrights Guild of Canada Tom Hendry “Bra D’Or” nomination for her ongoing support of women playwrights in Canada.
