Category Archives: Art

ONE OF A KIND SPRING SHOW OFFERS BEAUTIFUL ARTS & CRAFTS AND TASTY TREATS

The first sign of Spring in Toronto isn’t the tulips or daffodils…it’s the annual Spring One of a Kind Show down at the Enercare Centre at Exhibition Place. www.oneofakindshow.com/home/

Thanks to artist friend, Mark J. Gleberzen, who kindly gave me a comp. ticket, I was able to stroll the aisles filled with all manner of arts, crafts, toys, handcrafted clothing, jewellery and…yum yum yum…tasty treats. https://www.markgleberzon.com/ So let’s get going by first dropping in to Mark’s booth (below) And just around the corner was Mark’s gallery partner, Morgan Jones, whose work is so intriguing. I caught him sitting down having a quick cuppa tea! https://www.morganjonesart.com/ I soon found a new exhibitor with a great sense of humour and a fabulous new use for maps. Sadie & June take old maps or atlases and frame individual cities and countries – they’re very affordable as gifts, too. I was thrilled to find my hometown of Perth, Western Australia, as well as Perth, Ontario and Perth, Scotland! Best of all, tho, was the pairing of Bangkok and Beaverton (yes, I have a naughty sense of humour). www.sadieandjune.ca I then met artist, Kate Brown and her husband BJ, who are new to the OOAK show here in Toronto. Salt Sky Studio is based in Halifax, NS, and Kate’s art is a series of brightly coloured wood slices of varying lengths. I was so intrigued – I found one piece that called to me and I told Kate & BJ that I would come visit their booth before I left for home. Hmmmm, I wonder if I went back to claim my new prize….keep reading. www.saltskystudio.com Artist/blacksmith Julian Amati-Lecours of Tap ‘N Anvil Forge had a wonderful booth full of copper, iron, stainless steel hand-crafted home accessories. I chatted with Julian who described his spectacular floor lamp (see video below). https://www.tapnanvil.com/

Next, it was time for the foodie section and I made a b-line for the No.7 Mexican Hot Sauce booth as I needed to re-stock my cupboards. I met owners Sandra & Carlos Flores several years ago when they were doing a demo session at the now-closed Williams-Sonoma store up on Bloor West in Yorkville, and I am so impressed with how they’ve grown their company since. www.no7hotsauce.com Next, the Little Shop of Lobsters – THE best lobster or crab mousse ever!! Every OOAK show, I head there to pick up a jar of each but within 48 hours, it’s all gone! So deelish. https://littleshopoflobsters.com/It was such a challenge but I managed to walk past all the tempting chocolate booths, even this yummy fudge booth…I ate with my eyes! So I carefully (and quickly) navigated past the sweet-treat aisles and found this lovely lady who was demo’ing beautiful natural fragrances. www.piperandperro.com Time to go home but not before heading back to Salt Sky Studio where Kate & BJ were waiting for me and I claimed my new art piece. Isn’t it pretty? A sea shore scene with 2 little plovers inspired by the beach near their Halifax studio. Thank you Hope you all make it to the show this weekend…it’s good to support Canadian artisans and craftspeople.

Local artists form the special group “131 Collective” and open pop-up gallery in Toronto’s chic Yorkville neighbourhood!

It was so exciting to walk through the doors of the brand new pop-up art gallery located at 131 Bloor St West…just a few doors East of Avenue Road, opposite the Tiffany, Louis Vuitton and Burberry fancy-schmancy boutiques along what is affectionately referred to as Toronto’s mink mile. A group of talented fine artists came together when the opportunity to take over a vacant store space came their way and had only 4 days to hang their works and quickly promote themselves as the 131 Collective. The featured artists include Mark Gleberzon @mjggallery Morgan Jones @morganjonesart Todd Monk @toddmonkart Jeff Turner & Jane Pike @jandj_photo_art Vanessa Drew @vanessaracheldrew_art Adrienne Jackson @crushwrks and Huy Lam @_huylam_ Lots of large canvases hang in a space that offers great viewing perspectives and allows for several people to be inside at once, dutifully face-masked and socially distanced. The gallery provides hand sanitizer and follows all Covid safety protocols.

If you don’t have a lot of wall-space to collect and display large pieces of art, the group offers a number of smalls that would fit anyone’s loft, condo or cottage. See below…I spoke with Jane Pike who, along with her partner, Jeff Turner (of J&J Photographic Art) have been working hard to get the pop-up ready for this weekend’s launch and she said….

https://www.youtube.com/watch?v=7pOmdBgEMnk&t=30s

Check out these stunning floral pieces by Vanessa Drew……and my long-time friend Mark Gleberzon is showcasing his beautiful chair series along with their real-life inspirations (below)

https://www.youtube.com/watch?v=xcNc8aGFyhM

So many exquisite paintings and wood/metal sculptures on show – you MUST visit in person to truly appreciate all the work created by Toronto’s leading local artists. Gallery hours: Monday thru Wednesdays 11am to 6pm, Thursdays thru Saturdays 11am to 8pm and Sundays 12noon to 5pm
Address: 131 Bloor St West (just west of the Colonnade)Just look for this stunning artwork in the window (below) and please follow each of the artists on IG (their indiv. handles were included in opening paragraph). Thank you for supporting Canadian artists.

MEET FINE ARTIST DONNA WISE WHOSE “MAPPING THE INFINITE” SOLO SHOW HEADS TO TORONTO’S PROPELLER GALLERY APRIL 7TH

A few years back, when things were “normal”, I had the pleasure of promoting DONNA WISE‘s fabulous contemporary abstract art as part of a group show at Urban Gallery which has sadly closed its doors due to Covid. Fortunately Propeller Art Gallery has survived and they are presenting their first in-person show (with limited capacity) April 7 through 25 featuring Donna’s latest works titled MAPPING THE INFINITE. (signature canvas pictured below)ABOUT THE ARTIST: Donna Wise is a Toronto-based artist who has exhibited in Canada and the United States. Her versatile acrylic paintings are large, bold, fluid and full of energetic confidence. For a number of years, Donna was a Docent at both The Art Gallery of Ontario and The Royal Ontario Museum in Toronto. By invitation, she has participated in art auctions for The Canadian Opera Company, The National Ballet, The Royal Ontario Museum and Baycrest Hospital. Her work can be found in the Boardroom of the Parliament Buildings at Queen’s Park Toronto, and the lobby of the famed Elgin Theatre, Toronto. Her paintings can be found in many corporate collections including the Four Seasons Hotel, Baycrest Hospital and Equitable Trust, among others, and are also in private collections in Toronto, Montreal, Miami and Tel Aviv.ARTIST’S STATEMENT: For me, painting is a visual language that ignites both my curiosity and imagination; I am determined to live my life full of wonder. This perspective at the moment has shifted because the world feels broken and so many of us are searching for a beacon, but I believe wonder is the way. Art is something that makes you breathe with a different kind of happiness. These large abstract paintings with bold colour-saturated strokes fuse together both geometric forms and textures. The paintings are my voice and a reflection of my inner world – they allow me to map the infinity of my surroundings and enhance the environment with feelings of pleasure, beauty and optimism, providing an element of drama for the viewer.

I’m pleased to welcome Donna to the Fordham PR client family, and I recently spoke with her during a visit to her studio where she is often kept company by her two gorgeous standard poodles (see photo above).

Donna, as a professional artist, how has the Covid quarantine affected your productivity? Actually, Covid was a blessing in disguise as I had unlimited, uninterrupted time in studio. As far as exhibitions in galleries, everything was in lockdown which meant galleries had to scramble to make on-line virtual shows accessible to both artists and collectors.

Your latest collection of paintings going on show at Propeller Gallery (“Mapping the Infinite” April 7-25) feature so many beautiful colours – soft pastels, vibrant reds and strong blacks. What was your inspiration for this series of large canvases? I felt that this project needed to be hopeful. There is no political or social statement in my artwork. Strong, bold colours full of confidence and energy are what you see. These colours had to create an emotional, personal response unique to the viewer.

You also have smaller works in the upcoming Colour & Form Society’s show in Niagara Falls (March 30-Apr. 24) – being so used to large format works, how was it scaling down your work for this 2’x2’ show? It took me a while to adjust my methodology and rhythm to create such small canvases; in the end I was successful with the challenge. Old dogs can learn new tricks – all part of the journey.Many of the galleries that survived this past year by presenting online “virtual” exhibitions, are now opening up for live in-person shows (granted, with limited access) – are you looking forward to getting back in front of potential collectors and fans? I’m very excited about being able to actually hang the art work in the gallery setting. It’s extremely hard to get the full exposure and feel of the work on-line. There is still some uncertainty about what “open” means – how many people can come in at one time, can artists host catered receptions, etc.You use a very specific acrylic paint brand for your work, Golden Acrylics, and apparently you use one that is very old indeed. Can you tell us about your preferred paint supplies and just how old that red one is? I have found Golden’s heavy acrylic paints to be my product of choice. I actually have several jars that are over 30 years old (see 2nd picture below).

Any advice for young artists looking to carve out a long-term career such as yours? Any specific strategies or marketing thoughts? Hang in there. There are going to be a lot of disappointments & rejections but that is all part of the journey. Learn how to challenge yourself through these tough times. Most of all, stop doubting yourself, work at what you do best. Maybe you will have to deviate for a short time, learn a new technique… but stay true to yourself. And most of all, keep doing what you love doing. Creativity is magic so don’t examine it too closely.
Donna, if there’s anything else you’d like to share about the art market or the need for beauty in our current dark times?This has been a very trying time for everyone, some more than others. The world seems to be very unsettled at the moment so we’re all looking for a beacon of hope. I choose to live my life in a world of wonder – I believe that art is the way. Art, I believe, is something that makes you breathe with a different kind of happiness and everyday we need a little magic! Who better to say this then Italian physicist Carlo Rovelli: “Here on the edge of what we know, in contrast with the ocean of the unknown, shines the mystery and the beauty of the world and it is BREATHTAKING!!”

You can view Donna’s “Mapping the Infinite” solo show online at www.propellerartgallery.ca from April 7 thru 25th, or in-person at the gallery located at 30 Abell Street (off Queen West, just a few blocks east of Dufferin). Call ahead or email for gallery hours and capacity restrictions: 416-504-7142 | info@propellerartgallery.ca And to learn more about Donna, visit her at: www.DonnaWiseArt.com

Thank you for supporting Canadian artists!

TORONTO’S SANDRA AINSLEY GALLERY INTRODUCES DALE CHIHULY’s STUNNING NEW GLASS EXHIBITION OCT. 24

Back in 2016, I was thrilled to see the exquisite glass masterpieces of famed artist DALE CHIHULY at the Royal Ontario Museum in Toronto; I walked around gasping at each stunning, delicate piece, marveling at Chihuly’s skill and imagination. Huge colourful chandeliers & installations stood alongside elegant vases and festive orbs (see my pics below)…so much to see…but dare not touch! Four years later, I am once again thrilled to view the upcoming Chihuly exhibition at the famed Sandra Ainsley Gallery when I attend their virtual launch this coming Saturday afternoon, Oct. 24th. Here’s what I’ll be seeing (and you can, too, until January 24, 2021)

CHIHULY, an exhibition by world-renowned artist Dale Chihuly, marks the gallery’s seventh exhibition with the artist. It will feature a selection of work that represents the breadth of the artist’s career in the thirty years since he met Sandra Ainsley, including Aquamarine Icicle Chandelier and Sea Green and Yellow Persian Installation (pictured below), two new works created specifically for the Sandra Ainsley Gallery. For the first time in Canada, CHIHULY will exhibit his Light Drawings—vibrant compositions on acrylic panels which are intensified by interior illumination.

Dale Chihuly Sea Green and Yellow Persian Installation (detail), 2020
© Chihuly Studio. All Rights Reserved.

This carefully curated exhibition will present pieces from the artist’s best-known series such as Baskets, which Chihuly started in 1977 as an experiment testing fire, gravity and centrifugal force; Chandeliers, reflective sculptures designed to mass and control colour on a grand scale; Persians, featured in many of Chihuly’s most dramatic and well-known installations; and Ikebana, assemblages of long stemmed flowers and leaves of glass set within large-scale vessels. Works from some of Chihuly’s most technically challenging series will also be included such as Jerusalem Cylinders, vessels adorned with large glass crystals which Chihuly created for his landmark exhibition Chihuly in the Light of Jerusalem 2000, and Rotolo, dense coils of glass fused to a solid base that Chihuly developed in 2013.

CHIHULY will bring the viewer into the artist’s process and personal reflection through his Drawings (Works on Paper), Light Drawings, and the rarely shown Pilchuck Stumps. Drawings open a small window into the artistic process as Chihuly expresses his creative ideas on paper; Light Drawings are a reflection of Chihuly’s travels through Europe as a young man who marveled at the beauty of stained-glass windows and the power of natural light moving through them; and Pilchuck Stumps, glass vessels that were blown into wood and bark molds in 1992 and named for the Pilchuck Glass School which Chihuly co-founded in 1971.

Dale Chihuly Aqua Green Macchia with Russet Lip Wrap, 1981 7 x 11 x 7″
© Chihuly Studio. All Rights Reserved.

CHIHULY will open to the public with scheduled viewings due to anticipated public demand. Sandra Ainsley Gallery is following all the recommended Covid-19 protocols and restrictions. Follow the Sandra Ainsley Gallery website or social channels for the latest information. To schedule an opening day appointment or private viewing please contact Sandra Ainsley Gallery at 416-214-9490.

Sandra Ainsley Gallery is the only art gallery in Canada to represent Chihuly’s work. Visit sandraainsleygallery.com for the complete virtual exhibition. Lots of parking and easy to reach via TTC, I highly recommend an in-person visit to experience this master artist’s unique craft…just stand and look, take it all in and feel the emotions each artwork evokes.

Dale Chihuly Fire Ruby Basket Set with Slate Lip Wraps, 2017 14 x 36 x 30″
© Chihuly Studio. All Rights Reserved.

URBAN GALLERY HOSTS CENTENNIAL COLLEGE’s ANNUAL STUDENT SHOWCASE ON SOCIAL MEDIA

Each year, Toronto’s Urban Gallery hosts Centennial College Studio Arts program’s 1st year students exhibition and with the current Covid-19 crisis hitting all the galleries and public art installation locations so hard, Urban decided to upload a Facebook “gallery” show for the students (follow them on Facebook.com/UrbanGalleryTO) The works are hung on the gallery walls for anyone wishing a private viewing – contact them via www.UrbanGallery.ca Thanks to Lisa Binnie, MFA, FAS Program Coordinator and Professor in the Fine Arts Studio & Photography Programs, the students were able to organize this year’s show so that their works can be showcased online, building support for their future careers. Metamorphosis is the theme of this year’s Fine Arts Studio student exhibition, and it will change the way you look at art! Metamorphosis is not only the theme, but also describes the transformation these emerging artists will experience during the Centennial College fine art program, and continue throughout their lives. Below is a selection of the works on show (installation runs until March 28) so please visit the gallery’s Facebook page frequently to view the various paintings and multi-media works uploaded daily.

Urban Gallery is located at 400 Queen Street East in downtown Toronto, and is one of the city’s leading independent galleries offering artists catered opening and “meet the artist” receptions. If you have any questions or if you’d like booking information, please contact gallery director, Calvin Hambrook, at info@urbangallery.ca Until social distancing or self-isolation concludes, Urban Gallery will continue running online gallery events for your safety and convenience. Thank you for supporting Canada’s emerging artists!

DORIS WAI, our lady of letters, launches solo show at URBAN GALLERY

BOTTLED FEELINGS is a project by artist Doris Wai to collect brief statements of personal feelings submitted online and anonymously from people around the world. These private thoughts are about life, parenthood, and secrets often too difficult to share. The artist then transcribes each feeling directly onto individual bottles with elements of calligraphy and hand lettering. Hosted at URBAN GALLERY, 400 Queen St East in Toronto, the show runs throughout February, closing on the 29th – yes, it’s a Leap Year! Doris hosted a VIP reception last night, welcoming her family and friends as well as supporters who helped make her dream of a gallery show a reality.

Doris Wai was born and raised in Toronto, and is a graduate of the Ontario College of Art and Design in illustration, but what she loves to draw most is letters. In 2014, she started her own business dedicated to the beauty of hand lettering, and has worked extensively in the wedding and event industry, design/branding/print work and has been featured on numerous magazines including Wedluxe, Mingle, and Uppercase. Her work has also been featured on TV shows like Cityline and The Social. She became a published author in 2017 with her book Extraordinary Hand Lettering teaching readers the tips, tricks and mindset behind lettering beyond paper, and has started a YouTube channel called The Lettering Lifestyle. As you enter the gallery, Doris has placed a thank-you notice to all who have supported her and helped finance this show (what a classy lady!) and as you walk around the gallery, you might just recognize feelings you yourself have experienced, or are an ongoing mental meme! One of the bottles carries a funny message…

Doris is hosting a special “meet the artist” reception on Saturday Feb. 22nd (2-5pm) and she looks forward to welcoming you to Urban Gallery…and to share some of your own “bottled feelings” with her. RSVP to attend: info@urbangallery.ca

EXQUISITE EXHIBITION OF KABUKI & NOH FANS @ JAPAN FOUNDATION

As many of you know, I’m a huge fan lover and am never caught without my own beautifully designed fan to keep cool. My prized fan possession is one that Canada’s Grammy-nominated flutist, Ron Korb, brought back for me from Hiroshima where he performed at a memorial concert. It was so beautiful, covered with tiny origami cranes, that I had it framed (below).I couldn’t believe that I forgot to attend the spectacular exhibition of theatrical fans from Japan’s Noh and Kabuki theatre worlds at Toronto’s Japan Foundation located at 1 Bloor East (Royal Bank bldg) but after a reminder email, I dashed in today for a visit and boy, am I happy I did. Fans Onstage closes tomorrow Saturday Jan 11 so hurry hurry hurry! Admission to the Foundation’s gallery is FREE. To quote the information found on their website: Japan’s association with fans can be traced back to the Nara period (8th century) with the cypress fans made of wooden hinged strips, followed by the invention of paper folded fans in the Heian period (9th century). As early as the late 10th century the paper folded fans, which differed from flat unfoldable fans, were exported from Japan to the Korean peninsula and China as luxury imports. In the West, in ancient Egypt and Greece, there were records of folded fans, but the tradition of using fans died out during the Middle Ages. Whereas in the East the new technique of making fans – the application of paper on both sides of the fan ribs – was brought from China to Japan at the beginning of the Muromachi period (early 14th century). This new method of manufacture revolutionized the production and export of fans. Through Portuguese and Dutch traders folding fans were spread out from Japan to the global market and other cultures. Paper folded fans have been widely used in people’s daily lives in Japan, but also in the ceremonies of religions and politics, and particularly most effectively in the performing arts.

Noh theatre, which originated in the 15th century, uses fans in the same symbolic way as its masks. Noh actors are aiming on stage for some kind of unification of their souls with the spiritual being they find in the masks and fans. Therefore, the treatment of the objects is as rigid as the actors’ own bodies in order to achieve internal energy flow. The faces are covered by masks and the hands are often invisible, covered by the costume. One can see the fans as the replacement of hands, but the performers keep their wrists immobile to create concentrated, abstract movements. On the contrary, in Kabuki theatre – founded in the early 17th century – the actors’ wrists and arms are freely moving their fans. In Kabuki, the external effects are established by fans, reflecting commoners’ aesthetics. This is the opposite of the Noh theatre aesthetic which reflects Samurai warriors’ philosophy. In Kabuki dance, performers turn their fans from front to back quickly, or create swaying waves, maneuvering their fans with their arms and wrists. They even toss fans into the air and catch them.The difference of the internal versus external use of fans in Noh and Kabuki is physically evident in the proportion of the fans. Noh theatre fans have a silhouette almost like an upside-down equilateral triangle, whereas Kabuki fans are wider horizontally. In spite of these physical differences, one thing is common: they are all beautifully handcrafted. In both Noh and Kabuki, fans are far beyond decoration or props. They are the handheld splendours which can conjure universal imagery in the theatrical experience.For directions and times, visit the Japan Foundation’s website: www.jftor.org and remember – only 1 day left to see these magnificent works of art.

FRENCH POP ARTIST VIKKA CELEBRATES 1st CANADIAN SOLO SHOW AT TORONTO’S URBAN GALLERY

Although he was suffering a little jet-lag, French artist VIKKA came straight from the airport and walked through the doors of Urban Gallery last night to see his latest art project hanging on the walls…and it all looked great! The multi-disciplinary self-taught artist is showcasing his pop-art paintings, sculptures and photography in his first ever Canadian month-long solo show titled “In Memory of Witold and Max” – a visual tribute to his beloved grandfathers, both of whom were talented artists, too. He was joined by his sister, Bénédicte, who also assisted with translations, when necessary.

His colourful, surreal street art style canvases attracted a lot of attention last night and visitors marveled at the details and intricacies of each painting – you can stand there for half an hour and still discover new little embedded characters and features! There are a trio of paintings dedicated to 3 of his art heroes, Warhol, Basquiat (pictured above) and Haring; here the artists talks about these pieces, mostly in French but his passion transcends language!

Gallery Director Calvin Hambrook (below L) and Curator Allen Shugar (below R) were thrilled with the artwork which was shipped direct from France and only arrived earlier this week.In Memory of Witold & Max runs in Toronto now until December 28th – for directions and gallery hours, visit: www.UrbanGallery.ca and to learn more about Vikka’s work, follow him on IG @vikkaartist

OSVALDO “OZZIE” NAPOLI OPENS HIS 2ND SOLO SHOW @ URBAN GALLERY (runs throughout October 2019)

Yesterday, Sat. Oct 5th, multi-media artist Osvaldo Napoli launched his latest solo show E-POQUE at Toronto’s Urban Gallery. I spoke with Ozzie earlier in the week and he shared his thoughts and inspirations for his current works…

We walked around the gallery together as Ozzie told me the stories behind each piece…. Across one wall, Ozzie showed me his collection of “smalls” – each incorporating computer & tech salvage into the artwork to tell the story of humanity intersecting with technology.

…and one piece in particular, Ozzie told me, focuses on the issue of cyber-bullying and how technology impacts the young via social media.

Ozzie will be in the gallery every Saturday during October between 3-6pm to meet with art lovers and share his unique perspectives on technology and the human condition. URBAN GALLERY, 400 Queen St East, Toronto www.UrbanGallery.ca

URBAN GALLERY PRESENTS VAYA’s FIRST TORONTO SOLO SHOW THROUGHOUT SEPTEMBER ’19

Swiss-born painter, photographer and performance artist VAYA has her first solo show in Toronto, CHILD OF ROCK, at Urban Gallery, 400 Queen St East, throughout the month of September. The opening reception took place Thurs. Sept. 5th and gallery visitors were thrilled to meet the charming and engaging artist in person and viewing her unique artworks that included large format B&W fashion photographs and paintings built upon underlying photographic images of the artist herself. Pictured above: Vaya, 2nd from L, is joined by her husband as well as gallery director, Calvin Hambrook (L) and curator Allen Shugar (R)

The show also features a stunning portrait of pop culture idol, Jim Morrison, in an acrylic and oil print on textile… Vaya created a huge canvas especially for this show that takes up much of the gallery’s rear wall!An incisive & provocative artist, VAYA explores, mixes, meets and transcribes the darkness in the angels’ voices. An energetic claw on each canvas, VAYA dances as she works and often by candlelight to be closer to the imperceptible. “It’s always a discovery the next day in daylight.”

She also employs a camera to share her creativity, “A way of getting out of yourself and becoming your own observer is fun and fascinating”. VAYA has fun, dances, writes prayers on the souls of her music legend subjects. “I like to pay tribute to those who have suffered so much, laying some particles of peace over their restless souls – isn’t that the artist’s role? Transfigure suffering into masterpieces? In her own words….meet Vaya:

Local artist Jennifer Hossein was welcomed to the gallery by Calvin… (below)…and Allen welcomed first time visitors Maryam and her budding artist daughter Ayda (below)Of course, everyone wanted to check out Vaya’s exquisite footwear which were works of art themselves!If you’d like to learn more about this exciting new (to Toronto) artist, you can join Vaya at the gallery this coming Thursday Sept. 19 (6-7pm) for a special live performance of her music, dance and art. RSVP to attend: info@urbangallery.ca

CHILD OF ROCK runs until September 28th @ Urban Gallery, 400 Queen St East, Toronto www.UrbanGallery.ca