Yesterday, Sat. Oct 5th, multi-media artist Osvaldo Napoli launched his latest solo show E-POQUE at Toronto’s Urban Gallery. I spoke with Ozzie earlier in the week and he shared his thoughts and inspirations for his current works…
We walked around the gallery together as Ozzie told me the stories behind each piece….Across one wall, Ozzie showed me his collection of “smalls” – each incorporating computer & tech salvage into the artwork to tell the story of humanity intersecting with technology.
…and one piece in particular, Ozzie told me, focuses on the issue of cyber-bullying and how technology impacts the young via social media.
Ozzie will be in the gallery every Saturday during October between 3-6pm to meet with art lovers and share his unique perspectives on technology and the human condition. URBAN GALLERY, 400 Queen St East, Toronto www.UrbanGallery.ca
I had the pleasure of attending yesterday’s launch of artist and galley owner TANZINA AMIN‘s end-of-year solo show My Eclectic Potpourriat Artusiasm Gallery on St Clair Ave West in Toronto. What a riot of colour and energy welcomed me when I walked through the doors….so many vibrant colours and bold brush strokes!Since first putting paint brush to canvas, Tanzina’s style has changed dramatically and she included several pieces from earlier years to illustrate her journey as an artist. Just look at these stunning classic landscapes…And then came this abstract expressionist landscape….…and finally she blossomed into an exciting abstract portrait artist resulting in these commanding faces:Tanzina expresses her sense of humour freely with this super fun doggy portrait. Who wouldn’t want to be greeted by this happy face every day…let’s go walkies?
Meet the artist:
Tanzina is a Bangladeshi-Canadian artist in Toronto. Art has always been her passion as well as her retreat from the demands of everyday life. Having graduated in Architecture, Tanzina is drawn towards visual composition and balance. She is fascinated and inspired by colourful ethnic cultures and traditions. She loves forms which are powerful in their simplicity and embrace an abstract style. Until three years ago, Tanzina had never shown her art in public. She began drawing and sketching on her own as a teenager, and eventually took two years of formal training in traditional oil painting with a renowned Bangladeshi artist in the mid 1980s. Eventually she had no more time for art as she focused on her education, family and career. She started painting again after a 23+ year break and found herself moving away from realism and traditional styles. She began exploring abstract expressionism, including taking a few courses. As Tanzina continued to study and learn, she became more and more intrigued with the versatility of abstract art, and how it can evoke impulse in the viewer to find their own path to interpretation.
Tanzina teaches art and conducts workshops and paint parties. She loves to create fun and innovative art workshops such as expressionist style pet portraiture and self portraits. Besides her busy career, her art, and her teaching, Tanzina also co-owns Artusiasm Gallery with her husband and biggest fan Carlos Rodrigues (pictured below at an earlier show).To Tanzina, painting is meditative, therapeutic and expressive. It helps her be in the moment. She is continually modifying her style and techniques to find new ways of expressing herself. She loves to explore the realms of colour, texture and form. Tanzina hopes her art makes a personal connection with the viewer. (courtesy of www.tanzina.ca)
I loved this particular series of glamorous ladies (below)… …and was incredibly moved when Tanzina presented me with my favourite piece (the one on the left) as a thank you for support given to Artusiasm’s shows over the past couple of years. I so related to this lady in the picture, ignoring the fab party going on behind her, just gazing out across the ocean, wineglass in hand with thoughts of future adventures and romances (I’m sure). Thank you so much, Tanzina, I am extremely honoured.So if you’re looking for an inspiring and fun experience over the month of December, visit Artusiasm Gallery, 1684 St Clair Ave West, Toronto. For gallery hours and directions: www.artusiasm.com
Running throughout the month of November, Hiraeth is thesolo show featuring stunning and colourful contemporary landscapes and “tree portraits” presented by JUDITH McKAY at Urban Gallery, 400 Queen St East in downtown Toronto.The Toronto artist explores fantasy as a means of finding peace in a frenetic world. Trees are her allegory for the endless pursuits of modern life: rooted, yet branching out to reach the sky.
Largely self-taught, Judith’s style is free-flowing. She uses both thick impasto and fluid colour to achieve movement and boldness. Fearless about colour, she uses a vibrant palette, applying interference and iridescent paints to achieve surrealistic effects. Her style is constantly evolving via frequent participation in workshops and exhibitions, as well as studying the techniques of other artists.
Judith (below L) was joined by her husband Rob Sylvester (below R), and her daughter Shannon (below C) came in all the way from New Jersey to celebrate the big opening reception!The gallery looked bright and welcoming on such a grey Saturday – and soon the guests started pouring in, admiring all the canvases….
ARTIST’s STATEMENT: Hiraeth(here-eye-th) is a Celtic word that means a wistful longing for a place to where you cannot return. A place that perhaps never was. The desire for a sense of peace and belonging are emotions I seek to capture in my work. Such desire can often turn to frustration when the real world doesn’t live up to fantasy, and so I depict trees, firmly rooted yet dancing in the wind, to symbolize resiliency as we continue to seek our true home, despite adversity. For this exhibition, I chose a vibrant palette and the use of high gloss medium and reflective paints to create an ethereal effect, as if awakening from a beautiful dream that quickly evaporates and eludes us. The pieces selected for display are meant to truly express what Hiraeth means to me. ~ Judith McKay
I had the opportunity of chatting briefly with Judith prior to opening the doors of the gallery and she kindly shared with me her process and inspirations, especially for this collection….
If you would like to see Judith’s gorgeous, lush paintings, visit www.urbangallery.ca for gallery hours and directions, and follow Judith on her Instagram account: @judithmckayart
Hiraethruns now until Nov. 30th at Urban Gallery, 400 Queen St East, Toronto.
Born in Montevideo, Uruguay, Osvaldo “Ozzie” Napoli has been an artist all his life but only recently has he decided to share his creativity with the world. As he prepares for his first solo exhibition later this year at Urban Gallery in Toronto, Ozzie’s been reviewing his past work and assessing his latest for inclusion. From spectacular bronze sculptures and freestanding wire pieces that will stop you in your tracks, to imaginative 3D wall art comprised of cellphone and computer components, his work provokes conversation, inspiration and adoration! One of my favourite pieces is titled “Bliss” (see below) and is a piece that Ozzie holds dear to his heart….and we can see why.I recently joined Ozzie for a photo shoot at his Richmond Hill studio of his latest works to add to his website (see end of story for link) and I asked him a few questions about his life, his inspiration and his art.
Chris Chung photographing Ozzie’s work
What first inspired you to paint and sculpt? As a child I was fascinated by the wonders and colors of carnival season in Uruguay. I used to carve and paint masks from palm tree branches and my friend and I wore them mimicking the dancers and performers at the parades in my neighborhood. [that early influence is clearly reflected in his current work – below]Who was your sculpting mentor/teacher and how did he impact what you create now? My mentor and friend was Canadian artist, writer and philosopher Sorel Etrog, best known as a sculptor. He taught me to see subtleties between strengths and weaknesses of composition and content. He also encouraged me to always approach art from my heart with clarity and vision.You work predominantly in wire, creating stunning human-like characters and fantastical creatures – how do you come up with such ideas? My ideas come mainly from real life stories and situations that we all find ourselves in as part of our everyday life….but with an added touch of fantasy and whimsy. I interpret the mystical and esoteric aspects of people and incorporate those into most of my work.
Photo courtesy Chris Chung
You also incorporate components from cellphones and computers in freestanding and 3D wall art – where do you find these bits’n’bobs? Surely you don’t smash your own phones?! I rely on the generosity of family, friends and neighbors to supply me with their recyclable e-trash; they are more than happy to donate to my stockpile and at the same time, get rid of their unwanted electronics.
Photo courtesy of Chris Chung
You have numerous pieces done in bronze – how difficult is it to cast and where do you undertake that task? I form the original work in sculptor’s plasticine or wax and then take it to the foundry to be put through a rigorous process where a rubber and plaster mold is made to create a wax-like figure which is then coated with a compound called ceramic. That is then melted afterwards to produce a new mold that can handle the molten bronze…et voila! The sculpture is done and ready to be colored by a process called patina. The whole procedure could take up to three months before its completion. Whew!
Photo courtesy of Chris Chung
Photo courtesy of Chris Chung
You are now starting to exhibit your work as a mature artist – has waiting this long to share your work with the public been beneficial to you as an artist? Yes, because I now have the confidence to create with conviction and sound craftsmanship. I felt that I needed that time to create a vast collection of work which I am now ready to share with the world.
Photo courtesy of Chris Chung
In the fall, you have your first solo show at Urban Gallery in Toronto – what are your expectations? I’m excited to show my collections to the public and meet art lovers who come out to support the launch of my month-long show. I’m also hoping to receive a good response to my work and gain attention from art critics and collectors. I would love for my works to go out into the world to inspire, provoke, entertain and enhance people’s understanding of the creative process.Yes, I’m excited, too, to see Ozzie’s work in a gallery and see/hear how people relate and react to each piece. I myself was particular drawn to this caged heart (below) …a perfect metaphor for my Valentine’s this year…LOL!!You can find more photos of Ozzie’s work and learn about his artistic approach to each subject at: www.artbyozz.comand keep the month of October free to visit his solo show at Urban Gallery, 400 Queen St East, Toronto.
I spent a second day surrounded by beautiful artwork, this time at URBAN GALLERY (400 Queen st East, Toronto) where accomplished painter DONNA WISE (pictured below) launched her solo show, FLIGHTS OF FANCY, which runs until Dec. 30th, 2017. Amid the excitement of the launch, Donna shared with me the fact that a local (and very gracious) fashion designer, Annie Thompson, reached out to her with an offer to outfit her for the launch today so here’s Donna wearing one of Annie’s outfits also called “Flight of Fancy” which perfectly matches her paintings and style (www.anniethompson.ca). Here’s Donna describing her show and talking about her inspirations….
Here are a few of the pieces gracing the gallery walls…Fine arts blogger Mark Hasan of KQEK.com stopped by for an interview with the artist (below) then enjoyed viewing her work along with the crowd of friends and family who started filing in…A friend and long-time collector of Donna’s (below L) put the first “reddot” of the day beside one of the stunning paintings, purchasing one of my personal favourites: this delicate image of what, to me, looks like a Japanese geisha. What do you think?Donna’s husband (below L) posed with another family friend in front of this giant pastel hued canvas….. …and here are more gallery guests enjoying Donna’s work and the fine catering courtesy of www.UrbanCatering.comIf you can’t make it down to the gallery in person, here’s a quick virtual trip around one section of the gallery…
Urban Gallery is located at 400 Queen St East, just E of Parliament, in Toronto. Visit the website for directions and gallery hours: www.UrbanGallery.ca
South African born and raised, and now Toronto resident Romi Samuels’ solo show “The Lion, the Watch and the Wardrobe” runs Oct. 25 to Nov. 5 at Gallery 1313, 1313 Queen St West in Toronto with an opening reception on Thurs. Oct. 26 (6-9pm) . Romi’s floor-to-ceiling canvases illustrate the wild beasties that surrounded her family home in South Africa, painted in bold strokes of black and white. She also brings together a collection of colourful “portraits” of items found in her wardrobe, many of which belonged to her artist mother, plus a very special family heirloom – a pocket watch.
Her work features distortions, thick paint and strong colours. Her creative inspirations include the great South African painters Irma Stern, Wolf Kibel, and Maggie Laubser who were strongly influenced by the teachings of the German expressionists. To learn more about Romi please visit her website at www.romispaintings.weebly.comI recently had the opportunity of chatting with Romi when I asked her about her early artistic influences and her childhood in South Africa which has obviously informed many of the paintings in her upcoming show.
How did you become interested in painting? My first introduction to the art world was as a newborn. I have been told that my mother parked my stroller under the grapevine while she set-up still life paintings and give art classes on our patio. Growing up, there were always paintbrushes in our house, palette knives, coloured pastels, twisted tubes of paints, batik dyes, lino boards, linseed oil, art books, not to mention the sketch books which were given to me even before I knew how to write – I still have a childish pencil drawing of my family relaxing in a train compartment, which I did when I was about 7 years old. There were also outings to art galleries and of course my mother’s beautiful paintings (see below) which covered the walls in our home, and I always hoped that one day, like her, I would be able to decorate my own house with my paintings.What was the first subject of your painting? Now that I think about it I am amazed to remember that my first painting which I did in nursery school was of a crocodile with its mouth wide open (probably inspired by one of our many trips to the Kruger Park – a huge game reserve in South Africa, almost the size of a small country). And now, some 45 years later, I have, in my current show, a painting of a crocodile in that exact pose (see below). My first oil painting which I did much later, was a still life with various objects including an African clay pot with a traditional Ndebele motif. So Africa has always featured in some way in my paintings and even now, living in Canada it continues to work its way into my art.How did your early years in South Africa influence your work? As a child my most exciting holidays were our family trips to the Kruger Park. I have vivid memories of waking up at the crack of dawn, hopping into the car with a delicious picnic lunch, hoping to be the first out of the camp gates onto the dust roads looking for game. I remember how we would suddenly stop the car at the slightest hint of movement and I’ll never forget the excitement of joining a whole row of cars, straining to see what all the fuss was about, or sitting for hours at a waterhole waiting for a thirsty animal to come and drink. And then there was the thrill of eventually spotting a lion in the distance or of being dangerously close to an elephant crossing the road. So yes, these amazing images of the African bushveld have been subjects of my paintings since childhood.In a previous series of paintings, I focused on the people’s struggle for survival in post-Apartheid South Africa which I did on large canvases. These paintings are of ragged children in the veld, mothers with babies on their backs begging for money, craftsmen, construction workers and security guards slaving for a meager wage.On a more personal level, some of my “Wardrobe” pictures also include sentimental items which travelled with me to Canada. So even though I have been living in Canada for 17 years, my paintings still reflect the bittersweet nostalgia of the ex-pat.Do you have a favourite medium in which to create? For many years oils were my favourite, but now, I have also begun to enjoy acrylics mainly because they dry so quickly! I’ve also started working with collage and mixed media which add a lot of interesting texture to my work. For quick drawings, ink is one of my favourite mediums – I especially like the combination of a gentle washes and hard lines.What do you hope gallery visitors leave with after attending your upcoming show. Firstly, because my paintings are so large and imposing, I hope to share that experience of being in such close proximity to the magnificent African fauna. Also, because my paintings are more expressive than literal, I want to communicate their intense emotion to which we as human beings can relate. I also hope that gallery visitors will see that even my “Wardrobe” paintings are not just still-lives, but rather expressions of the personalities behind them. So basically, my intention is that that people will come away identifying on an emotional level with my paintings or responding to them emotionally or even just realizing that as human beings everything we see or create is influenced by our own emotional responses.What is next for Romi? I never know in advance what I am going to paint. I usually start off playing around with something which develops into an idea and then becomes a body of work. So my next series will be as much of a surprise to me as it will be to you. [laughs]
Opening reception takes place on Thursday Oct. 26th (6-9pm) at Gallery 1313, 1313 Queen St West, Toronto. For gallery hours & directions: www.g1313.org Light (kosher) refreshments will be served so if you would like to attend and meet Romi, kindly RSVP to FordhamPR@rogers.com Space is limited so email me a.s.a.p.
Although it’s not in this show, here is one of my fave Romi paintings – I just love chickens and Romi painted some of the hens that used to run around her childhood nanny’s property back home in S.A.
Over the past few months, I’ve found myself discussing legendary Group of Seven Canadian artist Tom Thomson – first with northern Ontario artist Pauline Langmaid, then with author and Thomson expert Barry Brodie. This evening, I think I topped it all off by attending Arta Gallery‘s new exhibition titled “Untamed Things” which features stunning Thomson-inspired paintings by 11 acclaimed painters from across Ontario who retraced Thomson’s footsteps through Algonquin Park as inspiration for their own artistic explorations.Here are some examples of their work which remains on display until Sept. 19th.I introduced myself to several of the artists who were on hand to meet-n-greet the appreciative gallery guests…. here’s Peter Taylor (below) www.petertaylorpaintings.com..and here’s the very jovial Paul Nabuurs (below)www.paulnabuurs.comI then met Andrew Peycha (below)….www.andrewpeycha.com….along with Mark Berens (below)….www.markberensart.comand Bryan Wall (below) whose work really resonated with me. Wish I’d had lots of moolah on me as I would have loved to grab one of his smaller pieces (2nd pic) www.bryanwall.caSo many beautiful paintings of all sizes suitable for any downtown loft, condo, home or corporate office.I definitely recommend you visit Arta Gallery , 14 Distillery Lane (in the historic Distillery District) downtown Toronto. Visit their website for hours and directions: www.artagallery.ca
Usually the curator for other artists’ shows, ALLEN SHUGAR was proud to present his own work at Urban Gallery (400 Queen East, Toronto) last night for the opening of his month-long show titled SHIFTING LIGHT. Allen is joined here by gallery director, Calvin Hambrook (below L) in front of his title artwork (lower photo)Each stunning piece illustrates how light shifts when viewing from different vantage points and I particularly liked the play of light on leaves in this painting (below) appropriately titled “Goldleaf”.In fact, lots of gallery visitors loved these works – within half an hour of opening the gallery doors, the room was packed with Allen’s friends, family and fans.I managed to grab Allen for a quick interview before the party was in full swing and asked him about his show….
As you can tell, Allen is very passionate about art, the painter’s process and working as the curator for Urban Gallery. Below, Allen greeted many friends who came out to support him…….and several fellow artists dropped by including Grace Dam (below) whose shows Allen has previously curated……and Romi Samuels (below) who hopes to bring a show of her work to the gallery in the near future.Here’s award-winning artist Erik Chong (below with his wife, Jeannette) whose shows Allen has also curated over the past few years.Allen showcased 3 smaller framed pieces (reverse painting on glass) and my favourite one was quickly snapped up by this lovely lady.So many gorgeous pieces…you must visit the gallery to see for yourself!And of course, the refreshments were works of art, too, courtesy of Urban Source Catering…
Artist statement: Colour, light, the cycles of nature (so extreme in our climate), the beauty of the human form – these are the subjects that inspire my paintings. Naturalistic representation has never much interested me. I take, rather, a transformative approach that seeks to capture a purely subjective experience, a state of mind, an evanescent thought. In this respect, my work owes as much to musical and literary influences as it does to visual stimuli. My aim is to suggest the extraordinary that lies just beneath the surface of the ordinary. – Allen Shugar
SHIFTING LIGHT – Paintings by Allen Shugar Exhibition dates: September 7 to September 30, 2017
Gallery hours & directions: www.UrbanGallery.ca
Last night, Toronto’s coolest indie art venue, URBAN GALLERY, hosted the opening reception for HANNA KOSTANSKI, whose work is inspired by vintage photographs of our city from years gone by, found in the City of Toronto Archives. With permission from the Archives, Hanna has recreated well-known intersections and streetscapes from the early 1900’s through to the 1980’s, adding colour and movement to the imagery, bringing the scenes to life. Her show, 20th Century Toronto: Intersections & Interactions, runs until August 26th at Urban Gallery (400 Queen St East, Toronto) and I strongly recommend you visit in person to see if you recognize each of the locations she’s painted. Betcha you’ll be amazed to see how our city has changed!
About the artist: Hannawas born in Szczecin, Poland, and grew up in Hamilton, Ontario. She obtained her BFA from OCAD University in 2007 and currently resides in Hamilton and works in Toronto. Her work can be found in dozens of private and public collections in both cities.(Above) Yonge and Dundas, 1978 Acrylic on Wood 30″ x 60″ by Hanna Kostanski
From City of Toronto Archives, Fonds 1526, File 92, Item 49 • Original Photograph by Harvey R. Naylor
Artist Statement: For nearly a decade my work has been focused on the visible passage of time, experienced through the exploration and documentation of abandoned and decaying buildings in cities like Hamilton and Detroit. I have always been fascinated with historical architecture, specifically how we interact with our buildings and structures, and what happens when that interaction ceases to exist.
My current body of work continues to explore the connection between people and their environment, but with a focus on historical representations of that relationship. To that end, I have been working on a series of paintings based on photographs found at the City of Toronto Public Archives. These images span several decades and are nostalgic of the city as it used to be. They celebrate the many past incarnations of Toronto, the vibrant intersections of the city and the interactions of its people.Hanna Kostanski (2017)
The gallery was quickly crowded with fans of Hanna’s work which has recently garnered some exciting media attention – even Toronto Mayor John Tory has weighed in on Twitter about Hanna’s ability to capture a sense of time and place with her large format paintings.Two of Hanna’s BFF’s came to support her and found a familiar sight in this painting (below) of Yonge Street between Queen & Dundas! I think this fellow (above) must work on Bay Street – he appears to be looking for the location where his office now sits and explaining the old geography to his lovely companion.Hanna welcome many of her friends and fans (above), all of whom seemed eager to see her newest paintings.
Fellow artist Nancy Bennett (below) looks like she’s calling a cab from the intersection of Yonge & Dundas…LOLAmidst the hub-bub of the busy gallery, I managed to grab Hanna for a quick chat about her work…
Hanna is also offering fine prints for those who don’t have the space for the original BIG paintings…here’s a happy art-lovin’ family who purchased 2 prints of their favourite paintings….Here’s Wayne Abell of Urban Source Catering (they always present the most deelish treats for gallery openings!!) with KJ Mullins, publisher of NEWZ4U.ca, a Toronto-centric e-newspaper who really liked Hanna’s work.If you would like to come and play “spot the street” with Hanna’s work, please visit www.urbangallery.ca for gallery hours and directions. You can also follow Hanna on social media via her own website:www.hannakostanski.com
When I first came to Toronto in the late 70’s, I fulfilled my parents’ dream of a safe and secure life with an office job (dull…urgh!) which, thankfully, I walked away from in ’79 for a life in showbiz when I landed my first audition, the role of Magenta in the Toronto theatrical production of The Rocky Horror Picture Show! which obviously became my parents’ nightmare…LOL! I had been doing my 9 to 5 work at a renowned investment house called Wood Gundy, where I first met Nancy Bennett who, unbeknownst to me at the time, was also struggling with her own office vs. arts dilemma.
Skip ahead a few decades and one day I encounter the same Nancy Bennett at an art show exhibiting her fabulous vibrant work – we’ve been playing catch up ever since.
Nancy in her booth @ Toronto’s Riverdale Artwalk
I was thrilled to hear of her journey since I last saw her when we used to share office gossip at our favourite after-work cocktail lounge; she has since left her busy career in the financial sector to devote her life to creating art full-time. After securing her house, buying a dog and having a baby (whew, I’m exhausted even listing those), Nancy turned to her first love, painting, in 2008 when global finances took a very hard knock, impacting her career as well as most of those working on Bay Street. As Nancy tells it….“I first started collecting works by local artists as an antidote to my work life which had become increasingly toxic…then I began painting again.”
After being laid-off from her day job in 2013, Nancy immediately began painting full-time; her first show “Kiss the Sky” at the Women’s Art Association of Canada, featured paintings of skyscapes using a knife, brush and rollers on canvas and wood, in both large and small formats. It took a couple of years and a deep “Group of Seven” phase for her to cultivate a style that feels natural – layered knife paintings on large wood panels. I recently visited Nancy’s studio and saw this new piece (below) that’s still in the early stages – she showed me how she layers her work…
“My paintings combine skyscapes, which are universal, and landscapes, which are specific to each location. I’m passionate about sharing the appreciation for my urban home setting and emphasizing that we’re all under the same sky – a commonality that helps us talk and create art together. The sky is a constant in all our lives and is a source of unity, calm and wonder as well a source of endless variety. Through my work I encourage people to look up and know they are not alone.”
Nancy continues….”I paint with oil paints on wood. Through these materials, I feel a connection to the history of my craft. In the current world of social media, the relationships and communication are real but have a fairy-like quality, flitting around the edge of “real life” and fading away completely if not nurtured. All the new media art tools today have evolved through the work of artists over centuries. The textures of different paints are an inspiration for the hundreds of filters available on Instagram. My passion with oil painting is a homage to traditional creation and its interaction in the digital space is my acceptance to our technological evolution.”
In 2015, Nancy co-founded the Four Corners Studio Collective, a Toronto based group of four emerging artists working together, learning from each other’s skills and experiences and supporting growth in their respective careers. That same year, she curated #TwitterFirstFriday, a monthly art show conducted on the social media platform. The goals were to encourage networking between artists around the world and promote art through sharing across multiple networks. Throughout 2015, on the first Friday of each month Nancy gathered works posted by artists, evaluated them for suitability and adherence to the show’s rules and shared with an online community.
Nancy is a member of The Artists’ Network, CARFAC and the Akin Collective, and in 2017, she began volunteering at Art Heart, an arts program for vulnerable adults.
“I’m a social artist. I thrive in a community, share studio space and have an active online following on social media. Through my paintings, I bring the extended community into my world and transfer my physical space into their digital one. I share my views, interpretations and feelings as I work through a piece. I encourage my online community to observe their own surroundings with an artist’s eye and get involved in my work. I appreciate when they send me photos of scenes that inspire them or remind them of my work. Through this give-and-take, my audience is with me throughout as an active component of my process in addition to being a passive audience to the final piece.”UPCOMING SHOWS
August 2017 – Solo exhibit, Deer Park Library, 40 St. Clair Ave. East, Toronto
August 18- 20 2017 – ArtWalk in the Square at Shops @ Don Mills, Booth #24.
February 2018 – The Artist Project, Exhibition Place, Toronto
You can follow Nancy on Facebook.com/NancyBennettArtsor visit her website: www.nancybennett.caAnd if you see Nancy at any of her upcoming shows, stop in to her booth, say hi and learn more about this multi-talented woman who (finally) got to follow her dreams….
Across one wall, Ozzie showed me his collection of “smalls” – each incorporating computer & tech salvage into the artwork to tell the story of humanity intersecting with technology.
…and one piece in particular, Ozzie told me, focuses on the issue of cyber-bullying and how technology impacts the young via social media.
