Internationally-renowned flutist and composer Ron Korb is again sharing his love of world music with his latest album full of Latin, Middle Eastern, European and Asian influences, played by outstanding culturally diverse musicians. Global Canvas drops officially on September 20th and Ron is presenting a special concert on October 4th at 3030 Dundas W club in Toronto to celebrate the launch (details at end of blog). He will be joined on stage by many of the artists who recorded the 18 tracks with Ron, including Bill Evans (piano/keyboards), Steve Lucas (bass), Xiaoqiu Lin (erhu), Larry Crowe (drums), Victoria Yeh (violin), Rick Shadrach Lazar (Latin and Middle Eastern percussion) Ray Hickey Jr (guitar & koto) plus other guests.
I’m going to let Ron tell you about the project himself…..
You always give us beautiful cover art (photographs) and liner notes on your albums. Your wife, Jade, is a talented photographer and a brilliant design collaborator, creating such beautiful covers for all your albums. It was pointed out to me by one of your dedicated fans that this is the first time you’re shown without a flute in hand. Why the change in style….are you re-branding? The Global Canvas cover and album design wasn’t a conscious rebranding but the image just felt right. It is the idea of having a blank page from which the inspiration will spring. If you look closely you will even see subtle white brush strokes adding some texture and the white shirt I am wearing just blends into the canvas texture. We did try the opposite approach of having explosive vivid colours representing the energetic world music grooves on the CD but in the end this seemed more true somehow. Now that I think about it, the introspective cover portrait really captures the look of someone working out ideas in their head.
Ron incudes a track called “Angkor Wat” that was inspired by a trip to Cambodia with Human Rights activist Arn Chorn Pond, to whom Ron was introduced by one of the most famous artists of the past 40+yrs. Watch this video to learn who….
And what’s next once Global Canvas is out in the world…do you have special performances lined up or more film work? I have been invited to perform in Ricky Kej’s group in Dubai in January. Ricky is a 3 time Grammy winning artist and very well known and popular in his home country of India. There are some other great performing opportunities materializing in 2025. I also play on Ricky’s new album and also Masa’s new single Kashira. In my life, I never know what new thing is around the corner. Film work or studio always comes up very quickly so we shall see what the New Year will bring.
If you’d like to join Ron at his launch concert in Toronto you can click on his website for full details: www.ronkorb.com GLOBAL CANVAS album release concert Friday October 4th at 3030 Dundas West in The Junction (Toronto) Doors open 7pm – Show starts 8pm Tickets $35 at door or $30 in advance from Ron’s website or via Eventbrite.ca
To reserve your table, contact club 3030 Dundas W at 3030.table.reservations@gmail.com
With thanks to my friends at B.Rebel Communications…..
Featuring an expressive mixed program of contemporary dance works, with choreography by ROBERTO CAMPANELLA, CHANTELLE GOOD, SYREETA HECTOR and LESLEY TELFORD plus a cast of stellar performers – NOVEMBER 2 – 5, 2022 at Fleck Dance Theatre, Toronto
Following a 3-year hiatus, ProArteDanza presents its fall 2022 season performance featuring a quadruple-bill mixed program of unique, innovative and expressive choreographic voices. With works created by Roberto Campanella, Chantelle Good, Syreeta Hector and Lesley Telford, these four pieces seek to reconnect audiences and explore the complexity of the human condition through concepts surrounding internal conflict, change and memory. “After being absent on stage for 3 years and with an increased sense of loneliness experienced by many, we are all trying to reconnect, one way or another.” – Roberto Campanella, ProArteDanza Co-Founder and Artistic Director
To kick-off their exciting repertoire of performances, ProArteDanza presents BEAST A LA MODE. Choreographed by Syreeta Hector, BEAST A LA MODE examines the powerful influence that environment has over one’s identity. This 30 minute performance explores aspects of ourselves that are both revealed and concealed,investigating the uneasy contradictions of character we develop in order to survive everyday life, and highlighting our essential need to compete with our collective identities.
To follow is Roberto Campanella’s emotionally resonant FEARFUL SYMMETRIES (2016) – pictured below, with the movement motif of running, which poses the question: is the ensemble on stage actually getting anywhere or merely struggling to keep up with an ever-changing world? Campanella’s choreography is accompanied by Fearful Symmetries, an orchestral work by composer John Adams. TETHERED TO YOUR PALMS, with choreography by Chantelle Good, explores the act of preserving memories both within ourselves and with others. Whether it be a scent, an image or a sensation, how can we take care of the sacred moments that stay with us, while honouring the truth of the initial experience? How can we hold someone’s memory of a shared encounter, even when it is different from our own? TETHERED TO YOUR PALMS’ music is complete with Nils Frahm’s Said and Done.
Concluding the evening is a contemporary work choreographed by Lesley Telford.ONLY WHO IS LEFT is inspired by a quote by Bertrand Russell: “War does not determine who is right – only who is left.” Set to music by Michael Gordon, Beethoven, and Mozart, the piece explores the heroism and beauty of carrying on, the futile sensation of the fight and the acceptance of where we end up.
Dances are performed by Joey Arrigo, Sasha Ludavicius, Connor Mitton, Jake Poloz, Kelly Shaw, Eleanor van Veen, Evan Webb, Carleen Zouboules, and ProArteDanza apprentice, Giulia Petti.
ABOUT PROARTEDANZA: ProArteDanzais a repertory contemporary dance company which challenges and inspires our artists and our audience through bold new work and invests in the future of the art form through educational programs. Committed to “passion in performance”, ProArteDanza strives to reach the widest possible audience through an open, equitable and inclusive culture which fosters artistic risk-taking, innovation and collaboration.
DETAILS When: November 2 – November 5, 2022 at 8pm Where: Fleck Dance Theatre (Harbourfront Centre), 207 Queens Quay W, Toronto Length: Approximately 1.5 hours with an intermission Price: Tickets range from $25 – $45, with senior, student, and arts industry discounts available. To purchase tickets, please visit https://proartedanza.com/ or call the Fleck Dance Theatre Box Office at 416 973 4000.
As the song says…”Oh, what a night”! I’m so pleased for my friend and colleague, Margaret Konopacki, who presented a fabulous showcase of singer/songwriters who live with mental health issues and/or substance use disorders for whom she created the nation-wide music charity, BIRDSONG FOUNDATION. Visit the website to see what it’s all about: www.birdsongfoundation.com. Last night, June 9th, at The Duke tavern and club, several of her artists performed original songs with the backing of The Long Black Cadillacs band, and the nearly-full house enjoyed a night filled with blues, pop, hip-hop, folk and rock songs. I spoke briefly with Margaret just before the concert started…
Yes, her anticipation and excitement was palpable. Due to the sad loss of her talented singer/songwriter son, David Martin, four-and-a-half years ago, she founded this supportive charity that records, publishes and promotes songs written by artists who struggle on a daily basis with mental health challenges. The show started off with Thomas Messenger, then Jordan Gow (see below) Tommy Messenger had a blast on stage with Earl Johnson and his band, the Long Black Cadillacs…as you can tell here.
and the delightfully spunky Ashley Bell had fun with her song, “Best Advice”…
Singer/songwriter PK shared his “Just Breathe” with the crowd (pictured below) accompanied by musician/music producer Bryant Didier who also sat in with the band….…and Jhmal King brought his unique hip-hop/blues song, “Never Settle”, to the stage and even got a couple of dancers up on the floor
Margaret was extremely touched when long-time friend and Nicolas Cage’s movie stand-in (wow, what a gig!) Marco Kyris showed up – he flew in all the way from London, UK, just for the concert.Big thank you to radio personality and podcaster Aaron Badgley who helped MC the night, shown here with Maggie on stage…At the end of the concert, Margaret was very moved when Jordan Gow sang the song her son, David, wrote for her shortly before he passed away….visit the Birdsong website to read the story behind the song and behind the Birdsong mission. Jordan was very emotional, too.Jordan’s mum and dad were there to support their talented son and we were grateful to them for running the door and taking the cover charges.Lots of kind and generous people showed up, including Andrew Cann who drove in from hundreds of miles away with a cheque for $500 he raised for Birdsong (bravo, sir) and we’d like to send out a big THANK YOU to venue manager Donna Riddell and her amazing staff who hosted the concert for Birdsong. https://theduketoronto.com/ Thanks also to Kerry Doole of FYI Music News for the great blurb – it’s great to receive media support.
Margaret had the entire show video taped for future sharing so follow Birdsong on Fcbk, Twtr and IG, all accounts linked on their website: www.birdsongfoundation.com
Toronto-based musician and composer, JIM GELCER, was thrilled to play his first LIVE public performance on Thursday November 4 at the venerable Jazz Bistro in downtown Toronto. Covid had caused all music venues to shut down over the past 20 months and we were certainly anxious to see musicians return to the stage – Jim was joined by Rob Piltch (guitar), Ross MacIntyre (bass), Rob Neal Christian (sax, flute, piano)…..pictured belowI sat down with Jim at the Aroma Café on Bloor St East a few days prior to his show, and asked a few questions about surviving the Covid lockdown, what it feels like to be back performing LIVE, and his new side gig teaching students from around the world via an online learning academy.
Jim, you had a great gig November 4th at Toronto’s Jazz Bistro – was that your first live show since Covid restrictions eased and audience capacities increased? Yes and no. I had a couple of shows last summer when they first eased the restrictions a bit, and there have been a few private events as well, but this is really my first club date as a band leader in 18 months.
You performed with 3 other great musicians: Rob Christian on sax, flute & piano; Rob Piltch on guitar and Ross MacIntyre on bass. Were you looking fwd to working with your fellow musicians after all this time? Absolutely! Especially this killer band. I’m a connector. And one of the things I like to do is bring people together who I think should know each other and would enjoy playing or working together. I’ve worked with each of these musicians individually, but never all three together and I think it’s a wonderful combination of talent.
Has the Covid isolation period offered any positive opportunities such as time to compose or arrange, listening to other musicians’ work? Yes, indeed! I was quite busy during Covid with film scores, production, and songwriting collaborations. In fact, I’ve just finished co-writing three Christmas songs with Jon Mullane, a songwriter from Nova Scotia, that will be released on his upcoming Christmas album (look for it on his Spotify, or wherever you listen to music).
You studied music as well as philosophy, so has a serious music education helped you with your career? So many new/young musicians have never picked up an actual instrument or learnt how to sight-read music – do you think there is still a need for traditional learning or do you feel music’s future lies with computers? A couple of years ago, I was lucky enough to be invited to teach music at the Toronto District School Board. I am so grateful for that, as it sustained me during Covid, and got me into teaching, which I had not done much of previously. During the pandemic I also started teaching privately, and have had students from as far and wide as Germany, Ukraine, Hawaii, and all over North America. So, yes, I believe that there is still a need for traditional learning.
If people want to learn more about you and your music, do you have a website or social media they could follow? Yes, I’m on Facebook (facebook.com/jgelcer). I’m also on Instagram and Twitter as @jimgelcer. And I’m even on Wikipedia! My website is www.gelcer.com
I’m so glad you had an enthusiastic audience at Jazz Bistro, must have been so great to play live again. And continued success with your music students around the world. (www.outschool.com)
As our city enters its third week of stay-at-home restrictions, how lovely to enjoy the spring air, free from the confines of my apartment in downtown Toronto. With no other way to get exercise or see daylight, I chose to take a quick stroll away from the main thoroughfares this Sunday afternoon. Although I’m surrounded by concrete and glass high-rise office buildings and condos, there are a few secret pockets of turn-of-last-century townhouses with their beautiful little garden patches as well as a parkette or two.I first dropped by my neighbours across the street – the spectacular office building that’s headquarters to the Manufacturers’ Life Insurance Co. Carefully reaching through the wrought iron fence, I snapped a few pictures of their flower beds, most of which are still slumbering…but there were a couple of early risers!Around the corner, there’s a delightful little parkette that never disappoints at springtime. Usually full of red tulips and bright yellow daffodils, this year there’s a blanket of tiny blue flowers…not bluebells but something just as pretty…wow!Behind the parkette, there’s a modest little cul-de-sac lined with row houses from the 1900’s, all beautifully maintained and reno’d. The houses on the north side of the street back onto the Rosedale ravine and at the end they’ve created a lovely area with wooden railway ties as benches and the wild gardens are filled with birds singing. I frequently go there just to sit and relax and…breathe!Looking down onto Rosedale Valley Road from my perch above…..
Walking back along the little street, I enjoyed several of the perfectly-kept flower beds and pots….Time to head home as the skies grew a little overcast but not before I snapped a few shots of the planters along my home-stretch of Bloor St East, featuring my favourite little flowers, pansies. Aren’t they lovely?So get outside and enjoy the sun, the fresh air, the flowers and birds…forget about Covid for half-an-hour and be grateful for all these beautiful things we’re given for free. But please keep your mask on when passing by your neighbours.
I remember the night of the Oscars many years ago when one of Canada’s leading TV networks sent beautiful Toronto comedienne CARLA COLLINS down to L.A. to cover the red carpet arrivals and do interviews with the stars. OMG, I’ll never forget that vision of her in a bizarre, wild orange sparkly frock tossing out bon mots and kudos to the stars, drawing them into her microphone and asking them hysterical questions about their nominated roles, their lives and loves…and whatever else came into her head – a wacky stream of consciousness. She was brilliant! Totally unafraid to meet to BIG named stars head-on, kinder than Joan Rivers but just as “intimate” with her enquiries, Carla charmed everyone that night and I knew it was only a matter of time that she herself would walk among the showbiz giants…on 6″ stilettos and with even bigger hair!
Working her magic in west coast comedy clubs, hosting corporate events & awards nights, special guesting at swanky soirees – years later Carla has forged a successful comedy career as well as becoming a best-selling author, launched a brilliant interactive program that merges laughter with meditation and yoga principles, and now back on home turf in Canada, she’s hosting a brand new webcast series (which should go live with a studio audience once Covid quarantining is over) staged at the legendary El Mocambo nightclub in downtown Toronto.
I recently caught up with my fellow blonde goddess and posed a few scintillating questions I thought my readers would enjoy….It’s been a long time since your first stand-up gig at The Rivoli in Toronto – do you remember your excitement or fears when you first set foot on the stage? And did you think it would lead to such a successful career in comedy for you? For the longest time I was absolutely terrified of doing stand-up and had a crushing nerve problem where I couldn’t even eat for days leading up to going on stage. I only dabbled in comedy a couple of times a year when I was working fulltime on TV and radio. Although comedy was my first love, I was terrified before every show. Now I could jump up and do 45 minutes at a garage sale! I can’t wait to make people laugh and I certainly never imagined it would become my greatest high and healthiest escape. Like every other comedian right now, I’m practically doing a tight 5 in the Whole Foods parking lot against everyone’s will. The Rivoli was the mecca of comedy – I’m so sad to hear it has closed and so honoured to have had the opportunity to perform there a few times.
Your stand-up comedy has attracted a huge following in the States and whenever you’ve come home to Canada for special appearances you pack the theatres – do you find any difference in the audiences? Audiences can vary a little from place to place, city to city. If I were to make a general, sweeping, certain to offend someone observation it’s that US audiences tend to be a tad more effusive and more prone to standing ovations and Canadian audiences seem to prefer more intellectual humour at times. Having said that, depending on the town or region, that statement can be totally flipped. At the moment I would kill for any type of audience, even though my Chihuahua, three kittens and UPS driver have been a great crowd during lockdown.
Have you had any really weird experiences while doing your shows? Any men’s underwear thrown on stage, mothers claiming you seduced their sons or maybe some ugly streakers? One time in Long Beach, California, a very drunken woman slurred and heckled throughout my set. That wouldn’t be remotely unusual except for the fact that I was performing at an AA meeting and the Ziplock bag full of vodka that fell out of her purse was frowned upon by the organizers. Last year in Calgary a former hockey player and his girlfriend bought me many, many drinks after I headlined a show. I had to excuse myself and retire to my room as I was beyond tipsy only to find a $1,500 tip in my purse! I was a bit of a legend the following night as the other comedians and wait staff had witnessed the event. Pretty sure I naively escaped an Albertan three-way!In one of your many film appearances, the diamond heist adventure Bitch Slap, you got to work with both Hercules (Kevin Sorbo) and Xena (Lucy Lawless) – how was that experience and did you manage to score any super powers of your own? Well I was only in one scene so I didn’t get to work with either one on set. I did meet Kevin at the premiere and I already knew Lucy through a mutual friend. She’s absolute perfection and is one of my girl crushes. Pretty sure everyone adores Xena/Lucy. The only super power I emerged with was my ability to overact even in the tiniest of roles and my ability to kill off husbands. Metaphorically.A few years ago, you created a fun online chat show, Carla Collins Comes Clean, set in your actual bathtub where you told us about all sorts of hilarious things that happened to you. How did you come up with the crazy concept and did you ever invite any special guests to the tub? We had so much fun doing that web series and we still have a season 2 that needs to find its way out into the wild. It was directed by Tom Moser who has won multiple Emmys in animation. My then producer, Penny Edminston, and I thought it would be funny for me to just rant away in a bathtub as that is my natural habitat and form of cheap therapy. I would straight up be doing prison time if I wasn’t allowed to take baths. We were tickled by the twist ending of reversing the camera and showing some poor pizza delivery man, nun, B list celebrity, etc… fully-dressed in the tub with me and forced to hear my bullshit. There is interest in remaking the show this coming year so expect to see more of me, as it were. Don’t say you weren’t warned.
I’m interested to learn about how you’re exploring your spiritual side by launching the innovative Comedic Meditation program, hosted online now (thanks, Covid you bitch!). Please tell me about the healing effects of humour and how you have merged guided meditations with laughs and smiles. Currently, Comedic Meditation is my favourite child! I think I have often combined my love of comedy and spirituality including performing stand-up at the Kabbalah Center in LA and my humorous self-help book “Angels, Vampires and Douche Bags”. I’ve been spiritual all my life and have practiced yoga and meditated for almost 20 years now. Everyone in Los Angeles claims to be a guru and I just wanted to take the intimidation, preciousness and woo woo out of meditation. It’s simply focusing on your breath. The marriage isn’t as unconventional as it may seem at first. Starting off with 20 to 30 minutes of stand-up allows everyone to release endorphins and get out of their own heads and both meditation and laughter produce the same gamma brainwave. People are finding that they are able to relax more deeply and more quickly after some giggles (and sometimes a few drinks) Also, although no one thinks Zoom comedy shows are ideal, the meditation portion may work even better delivered online as people can relax comfortably in their own home without feeling judged and without having to drive home…or wear pants. I’ve been fortunate to do a few corporate comedic meditations this month for a few organizations which I loved. Thanks to several sponsors like our title sponsor, The Michael Stuart Webb Team, you can sample a show right now at no cost by visiting www.comedicmeditation.com Figure we all need to chuckle and chill during these mad times.More recently, you returned to the stage here in Toronto at the legendary El Mocambo nightclub presenting a unique talkshow-style webcast called Carla Collins Rox the Elmo – do tell…how did this happen and who will you be chatting with? Pretty sure masks and podcasts have both become mandatory! I had a wonderful experience playing the Elmo for two shows in September during that brief but glorious window when venues were quasi-open. I had quarantined with Elmo Owner and former Dragon’s Den star Michael Wekerle and his family and we became fast friends. Michael Stuart Webb (whom I refer to as my gay fiancé!) and I had already partnered on Comedic Meditation and he was launching his new media group so the three of us joined forces to produce a pandemic panacea podcast/web series. Carla Collins Rox the Elmo is the perfect three-way of comedy, music and spirituality where mental health meets metal health with the iconic venue as the beautiful backdrop.We just wrapped season one with some exceptional guests partaking in no-holds barred, intimate interviews. Many also treat us to mini concerts you won’t see anywhere else. Season one includes candid chats with actor Dean McDermott, Canadian music icon Gowan, comedian Kenny Robinson (pictured above, with Carla), Olympic skating queen Elizabeth Manley, recording legend Kim Mitchell, singer/songwriter Gordon Deppe, the list goes on. Naturally there’s a lot of laughter and great music but also a lot of raw emotion and honesty. I’m very proud of this show and hope everyone will check it out on my YouTube channel and/or iTunes and Spotify.The Covid lock-down, isolation and quarantining has not dampened your sense of humour and certainly hasn’t curtailed your creativity. How many webisodes are you planning at the Elmo and then what’s next for Carla Collins? Any more books in the works? We’re planning more webisodes in the new year when we are able and I’m also going to release a new comedy album from my two shows in the fall at the El Mocambo (maybe even a TV special!). I am working on a new book: the world’s first motivational/self-help coffee book featuring the beautiful fashion designs and photography of my dear friend Jorge Del Busto called Stairs: A 30 Day Step by Step Guide to being Fab AF. It features various photos of me on a staircase with some hilarious and hopefully helpful hints of being even more fabulous than you already are 😊 I’ve been billing myself as the world’s most immature mature model. Funny fact: I was just signed to a modelling agency in LA. Now I’ll be spending the entire holiday season phoning up my exes and letting them know that they didn’t know it, but they were bangin’ a model!Carla, is there anything else you’d like to add, any shout-outs or messages to your fans? Just wanna send everyone lots of love and laughs right now. Stay safe and healthy. If you can, during lockdown, adopt a pet. Or an accent.
Watch for webisodes of Carla Collins Rox the Elmo now on YouTube!
What a wonderful surprise to discover local talent, esp. when it’s a 12yr old with great presence and a very supportive family. While enjoying a nice iced latte this past Sunday at Zaza’s coffee shop in Toronto’s Yorkville village, I watched as Chiara Petrozza set up her sound equipment with the help of her family and proceed to entertain the customers and passers-by with her mature tone and pitch-perfect voice.
I spoke with her mother, Silvia, who told me Chiara is now studying ukulele as well as continuing vocal lessons (which she’s studied for the past 6 years). The youngster from Vaughan is also learning songwriting and continues to record studio demos so she’s on her way with a laser-like focus on her future career. Having the guts to perform in front of strangers at that age is just wow, I mean WOW! She even tackled a Leonard Cohen classic which impressed everyone within earshot…here’s a brief taste:
You can follow Chiara on her Instagram account @chiara._p8 and if you’d like to catch her in person, she’ll be performing again at Zaza’s on Friday Sept. 11 around 6:30pm (Cumberland St, just E of Avenue Rd). Come watch/listen so you can tell people you knew her when….
Bravo, kid, keep challenging yourself and don’t let anyone distract you from your dreams. Keep performing anywhere and everywhere – you just never know who’s gonna see/hear you.
Each year, Toronto’s Urban Gallery hosts Centennial College Studio Arts program’s 1st year students exhibition and with the current Covid-19 crisis hitting all the galleries and public art installation locations so hard, Urban decided to upload a Facebook “gallery” show for the students (follow them on Facebook.com/UrbanGalleryTO) The works are hung on the gallery walls for anyone wishing a private viewing – contact them via www.UrbanGallery.caThanks to Lisa Binnie, MFA, FAS Program Coordinator and Professor in the Fine Arts Studio & Photography Programs, the students were able to organize this year’s show so that their works can be showcased online, building support for their future careers. Metamorphosis is the theme of this year’s Fine Arts Studio student exhibition, and it will change the way you look at art! Metamorphosis is not only the theme, but also describes the transformation these emerging artists will experience during the Centennial College fine art program, and continue throughout their lives. Below is a selection of the works on show (installation runs until March 28) so please visit the gallery’s Facebook page frequently to view the various paintings and multi-media works uploaded daily.
Urban Gallery is located at 400 Queen Street East in downtown Toronto, and is one of the city’s leading independent galleries offering artists catered opening and “meet the artist” receptions. If you have any questions or if you’d like booking information, please contact gallery director, Calvin Hambrook, at info@urbangallery.ca Until social distancing or self-isolation concludes, Urban Gallery will continue running online gallery events for your safety and convenience.Thank you for supporting Canada’s emerging artists!
As many of you know, I’m a huge fan lover and am never caught without my own beautifully designed fan to keep cool. My prized fan possession is one that Canada’s Grammy-nominated flutist, Ron Korb, brought back for me from Hiroshima where he performed at a memorial concert. It was so beautiful, covered with tiny origami cranes, that I had it framed (below).I couldn’t believe that I forgot to attend the spectacular exhibition of theatrical fans from Japan’s Noh and Kabuki theatre worlds at Toronto’s Japan Foundation located at 1 Bloor East (Royal Bank bldg) but after a reminder email, I dashed in today for a visit and boy, am I happy I did. Fans Onstage closes tomorrow Saturday Jan 11 so hurry hurry hurry! Admission to the Foundation’s gallery is FREE.To quote the information found on their website: Japan’s association with fans can be traced back to the Nara period (8th century) with the cypress fans made of wooden hinged strips, followed by the invention of paper folded fans in the Heian period (9th century). As early as the late 10th century the paper folded fans, which differed from flat unfoldable fans, were exported from Japan to the Korean peninsula and China as luxury imports. In the West, in ancient Egypt and Greece, there were records of folded fans, but the tradition of using fans died out during the Middle Ages. Whereas in the East the new technique of making fans – the application of paper on both sides of the fan ribs – was brought from China to Japan at the beginning of the Muromachi period (early 14th century). This new method of manufacture revolutionized the production and export of fans. Through Portuguese and Dutch traders folding fans were spread out from Japan to the global market and other cultures.Paper folded fans have been widely used in people’s daily lives in Japan, but also in the ceremonies of religions and politics, and particularly most effectively in the performing arts.
Noh theatre, which originated in the 15th century, uses fans in the same symbolic way as its masks. Noh actors are aiming on stage for some kind of unification of their souls with the spiritual being they find in the masks and fans. Therefore, the treatment of the objects is as rigid as the actors’ own bodies in order to achieve internal energy flow. The faces are covered by masks and the hands are often invisible, covered by the costume. One can see the fans as the replacement of hands, but the performers keep their wrists immobile to create concentrated, abstract movements. On the contrary, in Kabuki theatre – founded in the early 17th century – the actors’ wrists and arms are freely moving their fans. In Kabuki, the external effects are established by fans, reflecting commoners’ aesthetics. This is the opposite of the Noh theatre aesthetic which reflects Samurai warriors’ philosophy. In Kabuki dance, performers turn their fans from front to back quickly, or create swaying waves, maneuvering their fans with their arms and wrists. They even toss fans into the air and catch them.The difference of the internal versus external use of fans in Noh and Kabuki is physically evident in the proportion of the fans. Noh theatre fans have a silhouette almost like an upside-down equilateral triangle, whereas Kabuki fans are wider horizontally. In spite of these physical differences, one thing is common: they are all beautifully handcrafted. In both Noh and Kabuki, fans are far beyond decoration or props. They are the handheld splendours which can conjure universal imagery in the theatrical experience.For directions and times, visit the Japan Foundation’s website: www.jftor.org and remember – only 1 day left to see these magnificent works of art.
Although he was suffering a little jet-lag, French artist VIKKA came straight from the airport and walked through the doors of Urban Gallery last night to see his latest art project hanging on the walls…and it all looked great!The multi-disciplinary self-taught artist is showcasing his pop-art paintings, sculptures and photography in his first ever Canadian month-long solo show titled “In Memory of Witold and Max” – a visual tribute to his beloved grandfathers, both of whom were talented artists, too. He was joined by his sister, Bénédicte, who also assisted with translations, when necessary.
His colourful, surreal street art style canvases attracted a lot of attention last night and visitors marveled at the details and intricacies of each painting – you can stand there for half an hour and still discover new little embedded characters and features! There are a trio of paintings dedicated to 3 of his art heroes, Warhol, Basquiat (pictured above) and Haring; here the artists talks about these pieces, mostly in French but his passion transcends language!
Gallery Director Calvin Hambrook (below L) and Curator Allen Shugar (below R) were thrilled with the artwork which was shipped direct from France and only arrived earlier this week.In Memory of Witold & Max runs in Toronto now until December 28th – for directions and gallery hours, visit: www.UrbanGallery.ca and to learn more about Vikka’s work, follow him on IG @vikkaartist
