Category Archives: webTV

TORONTO-BASED ACTOR/FILMMAKER BRUNO VERDONI DOESN’T LET COVID STOP HIS CREATIVE PROCESS

A few years ago when my sister, Jenny, visited Toronto from Australia, she introduced me to Marianne Sawchuk and her actor husband, Bruno Verdoni. Marianne is a twin to one of Jen’s besties back in Oz so it was a fun meet-up for Jenny at an art gallery opening to which I invited them all, and I made 2 new friends here in Toronto. Since then, I’ve watched as Bruno’s film and tv work has gained buzz on social media and more recently, he launched a film production company with wife Marianne – their first cinematic joint venture has resulted in increased awareness in the industry and much online attention from fans and movie lovers. I recently chatted with Bruno about his current success and exciting new production venture with Marianne, as well as asking a little about his past experiences with well-known Hollywood actors and what’s ahead for him, regardless of the current Covid situation.

Bruno, you’ve enjoyed quite the stellar career to date and have worked with the likes of award-winning actors Jessica Chastain, John Malkovich, Lawrence Fishburne, James Cromwell and Viola Davis: how have they inspired you or shared their own acting experiences with you? Most of the well-known actors I have worked with were very gracious. Robert Patrick was doing a very emotional scene and was nailing it take after take, and he openly shared with me how he did it. Back then I wasn’t sure if I understood what he meant, but now with all my experience I absolutely do. Barbara Hershey openly shared with me some of her life’s events and Scott Wilson and Shoreh Aghdashloo were genuine and quite generous on and off set. Jessica Chastain impressed me with her work ethics. Speaking of Jessica, I had quite the audition experience with Aaron Sorkin who directed Molly’s Game. I went in, we tried the scenes a few different ways, he said I was perfect for the part – something I had heard before but no candy. 90 minutes later my agent got the call that I was going to shoot both in TO and NY. A man of his word. Loved that!

You’re able to act in French language productions as well as English; how has this increased your working opportunities in Canada? A lot more opportunities as I can access casting for film, TV, Voiceover, Commercial and some Video games x 2 J. Often enough I am asked to do accents, both in QC and ON and that helps a lot too. For some reason I get offered roles more often in Montreal. I am from there but haven’t been living in that city for many years. So even while living in LA I was so chuffed to be offered substantial roles on French-Canadian series.

What motivated you and your wife Marianne Sawchuk to create your own film production company, Valiant Heart Films? My career came to a point where the roles and stories I had been dying to tell and had been training hard for, were not presenting themselves enough, so I thought I should be carrying the load, and be more the in control of my destiny. I had written a story that moved us both a lot and a friend of ours (a screenwriter in L.A.) said “not only do you have to do this project but you have to direct it too”. And I did. From then on, Marianne (pictured below) became the main motivating factor both as a producer and a partner. She has those organizing and unifying qualities that she used so well while producing her theatre projects/festivals, skills that are so important – if not more – when producing film projects.After that kickstart, I spent a considerable amount of time studying the craft; from screenwriting to cinematography. Even as a young actor, with a recurring role on Stargate, I kept bugging the DP with my many technical questions. That DP – Robert McLachlan –ended up winning many awards for his work on Game Of Thrones.

Your first short film, Heaven and Earth: A Ritual has been well-received on the film fest circuit – what inspired the 1880’s-based story and the characters? I was living in Vancouver then and was really curious about issues of racism towards First Nations people and the Chinese community. So I started looking into the Chinese migration in an around Seattle and BC during the 1800’s. And I thought it’s hard enough today, but how horribly hard it would have been for a bi-racial woman (Chinese and Indigenous Canadian) back then.Around that time, I had moved to Los Angeles and decided it would be a better fit, story-wise, to make the character MAY, a strong and combative First Nation character. Mostly because we were going to shoot it in and around L.A. and it felt more appropriate to focus on the U.S.’s Indigenous reality. We ended up moving back to Canada around that time and so Heaven & Earth was shot in and around Toronto. Heaven and Earth is currently showcasing at the American Indian Film Festival (Nov.6-14) and the Huntingdon Beach Cultural Cinema Showcase (Nov.13-15); it’s just been accepted at the NatiVisions Film Festival in Parker, AZ, December 3 to 5, with more festivals in the pipeline – what are you doing to prepare for the wider int’l exposure and audience kudos and media reviews? For as far as I can remember, my sights as an artist have always been on festivals. I’ve always been very inspired by the international community coming together during those times. It’s always been one of my dearest goals to collaborate, co-write, co-produce projects with different countries around the world. And, I also need to make sure I have many strong ideas up my sleeve and ready to be pitched. (see official trailer, below)

During the Covid lock-downs and country-wide industry shut-down, how have you remained busy? Have you been studying scripts for future projects, writing, doing voice-overs remotely? Well I did take the time to write and direct a COVID short for a Toronto COVID short film festival, called Molly’s World. There again it was Marianne who jolted me into action as we had less than 48 hrs to write-shoot-edit this project. It was a lot of fun to play a bad guy in this family fare, opposite Marianne and our daughter Francesca.
Out of the stories I have been working on over the last few years, I am spending some time fine-tuning the ones that move me the most in terms of films and series. I recently recorded a voice-over gig for New York out of my own voice-over studio. 2 weeks ago I finished shooting a French series where my character had been recurring for the last 5 years and on a different artistic plane, since Heaven And Earth: A Ritual gave me the opportunity to compose music again, I decided to keep pushing in that direction, too, and play/compose more music, as I need to elevate my musicianship skills since one of my upcoming projects involves 70‘s rock music. You can listen to Bruno’s music score for Heaven and Earth: A Ritual here:

What’s next for Valiant Heart Films – do you and Marianne have any projects in the works? Well, that 70’s rock music project is actually a coming-of age story and has been brewing in the back of my mind for many years now. I strongly feel that it will be in a finished pdf format real soon. I have to say I find myself amidst many stories/concepts/ideas the run the gamut in terms of genres, from fable to musical drama, sci-fi to documentary, family comedy to thriller. I’m impressed that my intuition/inspiration is sending me in all these different directions but in the end the purpose remains the same; to tell a solid, compelling story that feels authentic and reverberates with people, that moves them.

Any advice for other actors or filmmakers struggling to establish themselves in a very tough business? For me it’s always been about “what moves me” to the point where it makes me relentless. You have to find that “thing” which moves you enough to be unstoppable in your journey. That is the only way. And as you grow you will need to gather as many skills as possible on your journey – people, technical and artistic skills. And ALWAYS surround yourself well. Find people who are talented, kind and who thrive in a communal environment.How can people follow your work and Valiant Heart Films on social media?
https://www.facebook.com/valiantheartfilms
https://www.facebook.com/bruno.verdoni
www.instagram.com/brunoverdoni/

Good luck with all your upcoming projects, Bruno (and Marianne) and I hope we see Heaven and Earth: A Ritual at even more film festivals over the coming months. Good to see you living your best life!LATEST UPDATE:

Currently Bruno is starring in another short film called Bloodshed directed by Paolo Mancini and Daniel Watchorn. It has been officially selected and playing at the following festivals…so far:
World premiere at Fantasia Festival in Montreal
Night Visions Festival in Helsinki
NOLA Horror Film Festival in New Orleans
Oregon Scream Week Horror Film Festival where Bruno was a finalist for Best Actor Award
LUSCA Fantastic Film Festival in Puerto Rico
Hellifax Horror Festival in Halifax
Requiem Fear Fest in Montreal where Bloodshed won Best Short Film
Frightening Ass Film Festival in Tennessee
Bogota Horror Film Festival in Columbia
Panic Fest in Kansas City
Monster Fest in Australia
Tacoma Film Festival
Festival El Grito in Venezuela Dec 3-5
Mostra Crash International Fantastic Film Festival in Brazil Dec 9-13
Another Hole in the Head Film Festival in San Francisco Dec 11-27
Chandler International Film Festival in Arizona Jan 21-24, 2021

CANADIAN ACTOR/WRITER/FILMMAKER BOBBY DEL RIO CONQUERS COVID PRODUCTION LOCK-DOWN BY CREATING MULTIPLE FUTURE PROJECTS FOR FILM & TV

Several years ago, I was thrilled to work on promotions and PR for filmmaker friend Bobby Del Rio‘s feature film The Market and I was pleasantly surprised to learn of the impact the film has had on so many of the actors involved, especially now that there is a distribution deal in place to take the film to viewers across the globe…and that my fave streaming platform, Amazon Prime, now offers it as part of their catalogue. One good thing about quarantining is that it’s given us plenty of time to watch tv and discover all manner of films, documentaries and tv series. I reached out to Bobby to see how he’s dealing with the production “lock down” and was pleased to hear how well he has been handling these past 6 months both personally and professionally. This is what he told me….Bobby, it’s been several years since we worked together on your feature film The Market, and you recently landed a distribution deal for the film so how did that come about and what countries can now view The Market? Thank you for your help, Glenda. You were an important part of our team that helped us get here!
The distribution deal came about while talking to my friend Rebeka Herron about another project. When I mentioned I thought the unfortunate economic collapse was a very relevant time to release my feature film about a Wall Street conspiracy theory, she certainly agreed and offered to distribute the film through her Parallel Universe Pictures. They have been amazing to work with. The film is currently available on Amazon Prime in the US & UK. In Canada, we’re on Vimeo on Demand. From watching all your social media posts, I gather you’ve been very busy writing, directing, acting…can you share any news of upcoming film/tv releases? I really appreciate the support, Glenda. I’ve been blessed to stay busy during a difficult time in our industry. My next project is The Kult, a web series I’m co-writing with Megan Laursen. We created it together, Megan is directing, I am playing one of the lead roles. We have assembled a brilliant cast of stage and screen veterans, and will be announcing production details in the coming months… We’re looking at early 2021, and I’m incredibly excited about it.
Megan Laursen is a 22-year old prodigy who has become my writing partner and main collaborator. She will be directing some of my feature screenplays, and I am attached to star in a few of her films. You will hear her name again and again, and it’s my true pleasure to work with such a talented artist at the beginning of her bright career. I am also working with filmmaker Paul Persic on a new feature film. Paul is actually our DOP for The Kult, and a talented director himself. He is yet another young, prodigious film talent that has an incredibly bright career ahead of him. Megan, Paul and myself have a really great synergy that is yielding a large number of film projects at a very high skill level. It’s humbling and exciting to work with (and learn from) artists half my age.

How have you navigated the Covid production shut down? Has this given you the time and space to focus on your writing? While Covid has certainly created many challenges, it has also been a blessing in disguise for me. I learned how to edit, launched a couple of podcasts, polished some scripts and binged historically great television franchises like Lost and The Sopranos. I am slightly embarrassed to admit that I have never been so busy in my entire career! I have been offered lead roles in SEVEN different projects, and have many other projects in development as a writer.
While many of my projects are on hold from a production standpoint until after Covid is over, many are in pre-production. I anticipate an INCREDIBLY busy 2021 – starting around spring/summer. While the quarantine year has been challenging, I think it’s been a very important time for contemplation. I view our industry in a period of calm before the storm…

Back in 2017, you presented your play, Professionally Ethnic which was, in fact, written a decade earlier. Considering the timeliness of the subject of diversity in film & tv, do you have any plans to put the play on film? Due to many geopolitical events, my play Professionally Ethnic has certainly been getting attention. I have been working extensively with director Rouvan Silogix for an extended theatre run and also a film adaptation! While theatre has been hit harder than film during the pandemic, many discussions are ongoing. Since writing is a major part of my career, I have actually found myself MORE in demand as a writer. While many production challenges continue, development opportunities abound. Rouvan is one of my best friends, and a truly brilliant artist. While we don’t have official release dates on anything related to Professionally Ethnic yet, we have a few strong possibilities on the horizon for this particular project… My hope is that an analysis of race politics will bring us all closer together as human beings…You were also a recurring character on the hit web-series My Roommate’s an Escort (2017-19) – did that experience inspire your own web-based creativity? How do you see the future of traditional network tv vs. web-based or streaming platforms for entertainment delivery? Playing SAM in both seasons of My Roommate’s an Escort taught me a lot. While I was the creator & showrunner of IRL the Series (sold to Bell Media) before I worked for Katie & Trish as an actor, I certainly learned a lot from the Escort experience. It’s amazing how voraciously an audience is willing to consume a web series if you have the right product.As for traditional network tv vs web-based content, the lines have blurred. I personally do not see a difference between conventional television and shorter-form content. I think the viewer has shifted their thinking to that of patrons in an art gallery: While some canvasses are large and some are small, they are all ultimately still viewed as different paintings. I think that is how movies/tv shows/web series/streaming platforms/etc. are now seen: as simply different styles of content – all equally relevant, though unique in their own ways.
Ultimately, the audience is looking for a well-crafted story, told by skilled artists. I simply focus on telling my stories the best way I can with the resources available to me. That strategy has consistently yielded positive results for me my entire career. I do my best, and constantly seek to improve. Everything else is out of my control…

How can readers follow you on social media? I have a very active Facebook account where I approve everyone. (This sometimes gets me in trouble. lol) and I also have a growing platform on Instagram (@bobbydelrio) and my Twitter handle is @Bobman

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Thanks, Bobby, and congrats on all the well-earned successes to date and your future gigs. I encourage readers to check out Bobby’s social media for news of upcoming projects and thank you all for supporting Canadian talent.

NEW TORONTO-BASED WEB SERIES OFFICIALLY LAUNCHES WITH PARTY DURING TIFF

With the ever-increasing popularity of web-based TV series and entertainment content (watch out cable tv providers, you’re days are numbered!), I’ve been following several young producers/directors/writers who have answered the siren call to create online films and serials. One such multi-tasker is CALEB OLIVIERI (pictured below in red in full directorial action) whose first series, UNAPOLOGY, offers tales from this city (Toronto), focusing on a number of families, singles, couples and how they navigate thru life and, in one case, the impact of early onset Alzheimer’s. Under the umbrella of his Wait, What? production company, Caleb has produced quality programming for multi-generational viewers showcased via the YouTube platform, and the first 6 episodes will officially be launched on Monday Sept. 10th with a cast and crew celebratory soiree during the height of Toronto Int’l Film Fest activities. Hopefully, members of the world’s entertainment media will drop by for a quick schmooze and meet Caleb and his enthusiastic production team. You can learn more via the series Fcbk page: www.facebook.com/unapologyseries

I recently spoke with Caleb to learn how Unapology came into being…

Caleb, what was the inspiration for the theme/storylines for UNAPOLOGY? The storyline(s) grew organically out of my own experiences … alternative living arrangement and employment situation. A close relative with early Alzheimer’s inspired me to write about the reality of living with the disease. From the lack of affordable housing to despicable and exploitative behaviours of some of my employers I didn’t have to dig deep to find the grist.

Being a young filmmaker, how difficult was it to raise funding, secure equipment and locations as well as attract good actors? Finding good actors in Toronto is easy enough and I was lucky enough to have some good connections with friends and colleagues with equipment and basically “free” use of locations. Fundraising on the other hand has always been a grind. With every film school grad pitching projects to major TV networks in Canada and the US, you created the series specifically for web-based content. Why/how did you decide on this route to take to make your presence known in the crowded TV production arena? Originally it was written and produced as a pilot for a 22 min. series but I broke it down into 6 mini episodes for online use. With a web series I’m much less confined by edicts from networks which are often limiting when it comes to content and structure. A web based series lets the viewer make up their own mind as to what they want to watch and when … a quick episode on the subway ride home … a visit to the loo? As writer & director (as well as producer), how difficult was it to change “hats” throughout the shoot? Did Caleb the producer ever have to give notes (or argue with) Caleb the director? Most of the time the writer and producer are at odds with one another because Caleb the producer can’t give Caleb the writer what he wants due to budget constraints. Caleb the director usually plays the middle man who tries to satisfy the needs of both the writer and producer without sacrificing the story or vision of the project. Did you study writing or production at university or film school, and if so how did you find that experience? I’ve worked in the industry for most of my life, mostly as an actor. I would have loved the opportunity to study writing for film and tv post secondary but the reality for most actors in Canada is you do a lot of pavement pounding, auditioning and co-ops and if you have to pay the rent, that leaves little time for school.

You have a special invitation-only party coming up during the Toronto Int’l Film Festival to officially launch the UNAPOLOGY online series – this must be exciting for you and your team. How important is it to attract international media & industry attention for your web-series and will you be promoting to online audiences outside of Canada? We are stoked to be able to promote our series during the upcoming TIFF season but more so to be simply promoting it finally. Any attention at this point is good attention for my crew and my cast, and while local attention would be great, finding an international audience is absolutely the way to go in 2018 onward.

Any advice to give other writers or producers wanting to create for online entertainment platforms? Be persistent, hold on to your vision and find your Fairy Web-Mother or Father…LOL

Check out Unapology’s YouTube promo videos here:

I strongly recommend watching this new series and thank you in advance for supporting emerging Canadian filmmakers and webTV producers. Congratulations to Caleb and his talented cast and crew.