Category Archives: Music

12YR OLD TORONTO SINGER HAS BRIGHT FUTURE!

What a wonderful surprise to discover local talent, esp. when it’s a 12yr old with great presence and a very supportive family. While enjoying a nice iced latte this past Sunday at Zaza’s coffee shop in Toronto’s Yorkville village, I watched as Chiara Petrozza set up her sound equipment with the help of her family and proceed to entertain the customers and passers-by with her mature tone and pitch-perfect voice.

I spoke with her mother, Silvia, who told me Chiara is now studying ukulele as well as continuing vocal lessons (which she’s studied for the past 6 years). The youngster from Vaughan is also learning songwriting and continues to record studio demos so she’s on her way with a laser-like focus on her future career. Having the guts to perform in front of strangers at that age is just wow, I mean WOW! She even tackled a Leonard Cohen classic which impressed everyone within earshot…here’s a brief taste:

You can follow Chiara on her Instagram account @chiara._p8 and if you’d like to catch her in person, she’ll be performing again at Zaza’s on Friday Sept. 11 around 6:30pm (Cumberland St, just E of Avenue Rd). Come watch/listen so you can tell people you knew her when….
Bravo, kid, keep challenging yourself and don’t let anyone distract you from your dreams. Keep performing anywhere and everywhere – you just never know who’s gonna see/hear you.

AUSSIE MUSIC STAR ALI HUGHES MESMERIZES AUDIENCE @ HUGH’S ROOM WITH HER “LEONARD COHEN KOANS” CONCERT

What a glorious night that was! Last Sunday evening, Ali Hughes took her Hugh’s Room audience for an emotional ride with her reinterpreted songs from the late Canadian legend Leonard Cohen‘s repertoire.

Throughout her performance, her sexy sultry voice hung out on every note, laying it down then soaring again into the next stanza….and looking around the showroom, every face was turned towards the stage, eyes wide with mouths to match. I sat at the back of the room listening to the gasps of recognition as Ali introduced one classic Cohen after another, each with a new emotional and musical “translation”….it truly was a transformational moment.

Ali also brought with her the newly released 4-track EP (Tea & Oranges) from the show, recorded back home in Oz with her band, Ali & the Thieves. Her version of Suzanne will bring tears to any hardened fan’s eyes and I’m happy to tell you that the final track on the CD is, in fact, Suzanne. Check her website for purchase & download details (see end of article).After the show, Ali met with her Toronto fans and signed copies of the EP…. Hopefully she’ll return to Toronto soon for another Leonard Cohen Koans concert but she hinted she was working on her next project which is another unique interpretation of pop-culture classics…this time by Lou Reed. In the interim, she takes the Cohen show to the 2019 San Francisco Leonard Cohen Fest (presented by Noise Pop and hosted by Conspiracy of Beards) Nov 8, 9 & 10 at Cafe du Nord & Swedish American Hall, in S.F. In October she will be presenting performances of Leonard Cohen Koans in London and New York with her long-time collaborator Daryl Wallis, plus performances with NYC collaboration, Sunday Swoon (with Adam Armstrong and Curtis J).

Visit her website for news of Ali’s upcoming shows, social media & music: www.bigsbabs.com

TONIGHT! Australian singer ALI HUGHES brings her “Leonard Cohen Koans” tribute concert to Toronto for 1 night only.

After 10 days of rehearsals, media interviews, celebrity schmoozing at a film festival and enjoying all the touristy stuff that Toronto has to offer, Aussie singer ALI HUGHES will take the stage tonight at Hugh’s Room to introduce her critically acclaimed 90-minute show featuring the songs and poetry of Canadian music icon, Leonard Cohen.The legendary singer/songwriter known for his sensual vocals left us nearly 3 years ago and Ali’s interpretations of songs such as Chelsea Hotel #2 and Suzanne will intrigue, engage and soothe the listener. Ali recently recorded a 4-song EP from the show with her long-time Aussie band (Ali & the Thieves) titled Tea & Oranges and these will be available for sale and autographing after the show tonight. For the past 2 nights, Ali has performed at Hugh’s Room, opening for friend and fellow singer, Jane Siberry (below L) for whom she has sung back-up on Jane’s tours. Tonight, Jane graciously presents “Leonard Cohen Koans” and Ali Hughes who takes centre stage.NBA finalists The Raptors may be playing on home court tonight but if you’d rather experience this tribute to one of Canada’s greatest artists by one of Australia’s most unique performers, we look forward to welcoming you….

Hugh’s Room is located at 2261 Dundas St. West (416-533-5483). Show starts 8:30pm
Tickets available at the door $45.00 (come early to ensure best seats)

AUSSIE CHANTEUSE ALI HUGHES to unveil “TEA AND ORANGES” EP @ LEONARD COHEN KOANS CONCERT SUNDAY JUNE 2, HUGH’S ROOM

Just in time for her upcoming concert at Hugh’s Room in Toronto, ALI HUGHES will be bringing her live recording of 4 songs from her highly successful 90 minute tribute concert LEONARD COHEN KOANS with her so Toronto audiences will be able to enjoy her voice and arrangements of Cohen’s legendary ballads long after she returns home Down Under. I spoke with her last week and asked about the recordings….

You’ve just completed recording your new EP, TEA AND ORANGES, containing 4 tracks from your Leonard Cohen Koans project – tell us about the experience of working in-studio on your own project? It was wonderful – the musicians on the album have been playing this show with us for a long time. Bassist Michael Galeazzi has played with Daryl and me since the inception of the show, backing vocalist Gerard Carroll joined in 2011, and Michael Quigley (Quigs) started playing drums and percussion with us in 2016. There’s a kind of shorthand when you play with people for a long time and we recorded the entire EP in 5 hours!

recordings are done!

I wanted the recording to carry the vibe of our live show, and so we recorded live in one room together with Sean Carey at Church Street Studios in Camperdown, Sydney. That’s the way it used to be back in the day – big bands, everything….I LOVE that, and Sean helped make that happen. I hope you’ll come see & hear for yourselves at Hugh’s Room in Toronto on June 2^nd

Sean Carey

Our arrangements are quite dynamic which made for a few obstacles, but everyone was on their A-game. I had a quick listen with Sean in the booth after the recording session – he’d just given a quick general mix and I couldn’t believe how he made it work so beautifully. And I must give a huge shout out to Sean Carey and the team at Church Street Studios for their recent Emmy Award win – they won in the category of outstanding sound mixing on a preschool animation on Beat Bugs.

Engineer Sean Carey and assistant Matt getting the bass mic’d for Michael Galeazzi

The musicians who recorded with you – have you worked with them before and what did they bring to the recording sessions? Yes, we’ve played together for a long time; they’re all incredible musicians with many other beautiful projects. I love playing with them, and I’m so lucky they always say yes when I call :>) Every time we play Leonard Cohen Koans we find a new depth, especially in Suzanne where we open out into quite a free rave in the second half. This recording was no different – the sensitivity and the boldness of these musicians is extraordinary.
Michael Galeazzi is a member of the ARIA* award winning Karma County and played on Indigenous Australian legend Jimmy Little’s ARIA award winning album, Messenger. He and Michael Quigley have a super long history together playing in APRA nominated jazz outfit Java Quartet and Quigs is involved with Australian/Japanese experimental project Enough to Escape; Gerard Carroll is a highly talented vocalist and actor with a long theatre credit list including on the Australian cast of Once directed by Tony Award winning director John Tiffany, as well as recording and touring with Keegan Joyce on Snow on Higher Ground; and the spectacular Daryl Wallis‘ vastly varied career includes playing piano for Barrie Kosky’s Women of Troy as well as being an integral player in CIRCA’s regional Australian piano based verbatim storytelling show, Reclaimed Pianos.
*Australian Recording Industry Association music awards

Michael Galeazzi

Gerard Carroll

Michael Quigley

Did you have a personal hand in the production process or did you relinquish full control to your producer/engineer? Daryl and I had a very strong vision for the recording, and Sean’s sensitivity and clarity helped to enhance it beyond what I thought was possible.

Ali's long-time collaborator Daryl Willis

Ali’s long-time collaborator Daryl Wallis

Why “Tea and Oranges” – where did that title come from? The reference to ‘tea & oranges’ is from the first verse of SUZANNE – he’s observing and feeling at the same time, and his description of her feeding him tea & oranges is one of the divine in the ordinary….exquisite.

Will “Tea and Oranges” be available for sale at your Toronto performance, June 2^nd? Yes! CDs will be on sale for $15 and I’ll be around after the show to say hi and autograph copies.LEONARD COHEN KOANS – presented by Jane Siberry
Sunday June 2 @ 8:30pm
HUGH’S ROOM, 2261 Dundas St West, Toronto
www.hughsroomlive.com
Tkts: $40 advance / $45 at the door

LEONARD COHEN KOANS – 1 night only with Australia’s ALI HUGHES, presented by JANE SIBERRY

I’m thrilled to announce that Australian vocalist/recording artist ALI HUGHES is bringing her inspiring celebration of the spirit, music and poetry of one of the greatest songwriters of the modern age to Toronto for a 1-night only performance: LEONARD COHEN KOANS, presented by Jane Siberry, takes the stage at Hugh’s Room, 2261 Dundas St West, Toronto, on Sunday June 2nd (8:30pm)

This passionate, sensuous vocalist “more than embodies the energy that one expects from an evening celebrating Cohen”, her startling range and remarkable ability to hold the stage meeting this exceptionally well-crafted curation of Cohen’s poetry, prose and song – Avalanche, Chelsea Hotel #2, and the beloved Suzanne – to offer a stirring meditation on the legend and his legacy.Part-concert and part-homage, these exciting and original interpretations explore Cohen’s music through jazz, gospel and rock genres, cracking wide open the incredible musicality in his work. Intertwined with excerpts of poetry and prose, and delivered through the lens of his Zen Buddhist spirituality LEONARD COHEN KOANS weaves a new pathway into your experience of this glorious Poet of the Holy Sinners. Accompanied by masterful Toronto pianist ADREAN FARRUGIA, this electrifying, vigorous 90min narrative concert is Cohen like you’ve never heard before. Inspiring, passionate, intimate and sincere, Leonard Cohen Koans gives you another chance to savour the creative spirit with which he so exquisitely courted the world.

I recently spoke with Ali back home in Sydney, Australia, about the show and her career highlights as she prepares her 4-track EP featuring songs from the show (available for purchase on show night)…..

What is your musical background or training – were you a singer/performer during childhood or teens? I don’t have formal music training, as such – I learnt to sing via my parents’ record collection! The Andrews Sisters taught me how to harmonize, Tina Turner taught me rhythm, Bette Midler taught me emotional range, Annie Lennox taught me vibrato control and Aretha taught me to sing out!!I went to drama school in my mid-20s and in my graduating year met my creative collaborator, Daryl Wallis – he is an incredible musician and artistic mind – when we started playing shows together, I was always surrounded by highly skilled, older musicians. That environment really allowed my intuitive musicality to develop.
You’ve performed in Canada before – when/where might we have seen you? You might have seen me singing backing vocals on tour with Jane Siberry sometime over the last few years; or at Ori Dragan’s lovely 120Diner with my collaborator Daryl Wallis and Toronto locals John Alcorn, Bucky Berger and Terry Wilkins. Daryl and I also played an awesome house concert in The Annexe (hoping to do it again!!) and were super lucky to play in Northern Ontario on the magical Manitoulin Island.So why Leonard Cohen? What was the inspiration for this amazing project? Actually, this show was built for a project-based unit of university study. A theatre director friend of mine had suggested I do an interpretation of Suzanne. I sat on it for a long time… waiting for the way in. In January 2010, I did a creative intensive as part of some further theatre training at university. It was a super intense, incredibly challenging course, held in a remote area, led by a small older woman who had the energy of a dragon and the presence of a Zen master. Every day pushed the students closer to breaking through our self imposed artistic limitations, and every evening ended in an exhilarated exhaustion and deep sleep. One night when I was super exhausted and almost asleep, I started hearing beautiful chords in my mind and realized they were the way into an arrangement of Suzanne! I made notes, called Daryl straight away and we started working on the arrangement as soon as I returned to Sydney. We played the arrangement at a show the following week and I knew something else was coming.I had the opportunity to do another unit of study with that same teacher. I made the proposal to create a show using only the words and works of one artist (none of my own personal patter, so to speak) and started devouring Cohen’s work. Researching his Zen Buddhist spiritual practice offered an entirely new way for us to conceptualize celebrating his work. The result is a unique experience of Cohen’s work which is accessible to Cohen devotees and newcomers, practitioners and non-practitioners of meditation, and people who just want to hear some really great music.
You’ve sung back-up with some pretty amazing artists (k.d. lang, Suzanne Vega, Rufus Wainwright) so why step into the spotlight now? What was the push that propelled you to take charge up front? Being up front isn’t really new to me, I’ve always sung lead on projects at the same time as doing backing vocals on others. I love doing both. I love blending with another voice as a backing vocalist. When you’re really connecting energetically and vocally with someone, you feel you’re moving together like a murmuration of starlings. And leading a room is an altogether different feeling – but has a similar sensibility to it in that, for me, its about opening oneself in order for the music resonate with the audience in all the ways it needs to.
A previous musical collaborator and Canadian icon, Jane Siberry, is presenting your concert – how cool is that? Did she approach you or visa versa? Ah, my gosh, it’s the coolest. Jane is extraordinary – she is a close friend and such a huge supporter of this show; she saw an opportunity for us to work together in Toronto and she made it happen.Of all Cohen’s songs, are there one or two that you can relate to on an emotional level or that inspire you intellectually? One or two?? Ha! Ok, I’ll try to keep it at one or two. Suzanne – I have a deep resonance with that song. My favourite line, ‘you know that she’s half crazy – that’s why you want to be there’. and, of course, Dance Me to the End of Love – there’s nothing I can say.
What can Toronto audiences expect to see/hear at the Leonard Cohen Koans show? Audiences can expect to see a tall Australian woman singing some beautifully and dynamically arranged interpretations of Cohen favourites, including Chelsea Hotel #2, Sisters of Mercy, Suzanne and Famous Blue Raincoat, and some less well known tunes like The Guests and The Butcher, interwoven with a little spoken word and some story telling. Jane Siberry will be performing as our very special guest opening act, and will also be moderating an artist Q&A session with me at the end of the show so make sure you stay for that.Anything you’d like to share with those Leonard Cohen fans considering buying a ticket? I am so happy you’re thinking of joining us at Hugh’s Room, and I really hope you decide to come along. We are excited to be just moments from releasing a 4 track EP, titled ‘TEA & ORANGES’. It’s our first recording of tunes from the show – you can find information about the EP, Leonard Cohen Koans, and also about Daryl and myself at www.bigsbabs.com or by connecting with us via our Facebook band page, Ali & the Thieves.

Inspiring, passionate, intimate and sincere, LEONARD COHEN KOANS gives you another chance to savour the creative spirit with which he so exquisitely courted the world.

WHAT THE CRITICS ARE SAYING:
“Heart-stopping” (www.theatermania.com)
“Spine-tingling” (SX Magazine)
“… Hands down the best I’ve ever heard!” (nytheater.com).
“… Sensual, enigmatic… intense warmth, startling range.” -Veronica Hanlon, SX Magazine
“… Exceptionally well-crafted…3 1/2 stars out of 4 “ – Michael Giltz, Huffington Post NYC

Get your tickets now for Sunday June 2nd from www.HughsRoomLive.com $40 Advance/$45 at door

INTERNATIONALLY ACCLAIMED FLAUTIST/COMPOSER RON KORB DEBUTS 20th SOLO ALBUM IN TORONTO

Last night (Wed. Oct.17), Grammy-nominated and internationally acclaimed RON KORB delivered a sizzling show from the stage of Toronto’s Jazz Bistro, introducing tracks from his latest solo album, WORLD CAFE, showcasing Latin-themed original instrumentals. Ron was joined on stage by world-renowned musicians who also played on the album: Bill Bridges, Bill Evans, Steve Lucas and Larry Crowe, with special guests Hilario Duran (piano) and Joseph Macerollo (accordion).

That same day, nomination ballots for this year’s Grammy Awards were also distributed to academy members around the world and all fingers are crossed that Ron receives another Grammy nod like his previous album, Asia Beauty.
In World Café, Ron takes us to sunny Spain, the island of Cuba, and the alluring lands of South America where he merges a rhythm from one region with a melody inspired by another. World Café represents a meeting place where people from many cultures can intermingle, laugh and make friends in a relaxed space – much like his own multicultural Toronto where this album was recorded.The packed audience at Jazz Bistro swayed to the rhythms and there was a lot of chair dancin’ during the two sets; the show must have blown up on social media based on all the phone cameras held high to catch the action….like this beautiful accordion solo from Joseph Macerollo…

The evening was hosted by the always-charming Miss Ziggy Lorenc (Zoomer Media) who many in the crowd remembered from her Citytv days – Ziggy now hosts a nightly show during the week on Zoomer Radio AM640 called Stardust and Midnight Blue. Here she is (below, L) with friend Barbara (R) and on stage MC’ing the show. As for many of Ron’s albums, the cover and accompanying 24-pg full colour booklet was designed by his talented wife, Jade, seen here (below, R) with fans. This next brief video was hard to shoot – all I wanted to do was dance!! So please pardon my cha-cha-cha moves and enjoy another brief taste of World Café here:

Ron’s final set resulted in multiple encores and lots of CD sales with some audience members purchasing multiple copies as presents for friends and family! To learn more about Ron, listen to World Café and previous albums, visit www.ronkorb.com or you can download World Café from Spotify, iTunes or Amazon. Thank you for supporting Canadian musical artists.

GRAMMY NOMINATED RON KORB RELEASES 20th SOLO ALBUM “WORLD CAFE” WITH OCT. 17TH CONCERT IN TORONTO

Three years ago, internationally acclaimed flutist & composer Ron Korb‘s album “Asia Beauty” was nominated for a Grammy in the Best New Age Album category. Ron has just released his latest album, “WORLD CAFE”, this time with a distinct Latin flavour, and it has been receiving a lot of attention from international music media as well as fans, and is rising quickly on various music charts. Ron’s previous albums have garnered critical and popular acclaim from around the world; he’s shared many musical journeys, from the wonders and mysteries of Japan and China, to the infectious joy and tender melancholy of Celtic song and dance. For his World Café album, he takes us to sunny Spain, the island of Cuba and the alluring lands of South America. He explores how things sound when crossing a rhythm from one region with a melody inspired by another. All the music is played by living, breathing musicians (no computer generated tunes here!) including renowned award-winning jazz, world and Latin musicians Hilario Duran and Johannes Linstead, with an emphasis on using acoustic instruments.

Here’s a quick taste of World Café …..

I recently sat down and chatted with Ron (fittingly, in a cafe) and asked him a few questions about his music….

With a personal collection of 250 flutes, your reputation as the “king of flutes” is well earned – which instruments did you play on this latest album? In World Café, the main instrument is my concert flute but I also used some Asian bamboo flutes and the ocarina on some tracks. I was also able to experiment with the Ellis-Korb flute mouthpieces that I’ve been developing with California flute maker Geoffrey Ellis. With the different cuts and various hardwoods we used, I could tailor the sound for each piece. It has been a long 6 year project creating the holy grail of embouchure designs and now Geoffrey and I are very excited about what we‘ve achieved together.Your previous album for which you received a Grammy nomination, Asia Beauty, explored Asian musical themes. What made you choose to record this latest album in the Latin style? World Café has been very well received but it has taken everyone by surprise, especially listeners who have just discovered my music in recent years. Older fans know I’ve already written and performed tunes like Casco Viejo, La Sirena, Desert Night and Dark Eyes. Even back in my student days I often would write tunes that had a Spanish flavour. Latin music is the rhythm of the heart and I had been looking forward to making an upbeat album with a Latin theme for many years. Now when I look at the finished physical CD I can hardly believe it is finally manifested. It’s like a dream come true and I’m very happy with the production and the way it sounds.How did you created the music for this album? For the last decade I have been writing songs with pen and paper. I have books of manuscript paper full of hand written sketches and ideas. When I’m away from home and an idea pops into my head I will just sing the melody or beat box the rhythm on to my phone and transcribe it later. After the musical phrases have had time to ferment, I revisit them and discard the less than brilliant sketches and focus on the melodies that have real magic. Some songs come together very quickly and others take years to find the right contrasting section. It’s always possible to finish off a song quickly but to write something really special takes a lot of time and effort.

It must be very rewarding to hear the completed album – what was the most enjoyable part of recording World Café? I would say the most rewarding aspect about making World Café is collaborating with the musicians. It is amazing to hear the songs come alive when you workshop it with a band. In the past, I used midi and computer software quite a lot but since doing my Ron Korb Live album in Quebec in 2004, I gradually transitioned to being completely acoustic. It’s far more expensive to work that way but I prefer the result. Working with legendary Cuban pianist Hilario Duran and guitarist Johannes Linstead was a particular highlight. When I wrote the song Hilario, I didn’t really think that he would record it. Again, this is like another dream come true. After I contacted him, Hilario invited me to his place and I showed him the song. He immediately liked it and suggested some Cuban players to join us on the recording. It was really a thrill to work with such authentic players.

Being so musical, you must play other instruments – which ones? Concert flute, bass flute, penny whistle, low whistle, shinobue, dizi, xun, bawu, Cambodian pie pook, ocarina. I play piano just enough for composing and songwriting. I also have sung backing and some lead vocals professionally.

On October 17th, Ron will be presenting World Café to a live audience for the first time. Performing at Jazz Cafe in Toronto, Ron will be joined on stage by an exciting group of musicians including Bill Evans (L) and Hilario Duran (C) pictured below with Ron.World Café represents a meeting place where people from many cultures can intermingle, laugh and make friends in a relaxed space – much like Ron’s own multicultural Toronto where this album was recorded. The album is available thru Ron’s website or via Amazon.ca, iTunes, Spotify & Tidal. Listen online or purchase the gorgeous full-colour hardcover 24pg CD package designed by Ron’s talented wife and photographer, Jade. These will be available at the event, too. Perfect as gifts, as well as for yourself. .

Tickets to the concert as well as Ron’s complete discography are available at: www.ronkorb.com

RON KORB presents WORLD CAFÉ

Wednesday Oct. 17^th at 8pm (doors open 7pm)

JAZZ BISTRO, 251 Victoria St, Toronto

Cover: $15 advance from www.ronkorb.com or $20 at the door

WHAT AN EXCITING, RED HOT OPENING NIGHT FOR THE SHIVER SHOW IN TORONTO

Congratulations to the performers and in particular, artistic directors KRISTINA KULIKOVA, ANTON AZANOV and CHANTAL FRY-SALETTI on last night’s opening of THE SHIVER SHOW at the Glenn Gould Studio theatre in Toronto. So many hours of rehearsal and sweat-equity have gone into this stunning blending of dance, figure skating, circus arts, music and operatic singing, as well as beautiful costuming, hair and make-up.The brainchild of Kulkat Entertainment’s Kristina Kulikova, the Shiver Show blends 7 different disciplines of dance with figure skating, aerial circus arts, a little burlesque, video and some very talented musicians into this unique theatrical experience that had the audience on their feet more than once throughout the show!

Prior to showtime, several of the performers were interviewed backstage by Fairchild TV – here’s Kristina, Anton, opera singer Dina Shikhman and Kristina’s talented sister Elena Kulikova (singer/painter) chatting with the news crew. Out in the lobby, one of the charming ballerinas entertained the crowd prior to the show with a very unusual performance….move over Edward Scissorhands!

One of my favourite routines was this stunning flamenco dance, accompanied by Dina singing Carmen.

And to close the show, all the performers came out to take their bows to a standing ovation…bravo!

Afterwards, the dancers schmoozed with the excited audience and I was thrilled to accompany Toronto’s leading online influencer, MoVernie, introducing him to all the performers, starting with Kristina herself. There are 2 more shows today, Saturday Feb 10th at 4pm and 7:30pm – so there’s still time to catch THE SHIVER SHOW. Info and tickets available at: www.ShiverShow.ca or call 1-888-407-4520

Thank you for supporting Canadian talent…and if you’re looking for the perfect entertainment for your corporate event, festival or gala, please contact Kristina to see how she can customize a show just for you. You can reach her via the website.

CROATIAN SINGING SENSATION GREETED BY ENTHUSIASTIC CANADIAN FANS @ NEW YEAR’S GALA

Stunning young soprano Barbara Suhodolčan won lots of new Canadian/Croatian fans when she performed at the Holy Trinity Croatian Catholic Church in Oakville on New Year’s Eve. This marked Ms. Suhodolčan’s Canadian debut but thanks to the overwhelming response from the audience, local promoter Katica Visic of Cronnexion Entertainment is hoping to invite Barbara back to Canada later this year for a mini-tour in Southern Ontario and possibly beyond. I had the opportunity of speaking with Barbara just before she flew back home to Croatia earlier this week and here’s what she had to say about her experience….

Barbara went on to tell me about upcoming shows, especially one about which she is very excited…

And she is especially proud of her mum and dad for their support and dedication to helping her career. Both accompanied her to Toronto, along with her piano accompanist and another musician.

She is totally delightful to chat with and is most definitely destined for fame in the very near future. After the interview, Barbara and I had some fun taking photos in her hotel lobby where we found a great big Christmas tree still in tact.To learn more about this lovely, talented artist, you can follow her on Facebook & Instagram, or keep an eye on my blog for news of her (hopefully) return to Canada. Here’s a recent video of her performing a Victor Herbert classic.

CROATIAN CLASSICAL SINGER BARBARA Suhodolčan TO PERFORM @ NYE GALA IN THE GTA

Thanks to my friend and local musical promoter, Katica Visic, I’ve been introduced to the talented young classical singer and flutist from Croatia, Barbara Suhodolčan. Barbara (pictured below) is making a special guest appearance this coming New Year’s Eve, performing at the Holy Trinity Croatian Catholic Church in Oakville for an audience of Croatian Canadians. Barbara will be sharing the entertainment bill with her father, Rajko, a much-loved singer/celebrity known to Croatians around the world. The multi-award winning, classically trained young singer made her debut in 2010 with the Croatian National Theatre in Varaždin as Hanna in Franz Lehar’s operetta The Merry Widow, and has performed as a guest soloist with many Croatian and international orchestras including the Zagreb Philharmonic Orchestra, Tambura orchestra and Symphonic orchestra of HRT (Croatian Radio Television), Varaždin chamber orchestra, Croatian Military Symphonic Wind Orchestra, Nova Philharmonic Orchestra (Slovenia), Symphony Orchestra of Ravensburg (Germany), and Suzhou Symphony Orchestra (China). Barbara has appeared in concert at many international music festivals both as vocal soloist and as an accomplished flutist, an instrument on which she excels.

In costume, as part of renowned renaissance ensemble ‘Marco Polo’ from Zagreb

Thanks again to Katica, I was able to conduct a brief online interview with the beautiful and talented artist, asking her questions about her career to date, her inspirations and aspirations for continued success. I will be sitting down for a video chat with Barbara and possibly her dad, too, just before the New Year’s concert.

Here is what Barbara shared with me….

You play flute as well as sing – can tell us a little about your music training? My first contact with music was singing, it all started in children’s choir and music TV shows for kids. At the age of 8, I started my musical education as a flutist. Later, I continued with both singing and flute in high school, and then at the Zagreb Academy of Music where I got my Master’s Degree in opera last year.

What was your first professional performance and how excited were you to take the stage? First professional performance was at age 16 when I made my debut in Croatian National Theatre as “Hanna” in Lehar’s operetta The Merry Widow. I have to say that I got rid of stage fright long before that, because my dad encouraged me to do a lot of solo concerts and public appearances. He said it’s the only way to fight stage fright, and he was right. I was really excited on the day of the operetta’s premiere, I couldn’t sleep for a few days before and I couldn’t wait to perform on the stage! It all went pretty well; I was happy and overwhelmed the days after it!Your father, Rajko, is a well-respected music professional – how has he influenced your career and future aspirations? It’s all his fault! [laughs] I don’t know if I would ever be a professional musician if it wasn’t for him, and now I wouldn’t change it for the world! I think I’m blessed to be able to have such a wonderful job. My father taught me about all the cruelties and beauties this “music world” can bring. Although we’re not in the same music genre, he really knows a lot and was always very supportive and open minded about my ideas and aspirations.

Are there any classical (or other) music performers who have inspired you? There are so many. I don’t want to name them individually, because my “inspirations” changed over the years of my musical development and personal maturation. In fact, I find inspiration everywhere. Sometimes those who are not classical musicians have inspired me to do some things in classical music, and visa versa. I think one should be open to music of all genres.

Are you looking forward to performing for a Canadian audience on New Year’s Eve? And is this your first visit to North America? I can’t describe to you how excited and honored I feel to be singing for this special Canadian Croatian audience, bringing them a little piece of their homeland to Ontario. It’s going to be my first time visiting North America and Toronto – I know it’s going be great and I can’t wait.

To date, what has been your most exciting (or surprising) performance around the world, and why? It’s really hard for me to single out just one, but If I have to choose the most exciting one, that would definitely be this summer in China. I performed several concerts there, and what made it so special is the fact I was singing Mandarin songs in the Mandarin language, so it was quite an experience!

Are you planning any recordings in the near future that your fans around the world can purchase? Actually I do. I haven’t recorded any albums yet but I have a few projects planned for 2018 and if everything goes well, at the end of the year I should have not just one, but two albums. I’m really looking forward to that.What’s next for you – any big performances with symphony orchestras or other collaborations? I have a big solo concert on January 26^ththat I’m currently working on with the Croatian Armed Forces Symphony Orchestra, and collaborating with other artists in two shows with the same orchestra earlier that same month. I also have a number of recitals planned, accompanied by an organist. But the big concert on January 26 will be something that hasn’t been presented to Croatian audiences before – a concert of greatest opera, operetta and musical numbers, jazz and pop songs. As I’ll be singing all of the numbers, we are practicing really hard now as we want it to be a spectacle.

You can follow Barbara on Instagram: www.instagram.com/barbarasuhodolcan

Thank you for sharing your thoughts, Barbara, and just to tease Canadian audiences a little bit, here’s a music video from a recent recital:

For details & tickets to the NYE gala concert in Oakville, Ontario….

Svecani docek Nove 2018. godine
(Croatian New Year’s celebration)
Holy Trinity Croatian Catholic Church
2110 Trafalgar Road, Oakville, ONDoors open @ 6pm
Gourmet dinner, midnight buffet, bottle of champagne on each table
Tickets: $120
For info & tkts, please contact: Leo 905-602-9178, Stjepan 416-436-1215 or Ivan 905-308-8038