Category Archives: Film

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MEET KIT LANG: CO-WRITER/PRODUCER & STAR OF “BATTLE SCARS” FEATURE FILM COMING SOON TO A SCREENING PLATFORM NEAR YOU!

10+ years ago during the Toronto Int’l Film Festival, I met a young up-and-coming actor, Christopher “Kit” Lang, in the bar of the Four Seasons Hotel where I always set up shop during the festival meeting actors, filmmakers, the money men and media reps from around the world. I remember Kit’s enthusiasm and excitement for being part of the annual schmooze-fest and over the years since then, I’ve watched his career progress through shorts, tv appearances and now as star of a major feature film, Battle Scars.Kit blueThe handsome actor transforms himself to play the war-weary Michael Delucca, a Vietnam vet who’s trying to cope with PTSD amidst a troubled and violent civilian life – checkout the trailer on the website: www.BattleScarsthemovie.com  I had the pleasure of chatting with Kit who shared his thoughts on the film, and taking on co-writing and co-producing roles as well as acting.

Congratulations on your inspired performance as Mike DeLucca in Battle Scars – from what past experiences or influences did you draw on to portray DeLucca’s intense internal struggles?   Thank you so much. In short, for me, research was an absolute must. What do I know about being a combat veteran? I was fortunate to have our director, Sam, a combat veteran himself,  to guide me through that. In particular spending time with Veterans and visiting the Fort Hamilton Veteran’s Hospital was instrumental.Screen Shot 2016-08-18 at 2_45_03 PMDid you and your fellow actors have to endure “boot camp” or any other bonding experience in order to make the battle scenes seem authentic? Ha ha…yes we did actually…of sorts. We were driven to upstate New York, led into the woods with very minimal gear (it rained!) and for four days we had to “survive”, build a shelter, go on mock patrols, and various training “war-like” scenarios, do a fire watch every night (taking turns staying awake and alert while the others slept) and so on. It was absolutely a great bonding experience. And it’s amazing how close we all got in such a short period of time.14054901_1079885625399702_8534525803781222453_nYour performance as the PTSD-afflicted Mike may trigger memories for real-life Vets in the audience – any advice how to be on guard when watching the film if a viewer suffers his own PTSD flashbacks or issues? Actually, no I don’t. But you raise an important point and question. I think PTSD is such a misunderstood, invisible disease that it’s not easy to fit neatly into a box. It’s very different for everybody, and I feel truly honored to be a part of telling this story and helping raise awareness of this mental health issue. That being said, the feedback we’ve received from Vets is that this film, if anything, is very therapeutic for them, so stick with it… But if anything was to trigger a PTSD attack, what I can say is having witnessed this myself and it working well: just pause the film, walk away and get some air, then come back to it when you’re ready.107036104_579583282951131_1585574476818428294_nYou also pulled off some sensitive, intimate romantic scenes in the film – what do you enjoy most as an actor, the challenges of a brutal shoot ‘em up scene or the love scenes…and why?  Thank you, I appreciate that. I think any actor will tell you that romantic scenes are the most challenging and difficult. Most of the time you’re having to work with someone you’ve never met before, complete strangers! And then you have to create this believable intimacy. It’s really, really difficult. But it also comes with the territory, just part of the job. I’ve been fortunate to work with fantastic actors and that makes the work so much easier. But action is actually much, much easier to perform and more fun, too! Haa haa14045765_1077570962297835_6578143147299403050_nYou’re also co-writer and co-producer on Battle Scars – what was the most difficult or challenging job and why?  There’s so much to unpack here, but in a sentence, I’d say as a writer: The most difficult part was really nailing the voice and message of PTSD. It took a lot of research and work, as it should, to figure out the best way we could embed it into the story.

As a producer: I’d say the most challenging job for me as a producer was simply producing, period. Shout out to every indie filmmaker out there. It’s a VERY difficult job. And you’re having to constantly troubleshoot. I remember one shoot day for instance – we unfortunately fell behind in our schedule and we were about to lose a whole scene, but we realized we had a second camera, so we decided we could split the crew into two units and get what we needed. Coming up with solutions, that’s the job. And it’s VERY hard to do non-stop, but well worth it! I think. You have to be crazy enough and love movies enough to do this.facebook_1593761671169_6684720952432404925What’s next for actor Kit or writer Kit?I’m working on an English/Spanish horror-romance film shot and set in Mexico. We were set to resume filming but we’re still waiting for Covid to subside down there, hopefully soon!

Thanks, Kit, for sharing your experiences and thoughts on portraying this troubled character. Due to Covid-19 cinema closures, the film will not be enjoying it’s originally planned theatrical release, however, Battle Scars is available for DVD sales from Walmart & Amazon as of July 21st (you can pre-order now via the film’s Facebook page – see link bottom of web home page) and will be available for online viewing/streaming August 4th, 2020.  THANKS FOR SUPPORTING INDIE FILM!

https://battlescarsthemovie.com/

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RIVETING VIETNAM WAR-ERA MOVIE DEALING WITH PTSD LAUNCHES ONLINE DURING COVID CINEMA SHUT-DOWNS.

I’m thrilled to welcome filmmakers SAMUEL GONZALEZ JR. and CHRISTOPHER “KIT” LANG to the Fordham PR client roster.  Their feature film BATTLE SCARS launches online via Amazon Prime July 21st with DVD sales orders already available from Walmart. The film will be available with wider online release starting August 4th, 2020 (Vudu, iTunes, Google, etc.).

As Covid-19 has forced cinemas to close or restrict audience numbers, filmmakers around the world (esp. indie filmmakers) have been forced to shelve projects or, like Sam and Chris, find other opportunities to screen their films. Thanks to the dedication of cast and crew, and the support of family and friends, the filmmakers have managed to bring Battle Scars into your home via multi-platform streaming outlets, delivering its message about the horrors of war and its ongoing human toll from PTSD.

Vietnam took everything he had…now he’s taking it all back!107046776_763218854485241_4205911393826522464_nVietnam war veteran, Michael Delucca (Christopher “Kit” Lang) suffers with post-traumatic stress disorder (PTSD) and struggles to resist the dark memories of his frontline experiences shared with best friend Vinny (Arturo Castro) that haunt him. Estranged from the post-war everyday life around him, working a steady but low-paying job, and even with a supportive girlfriend Jane (Emily Trosclair) and the opportunity to reconnect with the son he never watched grow up, Michael sinks into a gritty underworld from which he may never return.

Written and directed by real-life decorated war veteran, Samuel Gonzalez Jr. (pictured below), Battle Scars depicts the insurmountable difficulties faced by thousands of soldiers after returning home with brutal authenticity.

gonzalez_picI had the opportunity of chatting with the director who shared his inspirations and on-set experiences with me….

Congratulations on bringing this story to the screen, Samuel. I gather you have first-hand experience being on the front lines in Iraq – did this inspire the story of Battle Scars and in what way?  All wars are different. And all wars are the same. My experience was different from the ones who fought in the jungle – as opposed to the large sandbox I ventured in to.  No, what inspired Battle Scars was being on the front lines of a war very much in our own backyards. Walking in New York City at night, I would see many veterans – every year growing in numbers – simply freezing to death on the streets. I wondered – how does one person who was born, had dreams, desires and passions of his/her own, end up like that? Once you dig a little to find that out, you’ll start seeing the real war is closer than you think.107767236_2750641465155149_7961340331678085522_nMany returned service men and women will likely view this film – do you think it may trigger memories and/or hope your film encourages them to reach out for help and support with their own PTSD?  A response in the form of awareness among veterans and civilians alike would be just what we’re hoping for. For Vietnam veterans and veterans of all foreign wars to remember that we are all united, not only through our shared service but through the invisible wounds we share – the invisible monsters we all bring back. PTSD. May this film be a beacon of light to bring us closer together to finally stitch it up.14054901_1079885625399702_8534525803781222453_nYou’ve undertaken a variety of on-set jobs from Sound, Camera & Electrical dept, Location mgmn’t, Cinematography and AD, as well as editing and acting. How has all this experience prepared you for directing and writing scripts?  Making this film was the ultimate film school experience. Literally discuss an idea, put it on paper (in our case, a dinner napkin), find the crew or slave labourers at that rate (ha ha!) and go out and put your vision through a camera lens – all for little to no money. If I can go back in time in a DeLorean (yes.. I went there) – is to stop this from happening and rip up that napkin and order the brisket instead. But, alas, the sirens went off and making the film was a war in itself – sacrifices were made and rough battles were won and lost in order to reach the beach. But ultimately it prepared me for the future – my continued career and how to properly manage a set and crew, take car of my actors and how to responsibly handle delicate subject matter as the one we discuss in our film. It taught me the right ways to do things and the wrong things that were done. Grateful for those wrongdoings, as the pitfalls of the film taught me how to handle those that were on the road ahead. I wouldn’t change it for anything in the world and am thankful everyday for the experiences the film gave me and my team – it’s priceless and I am the filmmaker I am today because of it.  Director & castYou had a very modest budget on which to shoot Battle Scars – how did you manage to pull off the Vietnam up-county fire fight with such realism?  Thank you, it was very challenging. Sometimes it’s the limitations such as budget that force us to be at our most creative. Doing your best with what you have and that’s where I point the camera. We had to scout specific locations we thought could pass for the jungle. I think my experience helped me grab what I needed. I wanted to convey the chaos that war is.107377203_720954032027606_3389208399628510251_nIt’s so difficult to access audiences during the Covid shut-down, but with your digital viewing platforms do you think that home viewing is more advantageous, especially considering the intense intimate angst your lead character goes through on-screen? Viewers may feel more emotionally secure watching the film from their own sofa…yes? I think it comes down to connection. I believe any film is really meant to be experienced in the theater.  However, home entertainment systems get us pretty close. It’s a personal film, but film is meant to be communal. So if we have to watch the film separately, at least we can all connect online.

Have you already started thinking about your next project and if so, can you share any hints as to the subject? Are you planning something a little lighter? You think I’d learn but never lighter, never smaller. But I will say that my job as director is to serve the story. If the story is large, that let my vision enhance that in scale. If it’s small, then I will paint with mightier strokes but still on a large canvas. Many projects in the making and new releases coming soon. In the meantime, you can order my published novel titled THE CHORDS OF WAR – a semi-autobiographical true story of 5 soldiers who form a rock’n’roll band during the height of the Iraq war, ultimately using music to inspire and motivate thousands of troops and to get them home alive. Acclaimed show runner Graham Yost (Band of Brothers, Justified, The Pacific) opens the book with a rave review and discussion. My next feature film, a psychological horror film, is currently in production as I type this, and my latest short film The Springfield Three, the true story of one Americas most bizarre and unexplained disappearances, has won multiple festival awards after screening at Screamfest 2019. It has also been picked up for worldwide distribution, having its television premiere this October on SHORTS TV (the distributor for all the theatrical released academy award winning short films.) Thank you for your continued support, Glenda!

Battle Scars will be available for viewing online as of July 21st via Amazon Prime, Vudu, iTunes, GooglePlay. Orders for DVD sales are already available from Walmart & Amazon, with wider release as of August 4th, 2020.

Check out movie trailers and cast & crew info at www.BattleScarsthemovie.com and follow on Instagram @MovieBattleScars and       www.facebook.com/moviebattlescarspromo ad

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NEW TORONTO-BASED WEB SERIES OFFICIALLY LAUNCHES WITH PARTY DURING TIFF

With the ever-increasing popularity of web-based TV series and entertainment content (watch out cable tv providers, you’re days are numbered!), I’ve been following several young producers/directors/writers who have answered the siren call to create online films and serials. One such multi-tasker is CALEB OLIVIERI (pictured below in red in full directorial action) whose first series, UNAPOLOGY, offers tales from this city (Toronto), focusing on a number of families, singles, couples and how they navigate thru life and, in one case, the impact of early onset Alzheimer’s. UnapologyPilot_Day3_20170409_30Under the umbrella of his Wait, What? production company, Caleb has produced quality programming for multi-generational viewers showcased via the YouTube platform, and the first 6 episodes will officially be launched on Monday Sept. 10th with a cast and crew celebratory soiree during the height of Toronto Int’l Film Fest activities. Hopefully, members of the world’s entertainment media will drop by for a quick schmooze and meet Caleb and his enthusiastic production team. You can learn more via the series Fcbk page: www.facebook.com/unapologyseries

I recently spoke with Caleb to learn how Unapology came into being…

Caleb, what was the inspiration for the theme/storylines for UNAPOLOGY?  The storyline(s) grew organically out of my own experiences … alternative living arrangement and employment situation. A close relative with early Alzheimer’s inspired me to write about the reality of living with the disease. From the lack of affordable housing to despicable and exploitative behaviours of some of my employers I didn’t have to dig deep to find the grist.

Being a young filmmaker, how difficult was it to raise funding, secure equipment and locations as well as attract good actors?  Finding good actors in Toronto is easy enough and I was lucky enough to have some good connections with friends and colleagues with equipment and basically “free” use of locations. Fundraising on the other hand has always been a grind.UnapologyPilot_Day3_20170409_53 UnapologyPilot_Day3_20170409_42With every film school grad pitching projects to major TV networks in Canada and the US, you created the series specifically for web-based content. Why/how did you decide on this route to take to make your presence known in the crowded TV production arena?  Originally it was written and produced as a pilot for a 22 min. series but I broke it down into 6 mini episodes for online use. With a web series I’m much less confined by edicts from networks which are often limiting when it comes to content and structure. A web based series lets the viewer make up their own mind as to what they want to watch and when … a quick episode on the subway ride home … a visit to the loo?IMG_8292 UnapologyPilot_Day3_20170409_28 UnapologyPilot_Day3_20170409_41As writer & director (as well as producer), how difficult was it to change “hats” throughout the shoot? Did Caleb the producer ever have to give notes (or argue with) Caleb the director?  Most of the time the writer and producer are at odds with one another because Caleb the producer can’t give Caleb the writer what he wants due to budget constraints. Caleb the director usually plays the middle man who tries to satisfy the needs of both the writer and producer without sacrificing the story or vision of the project.UnapologyPilot_Day3_20170409_24 UnapologyPilot_Day3_20170409_55Did you study writing or production at university or film school, and if so how did you find that experience?  I’ve worked in the industry for most of my life, mostly as an actor. I would have loved the opportunity to study writing for film and tv post secondary but the reality for most actors in Canada is you do a lot of pavement pounding, auditioning and co-ops and if you have to pay the rent, that leaves little time for school.

You have a special invitation-only party coming up during the Toronto Int’l Film Festival to officially launch the UNAPOLOGY online series – this must be exciting for you and your team. How important is it to attract international media & industry attention for your web-series and will you be promoting to online audiences outside of Canada?  We are stoked to be able to promote our series during the upcoming TIFF season but more so to be simply promoting it finally. Any attention at this point is good attention for my crew and my cast, and while local attention would be great, finding an international audience is absolutely the way to go in 2018 onward.

Any advice to give other writers or producers wanting to create for online entertainment platforms?  Be persistent, hold on to your vision and find your Fairy Web-Mother or Father…LOLUnapologyPilot_Day3_20170409_01

Check out Unapology’s YouTube promo videos here:

I strongly recommend watching this new series and thank you in advance for supporting emerging Canadian filmmakers and webTV producers. Congratulations to Caleb and his talented cast and crew.

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TIFF-ADJACENT “TORONTO ECO 2017″ PRESENTS WOMEN FILMMAKERS SHARING THEIR STORIES

Thanks to friend and filmmaker NOEMI WEIS, I was invited to attend the “Toronto Eco 2017″ presentations this afternoon taking place during the massive Toronto Int’l Film Festival. Noemi was asked to sit on a panel of women filmmakers talking about their experiences getting films made and just getting the gigs themselves. 20170912_160315Pictured above from L to R: Kate Perotti (Edendale Pictures), Blythe Frank (Middle Kid Inc.), Nancy Puetz (Int’l Women in Film + Tennessee chapter President ), moderator and host of Toronto Eco 2017 Hal “Corky” Kessler (Deutsch, Levy & Engel/Exec. Producer of numerous box office hits), then Christin Baker (award-wining director & Emmy-nom’d  producer) and award-winning filmmaker Noemi Weis (Filmblanc)

Sitting in such prestigious company, I found it fascinating hearing the opinions of each filmmaker as she shared the challenges experienced and triumphs to be celebrated working in a male-dominated industry where women are constantly forced to demand equality both on-screen and behind the camera. The small but attentive audience contributed well-targeted questions and had Corky not reminded us of time-constraints, I’m sure we could have continued for another hour.

Christin Baker (L) with Noemi Weis (R)

Christin Baker (L) with Noemi Weis (R)

Following this panel was an interesting informal “pitch” panel featuring 2 Toronto-based established filmmakers (Coral Aiken & Hannah Cheesman), who were seeking script development $s for their new project that will definitely appeal to the young adult/millennial audiences. Moderated again by Corky, the panel featured Noemi and Strath Hamilton, CEO of TriCoast Worldwide distribution company, as well as a representative from the Italian film distribution industry (apologies, I did not get his name as he was not introduced).20170912_171316As Coral and Hannah made the pitch, I could already “see” their film and thought about how perfectly suited it was for the massive int’l genre film fest/cos-play/Fan expo crowd and I already know there are number of elements with which I can help them (Laura Rock, be prepared for a phone call!).20170912_171822After this panel concluded with a rousing round of applause, several of the panelists gathered for some group photos…

(LtoR) Coral, Strath, Hannah & Corky

(LtoR) Coral, Strath, Hannah & Corky

Below, director/screen writer Katia Cafe-Febrissy (L) with Barrister & Solicitor Terry Markus, Noemi and director/writer/producer Nikki Cole getting chummy after the event.20170912_172722Thanks to Noemi for the invite, and thanks to all the participants for giving me an afternoon of intense filmmaking insider views and shared experiences.

To watch these videotaped panels, log on to: www.torontoeco.tv

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URBAN SOURCE CATERING DELIVERS ANOTHER GREAT MENU FOR INSIDE OUT FILM FEST PARTY-GOERS

As the annual Inside Out LGBT Film Festival winds down, the parties are still going strong and last night, URBAN SOURCE CATERING made sure everyone was well-fed at the “Behind the Curtain: Todrick Hall Pink Carpet” soiree held at the Artscape Sandbox venue in downtown Toronto.  There were lots of tasty Moroccan beef sirloin hors d’oeuvres (above), veggie samosas and smoked salmon on wild rice cakes(below) …..20170602_185208 20170602_19052720170602_191810 20170602_191215…and Jerk Prawns and Chicken Rendang skewers (above), all of which were gobbled up by appreciative guests.  The deelish gourmet mac-n-cheese (below)were a big hit with the guests.20170602_191206…and the guests had fun at the wacky photo booth – wonder what digital background was being added..hmmm?20170602_190135Meet our Executive Chef Lyndon Wiebe (below L) with his trusty kitchen staff who kept the food coming!20170602_192724I also had fun over at the bar where I found these upside down glasses reflecting all the colours of the event space lights and people’s outfits.20170602_190315If you would like to have your party or corporate event catered by Urban Source Catering, please visit their website for menu ideas:  www.urbancatering.comUS-LOGO

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URBAN SOURCE CATERING DELIVERS THE YUM @ INSIDE OUT FILM FEST GALA EVENT

Last night (Tues. May 30), my culinary friends at URBAN SOURCE CREATIVE CATERING tickled the tastebuds of some 150 guests at the Inside Out/Toronto LGBT Film Festival Centrepiece Gala Reception presented at the Artscape Sandbox in downtown Toronto. And oh boy, did they ever deliver some delicious treats ….20170530_183845 20170530_183837 20170530_183849The cheerful and efficient Inside Out volunteer waiters were barely out of the kitchen door before guests reached out for the trays of hors d’oeuvres…and yes, the wild blue and pink lighting created some pretty funky effects!20170530_184045 20170530_18510820170530_190950(0) 20170530_184932…so I ambushed the serving crew as they exited the kitchen to get more “normal” lighting…LOL!20170530_194842 20170530_192542 20170530_192556The shrimp were a big hit, especially with this excited guest (below)20170530_185133 20170530_185248The fabulous well-stocked bar was provided by Stud Vodka and Inside Out, offering wine, beer and smart cocktails served by bartenders who were always on the lookout for thirsty party-goers….20170530_184147Lots of fun, food and photo opps for all….20170530_191904 20170530_185138 20170530_19321720170530_184034Wayne from Urban Catering posed at the photo wall with colleague Cybele (below) in between schmoozing with guests and Festival organizers …..20170530_185434Inside Out/Toronto LGBT Film Festival runs to June 4th in downtown Toronto and you can learn more about the films, filmmakers and social activities at www.insideout.ca 20170530_194343Congratulations on a job well done, Urban Source Catering…your food and kitchen staff were terrific. For more details on Urban’s menus and special events catering, please visit: www.urbancatering.com 

All gone….no more….go home!

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TORONTO’S INSIDE OUT FILM FESTIVAL SPONSOR PARTY HOSTED @ URBAN SOURCE CATERING & URBAN GALLERY

My friends at URBAN SOURCE CATERING did themselves proud last night when they treated the sponsors and corporate partners of the Inside Out Film Festival to a medley of tasty treats and refreshing party cocktails and wines.20170517_184957Below, Urban Source Catering’s co-owner Wayne Abell welcomed the Festival’s newly appointed Exec. Director, Andria Wilson, to URBAN GALLERY… 
20170517_174316…and Andria, in turn, welcomed Inside Out’s special guests to the pre-Festival launch party such as Kelly from RBC (below R with Brad Campbell, Dir. of Corp. Sales for the fest).20170517_174449Andria got busy with social media postings along with colleagues Clayton and Andrew (LtoR, below)20170517_174713Delicious bite-sized treats were served along with wine, cocktails and non-alcoholic bevvies by the catering staff below)20170517_175001 20170517_174119Andria enjoyed a few nibblies with the guests…20170517_175103(0)…and enjoyed the festivities with colleagues Winnie Luk (below L), the Dir. of Operations & Events, and Andrew Murphy (below R) Dir. of Programming.20170517_180533Then it was time for the presentation and teaser trailer of upcoming festival films20170517_181059 20170517_181136 20170517_181347Congrats to Marketing & Outreach Mgr, Clayton Lee (below R) and tech assistant CJ (L) for helping present the video.20170517_182738Brad’s assistant, Nick (below R) posed for a quick snapshot with Festival Coordinator Jayne Schneider (L) in front of photographic art being featured in this year’s CONTACT show at Urban Gallery…20170517_184027…and below, gallery owner Calvin Hambrook lined up the guests for even more photo opps.20170517_185644As many guests observed, the table decorations were elegant and colourful…20170517_185057 20170517_185113If you’d like to learn more about the Inside Out Film Festival and see this year’s line-up of LGBTQ-focused films, please visit their website: www.insideout.ca

And if you’d like to learn more about the fabulous catering offered by Urban Source Catering and the exquisite adjoining venue available for corporate & private rentals, Urban Gallery, please visit their websites:  www.urbancatering.comwww.urbangallery.ca

Urban Gallery is located at 400 Queen St East, Toronto (just 1 block E of Parliament) with street and lot parking close by.IMG_5575

 

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More film festival fun in Toronto with Nollywood stars

On Wed. Sept. 14, Nollywood filmmaker OMONI OBOLI had her first public screening for her film OKAFOR’S LAW at the Scotiabank Cinemas in downtown Toronto where she was joined onstage by co-star UFUOMA McDERMOTT for an audience Q&A afterwards. 20160914_224701Looking lovely in one of the gorgeous gowns supplied by Gail McInnes of Stylist Box, Omoni fielded numerous questions about her career and meeting the challenges of being a female director in a predominantly man’s world. 20160914_224645 20160914_224703 20160914_224649Ufuoma (above) sported a short sparkly cocktail dress that twinkled brightly on the stage.

Omoni then greeted fans outside the theatre, posing for selfies for nearly an hour!20160914_23063120160914_230858 20160914_23071920160914_231409And so did Ufuoma!20160914_230817Omoni was joined by TIFF/City to City Programming Associate Olena Decock, who also moderated the Q&A session, for a few photos, too.20160914_231857The fabulous Uche Jombo (below) then joined us …20160914_232443….and then once the moviegoers had left the theatre, we decided to have some fun and play!20160914_232726

Tomi Adeoye kicks up her heels

Tomi Adeoye kicks up her heels

20160914_232512The cinema’s cocktail lounge was closed and deserted so our little group took advantage of the cool lighting and views across the city of Toronto.20160914_233722 20160914_233600 20160914_233750 20160914_233900 20160914_234318 20160914_234735My one quick photo opp with Omoni….it’s been fun working with her and her cast during TIFF. This woman is a real pro and I was honoured to be a part of her film fest experience.
20160914_234813We found a lot of cool spots to take pics so every few feet it was a case of “strike a pose”!20160914_235441 20160914_235036 20160914_235323I love this pic of Ufuoma (below)….very moody, very “film noir”.20160914_235501We had waaaay too much fun but fortunately we were all able to sleep in a little in the morning after.  It’s been a blast working with these incredible women from Nigeria’s flourishing film community and I look forward to continuing the relationship once they head home. 20160914_235603 20160914_235606

 

 

 

 

 

 

 

 

 

 

 

 

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NOLLYWOOD FILMMAKER & STAR OMONI OBOLI ATTENDS CITY TO CITY PRESS CONFERENCE @ TIFF16

Yesterday, Nollywood’s finest converged on the TIFF Bell Lightbox – HQ for the annual Toronto Int’l film Festival – where a panel of filmmakers representing Nigeria’s sizzling movie industry spoke about their films being showcased at TIFF this year, as well as the challenges involved in attracting international audiences and distributors.20160913_115247Award-winning writer~director~producer and actor, Omoni Oboli, arrived for her official portrait and a digital interview prior to joining her panel colleagues. Here she’s greeted by event security – 2 of Toronto’s finest – and she couldn’t resists grabbing a quick selfie!20160913_114614She was then escorted into the studio & green room for her official portrait.. Below,I caught her coming out of the photo booth…can’t wait to see the gorgeous portrait on the TIFF website.20160913_115909She met up with the other panelists (below) before being led into the studio that was packed with international film journalists and news outlets!

Don Omope of FilmOne prods/Distribs.

Don Omope of FilmOne prods/Distribs.

Naz Onuzo of Inkblot Prods. & Niyi Akinmolayan of The Arbitration film

Naz Onuzo of Inkblot Prods. & Niyi Akinmolayan of The Arbitration film

Olumide Iyanda

Olumide Iyanda

Moderated by TIFF creative director Cameron Bailey, the panel introduced themselves and their films, then took questions from the media. I was able to grab a few screen-caps via the green room monitor, as did other publicists.

20160913_134449 20160913_135957 20160913_13502620160913_140546After the press conference, the filmmakers enjoyed an ad hoc networking session in the greenroom where they were greeted by Toronto’s favourite son of Nigeria Masai Ujiri – the President and General Manager of the Toronto Raptors basketball team.  Here Omoni spent some time with Mr. Ujiri sharing tweets and Instagram posts.20160913_142959 20160913_143008 20160913_143107We managed to grab a quick interview for Omoni with CBC Television (Canada’s national broadcaster)20160913_144839 20160913_144926Then more friends to greet and important contacts to be made!20160913_130430(0)20160913_12090420160913_144549Thank you to all the friendly and professional staff and volunteers who guided Omoni and myself thru the press conference process. TIFF is truly a world-class festival that treats its guests with such warmth and respect.

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TIFF RED CARPET FOR NOLLYWOOD FILMMAKER OMONI OBOLI’S “OKAFOR’S LAW”

Last night, Nollywood filmmaker and superstar OMONI OBOLI presented her dark romantic comedy OKAFOR’S LAW at the Toronto Int’l Film Festival with a stunning red carpet event full of talent, glamour and sparkle! The packed house was vocal in their approval and enjoyment of the film – you haven’t been to the movies until you’ve shared a theatre with Nigerian film fans…they responded loudly to all the onscreen action with laughter, applause and gasps. The Toronto crowd loved the film, adored their actors and weren’t afraid to show it. As soon as Omoni stepped out of her car (below), a cheer went up from the line-up of eager fans who had been waiting hours to see their idols.20160912_200658 20160912_195543These adorable young fans (above) were first in line when I arrived earlier at the Isabel Bader Theatre and they were thrilled to bits when Omoni came over to say hi and take selfies with them.20160912_200728Next to arrive was the stunning Ufuoma McDermott (above), looking extra sparkly in a long blue gown (scroll down to see how glam she looked on the red carpet). And then the big man himself arrived, Richard Mofe-Damijo or RMD as he’s known by his fans.20160912_204321 20160912_204234Above, Richard joins Omoni (right), along with another stunning Nollywood VIP guest on the red carpet. And below, Omoni walks the red carpet for her photo call with the world’s media, including several Toronto-based Nigerian and African media outlets.20160912_201007 20160912_201637 20160912_204406(0)Below, Ufuoma proves that this “baby got back” showing off her fantastic physique! We’re thinking she would be ideal to portray Serena Williams in her bio-pic….hopefully  someone is writing the script now!20160912_201359The red carpet got very crowded with Omoni’s cast & crew, and many of the Nollywood filmmakers and actors participating in TIFF’s “City to City” program showed up to support her film.20160912_20474420160912_201409 20160912_204536Prior to the screening, the always charming Cameron Bailey, TIFF’s Creative Director, introduced Omoni and her cast and crew to the stage (below)….20160912_210537

Photo courtesy of Mo Vernie

Photo courtesy of Mo Vernie

…then afterwards, everyone came out on stage to rousing applause and cheers, and for a fun Q&A with the audience (below)20160912_230707 20160912_231220Then outside for lots more interviews and photo opps with the fans!20160912_233511 20160912_233611Above, brilliant cinematographer Yinka Edwards was grabbed for a few words with TV news cameras – Yinka has 3 films participating in TIFF…wow! And he is such a humble man…I’m sure he was a little embarrassed by all the applause and media kudos. Bravo, Yinka, well done.

Omoni joined the throngs of fans outside for more selfies and socializing, meeting up with old friends and even a few relatives…20160912_234010 20160912_202259Here are a few more fun pics from last night, including Patricia Bebia Mawa of AfroGlobal TV/Silvertrust Media (below)…20160912_204753 …and Vivianne Collins who hosted the official Red Carpet TV for Okafor’s Law – here I caught her setting up before all the stars arrived. 20160912_200113Ufuoma hung out with writer/director Lonzo Nzekwe, sharing social media posts (below)…20160912_203104And of course…it’s all about the shoes, ladies, right?!  Check out this sparkly gold pair worn by Tomi Adeoye, production manager for the film.20160912_201100So you have just 2 more opportunities to check out this fun movie during TIFF: Wednesday night Sept.14 at 8:45pm & Sunday Sept.18 at noon, both at the Scotiabank Theatre in downtown Toronto. All details & ticket sales can be found at www.tiff.net

Follow Omoni and her cast via Facebook.com/OkaforsLaw