Monthly Archives: September 2023

CityTV Premieres New Series About Forgotten Black Canadian History

A new five-part docu-series called Black Community Mixtapes produced by OYA Media Group will premiere on CityTV Toronto (and across the country) on Sunday Sept. 24 at 7pm EST. The television series breathes new life into the personal archives gathered by individual Canadians to shine a light on life-changing moments in Black Canadian history. Created and directed by the award-winning Canadian filmmaking team of Alison Duke and Ngardy Conteh George (pictured below), the show explores the cultural riches of Black Canadian history that are often stored and forgotten in crates, file folders and photo albums that have never been documented or recognized by national institutions. Says Duke (pictured below)….“We are not just filmmakers. We are first and second generation Canadians who actively try to better understand Canadian history. Producing films within the Black community for over 20 years gave us incredible access to personal archives which have helped to fill in the gaps. I hope that people see this series as a stepping stone to learning more about Black history here in Canada and that it sparks curiosity in all us to dive deeper into our own family’s archives.”The series follows KhaRå Martin, a young Toronto filmmaker, musician and actor, who embarks on a quest to rediscover Canada’s Black history and as host of the show, she speaks to Black Canadian archivists, musicians, artists and cultural change makers as they walk us through the rich world of Black Canadian culture. Here’s a sneak peak…

Some of the most notable people featured include former Much Music VJ’s Michael Williams and Master T as well as radio deejays DJX and Ron Nelson. Other cultural icons from the Black community include nine time carnival queen Joella Chrighton, screenwriter and playwright Motion, artist Natalie Wood, photographer Michael Chambers, writer George Elliot Clark, cultural centre owner Itah Sadu and Vintage Black Canada archivist Aaron Francis.

Congratulations to OYA Media and the team….I can’t wait to watch and learn!
Follow the show on Instagram: https://www.instagram.com/blackcommunitymixtapes

Canadian disabled paddleboarder makes history crossing all 5 Great Lakes – see the documentary at COMMFFest this Friday

Thanks to my friend and fellow publicist, Danielle Iversen, I stepped away from TIFF to learn about the Community Arts & Film Festival taking place Sept. 14 to 22 in Toronto (celebrating its 18th anniversary this year), and the premiere of a special documentary to inform and inspire us all.

Award-winning director Matthew Wagner is thrilled to premiere his latest documentary When Hope Breaks Through, at this year’s Community Arts & Film Festival. Screening takes place at the St. Lawrence Centre for the Arts, 27 Front St East, at 1:30pm Friday Sept. 15^th. Tickets are available through: https://am.ticketmaster.com/tolive/commffest2023 The feature length doc tells the inspiring story of Mike Shoreman, a disabled paddleboarder who attempts to become the first person with disabilities to cross all five Great Lakes. In 2018 Mike was diagnosed with a neurological condition – Ramsay Hunt syndrome – that left him paralyzed, suffering vertigo, hearing and vision loss which ultimately led to depression and a mental health breakdown. This riveting documentary explores the mental health crisis in Canada and our relationships with our own mental health. The film immerses the audience in Mike’s epic five crossings, encompassing over 300 kilometers of open water paddling accompanied by his dedicated crossings team. These strangers come together to form an inseparable bond as they faced and conquered obstacles from boats breaking down, medical emergencies to hallucinations and everything in between.Director/producer Wagner is a Michigan-based director & cinematographer whose previous documentary “Charro & Steed” has won awards (including Best Director, Best Editing and Best Documentary) at film festivals throughout the Great Lakes region and across the States. He is passionate about telling stories in a way that leaves an emotional impact to inspire change.

Mike Shoreman (www.mikeshoreman.com) is an award-winning mental health and disability advocate, athlete, author and columnist, writing on mental health and disability related issues. When Hope Breaks Through is his story. His work in mental health awareness, promotion, and education is extensive, partnering with national and international mental health organizations. Shoreman became the first person with physical disabilities to cross the 5 Great Lakes in 2022. This endeavor became one of the largest independently-run mental health awareness campaigns for youth in Canada. The efforts of his team have been recognized in the Ontario Legislative Assembly, the Canadian House of Commons and by the Prime Minister of Canada (pictured below). Shoreman is the 2022 recipient of the Marg Starzynski Mental Health Leadership award by the Mood Disorder Society of Canada.The film is screening at many esteemed film festivals such as: Boston Film Festival, Rhode Island International Film Festival, Soo Film Festival, New Westminster Film Festival, Montreal International Film Festival, Central Alberta Film Festival, Docs Without Borders Film Festival, Canberra International Mental Health Film Festival, Awareness Film Festival, Grand Rapids Film Festival, New York International Film Awards & more.

FAQs
Q. Mike, how did the idea of crossing the Great Lakes come about?
A. I found myself with a passion and desire to help others who struggle greatly with their mental health. I wanted to do something big that would help raise awareness and funding for the youth mental health crisis in Canada.

Q. What are the themes of the film?
A. Perseverance, Mental Health and Suicide, Adventure, Water Sports, Paddle Boarding, Endurance Sports, Mental and Physical Endurance, Personal Growth, The Kindness of Strangers, The Power of Team, The Raw Determination of Human Strength, The Great Lakes.

Q. Where did the title come from?
A. Anyone who has ever struggled with mental health will be able to relate to a feeling of hopelessness at one time or another. During the crossings, there were moments when Mike experienced hopelessness as he pushed himself to fight through the grueling elements of the great lakes. However, as morning would break and the sun would peek over the horizon, Mike and the team felt as if hope itself was rising in the break of dawn. This rising hope is what we all endeavor to be part of as we raise awareness and shed light on the mental health crisis in Canada.Q. This film is about the mental health crisis, what do you hope this film achieves in its messaging?
A. This film was created by a team of individuals whose lives have all been touched in some capacity by mental health struggles. Because we are so passionate about mental health advocacy, it is our sincere hope that this film reminds audiences they are not alone in their struggles.
1. Start conversations about mental health
2. Keep conversations going about mental health
3. Help remove the stigma of mental health
4. Continue to break down the barriers to adequate mental health care

COMMFFest SCREENING: Friday Sept. 15th @ 1:30 PM
St. Lawrence Centre for the Arts – Jane Mallett Theatre – Toronto, ON
WWW.WHENHOPEBREAKSTHROUGH.COM
WWW.COMMFFEST.COM

“LIVE FROM THE POOL DECK” INTERVIEW WITH CANADIAN COMEDY ICON, EVAN CARTER

EVAN CARTER is one of my all-time favourite comedians. When I worked as agent for Toronto’s Yuk Yuk’s Komedy Klub back in the 80s, he was my go-to guy for corporate gigs when the client required a clean comic, and he was a brilliant MC for in-house shows as well as gigs across the country – Evan was always reliable and could deliver the goods no matter who the audience may be.
Back then, record labels and concert promoters would frequently use comedians to open for their touring music artists and I booked Evan for gigs with some pretty big names such as the chart-topping Aussie pop duo Air Supply and the late R&B legend Marvin Gaye when he stopped in Toronto on his Sexual Healing tour…oh my!Over the years, I’ve had the pleasure of not only working with Evan but sitting in the audience as a civilian and watching/listening to him kill it on stage. Now we can all watch him on YouTube and listen to his recent comedy album You Speak So Well.I was thrilled when Evan agreed to come visit me for a Live From the Pool Deck series of video Q&As talking about his current “Legends of Motown” musical stage show that’s successfully packing ‘em in across North America, as well as past triumphs and stories from the comedy trenches. His new website has just been launched [www.evancarter.com] so check Evan out for yourself and see why he’s considered “the comedian’s comedian…”

Thanks for sharing all the laughs over the past four+ decades…keep it up, we need all the laughs we can get, Evan. LOL
Again, visit Evan’s new website for social media links plus videos and concert soundtracks – www.evancarter.com

CANADIAN WRITER/DIRECTOR TRICIA LEE COMES HOME FOR TORONTO INT’L FILM FEST

Ten years ago, I was contracted by Canadian (local) writer/director TRICIA LEE to undertake PR/publicity for her feature film Silent Retreat, a horror-genre film. I was intrigued by this modest young woman and her ability to bring the thrills, chills and screams to the screen; in fact, she was only one of a handful of women filmmakers around the world working in that genre. I was thrilled to see the film become a resounding success at the Toronto After Dark and Blood in the Snow film fests.In the years since I worked with her, Tricia has become an accomplished AAPI female filmmaker with the ability to blend heart-warming and heart-breaking stories with uplifting humor has earned her recognition on the 2020 and 2021 Black List. As a fellow of SONY’s Diverse TV Writers Program, Tricia’s films explore themes of belonging, voicelessness, and shared humanity. Her feature script, Good Chance has received numerous accolades, including being a top 50 finalist in The Academy Nicholl Fellowship, winning the grand prize at Francis Ford Coppola‘s Zoetrope Screenplay Competition, a top 14 finalist Universal Studios Writers Program, on the CAPE List and being selected for the prestigious Producers Guild of America Power of Diversity Master Workshop and The Writers Lab (supported by Meryl Streep & Nicole Kidman). A CDDP Commercial Director finalist, Tricia’s impressive directing credits include working with top talent such as Eva Longoria of Desperate Housewives fame, Simu Liu (star of Shang-Chi ,Canada’s famed tv comedy Kim’s Convenience and most recently Barbie), Ingrid Rogers (Bosch), and James Kyson (Heroes). She has written a pilot for and will be a showrunner of the animated anthology A Banquet for Hungry Ghosts produced by 108 Media. She has directed 3 award-winning features including Blood Hunters which sold to Hulu and was presented in Cannes by Frontieres, and Silent Retreat, which was theatrically released across Canada and sold to NBC Universal’s Chiller Network.

I invited Tricia to join me for this “Live from the pool deck” celebrity blog so I’ll let her tell you all about her career and her latest projects….

I’ve followed Tricia’s career spanning her move to L.A. several years ago, her ongoing participation in high-profile workshops and programs where she’s honed her script writing chops, and having established herself as a film and commercial director and an accomplished writer. Tricia has returned to Toronto to soak in the vibes of our annual Toronto Int’l Film Festival so watch for her on the various red carpets, industry events and celebrity soirees.

You can learn more about Tricia via her website https://www.tricialeedirector.com/ and follow her on social media (see direct links on website)

AUSSIE FILMS AT TIFF 2023 – “THE NEW BOY” FROM AWARD-WINNING WRITER/DIRECTOR WARWICK THORNTON

Sadly, due to the far-reaching effects of the WGA and SAG/AFTRA strike, many of the big stars, the A-Listers and international stars and filmmaker will not be coming to town for this year’s Toronto Int’l Film Festival launching in 2 day’s time. But have no fear, dear fellow fans of Australian cinema…I got you covered with some of the films featured at TIFF. First is THE NEW BOY which has already garnered critical and audience acclaim at home. It stars Cate Blanchett alongside leading indigenous actors Deborah Mailman and Wayne Blair, and introduces us to a brilliant young talent, Aswan Reid, as the title character. Thanks to my PR contact at Roadshow Pictures Australia, Stefan, here’s the inside scoop on the film…..

From Dirty Films and Scarlett Pictures comes writer/director Warwick Thornton’s deeply personal film, The New Boy. In 1940’s Australia, in the middle of World War II, a solitary Indigenous boy (Aswan Reid) is dramatically captured by a horseback police patrol and delivered to a remote monastery orphanage in the dead of night. The monastery is run by a feisty nun, Sister Eileen (Cate Blanchett), who has worked hard to make it a happy retreat away from the world and its war – and she will do anything to keep it that way. Since the elderly monk who was in charge died, Sister Eileen has been running the place secretly and is very protective of her small group of boys. Wary of too much Church oversight, she is always very careful to keep her head down and make good on the monastery’s expected contribution to the war effort. To that end she is helped by two Aboriginal staff – George (Wayne Blair), who runs the monastery’s farm with the help of the children, and Sister Mum (Deborah Mailman), who runs the domestic side of things.The new arrival (pictured above) doesn’t speak English, and no-one knows where he came from. He has been living a nomadic tribal life up until now, having no concept of Western norms. Dubbed the New Boy, he is quick to pick up on things and soon understands the pecking order and how to make it work. His survival instincts are sharp, his intelligence dexterous and he seems to have special powers which he uses for healing as well as for his own entertainment. The monastery’s orderly Christian ethos is unsettled by his presence, particularly in the case of the head boy, Michael (Shane McKenzie-Brady). And George, an Aboriginal farmhand who believes he’s on a good wicket and doesn’t want the boat to be rocked, recognizes something ancient in the boy that he would sooner forget. Sister Eileen, herself a bit of a square peg, is acutely aware of the precariousness of the monastery’s situation. Faced with her own survival choices when the old monk died, she determined to hold the orphanage together, knowing that any change could put the children in her care in peril. Now the New Boy, with his mysterious and alluring energy, is causing disturbance inside her delicately balanced world. She, George and Sister Mum already have their work cut out just keeping things ticking over.
When a special delivery requires a personal signature from the deceased monk, Sister Eileen has to assume responsibility for it with a bit of careful dodging and some astute white lies. She takes charge of the special cargo – an extraordinary religious treasure; a life-size carving of Christ on the cross – sent to this remote place by the Church to protect it from the ravages of war in France. When New Boy encounters this image of Jesus for the first time he is transfixed. However, the boy’s Indigenous spiritual life and mysterious powers do not gel with the mission’s orderly Christianity, leading to a series of unsettling encounters. Something must be done. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy. As her foundations are rocked, will the secret she has harboured for a year be discovered, imperiling the orphanage? Or will everything be brought in line, made good and safe and orderly, even at the cost of New Boy’s unique Indigenous spiritual power?

TIFF screenings are as follows (get your tkts now as this is a very popular film). In fact, it looks like the Fri & Sat screenings are already sold out.
Thursday, September 14 at Roy Thomson Hall 5:30 PM
Friday, September 15 at Scotiabank Theatre 2:45 PM
Saturday, September 16 at Scotiabank Theatre 6:15 PM

See you in the line-ups!

MY HOME TOWN’S INT’L FILM FEST IS CALLING FOR SUBMISSIONS FOR 2024

The Revelation Film Festival is the preeminent film event in Perth, Western Australia (WA), and they having wrapped this year’s annual fest, they are now looking ahead to next year (July 3-7, 2024). So if you’re a filmmaker interested in a unique experience reaching an entirely new audience (and film market), submit your features, shorts & docs now!

Growing up in “the bush” outside of Perth, even going to a cinema was a big deal and involved an hour trip each way on the country bus and most of the movies in our theatres were at least 6 months to a year old. After all these years, I’m so proud of the filmmakers who have emerged from this remote state capital city, thanks in part to respected film schools there and the Revelation Film Festival who support local, indigenous and int’l films and filmmakers. So if you’re an indie filmmaker looking to impact audiences (and get a great vacay, too), this is the one for you.As per the festival’s spokesperson: In looking at the films, we don’t have groups of panels but rather we take a more active and curatorial approach. All titles submitted are viewed by the Festival Director. A shortlist is then made – usually made up of around 30% of the titles submitted in each category and those films are then viewed by the Program Director to ensure that all films selected (invited or through the call for entries) provide a complete and cohesive program. It’s that kind of love, program care and exposure to large audiences that bring more and more films and the filmmakers themselves to Rev.

Photo by Anthony TranNow entering its twenty-fifth year, Revelation is one of Australia’s most unique screen and moving image events. With its focus on independent cinema, international film, cutting-edge documentaries, emergent talent – both international and Australian, and experimental film, Revelation maintains its clarity of vision while always seeking to explore the potentials of visual cultures.