Tag Archives: Yuk Yuks

“LIVE FROM THE POOL DECK” INTERVIEW WITH CANADIAN COMEDY ICON, EVAN CARTER

EVAN CARTER is one of my all-time favourite comedians. When I worked as agent for Toronto’s Yuk Yuk’s Komedy Klub back in the 80s, he was my go-to guy for corporate gigs when the client required a clean comic, and he was a brilliant MC for in-house shows as well as gigs across the country – Evan was always reliable and could deliver the goods no matter who the audience may be.
Back then, record labels and concert promoters would frequently use comedians to open for their touring music artists and I booked Evan for gigs with some pretty big names such as the chart-topping Aussie pop duo Air Supply and the late R&B legend Marvin Gaye when he stopped in Toronto on his Sexual Healing tour…oh my!Over the years, I’ve had the pleasure of not only working with Evan but sitting in the audience as a civilian and watching/listening to him kill it on stage. Now we can all watch him on YouTube and listen to his recent comedy album You Speak So Well.I was thrilled when Evan agreed to come visit me for a Live From the Pool Deck series of video Q&As talking about his current “Legends of Motown” musical stage show that’s successfully packing ‘em in across North America, as well as past triumphs and stories from the comedy trenches.  His new website has just been launched [www.evancarter.com] so check Evan out for yourself and see why he’s considered “the comedian’s comedian…”

Thanks for sharing all the laughs over the past four+ decades…keep it up, we need all the laughs we can get, Evan. LOL
Again, visit Evan’s new website for social media links plus videos and concert soundtracks – www.evancarter.com

 

THAT CANADIAN GUY, GLEN FOSTER, CELEBRATES 40 YEARS OF FUNNY!

Anyone who survives 40 years at the same job deserves a prize, and stand-up comic & writer GLEN FOSTER has certainly earned kudos and bravos for building and maintaining a career in the comedy business. Glen has been touring for the past four decades and has become a mainstay on the Canadian comedy circuit – he didn’t just work the road, he’s one of the comics who built it! His comedy is clever and intelligent, combining reflections on his own personal experiences with razor sharp commentary on current events and popular culture. I’ve known Glen for all his 40 years of funny, representing him first during the 80s as part of  Yuk Yuk’s Komedy Klub and its in-house agency Funny Business, then working with him again several years ago when he launched a series of independent comedy showcases featuring the best of the best of Canadian comedy talent. To give you a little background on Glen, he got a “Cinderella” start in showbiz – after several months grinding away on amateur nights, he  found himself part of a Yuk Yuk’s tour out west in 1982. When he took the stage in Winnipeg that first night, suddenly Glen was a “professional stand-up”. As he tells it, “Things progressed quickly from then on. I was barely six months off amateur night when I was flown to Los Angeles to appear on “An evening at The Improv” with movie legend Tony Curtis as celebrity host”.  He has appeared eight times at the world-renowned Just For Laughs festival, had his own TV specials on the Comedy Network, is a frequent guest on CBC Radio’s “The Debaters” and a club and corporate event favourite across the country.  I spoke with Glen recently and he shared his thoughts on his long comedic journey, navigating his way through one of the most volatile entertainment sectors (stand-up comedy),  sharing tales of survival and the shenanigans along the way….

So Glen, has it really been 40yrs? I remember when I was booking you through Yuk Yuk’s back in the 80s and I knew I could always rely on you to deliver a killer set wherever I sent you.   November 4th, 2022 was the actual fortieth anniversary of my first Yuk Yuk’s Western comedy tour, which kicked off in Winnipeg in 1982.  This past November I returned to Winnipeg to do a special show to commemorate that event, almost forty years to the day of the original show.  For years, I’ve kept an old Winnipeg Free Press article about the 1982 tour and now I have a matching one from 2022 as well.I’ve actually been doing comedy for more than forty years, although two years of Covid lockdowns and club closures does kind of mess with the math. I started performing at high school variety shows (1977-78). Soon after that, I did my first “real” comedy club set at Yuk Yuks, which had just opened in Toronto. Unlike today where there are hundreds of comics scrambling to get just a few minutes of stage time, there were only a handful of us and we were working all the time. As a result, I was able to progress very quickly. I was barely six months off amateur night when I was flown to Los Angeles to appear on “An evening at The Improv” with movie legend Tony Curtis as celebrity host, no less.  So no matter how you do the math, I am quite confident saying that I have been a “professional comedian” for at least forty years.Your stage personae and material appear to have changed considerably as your career has developed.  How would you compare the comedy themes or styles of 1980s Glen with today’s Glen?  I always admired comedians like George Carlin, Bill Hicks, Bill Maher and others who were actually saying something with their comedy.  So at a point, I decided that it wasn’t enough to just be funny, I also wanted to be relevant. I started doing material about all of the things that frustrated me as a Canadian:  High taxes, government incompetence, the sad state of our armed forces and especially, what was known at the time as “political correctness”.  That material really resonated with crowds and got big laughs as well.  I even created a very popular t-shirt (shortly after the first Quebec referendum) that featured a “puzzle”  map of Canada held together with band-aids and stitching with the caption, “My Canada includes every bitching whining Province, Aboriginal, Feminist, Minority and Special Interest Group.”
Recently, I’ve been going over some of my old videos and like many comedians of my era, there are definitely a few “cancelable” offenses to be found.  More than once I have said to myself, “There is NO WAY I could do that joke today”.  On the other hand, there is also material that I wouldn’t WANT to do today because, like society in general, my attitudes have changed and my comedy has evolved.

Jerry Seinfeld famously said that he won’t play colleges anymore because younger crowds are too easily offended.  These days, comedy seems to be all about diversity, “safe spaces”, and inclusivity.  As an older white male, are you still able to remain relevance?  And are you able to entertain “the kids”?  There is no question that audiences, especially younger ones, have become much more sensitive and far more easily “triggered” than in the past.  The smart thing would be to just avoid certain topics altogether, but for some reason, I can’t seem to do that.  My style has always been to poke the bear, but I have had to become much more nuanced and creative in my approach, so the bear doesn’t rip my head off.  I’ve become quite adept at dancing around hot button topics and of getting very, very close to the line of offense without going over.  As a result I’ve discovered a rather unique style of saying things without actually SAYING anything at all, to the point where many of my punchlines have become blank spaces that the audience has to fill in themselves.
Fortunately, I think we are finally starting to see a turn around. People are waking up to woke (pardon the pun) or at least becoming weary of some of the more extreme examples of cancel culture and the very real dangers that it poses to free speech and artistic expression. For me, it’s a vindication, though it does feel odd to be behind the times and yet, ahead of my time… at the same time.

Since the 80s, you’ve appeared on numerous tv shows and even had two of your own 1-hr TV specials on the Comedy Network – do you and other comedians receive royalties on those shows? I mean, they play them over and over on the various CBC or CTV networks…surely you must be “that wealthy Canadian guy” by now?  The short answer is no, and the long answer is not much.   It depends on the show.  I do get a small amount for re-runs of CBC shows, but other shows are a single payment “buy out” situation.   Certainly no one I know is getting rich off of the television royalties from Canadian stand up.  It’s interesting, every now and then I’ll get a call from someone who will say “We’d like you to do this gig. It doesn’t pay a lot of money, but it will be great for exposure!”  And I always joke, “This is Canada, people DIE from exposure.”   But if you think about it, because there is very little money, just about every show you do in Canada is for exposure.  And you do get that.  If I perform a set at Just for Laughs, for example, they will take that and sell it all over the world in every medium you can think of: TV, satellite radio, DVDs, CDs, streaming and even in-flight entertainment.  The trade off is that the producers wind up making exponentially more money than the actual talent.

Speaking of “That Canadian Guy”, how did that nickname come about?  And, despite the fact that you have not been on television for a while now, is it still something that comedy fans recognize and respond to?  I have an advertising background (I was copywriter) so I’ve always understood that in order for people to remember something, you had to make it easy for them.  So beginning with my first comedy special “That Canadian Guy” that is exactly what I did.  I even joked that the viewers wouldn’t be able to remember my name, but they would remember “That Canadian Guy”.  I also included a line about my website.  Sure enough, the morning after the special aired, I received a pile of e-mails from people saying “I couldn’t remember your name, but I remembered “That Canadian Guy”.
Remember when I talked about exposure?  Well, the curse and the blessing of Canadian television, is that everything I have ever done has been repeated and repeated… and repeated!  In fact, someone messaged me just the other day to tell me that my original “That Canadian Guy” special from 2000 was going to be on again!
An interesting thing has been happening recently.   People are coming up to me after shows saying things like, “I was so surprised to see you here.” and “I’ve been watching you since I was a kid!”  Of course, these fans are now in their late thirties and forties. A few are even younger than that, which makes me think that their parents may have been a bit too permissive, or just abandoned them to the electronic babysitter, as my parents used to call the tv.  It’s all very gratifying and it makes me ponder whether there could be a larger, as yet undiscovered group of fans out there somewhere.  I even have some ideas on how I might actually do that. I’ll let you know how it goes.Apart from your television appearances, you’ve also produced four comedy albums.  Any plans for a fifth?  And what about podcasting?   A lot of comedians have gone that route and many have become quite successful.  I’m actually working on my new album, tentatively titled Unsafe and Unnecessary right now.  It’s kind of an extension of my last album Unchecked (a reference to all the “boxes” I don’t check as an older white male).  It’s a bit of a challenge with four previous albums out there; I don’t want to repeat myself, so I have to structure my live sets in such a way that I can develop and practice the new stuff, while keeping enough of the old stuff to have a cohesive set. Plus, I have to maintain a certain comfort level for myself and still entertain the crowd, so I can’t do too much new stuff all at once.   As for doing podcasts, I have a few ideas, but I have so much to do and I am chronically disorganized (my To Do list remains “unchecked” as well).   If I find something that excites me, I could happen…..I will keep you posted.

Thanks for sharing, Glen.

Glen also publicly shared his thoughts on his YouTube channel on the recent Bill C-11 which has since passed, and the slippery-slope it creates with its proposed limitations and censorship of the ‘net

Follow Glen on social media:  Facebook.com/thatcanadiancomedian or  Twitter.com/fosterfunny
and visit his website: https://glenfoster.com/

 

AND THE NOMINEES ARE….CANADIAN COMEDY HALL OF FAME ANNOUNCES 2022 NOMINEES FOR INDUCTION

On behalf of the Board and Nominating Committee for the Canadian Comedy Hall of Fame, I’m pleased to announce this year’s inductees featuring legends of Canadian comedy in three categories: Legacy, Creator and Performer.

First off, nominated as performers (10 to be voted in):  Norm MacDonald (pictured), Mike MacDonald, the cast of SCTV, the cast of CODCO (pictured), Steve Smith, Rose Oulette, Catherine O’Hara (pictured), Mort Sahl, Elvira Kurt, Michael J. Fox (pictured), Al Waxman (pictured), Phil Hartman, Leslie Nielsen, David Steinberg and Dan Aykroyd. The Creators nominees include (5 to be voted in):  Mark Breslin/Yuk Yuks (pictured), Sandra Faire, Keith Johnstone/Loose Moose Theatre, Robert Gravel and Yvon Leduc/La Ligue Nationale d’Improvisation (pictured), Ivan Reitman (pictured), Andy Nulman/Bruce Hills of Just For Laughs Festival, Jo-Anna Downey – Comedian/Open Mic impresario, Andrew Alexander/The Second City and Lorne Michaelsand as Legacy inductees (2 to be acclaimed): Oliver Guimond, Mordecai Richler, The Happy Gang, the cast of Wayne & Shuster (pictured), Beatrice Lillie and silent film director and founder of the Keystone Cops Mack Sennett (pictured).The inductees will be announced on July 1st with a formal live ceremony to be announced later.

The Board and Nominating Committee has also voted to acclaim writer and humourist Stephen Leacock (pictured below)…and the legendary TV comedy producers Frank Peppiatt & John Aylesworth (pictured below) into the Canadian Comedy Hall of Fame. The vote was unanimous for Canada’s greatest humourist and the writing duo that dominated and changed television comedy in Canada. Every year the Board and the Nomination Committee has the ability to acclaim two Legacy acts into the Hall.In the words of Exec. Director and Founder of the Canadian Comedy Hall of Fame, Tim Progosh: From the very first political cartoons in the 1860’s through the two world wars, the advent of silent movies and the rise of television, Canadians have always been leaders in making people laugh and recognized for those achievements around the world.  And from Board Member and comedian, now Director of Pembroke’s Festival Theatre, Rick WhartonThe wealth of comedy talent in Canada is just mind-blowing. As well, there are so many people behind the scenes who need to be recognized, too. 

I encourage you all to join up for membership and learn more about the current and future plans for the Canadian Comedy Hall of Fame:  www.canadiancomedyhall.com   and follow them on Fcbk, Twtr and Instagram for weekly updates and news.

CANADIAN COMEDY LEGEND, KENNY ROBINSON, TO HOST ROCK TRIBUTE BAND FESTIVAL IN OSHAWA

Back in the 80’s when I ran Yuk Yuk’s Komedy Kabaret and its talent agency, Funny Business, one of my favourite comedians was Kenny Robinson. Kenny always showed up and delivered a killer set and was one of the most reliable MC’s we had on the roster.  No matter how big or humble the gig was, whoever the audience was, Kenny would have ’em rolling in the aisles!  And a few years ago, I was privileged to watch as Kenny was presented with the “Phil Hartman Award” for his contribution to the Canadian comedy industry at the annual Canadian Comedy Awards in Ottawa.Kenny 2Next Saturday, Sept. 16th, Kenny is the host of a unique concert featuring 5 of Canada’s top rock tribute bands and I know that only Kenny can keep things rolling and on time for the 1st Annual Durham Rock Tribute Festival (details below).

His irreverent, socially conscience, intelligent, opinionated and profane style of comedy has made Kenny a fixture and favourite with comedy clubs, festivals, radio, and television audiences for 3 decades.  Raunchy, energetic, sharp-witted, and sharp dressed, Robinson is a one of a kind act. Not for the weak of heart or narrow minded, Kenny assaults your sensibilities and funny bone with unspoken truths.  His episode of the CBC’s Comics has been referred by the Toronto Star as “One of the few episodes that still stand with the test of time” and many Canada’s brightest young comics have claimed Kenny as a mentor and influence. 17457914_10154980646416271_3297041097344781726_nI asked Kenny a few quick questions for this blog and he obliged with the following….

You’ve hosted a lot of music and comedy concerts over the years – do you remember the first one you MC’d and/or the show your hosted with the biggest stars?  My first gig opening for a band was with Tommy Tutone…(867-5309…Jenny Jenny) at the El Mocambo. Later I would host for Jim Carrey, Bo Diddley, and Peaches and Herb.18057020_10155068379351271_2914880231838205834_nHow important is the job of the MC when you have a lot of performers in the line-up?  As the host, my job is to keep the show moving…keep the crowd entertained and informed. On the 16th, I will have five bands and five hours of no holds barred rock and roll on such a tight schedule that VIA rail would envy!!

You’ve been the star of your own TV comedy specials and headlined many live shows in comedy clubs or concert halls: what do you prefer – TV or live?  I love TV and performing live.  TV exposes me to a larger audience and usually pays better…but live gigs give me the thrill and challenge of improvising or trying previously untested material – I’m like a jazz musician that way.

Do you have any musical preferences? With the 5 tribute bands performing on the show you’re hosting in Oshawa, do you have any favourite genres or are you a closet disco king?  I’m basically a blues junkie, so Bad to the Bone and The SRV Experience will be the highlights of the night for me…no disrespect to the Skynyrd boys, haa haa!

Where can your fans see you next?  Folks can catch me the last Sunday of each month hosting Kenny Robinson and his Nubian Show at the downtown Toronto Yuk Yuk’s, and for the 420 crowd, at the Green Leaf Vapour Lounge in Brampton where it’s not unusual for me to drop two long sets.

Do you have a website or social media networks? Folks can check me out on Facebook, or my much neglected website http://www.kennyrobinson.com/contact.html17554206_10154989207221271_4898851077302236969_nKenny’s hosted The Gemini Awards and was twice nominated for his writing and performance in his ground breaking one hour special “Thick and Thin” on the CBC.  Kenny has earned accolades as the creator/writer/producer and host of the edgy late night series “After Hours with Kenny Robinson” on The Comedy Network.

As an actor Kenny has appeared in such films as “Third Miracle” with Ed Harris, “Down To Earth” with Chris Rock, Clement Virgo’s “Love Comes Down”, and David Sutherland’s “Love, Sex, and Eating the Bones.”  Robinson has appeared on the CBC’s “Royal Canadian Air Farce”, Showtime’s “Soul Food”, and has a wide fan base from his re-occurring roles as “Jelly Bean” on PAX series “Doc”, starring Billy Ray Cyrus, and as “Mickey” on the teen fave “Radio Free Roscoe” on the “Noggin” Network. 17554420_10154989217981271_2719326215689466989_nCome see/hear Kenny work his comedy magic as he rides shotgun on this incredible line-up of bands next Saturday night.

Durham’s 1st Annual Rock Tribute Festival 
Saturday Sept, 16th (doors open 5pm)
General Sikorski Hall, 1551 Stevenson Rd N, Oshawa
Tickets are available from: www.ticketpro.ca 

Thanks to our media sponsor…..CKDO logo

UPCOMING FUNDRAISER FOR CANADIAN STAR SCAMMED OUT OF LIFE SAVINGS

Back in the 80’s I was a big part of the Canadian comedy industry, running the Funny Business agency for Yuk Yuk’s Komedy Kabaret in Toronto and helping build Yuks into the biggest chain of comedy clubs across North America, booking revolutionary acts like Sam Kinison, Emo Phillips and Steven Wright. When I struck out on my own in late 1985, I took several “freelance” comedians and prop acts with me, booking them across the country and into the States…and I even landed one of ’em on the couch with Johnny Carson on The Tonight Show. 

One of my favourite local acts was Glenn Ottaway (pictured below), a comic magician who worked clean (or not) depending on the audience. Glenn always “showed up” – he could perform as an MC or a headliner. He travelled anywhere I asked and was kind enough to work for whatever budget I had been given for shows…we all made money and with Glenn, I knew my reputation would remain in tact with club owners or corporate event bookers. Careers move in different directions and by the end of the 90’s, I was out of the comedy business – it didn’t seem funny any more….too many pee-pee kaa-kaa jokes and the Comedy Network on TV had sanitized or infantilized comedy in Canada. Not so much the yuks, it was more like the blechs!glennmicLast week I heard about a benefit to help Glenn…was he sick, was he disabled…WTF? Count me in, let me help. Then I found out that Glenn and business partner David Merry (another previous performer for my comedy agency) had been scammed out of hundreds of thousands of dollars on a theatre purchase deal and Glenn was in trouble. I immediately reached out to offer my blog space as a media outlet so below are Glenn’s comments and responses to my questions, plus a brief comment from the upcoming benefit’s producer and fellow comedy guy, Matt Disero.

Young Glenn Ottaway performing his early prestidigitation tricks.

Young Glenn Ottaway performing his early prestidigitation tricks.

When and what prompted you to want to purchase your own theatre (and where is that venue located)?
I have always enjoyed live theatre. From mid-way through high school I would get a great deal of satisfaction from being involved with plays. I did 1 play where I was on stage, one play where I was stage manager and 1 play which I had written. I found it very creative on al kinds of levels. When I decided to be a performer, I knew there were many struggling and starving actors so I went the way of a variety performer. I learned early on that I could work for pre-schoolers right through to stags (different shows of course). I figured, if nothing else I would be able to survive on birthday parties. I worked just about anywhere one could imagine.

After 30 years on the road and in front of audiences I felt it was time to move on. During my career I was lucky enough to perform in a show called “A Little Night Magic” on Lombard Street in downtown Toronto. When it was obvious that show was closing, I started to do stand up (with a touch of magic) for Yuk Yuk’s Komedy Kabaret (back then a true force in the Canadian comedy scene – GF). But I was tiring of the road and wanted to do something else. I met a man in my (then) hometown of Whitby. He owned Class Act Dinner Theatre (104 Consumers Drive) and after working a couple of freelance shows there I was hired as the Production Manager which meant I was responsible for selecting plays, directing (or finding a director) for plays. This was late in 2004. I could do the theatre gig, and still squeeze in some stand-up on the road.IMG_2337As the theatre gig got more demanding, I let the comedy slip away.  As a Production Manager, my jobs list grew. I would open each show, do a little comedy and push upcoming shows. I really enjoyed the job (which sometimes fogs your observance to what is going on around you).  In 2010 the boss tried his hand at bringing in his first big talent, Tim Allen. He asked to borrow some money (for 6 weeks) from me to help with the performance fee deposit for Tim. Tim played 3 or 4 venues throughout southern Ontario, but sadly all of the venues lost money – Tim was no longer a draw. The boss asked to extend the loan because he was running for mayor. It was a close race, but he lost. It became clear to me then, that my money was in jeopardy. We met about it and he offered me a piece of the theatre in repayment. I knew the place was making some good money, so it sounded like a sound retirement fund.

What made you decide to do business with this person – did he appear to be legit and trustworthy (and why)?
His name is Clayton Varcoe – known to everyone as “Rocky.” He’d been good to me for the first 6 years (it was my first ever “day” job). I trusted him. It’s that simple. Anyone who has ever had to deal with con men know how good they are.  With this 20/20 hindsight, I now realize that he has a lot of problems – I understand now his actions are that of a sociopath – he has no conscience and feels no guilt. He lies, cheats and steals. But at the time, though, I trusted in him.

When did you first realize this was not a good business decision?
I was never a good businessman. Excuses of “it wasn’t a good year” and “expenses are way up” were offered. I fell for it the first couple of years. I still trusted him, and considered him a friend – and a friend would never screw another friend, right?

You were partnering with comic magician and writer David Merry on this opportunity – what insights did he share with you as the negotiations “proceeded”?
Rocky said he wanted to step back from the business, and eventually turn it over to me, but that I would need a partner. I started approaching people I thought I could work with. I have always respected David (pictured below) and knew he was much more business savvy than was I. I spoke with him at a BBQ he invited me to at his home. It was there that I brought up the subject. He was excited about it, and I set up the meeting between him and Rocky. The three of us met with the final offer being made: David would have just under 1/3 of the business. Rocky’s father-in-law would have 10%, Rocky would maintain just under 30% and hold 15% of my share because I didn’t have enough money for a 30% share. Rocky explained how he ran the business, he allegedly kept 2 sets of books. Part of the agreement was that Rocky would keep one legit set of books and not shuffle money between different venues to “hide” profits. I don’t want to say anymore about David’s involvement, because I have been feeling a lot of guilt over this, even though David doesn’t blame me. I blame me.

Above - David Merry (in white) performing for CTV Ottawa Morning Show

Above – David Merry (in white) performing for CTV Ottawa Morning Show

When and how did you put the brakes on?
David brought in some very talented people to perform. He was to handle the comedy shows. He brought in a very popular person (whom the theatre could never afford, but David used his influence as a friend to get a great discount) The person was to play 3 theatres and the profits would be split 3 ways (David, Rocky and myself). At the end of the run, Rocky pocketed everything….over twenty grand! That was the beginning of the end. David was first to go (get thrown out) during a show David brought in featuring a huge American TV star. Later in court, Rocky lied about the cost of the show. I stuck around because, frankly, I was in debt and needed the money, but I was working with David as a mole. I tried to screw up a number of deals Rocky was working on, including a deal with the owner of the biggest comedy chain in Canada.

Once you learned you and David had been “scammed”, what steps did you take to recoup your $s?
David took him to court and won handily because every time Rocky opened his mouth, he lied. David’s lawyer was ready for it and was ready with the truth. Rocky was fined twice for contempt of court. I couldn’t afford a lawyer, and I know I will never get any of the money back, so I tried to shame him publicly through social media. I’ve also wrote a book with lots of first-person witness accounts of his alleged law-breaking activities – he has threatened me, my sister, mutual friends and David. I have been physically threatened and threatened with lawsuits – I wish he would sue me for defamation and slander because I have proof of everything I have shared.

How has Varcoe responded – what action, if any, did he take to remedy the situation?
Nothing…he doesn’t think he’s done anything wrong. He has sent denial emails using other people’s accounts, and posted on Facebook using his wife’s identity.  But his business track records speaks for itself: the most renowned and respected playwrights’ agency in the world is currently preparing a lawsuit against him for non-payment of royalties.

How does your situation with him stand now?
Although I haven’t given up (nor ever will) I’ve decided to play it down a little for now as my legal and financial resources are basically zero. Karma’s a bitch so I’m letting her have a go at him now!Glenn at the Bear and FirkinApril 17 - 5, 2015What do you hope this upcoming fundraiser achieves – fundraising for your survival, raising the public’s awareness of such scammers, a cautionary tale for all?
Well, I am in financial trouble right now and this will help out a lot. I suffered a concussion a couple of years ago and I still have some memory issues, so while I would like to get back on the stage, it is too early to tell. I am actually quite humbled by the benefit show, but I am very thankful to all the wonderful friends who are willing to help out. If nothing else, this will be the best comedy show Toronto has ever seen and who knows, maybe Tim Allen will show up…LOL! I am also hoping the media attention will shine a light on this s.o.b. so the authorities will finally investigate his fraudulent activities to protect others.
………………………………………………………………………………

So many of the country’s top comedic talents have signed on to appear Mon. Nov. 9th at Toronto’s Revue Theatre including Comedy Aces founder Glen Foster, media personality Mike Bullard, the hysterically funny Mini Holmes, and many others including, of course, David Merry. All the details on tickets, time, venue, etc. are available at  www.therockyhorror.com

The show’s producer and all-round funny guy himself, Matt Disero (pictured below) kindly shared this with me:

I would like to say that EVERY SINGLE ACT I asked to be on this show said yes in 10 seconds flat.  I even asked a couple of people who I’m not fond of and who are not fond of me, they still said yes right away. Everyone is donating their time as a favour to me, to help out Glenn.  That speaks volumes about Glenn and his stature in the community, and about Glenn as a person.  The comedy world is full of back stabbing, lying awfulness most of the time, but I do love that when someone needs a bit of help everyone generally circles the wagons to help.   This is my first time producing a show of any kind, hell I can barely produce my OWN shows, so I was very thrilled to get help from the likes of Raining Creative, one of Toronto’s top ad firms.  I’m good friends with the president of that company and he’s a magic fan.  Again, within seconds he said yes to doing all the promotional items and pre-press for the show… mostly because he’s a fan of Glenn’s work. They moved back a promotional job for U2 and Coldplay to get the posters done for me and give advice about Eventbrite Ticketing and making that work.

Glenn’s right, this will be the best comedy variety show Toronto has ever seen…. I should probably take myself off it and put in another act, but what the hell, someone has to lower the bar. LOL!DiseroCanadasWalkofFameI came up with the benefit show idea in part because there’s been one before for a couple of acts who were in dire health, so I knew that was something doable, and the same night I was thinking about it I was on the phone with Jeff Evason who also suggest we do something, it was Jeff who came up with the name for the show, I think.  There was alcohol…… from there it was just a matter of renting the theatre, and getting things together. In the end, it’s an honour to be able to help out a guy who I’ve learned so much from. Just watching Glenn work at A Little Night Magic over the years taught me valuable lessons that I still apply today to my corporate and public performing work.  Getting to perform on that show when I was so young (I started there when I was 17 ) was the best training I could imagine.  I truly got to watch the best acts in the country who had mastered what I wanted to do for a living.  I watched them night after night, whether I was working the show that evening or not.  Far and away Glenn was the best of them.  Strong magic, hilariously funny, ridiculously smooth and collected onstage, and razor sharp dealing with audience volunteers. I always admired his ability to seem so loose and off the cuff and still have well paced and constructed routines in the background. It’s a bar I still work to rise to even today when I’m creating a piece for my show.  As you might imagine, after years of benefitting from watching one of the masters work, it’s hardly a chore to pay back a little and help him out when he needs it.
Matthew Disero
www.mattdisero.com

I have not approached Mr. Varcoe for comment – there are too many Rocky Varcoes out there in the world anyway, and I’ve met my fill of them. Sadly there are no organizations, unions or government departments that offer assistance to performers/artists needing help getting paid. Have you ever attempted to use Small Claims Court? They give you a judgement but don’t give you any assistance in actually extracting those funds owed. But Glenn qualifies for HUGE Claims Court but no such court exists in this country. We’re gonna look after our own now…but we could sure use YOUR help so please log onto the website and buy a ticket.
Thank you for supporting Canadian artists.   Glenda