Category Archives: Books & Authors

EXCITING NEW READ FOR FANS OF HORSE-RACING!

Growing up in Australia, I was aware from an early age how important horse-racing is to the country, along with cricket and footy. Every year on the first Tuesday of November, the entire nation shuts down and listens to or watches the run of the Melbourne Cup, one of the World’s richest turf races. The legendary Phar Lap mesmerized the country back in the late 20s and early 30’s before dying mysteriously in the U.S.; I had the opportunity to see him (well, his skin really) preserved and on display in a shrine-like case in the big state museum in Melbourne (pictured below)Since moving to Canada, I’ve followed racing and the annual quest for the Triple Crown so it’s no secret I am a huge fan of the late, great Secretariat, and have had the honour of meeting his equally legendary jockey, Ron Turcotte. When I learnt of the new book, The Turcottes: The Remarkable Story of a Horse Racing Dynasty by author Curtis Stock, I knew I had to read it and with a little bit of luck, have the opportunity to interview the author for my entertainment column in The Rider (Ontario’s “voice of the horse”) newspaper. Talk about great timing – 2023 is the 50th anniversary of Secretariat’s Triple Crown victory.Yes, fifty years ago, Secretariat, a horse so powerful and fast that many of his records still stand today, completed his historic Triple Crown campaign – his win was so popular with race fans that many winning $2 tickets were never surrendered to claim winnings. Secretariat’s rider was Ron Turcotte who grew up as one of 14 children in the small town of Drummond, New Brunswick, noted for its timber industry not horse racing! Four of Ron’s siblings – Noel, Rudy, Roger and Yves – followed their older brother onto North American racetracks and into the winner’s circle.This new 360 page book is the story of the family’s journey from their little corner of the Canadian woods to the pinnacle of the thoroughbred racing world. Each Turcotte found outstanding success, collectively winning a staggering 8,251 races for purse earnings just shy of $60 million. But the jockey’s life takes a toll; each brother was in a never-ending battle to maintain his riding weight, while Noel, Rudy and Roger constantly fought the bottle. And then came the losses, the injuries and the crushing heartbreaks: the unlikely triumph of one of horse racing’s greatest families was not without tragedy. Drawing upon over 30 years of reporting and interviews, author Curtis Stock takes readers on an unforgettable ride through the major players and race days of thoroughbred racing. (author Stock, pictured below)Part biography and part oral history, the book is a true underdog story and a sure bet for any sports fan. The 25^th chapter, in particular, is an exciting telling of Secretariat’s Triple Crown campaign, each race written from a stride-by-stride perspective. It will leave you breathless!I asked Curtis about the process of writing his book and he was kind enough to share the following with me….

Apart from the obvious successes enjoyed by the Turcottes in the horse-racing world, what inspired you to write this biographical story, warts and all? It was simply a fascinating story of five brothers from Drummond, population 700, out of a lumberjack town all being jockeys and all very successful. And then the tragedies that followed.

Did the family endorse your book and open up to you with tales from childhood to the winner’s circle? Yes, the family (pictured below) was very accommodating. I spent three days in New Brunswick with Ron three years ago. At that time, I also visited Rudy who was in a group home in Grand Falls, New Brunswick. I also talked extensively with Rudy when I tracked him down in Florida and before he came to Alberta. Yves, lives in St. Albert which is a suburb of Edmonton where I live. He was extremely helpful. We spoke at least once a week. I met Roger many, many times when he rode in Alberta. Noel was the only jockey I never met.How long did the research for the book take? Were you given full access to the racing industry’s archives, news footage and historical reportage (much of which I’m sure you wrote yourself!)? The research and writing took 3 years but I actually started thinking of writing this book 20 years ago and I began accumulating their histories. I went through countless statistics at that time. Daily Racing Form manuals and archives from the stories I had already written as a sports writer with the Edmonton Journal for some 30 years and when Roger and Yves rode here in Alberta. So, yes, a lot of the information came from one-on-one interviews from that period.

You previously joined a syndicate that was successful with running winners – how did that feel, being on the other side? I have owned shares of horses for some 30 years. Not many but usually with a group of friends. I currently own one horse, a three-year-old, that is just getting started with five friends. I covered horse racing for the Edmonton Journal for about 25 years so I was inside, as you say, for a long time. As for being on the inside, there is nothing more thrilling than watching your own horse run.

So 11 Sovereign Awards plus numerous other sports writing awards and kudos – is there any other writing goal(s) to which you aspire? I have no future plans at this time. I would like to see the book become a movie. There was a very successful movie on Secretariat, the greatest horse of all time but nothing on the Turcotte family.How can fans follow you on social media? Follow me on Twitter: @CurtisJStock

(Pictured below – Ron in wheelchair alongside the statue of him aboard the great Secretariat, located in Lexington, Kentucky)Thank you to Firefly Books who kindly sent me a preview copy. The book is available from Amazon and Indigo Books for $35.00 (ISBN: 9780228104247)

BBC CELEBRATES 100 YEARS – AUTHOR DAVID HENDY WRITES ABOUT THE BEEB’S STORY & BRITAIN’S SOCIAL HISTORY

THE BBC: A century on the air By David Hendy
Published by Public Affairs/Hachette Book Group
656 pages
Price: $48.00 Cdn • $38 US
ISBN: hardcover 9781610397049 • ebook 9781610397056

Like so many of us “of a certain age” our first memories of entertainment come from children’s programming on the BBC radio, then TV. When I first heard of this historical recounting of the British Broadcasting Corporation story by David Hendy, I knew if would be a big book (it is, coming in at 610 pages plus numerous index and reference pages) and I knew full well I would be transported back to the early 50s when my favourite kiddie’s program on BBC tv was the puppet character Muffin the Mule along with Andy Pandy & Teddy, both part of the “watch with mother” programmes. Later, Dr. Who came along and the rest is history! My mum would love to sing and dance around the house as the Billy Cotton Band Show blared out of the radio in the front room, courtesy of BBC radio – she was an exhibition ballroom dancer during the latter part of WWII and even danced with the Glenn Miller Orchestra during their concerts for the troops stationed in and around London. I would secretly watch from the doorway as she twirled and swayed to the music throughout the day. Even when we emigrated to Australia in ‘59, the BBC followed us out there, it seemed.

The BBC has served as a rare and extraordinary institution in the UK – a constant source of information, comfort and entertainment through both war and peace, and celebrates its centenary as a rare establishment that continues to serve and provide for people around the world. Yes, 2022 marks the 100^th anniversary of BBC’s launch, easily one of the most recognizable “brands” in entertainment and communications in the world. Over the decades it has come under fire for corruption in the front offices, political entanglements and audience loyalty and abandonment. But the beeb is still here…and so are we.

Author David Hendy tackled the herculean task of researching its history, its ground-breaking programming as well as uncovering all manner of dubious backroom goings on as a master detective wrestles a cold case into submission; Holmes, Poirot and Miss Marple would be proud of him! A former BBC producer himself, Hendy is an expert in broadcasting and cultural history and was given privileged access to previously unused behind-the-scenes resources to tell the history of an extraordinary institution: the oldest national public broadcaster in the world. In doing so, he presents a broader cultural history of Britain including the wider world of politics, the arts, social change, and everyday life.

David Hendy is a writer, broadcaster and professor of media and communication at the University of Sussex, England. His previous books include Life on Air: a History of Radio Four, which won the 2008 History Today-Longman Book of the Year Award and was nominated for the Orwell Prize.

This book is long, very loooong indeed, but it makes for great summer beach or poolside reading or, if you prefer, a great Christmas present for those who like to cuddle up with some scones and tea in the winter months. Available on Amazon or from your favourite bookstore now.

LEGENDARY HOLLYWOOD DIRECTOR NORMAN JEWISON GETS BIO TREATMENT FROM AUTHOR IRA WELLS

Last week, I was honoured to attend an online gathering of film critics, writers, film directors and industry insiders to hear author IRA WELLS discuss his new book NORMAN JEWISON: A DIRECTOR’S LIFE published by Sutherland House Books (Founded in 2017 by Canadian author and publishing executive Kenneth Whyte). As a long-time fan of the Canadian director’s films, this was a dream Zoom meeting! Ever since my first viewing of The Thomas Crown Affair starring the king of cool, Steve McQueen, and the gorgeous sophisticated Faye Dunaway, I was hooked on Jewison’s style and on-screen “rhythm” – that chess scene from Thomas Crown stands as one of the most erotic scenes ever committed to film…and they kept their clothes on!! From 1965 thru ’68 he served us some of the era’s (and film history’s) most iconic films: In the Heat of the Night presents southern racism in all its brutal ugliness and features that slap heard around the world, The Russians are Coming, The Russians are Coming is a hilarious look at how the cold war affects small town America, and McQueen’s earlier cinematic outing with Jewison, The Cincinnati Kid takes us into the shady but exciting world of high stakes poker. Fiddler on the Roof, The Hurricane, Moonstruck, F.I.S.T., Rollerball, Jesus Christ Superstar, A Soldier’s Story…going all the way back to the beloved Canadian tv series, The Wayne & Shuster Show, Jewison has delivered provocative, compassionate, engaging and hilarious content for his audiences to devour. This new book is now on my Christmas list for Santa…and the fat man better show up early with this present!About the man, the book and the author:

NORMAN JEWISON directed some of the most iconic and beloved films from the 60s through the 21st century, from In the Heat of the Night and The Thomas Crown Affair to Jesus Christ Superstar and Moonstruck. But despite being what his friend, award-winning screenwriter William Goldman called “a giant of the industry,” Jewison could also walk the streets of any city in the world and go unrecognized. Jewison was a man of contradictions: he cared more about telling great stories than gaining fame and fortune by showcasing movie stars, but generations of Hollywood’s marquee actors—Judy Garland, Sidney Poitier, Faye Dunaway, Al Pacino, Jane Fonda, Burt Reynolds, Goldie Hawn, Bruce Willis, Denzel Washington—trusted him at crucial moments in their careers. Yet, for all his talent and the passionate support of his actors, Jewison suffered heartbreaking rejection from the executives who refused to believe in his dreams. Norman Jewison: A Director’s Life is a story of artistic survival and reinvention, and about the fate of original cinematic ideas in an industry increasingly captive to corporate greed. Drawing upon exhaustive archival research and dozens of interviews, biographer IRA WELLS (pictured below) provides a soulful portrait of an idealist who had to fight for every frame of his legacy. Here are Norman’s legendary collaborators— Hal Ashby, William Rose, Steve McQueen, and more—brought to vivid life in original letters, telegrams, and revealing, unpublished interviews. A clear-eyed reassessment of Hollywood’s final golden age, Norman Jewison: A Director’s Life is both the intimate portrait of an artist and a rallying cry for anyone who has had to fight for their creative vision.Author IRA WELLS is an assistant professor in English and Academic Programs at Victoria College in the University of Toronto. His writing has appeared in many publications, including The Guardian, The New Republic, The Walrus, Globe and Mail, Los Angeles Review of Books, and American Quarterly. Advance reviews and kudos are pouring in for Ira’s book….

“Renowned filmmaker Norman Jewison is a contradiction in terms: one of the great purveyors of classical Hollywood storytelling and an outsider at the same time. Finally, with Ira Wells’s rewarding biography, Jewison receives the attention he richly deserves. Wells’ vibrant, well-written chronicle is one of those indispensable film books that illuminates the times and life of one of film’s major practitioners.” — Michael Barker, Co-President and Co-Founder, Sony Pictures Classics

“This is a terrific book and a fun read. Norman Jewison directed some of the most enjoyable films of our time. I thank Norman for his films and applaud Ira Wells for capturing both Norman’s legendary feistiness and his great generosity of spirit, both of which I experienced first-hand.” — Joe Eszterhas, writer of Basic Instinct, Showgirls, and Hollywood Animal

“Ira Wells, wonderful storyteller and master stylist, takes us to the movies, then behind the scenes, then beyond, bringing new life to films and stars we thought we knew. This is a book you will never want to put down.” — David Yaffe, author of Reckless Daughter: A Portrait of Joni Mitchell NORMAN JEWISON: A DIRECTOR’S LIFE
ISBN [hardcover]: 978-1-989555-38-5
Price: $28.95 USD / $34.95 CAD
Page count: 490
Available NOW from Amazon and in-stores or direct from the publisher: https://sutherlandhousebooks.square.site/product/norman-jewison/61?cs=true&cst=custom

ACTOR, BEST-SELLING AUTHOR, HORSE-LOVER SHELLEY PETERSON SITS HIGH IN THE SADDLE AS SHE LAUNCHES HER 9TH NOVEL

Throughout the 80s and 90s, I’d become a fan of Canadian film and tv actress, SHELLEY PETERSON. She appeared in all the major hit tv shows like Night Heat, E.N.G., the anthology series Alfred Hitchcock Presents, the comedy Dog House and another fave of mine, Twice in a Lifetime (2000). In 2007, Shelley appeared in the scary, spooky thriller Dead Silence alongside one of my favourite Australian actors, Ryan Kwanten, who starred with Aussie superstar Aaron Petersen in the original Mystery Road movie. During all this time, Shelley was not only married to politician and future Ontario premier, David Peterson, she also raised a family and started writing books for Young Adults based on her love of horses. Oh, and by the way, she continued riding and owns a horse facility north of Toronto. Talk about an over-achiever and a great success story!

Her books are beautifully crafted novels targeting the tween/teen/young adult readership and focuses on horse-lovers and their adventures with their 4-legged best friends. Her latest book is THE JAGGED CIRCLE which Shelley is currently promoting and hopefully will soon be able to do the usual meet-n-greet reading events with her fans as the province opens up after 15 months of Covid lockdown. I recently spoke with Shelley where we discovered our mutual love of horses, sharing our pony club stories from way-back…Congratulations on the publication of your latest Y/A novel The Jagged Circle. You’ve written 9 books now involving horses so you must have been a pony club girl from way back…yes? Yes, you’re right. I went to Pony Club in London, Ontario. We had wonderful teachers who were thorough and demanding. For example, we were timed taking our bridles apart, cleaning and oiling them, then putting them back together. We learned every part of a horse, how to look after them from top to bottom, including how to feed and groom them. The riding part was just as demanding, but more fun! My favourite teacher was Dorinda Brickenden Greenway, who was an international show jumper. I admire her so much that I put her in ‘The Jagged Circle’ as a judge in the March Madness Steeplechase.

I gather you’ve always ridden throughout your adult life, too, and now own a fabulous horse facility, Fox Ridge – can you tell us about it and how it allows you to fulfil any childhood dreams? I’ve been extremely lucky to have been around horses all my life. I had horses as a child in our backyard barn in London and then married a man whose father had a farm with Hereford cows. Pete loved horses and knew more about them than anybody else I’ve ever met. He’s a character in many of my books as Pete Pierson. He bought me my foundation mare, Sandpiper, and I’m now raising her great-grandchildren in Caledon where we live at Fox Ridge. I can think of nothing more fulfilling than guiding the journey from wobbly-legged new-born foal to a responsive, calm, willing adult horse.I read a brief synopsis of one of your earlier books, Dancer, which was inspired by your then-teenage daughter. I must admit, the story could have been written about me, too. I was the class geek back home in Australia, and instead of 2-legged friends, I had a whole herd of 4-legged ones at the local stables. Have you found that your books offer comfort and validation to your predominantly tween and teenage female readers? And have you received “fan mail” reflecting that? Absolutely. Readers’ emails and letters warm my heart and keep me writing. Each of my novels deals with a real issue (or several issues) that kids face, and each person will take what they need out of my books. If something that happens in one of my novels reflects a reader’s personal situation, I hope they’ll find strength and inspiration by how my characters cope with it. Otherwise, it’s just part of the story.When you were acting on a regular basis, you appeared in 2 of my favourite Canadian tv series, E.N.G. and Night Heat. Do you miss those days or are they now just very fond memories? I loved the world of theatre, television and film, and it was good to be a part of it. It’s very tough work, regardless of the glamourous perception of it, but very rewarding as well. The magic of theatre cannot be replicated elsewhere, and I revisited it in my novel, ‘Stagestruck’. One day I might go back to it as a little old lady, but for now I prefer allowing my imagination the freedom to create stories as opposed to acting them through other writers’ characters and dialogue.Being the wife of a politician must have been demanding – did you find horse-riding offered you relaxation and an outlet to de-stress? Horses only relate to you when you set aside your stress. They actually turn away if you bring your troubles to the barn. As soon as you understand that, things go well. Through any turmoil in my life—being the wife of a politician, raising children, having a stressful career– horses have always demanded that I put my mental garbage in a sack and leave it metaphorically at the barn door.

Riding horse Prospero with grand-daughter Willow

The Jagged Circle is the second book in your Jockey Girl series and this time your heroine, Evangeline Gibb, is up to her stirrups in solving a murder while training her steeplechaser, Kazzam, for a big race. Can you give us any more clues as to how Evangeline does…with the helping the police solve the crime as well as the race? Before the story begins, her grandmother Mary has been training Evie and Kazzam over jumps, and there’s already a very strong bond of trust between horse and rider which allows them to escalate their training over cross-country jumps with Piers Anders. And Evie’s love of her little sister, along with her curiosity and grit, won’t allow her to stop delving into the mysteries until they’re solved. The story takes place over a very short time, going from the boredom of being alone at Spring break to action overload as the drama unfolds. One reader told me he needed a nap when he finished reading my book!

Do you have social media where fans can follow you and learn more about your books? I have a website, www.shelleypeterson.com and a Facebook page “ShelleyPetersonBooks”. My publisher is Dundurn Press and I’m on their website as well. Any questions can be sent to me directly via my website, and I’ll answer them as soon as I get back from the barn.Thank you so much for sharing your life and loves, Shelley, and I know my readers will be checking out ALL your books which are available from Amazon as well as through your own website. You can also visit the Dundurn Press website and social media: @dundurnpress
THE JAGGED CIRCLE by Shelley Peterson
Paperback ISBN: 9781459746947 • $14.99
eBook ISBN: 9781459746961 • $8.99

“WILD AT HEART” TAKES READERS ON AN EXCITING RIDE WITH 3 AUSTRALIAN BRUMBIES & 1 BRAVE HORSEWOMAN

Having all this Covid lockdown time to explore online stories from home (Australia), I was thrilled when I came across a Facebook post announcing the launch of an exciting new book, Wild at Heart, by French-born Aliénor le Gouvello, who undertook an intense and challenging solo journey stretching an extraordinary 5,330kms from Healesville in Victoria (the s.e. corner of the country) up to Cooktown in the tropical far north of Queensland; she had three horses that were once wild brumbies (the Aussie equivalent of mustangs) as her only companions.Throughout her grueling trek across some of Australia’s most spectacular terrain, Aliénor battled both isolation and the harsh elements, but she forged a close bond with her horses Roxanne, River & Cooper, as well as experiencing unexpected life-changing discoveries. Surrounded by wildlife that included deadly spiders, snakes and crocodiles, she also suffered tropical illnesses and injuries but pushed on to complete the ride and join an exclusive club of those few who have triumphed before her. Her sturdy bush horses all live with her now in peaceful retirement on her cattle station in outback Queensland.As a child, Aliénor dreamed of travelling and having adventures around the world. When she decided to take on the Bicentennial National Trail – Australia’s longest non-motorized, self-reliant trek – she had already completed a horseback trek in Mongolia as well as a sidecar motorbike expedition across Asia and Europe from Siberia to Paris. At the time of making the decision to mount up and trek the breadth of Australia, she was working in an aboriginal community near Uluru (the giant red monolith in the heart of the country) in the Australian Central Desert. She had recently fallen in love with Australia’s wild brumbies and hatched a plan for her most ambitious solo expedition to date; the adventure would also draw attention to the plight of Australia’s wild horses. The horses were originally brought in with the settlers, helping build the country and even taken with the troops to fight wars abroad; they are part of the country’s heritage and culture. Australia now has the largest population of wild horses in the world. They have adapted to all sorts of environments and can be found all across Australia. Their plight has been controversial in the media when the government has resorted to aerial culling as a mean to manage their population, a cruel method that leaves horses to bleed to death for days. Alienor’s trek was dedicated to bring a light on these very resilient horses and promote better management of them. These tough equines were perfectly showcased in The Man From Snowy River movie from back in the 80s – if you get a chance, do watch it and witness some of the most exciting horse chases ever recorded on film.As Aliénor said in a recent ABC television news interview about her book, “It was the longest and most challenging trek I’ve done so far but also the most rewarding and amazing experience I have had with horses,” she said. “I pushed my limits further than I could have imagined, you discover strengths you didn’t even know you have.” Wild at Heart tells of her physical and mental challenges of being a lone traveler and having to be so self-sufficient along with caring for her horses along the deserted track but the book contains some spectacular photographs, courtesy of world-renowned adventure photographer Cat Vinton.

Since her book launched last month, she’s been busy attending bookstore meet-n-greets (yes, Australia has mostly come out of Covid lockdown and gatherings are permitted) and giving numerous media interviews; in fact, Aliénor has become something of a “folk hero” and a champion of the brumbies. International sales of her book are available from the Book Depository website (yes, they ship around the world): https://www.bookdepository.com/Wild-at-Heart-Alienor-le-Gouvello-Cat-Vinton/9781922419200
Watch for my article/review in the June issue of THE RIDER newspaper (www.therider.com) and you can follow Wild at Heart on on social media at: www.facebook.com/wild.at.heart.australia

WILD AT HEART
By Aliénor le Gouvello, Photographs by Cat Vinton
Format: Paperback | 288 pages
Publication date: 30 March, 2021
Published by Affirm Press, Mulgrave, VIC, Australia
ISBN10 1922419206
ISBN13 9781922419200

ACTOR, ARTIST & POET PHILIP CAIRNS RELEASES BOOK OF POEMS ABOUT HOLLYWOOD LEGENDS….AND BED BUGS!!

Over the past five or six years, I’ve had the opportunity to promote plays, art shows or poetry readings by my friend and client PHILIP CAIRNS. He’s currently celebrating the release of his latest book HOLLYWOOD POEMS AND OTHER DIVERSIONS, now available from Amazon.ca. The first section of the book offers stream-of-consciousness narrative poems about Hollywood stars such as Elizabeth Taylor, Jayne Mansfield, Lee Grant, Anita Ekberg, Gloria Grahame and Canada’s own Jackie Burroughs. The author weaves biographical tidbits about these women into each poem, and includes snippets about his own life growing up as a gender-questioning, queer boy in Scarborough, then living as a struggling artist in Toronto’s Parkdale neighbourhood. The second half, “Bedbugs and Cockroaches” features satirical, comical stories and poems in which these itchy-scratchy critters come to life. They are like truth-telling cartoon characters, forcing the protagonist in each piece to face reality. The first half is mostly serious in tone and confessional while the second half will make you laugh out loud!Philip has already garnered glowing kudos and thumbs-up from fellow writers and literary media, and I recently spoke with him and asked him to share his thoughts on completing the book during this past year of Covid.

What was the inspiration for your new book of poetry & prose, Hollywood Poems and Other Diversions? It was David Bateman, my editor, who suggested the concept. He’s very familiar with my work through my public readings. We’ve also co-written short plays that were performed at various festivals. This book is 12 years’ worth of poems, written on the theme of the Golden Age of Hollywood, though not by any means the only poems I wrote during that period. I’ve been a movie freak since I was 9 years old. I was sleep-deprived all through my adolescence because I stayed up half the night watching classic films on the late show. As a teenager, I once saw 4 movies in one day with my best friend. I always identified with the actresses. I loved to get lost in a different world in the dark. I would often sit through a movie more than once. I once saw a double bill of a Robert Altman film and a Jane Fonda movie and I sat through both of them twice…8 hours of movies. I was in my late teens and seeing Bonnie and Clyde was a turning point for me; I came out of the theatre wanting to have sex with Warren Beatty and wanting to be Faye Dunaway. That was scary for a 14 year old. Many of the poems in my book are loving biographies of movie stars I love like Anita Ekberg, Gloria Grahame, Elizabeth Taylor and Marilyn Monroe. And Canadian icons like Mary Pickford and someone who was supportive of my work, Jackie Burroughs. But interwoven in many of the narratives, there are incidents from my life growing up as a queer, gender-questioning person in Scarborough. The second section of the book is pure fun, the Bedbugs and Cockroaches chapter. These critters come to life and do tasks like raiding a jewellery box and hiding pills, and they comment on the action with razor sharp accuracy. They are satirical and fun pieces and mostly fictional. They usually get laughs – I used to perform these works live a fair amount. I love to hear an audience laugh. Bringing laughter into people’s lives is manna from heaven. This is such a challenging planet to live on. Economically, it’s like being a hamster on a wheel.Have you spent time in Hollywood and visited any of the homes of those legends about which you write? I’ve never been to L.A. It seems kind of scary with all those back streets full of pup tents close to movie star mansions. I’ve been outside of Brad and Angelina’s former place in the French Quarter and I did go to the Cannes Film Festival a few years ago where I starred in a short film that played at the Short Film Corner. I went to lots of cocktail parties and met filmmakers from all over the world. It was surreal. I went to one queer party in a tent on the beach but that said, No Celebrities Allowed although it was hosted by a queer celebrity. When I left the party, there were fireworks over the water. We’d been to a screening of our movie that day as well. I think it was the happiest day of my life. I felt like Grace Kelly in To Catch a Thief without her jewels and fine gowns.

As a young man, were you a big movie fan and if so, who was your favourite star and what was your favourite film? Probably from 8 or 9 years old, I’ve loved movies. I was precocious. I was reading newspaper reviews of foreign films when I was 9 or 10. I wanted to be on TV from the age of 4 or 5. My favourites as a child were Hayley Mills and Annette Funicello. As a teenager, it was Marilyn Monroe and Elizabeth Taylor. In high school, I once asked my mother if she would write me a note for the office saying I had a dentist appointment. I told her I wanted to see a Marilyn Monroe movie on TV. You know what her response was? “Okay. You’ve been working hard at school and I know how much you like her so I’ll do it.” Wasn’t that cool? She and I didn’t always get along that well but that’s another story. My favourite film is The Wizard of Oz. Number two is 2001: A Space Odyssey. And Cabaret with Judy’s daughter, Liza Minnelli, is on my Top Ten list of fave movies. Judy Garland is my fave singer and her record, Judy at Carnegie Hall, is my favourite album. My second favourite album would be Dark Side of the Moon by Pink Floyd. Notice a theme here? And of course, All About Eve is on my Top Ten list, as well. I think I have about 25 films on my top ten list. I love many of Robert Altman’s films. Watching James Dean in Rebel Without a Cause and East of Eden on the late show when I was 16 was a turning point. I sobbed in my bedroom the whole next day. I love Brando, Montgomery Clift, Geraldine Page, Maureen Stapleton, Lee Grant, Bette Davis. The list goes on. I work as a background performer in film and TV – I feel lucky that I get to be on set with famous actors and watch them work and be well paid to do it. My family isn’t impressed because being a background performer is the lowliest position on a film set. It was worse back in the 1970s when I started out. I’ve been at this a long time, plugging away in the underground trying to be heard. I don’t go to a lot of auditions these days. I would love a really juicy part in a film. The character would be someone who questions their gender. I lived the life of a gay male for decades, and now I don’t identify as male or female. For me, gender is totally irrelevant. What I have between my legs serves as a function and gives pleasure but does not define who I am. What difference does it make what gender I am? At the same time, I wish to be considered for male roles in film, TV and theatre. Below, Philip performing poetry readings around Toronto. In the second part of the book, you’ve written about bedbugs – those stories are so funny and biting (pun intended!) – what motivated you to explore those themes? I suppose it was losing my bed to bedbugs. They kept spraying and spraying but they wouldn’t go away so I threw out my mattress and box spring. It was the only one I had ever bought as an adult. I have been sleeping on the floor every since. They are really horrid little creatures. I don’t know what made me give them voices. Weed, maybe? I can’t for the life of me recall. I love writing those pieces because the bedbugs and cockroaches can say things that people normally are too polite to say…like a little devil sitting on your shoulder. It’s almost like those pieces write themselves. I am just the channel or conduit. I think they work because audiences laugh and even request them.

Philip, you’re quite the renaissance man – a fine artist, a writer, poet and an actor for both film and theatre…what do you find more challenging or fulfilling? I think I do all these things because I don’t like to be bored and I bore easily. What I found hardest was making a living. I always had to have another part time job to get by, and I would have to juggle things. Sometimes the Universe is kind. I was rehearsing a play and I got 2 TV commercials which shot at night so it meant not much sleep but I could still attend rehearsals. And then finding time to paint, write, draw. I’m pretty driven but I also need down time to recharge. Often, it’s marketing time that goes out the window. I’d rather get out the drawing book and coloured pencils than start submitting myself for film roles or my work to publications. I think I find painting the most relaxing even though I feel it is not my strongest talent or skill. Reading my poetry in public or sitting in the audience watching one of my plays is exhilarating and fulfilling when you really connect with an audience. You can feel it in the air. Total silence. No snoring. Ha!! Hearing a big, big belly laugh from an audience is indescribably wonderful. I suffer from stage fright these days. I have a terror of forgetting my lines. But if I’m reading one of my poems, I’m fine. I have it right in front of me. I’ve been studying with the most wonderful acting teacher, Alan C. Peterson, which has taught me to tune out everything on a film set or on stage, and just focus on what is happening in a scene. That is all that is happening. Below, Philip running lines as Julius Caesar and as a glammed up blonde for a recent indie film Has the isolation and quarantining throughout this past year of Covid affected your writing or ability to earn a living? My income from film and TV has dropped considerably but then my expenses have dropped, too. I used to spend a fortune going out with friends and colleagues. Now, I make all my meals at home. But it has afforded me the time to assemble the book and edit and rewrite it which is much harder than the initial writing of a poem or story. It’s a great feeling when you’re in the zone and it’s flowing out of you onto the page or screen. That usually happens with the first draft. Since the first lockdown, I’ve written a lot and done a lot of drawing and painting. I don’t like to watch more than one movie or TV show per day, if that. It’s been a time of deep, deep reflection. What is awful is that all the dumb, stupid things I’ve done in my life have come bubbling up to haunt me, perhaps to teach me a lesson or something. It has helped me to grow but has been quite painful to behold.

Below is a selection of Philip’s paintings that have been exhibited in Toronto galleries… About the author: Philip Cairns writes poetry, performance-pieces, plays and short stories. His work has been published in Labour of Love, Resistance Poetry 2, Excalibur Monthly, Xtra! and The Body Politic. In Toronto, Philip has performed his own writing at “Plasticine Poetry” at The Central, A Space, The Art Bar, the Black Swan, the Gladstone Hotel, Glad Day Bookshop & the Theatre Centre. He was one of the organizers, and a frequent host for The Beautiful and the Damned Poetry Cabaret at The Central. He was MC for “Sexy Words” at Lula Lounge and “Bent Expressions” and “Smash Words” at Press Club. He performed in “Hard and Able #2” at Buddies in Bad Times Theatre, on the TV series “William Shatner’s Weird or What” and in “The Judy Monologues” at the Toronto Fringe Festival and in a province-wide tour (winning the Best Actor award at the London One Act Festival). Philip has exhibited his acrylic paintings, watercolours and coloured pencil drawings in numerous solo and group exhibitions in Toronto and Edmonton, most recently at Urban Gallery, the Parliament Street Library and at Arcadia Art Gallery in Toronto.

Philip has a number of interviews coming up in May, including CIUT-FM radio’s Howl! show as well as on the Art Bar online poetry show May 11. Follow Philip on Facebook for all the news… Facebook.com/philip.cairns.16

HOLLYWOOD POEMS AND OTHER DIVERSIONS
By Philip Cairns
Purple Poet Press (April, 2021)
$17.89 – Soft-cover, 186 pages
ISBN-13: 979-8701703214
Available from Amazon.ca

CANADIAN POET, ARTIST & ARTS JOURNALIST DAVID BATEMAN LAUNCHES HIS FIRST NOVEL “DR. SAD”

I’m pleased to introduce you to Canadian freelance arts journalist, artist and performance poet DAVID BATEMAN, who currently resides in Toronto, Canada. David has published several books of poetry and contributes literary reviews in several leading national and local newspapers & magazines. He has also taught creative writing and literature at post-secondary institutions across Canada. He has recently published his debut novel DR. SAD, and although Covid quarantining and stay-at-home directives have forced him to cancel live readings and book signings at bookstores and coffee houses around Toronto, David is utilizing the internet and social media to reach his fans and attract new readers (and book sales!).Story synopsis: Discover the difference between living a life and simply enduring on in this cross-campus, cross-country comedy of manners, queerness, poetry and HIV.

Bateman has crafted a brilliant novel featuring a main character, Stephen, who is a middle-aged teacher who is also gay. He’s content, except when he isn’t. He’s a poet. He has a new teaching job in Kamloops, British Columbia……Stephen has HIV. DR. SAD is the story of one man’s journey across Canada and through his diagnosis. It is the story of the distance between queer urban spaces and a small campus in small-town BC. It’s the story of discovering the self within the world and the world within the self, of discovering the difference between living a life and simply enduring one. This is a tragicomic cross-campus, cross-country romp that believes in the power of romance. Weaving together narratives of past and present, of Toronto’s Gay Village and the streets of Kamloops, this lively and dynamic semi-autobiographical novel dives deeply into gender and queerness, class and privilege, and the realities of aging. It is a dynamic and engaging hybrid, stylistically daring while remaining intimate and human. Leaping through time and mixing the playfully serious with the seriously playful, DR SAD blends poetry with prose and finds the humour in despair in one complete, glittering tragedy of triumph.I recently spoke with David, socially distanced, of course, and he shared his thoughts on the writing process and of life under Covid:

Congratulations on your first novel, David. What inspired you to share your small town/big city experiences in the semi-autobiographical DR. SAD? The diagnosis that begins the novel motivated me to write the openings chapters. It was a very curious and startling way of receiving the news, and I thought it would work well as an introduction to a kind of tragicomic, semi-fictional narrative around survival and endurance under challenging circumstances. The diagnosis was revealed in the first chapter, in the fist draft of the manuscript. After a variety of editing suggestions from various editors, I decided that moving this to a slightly later chapter would work better.

Your career has included arts journalism, book editor, poet and performance artist – now you add novelist to your CV; compared with your other pursuits, how difficult was it to complete the book? It was much more difficult with a longer project to find the time to develop it. With arts journalism, poetry, editing, and performance, over the years there have always been deadlines in those areas, so that made it easier for me to focus on an end result. But with a novel there was no sense of a deadline so it just kept being put off. But I had always wanted to write a novel, and started a few but never got very far. I was writing poetry more at the time, in my thirties and forties, and had a publisher in Calgary who published four collections of mine over a ten-year period, and that was my main focus. A longer narrative project always seemed out of reach, never enough time to devote to a novel length project. Soon after I returned to Toronto, after living and teaching in Alberta and B.C. for close to ten years, I applied for a year long Fellowship and was delighted and surprised when I got it, so basically, the funding and the lengthy time period, one year, motivated me to sit down almost every day and work on a first draft of the novel. The application for the fellowship included the original first chapter for the manuscript.

Covid has obviously put a stop to live readings and bookstore meet-n-greets with your fans – what’s been the most difficult or inconvenient part of the lockdown/stay home situation for you as a writer? Actually, I have found that the pandemic has afforded me more time to write, and develop various projects. I have been very fortunate to be in a relatively safe and comfortable environment over the past year and have had a couple of small grants that have supported my creative work. It is disappointing, of course, not to be able to take part in live readings and events, but I have found zoom and various online platforms to be very satisfying and inspiring to be able to continue to take part in events with a variety of other artists across the country, and beyond. But the hardest part of this I think has been not being able to go out and exchange ideas and hear other writers present their work in community settings. That was a very inspiring and motivating part of my life as an artist, and a lot of that has disappeared during the lockdown/stay at home period. And yet, on the other hand, online platforms have extended some of my connections as an artist to people from parts of the world I might never have had the opportunity to connect with through readings, festivals, interviews etc.

So many people are utilizing the pandemic stay-home time writing their own books of short stories, poems or novels – what advice can you share with them? I try to have a routine, dividing my time between painting and writing. Deadlines give me a focus, and even if there isn’t a set deadline from a gallery or a press or an arts publication, I try to write down rough deadlines, and creative ideas, and follow them as much as possible – with a list of projects itemized by priority. Of course I often stray from those deadlines, but just having them there, written down and always present in a way, can keep me interested and motivated in continuing the creative process within each separate area – poetry, painting, editing, arts journalism, and longer prose and performance works. And searching online about various grant possibilities is also helpful. Even if I don’t get them, which I often don’t, it can be a great source of motivation to re-consider various projects in the context of a grant application. This helps me to develop the project in formal ways I might not consider outside of a grant application framework – when I am sitting around just thinking or jotting down lists around ideas for a number of projects. Applications often ask artists to describe various ideas in specific itemized ways. I find this very helpful as I move forward with any given creative idea.

Any other comments you’d like to share? I try to think of everything I do as part of the creative process. Sometimes it can feel a little silly, and enormously privileged to be able to just binge on Netflix, or any of the big movie and television channels available. But especially now, within this pandemic, watching a variety of narrative structures, flash across the screen, whether they be contained within a kind of documentary style or pseudo reality tv show about a painter, or something as mainstream as Ozark or The Queen’s Gambit, or a series like Flowers or Fleabag, well, it all acts as inspiration for ideas and images that contribute to the ideas and images racing through my head. This has always been the case, as we live in an image world, but now, confined more to our homes and workspaces, film and television, and some reading, can be a welcome and nurturing distraction.David has a number of interviews in May, including the popular HOWL! radio show on CIUT-FM 89.5 with host Valentino Assenza on Tues. May 4th (10pm to 11pm) and another scheduled for taping in mid-May with Mark Tara of Rainbow Country radio (for broadcast in July). Follow David on his Facebook page: https://www.facebook.com/david.h.bateman

DR. SAD, Soft-cover, 310 pages
Price: $28.99 Cdn. (hardcover) or $15.94 (Kindle e-book)
University of Calgary Press (Dec.2020)
ISBN: 9781773 851037
Available from: Amazon.ca, Type Books & Glad Day bookstores in Toronto & Waterstones Books (UK)

AUSTRALIAN AUTHOR CAPTURES OUTBACK TALE OF BETRAYAL AND REDEMPTION IN 1ST NOVEL “SPLINTERED HEART”

Over the past several months of Covid isolation and lack of film or tv production activity (i.e. potential clients), I’ve had lots of spare time to explore websites and news feeds from my homeland, Australia, and getting more and more homesick in the process. Thanks to viewing some fabulous films and TV shows on Aussie streaming platforms as well as Amazon Prime/Acorn TV, I discovered Down Under’s favourite leading man, Aaron Pedersen (pictured below), star of Mystery Road the movie (featured at the 2013 Toronto Int’l Film Fest) and the subsequent TV series of the same name (the second series is currently airing in Canada on Acorn TV, part of the Amazon Prime service).Having binge-watched 2 of his previous tv shows Water Rats (1996-2001) and City Homicide (2007 to 2011) and the Mystery Road movie sequel, Goldstone, I admit I’ve developed a huge crush on this handsome indigenous Aussie actor, so I joined a fun Facebook group made up of his most devoted fans, one of whom, Linda Dowling, is an award-winning successful author. Linda’s first 2 novels are currently available via Amazon Books, and I’m thoroughly engrossed in her first one, Splintered Heart, which takes place during the 60’s, an era when I myself was growing up in the bush just outside of Perth in Western Australia. So many references resonated with me but you don’t have to be an Aussie to fully appreciate the story, the heroine of the tale or the heat and vast emptiness of the outback. Dowling writes with great descriptive flair – I can almost hear the mournful call of the crows and feel the exhausting heat of the sun as I turn each page.This first book in Linda’s Red Dust series is set in the 1960s – teenager Lisa O’Connor is growing up in a brutal family environment living in the outskirts of Sydney, Australia. Abused and forsaken by those she should have been able to trust, Lisa is sent away to the notorious Parramatta Girls Home for ‘reform’ (this was, in fact, a real place which has thankfully since closed). While captive there, she experiences the depths of human depravity and sinks even further into despair. Luckily for Lisa, she’s rescued from this abhorrent life by her childless aunt who takes her to live at a remote sheep station (i.e. big farm in the middle of nowhere) in outback New South Wales. Lisa finds herself in a world that is different to anything she has known before, and she falls in love with the homestead, the harsh outback landscape and the Aboriginal culture. With the help of her aunt and uncle, two female Aboriginal elders and Billy, a very special young Aboriginal man, Lisa’s splintered heart and broken spirit begin to mend. Lisa’s determination and desire to overcome her horrific beginnings tell a saga unlike any other – both horrifying and inspiring, this is a book you won’t be able to put down.The award-winning, #1 bestselling author (pictured above) grew up in the Western suburbs of Sydney, Australia. During her childhood, Linda spent most of her time in rural areas and has continued to enjoy life in areas with natural surroundings. Her own aunt, a wonderful horsewoman, taught her a great deal about horses, riding and the outback and it was during her vacations with her aunt that Linda herself fell in love with the vast outback plains and the culture of the local indigenous population, their stories and their unique but simple way of living. In her professional life, Linda has established and managed four medico-legal firms, including her own. During the course of her career, she has been involved in reporting on coroner-centric matters and inquests. She has also worked with the NSW Police State Crime Command Centre and in various Royal Commissions where she was exposed to the worst of human nature; she has drawn upon her professional and personal experiences while writing her Red Dust novel series, but the stories are a work of fiction and do not depict any person, living or dead.

Linda has already received many positive reviews and kudos direct from the readers, including:

A compelling read. Prepare to laugh and cry, this book will truly evoke a powerhouse of emotions. Steeped in culture perseverance and the unbreakable spirit of a young girl in 1960’s Australia. Mary

I absolutely loved this book – an easy read that was hard to put down. A disturbing revelation into the brutal experiences occurring in the girls’ home in the 60’s and then a warming and uplifting transition to life in the outback and an interesting insight into our indigenous people. Looking forward to the next chapter. Sandra

Wow! This book was an intense read. The author writes about the harshness of family life in general that many people living in Australia grew up in the 60’s thru 80’s can relate to. While the storyline itself was heart wrenching and a lot darker than anything I have experienced in my life, it left me thinking about the events affecting those in the book and the racism experienced by Aboriginals long after I had finished the book. International Amazon Customer

Splintered Heart is available in soft-cover and Kindle versions on Amazon so why not buy yourself a great gift for Christmas – order Linda’s book now!

AUTHOR GEORDIE TELFER LAUNCHES “HOGTOWN EMPIRE” BOOK ABOUT NOTORIOUS 100YR OLD TORONTO COLD-CASE MYSTERY

Big CONGRATULATIONS to local author GEORDIE TELFER on his packed-house book launch last night held at Toronto’s Dominion Pub & Kitchen. He entertained his guests with selected readings, music and original songs that told the tale of the disappearance of Toronto theatre mogul & millionaire, Ambrose Small (pictured below), who led a life of dodgy dealings and showbiz shenanigans.“Hogtown Empire” is a tale of money, deception and betrayal with a cast of captains of industry, socialites and would-be con artists. It’s the culmination of several years of research, interviews and scouring official police and news archival records, much of which led Geordie in different directions complete with red herrings and false starts.Here is an exciting true-crime adventure story. Ambrose Small and his wife, Theresa, were wealthy entertainment impresarios who owned a prominent chain of theatres in southern Ontario. On December 2, 1919, the Smalls banked a cheque for $1-million, a down-payment on the sale of their theatrical empire. That night, as dusk fell, Ambrose disappeared into the darkness and was never seen again. What happened? Was he murdered? Did he disappear of his own volition? No body was ever found and, as far as anyone can tell, he took none of his money with him. Ambrose left behind his wife, his mistress, and his frustrated secretary. The case prompted an international man-hunt that spanned the globe and had renowned psychics of the day hearing voices and seeing visions. There were lurid rumours of infidelity and accounts of suspicious activities by Small’s enemies….so many enemies. The subject of films and TV shows, Canada’s longest running cold-case remains unsolved after 100 years. Ambrose Small was famous for his HUGE handlebar mustache so we made sure all the guests had their very own moo-stash on a stick…which worked well for the sing-along during the “Ambrose Small’s Mustache” song. It also provided lots of laughs at the photo wall, too! If you would like more information about this fascinating real-life unsolved mystery and to purchase a copy of Geordie’s book ($24.95), visit the official website: www.HogtownEmpire.com The book is also available from Amazon.com or .ca Geordie also hosts regular Hogtown Empire podcasts, also found on the website. And thanks to the Dominion Pub & Kitchen for the great service, deelish food and frosty drinks. Check them out in person: www.fabrestaurants.ca/restaurant/dominion

AUTHOR GEORDIE TELFER TACKLES CANADA’S 100YR HISTORIC COLD-CASE CRIME WITH NEW BOOK, HOGTOWN EMPIRE!

I’d like to introduce you to my newest client, author GEORDIE TELFER and I’m excited to put all my publicity skills into marketing and promoting his thrilling new book, HOGTOWN EMPIRE, due for release later in the fall, just in time for seasonal gift-giving. Geordie explores all the urban myths and mysteries surrounding the infamous disappearance of Toronto theatre impresario Ambrose Small 100 years ago after he completed a million dollar transaction for the sale of his theatre and opera house properties…and then disappeared into the chilly night, never to be seen again. Geordie is a seasoned writer with numerous books on various subjects published by the same publishing house as my own NASCAR & Formula One books, Folklore Books, so it was synchronistic when I received his email asking for promotional assistance with his new book – but I’ll let him tell you about his literary background in his own words…

Found on Amazon.ca, some of Geordie’s previous books include… With a forward by Toronto’s official historian and respected author Bruce Bell, Hogtown Empire will launch on Oct. 22nd at The Dominion on Queen St East in Toronto, so watch Fordham PR’s social media for news and invitations.Then on the actual date of the 100th anniversary of Small’s disappearance (December 2nd) Geordie will be hosting a VIP reception in the Vault lounge in the basement of 1 King West Hotel & Condos – the original location of The Dominion Bank where Ambrose Small conducted his final business transaction. The original bank vault is still there (see title photo) and as you can see, it has a mighty big and impenetrable door!

For more news on this tantalizing true-crime book, visit the official website: www.HogtownEmpire.com