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Exciting new book “The Power of Magical Women” by world renowned illusionist Connie Boyd

Canadian magician CONNIE BOYD is also an inventor, producer & director with a background in dance, theatre and circus. She is now a best-selling author of an award-winning book The Power of Magical Women.Her book has already won prestigious awards and kudos from literary groups and library organizations, and Connie has been invited as a special guest at this weekend’s Int’l Brotherhood of Magicians “Spirit of Magic” convention in St. Louis (see below).Connie is known for physically demanding artistic magic such as the “solo” guitar suspension (the World Magic Awards 1999) and an up-side-down straight jacket escape over a bed of nails (Shanghai Magic Festival 2012). She has appeared on television shows such as Masters of Illusion, the Best Magic of Las Vegas and the World Magic Awards. Connie launched her magic career in Las Vegas in 1987, eventually starring & headlining in production shows such as the Folies Bergère at the Tropicana Hotel, Jubilee at Bally’s and opening for celebrity headliners such as the recently departed comedian and TV star Louie Anderson. Connie was named Best Cabaret Magician in 1999 at the World Magic Awards in Los Angeles and the “Prix du Public” at the Grand Prix du Magique in Monte Carlo in 1996.

She started researching and writing her book during Covid (one of the best uses of alone time, don’t ya think?) and since its recent publication, Connie’s been making guest appearances on podcasts and doing interviews…and here’s another one. Connie, tell us all about your experience as a first-time author…Congratulations on your new book, Connie – what inspired you to research all the women magicians then write this collection of biographical stories on each? It all started as a pandemic project: I began documenting women in magic on a YouTube channel and through a monthly “Magical Women” column in VANISH International Magic Magazine. I recognized that there wasn’t a dedicated resource chronicling women in magic, so I made that my goal.I had no idea what I was starting, or how deep the interviews would go — how openly these magicians would share their stories and struggles with me. It’s been an honour to write about them. They inspire me, and I hope their stories will motivate readers too.
Keep in mind that The Power of Magical Women isn’t a comprehensive list — it’s drawn from the “Magical Women” articles I wrote for Vanish over a five-year period. There’s still more work to be done.

The book has already won awards….how excited were you to receive the news?
As a first-time author, it’s been overwhelming and thrilling to receive this kind of exposure beyond the magic community. My goal was to expand the footprint of magical women, and the representation that comes with mainstream literary awards proves that the 70+ magicians and their remarkable stories deserve the spotlight.
I had a fabulous editor, Marianne Ward, and book designer, Paul Romhany – that team, alongside Vanish Press, deserves just as much credit and recognition as I do.Did you discover any surprises when researching these magical women’s lives and careers? Almost every magician I documented had a surprise or shocking revelation in her story. There are common threads of determination and grit, along with a drive to prove their worth. Dania Diaz (pictured below) fled Venezuela to Spain as a refugee. NASA engineer Jennifer April Choi is a Guinness World Record junkie. Anchal, from India, strives to stop bride-burning and the dowry system. Lisa Menna is using her magic for greater good — improving conditions for women and access to clean water in Africa. These stories are powerful.
There’s a reason behind every entry, and my goal is for readers to find a story — or stories — that resonate as they navigate their own lives.And why do you think we’ve either forgotten or maybe never even known the names of these talented illusionists? Men were writing the history books, and for years women in all art forms were omitted or given limited coverage.
Thanks to the internet, we now have access to information that wasn’t readily available in the past – including the stories of these remarkable women who forged ahead with successful careers despite society’s restraints. They are the true heroes, and it is upon their strong shoulders that we so proudly stand.After years of performing around the world, did you ever encounter any challenges or biases against you, simply for being a female artist? I believe I was afforded both opportunities and challenges as a novelty in a man’s world. In general, it was a positive press hook – an entertainment director or venue’s publicity angle. I’d like to believe that I changed the perception of how a woman could be a magician, and that I earned the respect and admiration of international technical crews who weren’t initially comfortable with a woman directing an act or performance. Change happens slowly, but I’ve witnessed a shift in the public’s perception of women in magic – for the positive. To this day, women’s contributions to the arts are often discounted, yet the women who have survived in the business of shows have been exceptional and deserve to be recognized.
For readers who may be considering magic as a career, what suggestions or guidance can you offer? There are many good programs and communities that mentor young talent. The Society of Young Magicians is a great source, and both Tannen’s Magic Camp in NYC and the Magic Castle in Hollywood offer courses for young magicians. Thanks to the pandemic, many of these courses are now offered virtually, so anyone who qualifies for the programming, with internet access, anywhere in the world, can enjoy the lectures and instruction.
The internet is also a great resource. Ekaterina, who’s featured in my book and lives in Barrie, Ontario, is a wonderful resource for learning magic online – free, at all levels. You can find her on YouTube and Instagram.Thank you for sharing your insights into the world of women magicians and for this amazing book that’s available NOW!

Information about the book, where to get it and more about Connie, visit www.thepowerofmagicalwomen.com
All social links avail. on the website – watch Connie’s exciting promo video (below)

AUTHOR HEATHER BABCOCK CELEBRATES 5 YEARS OF “FILTHY SUGAR”

May 2025 marks the 5th anniversary of Heather Babcock‘s book “Filthy Sugar”. This titillatingly titled book is, in fact, a provocative (and fictional) look at the life and times of a young woman of the 1930s let lose in a city full of colourful characters, gangsters, hoofers and burly-q queens during a time of economic depression and squashed dreams. As the book’s promo says:

Set in the mid-1930s, Filthy Sugar tells the story of Wanda Whittle, a nineteen-year-old dreamer who models fur coats in an uptown department store, but lives in a crowded rooming house with her hard-working widowed mother and shrewd older sister, in the slums; a world where “death is always close but life is stubborn.” Bored with the daily grind and still in shock from the sudden death of her father, Wanda finds both escapism and inspiration in the celluloid fantasies of the Busby Berkeley musicals, Greta Garbo dramas, and Jean Harlow sex comedies. Strutting up and down the aisles of Blondell’s department store, Wanda fantasizes that she’s Ruby Keeler, the tap-dancing sweetheart from 42nd Street (pictured below) But Wanda wants more than to wear a glamourous woman’s coat—she wants to live inside of her flesh.

Her dreams come true after a chance encounter with the mysterious proprietor of the Apple Bottom burlesque theatre. Suddenly Wanda is thrust into a world of glitter and grit. Descending from the roof top of the Apple Bottom theatre on a red velvet swing, Wanda Whittle morphs into a dream named Wanda Wiggles; sweeter than a strawberry sundae and tastier than a deep dish apple pie. At the Apple Bottom she meets Lili Belle, a naughty cartoon flapper brought to life, Queenie, a sultry headliner whom Wanda feels drawn to like a bee to a butterfly bush; the sweet and salty club drummer Eddie, and Brock Baxter, the Apple Bottom’s vaudevillian comic whose apple cheeked, pretty boy exterior belies his sinister intentions.
All will have an impact on Wanda’s journey. Cowardly boxers, shady coppers, dime store hoodlums, and painted ladies—Wanda will encounter them all. On her voyage from rags to riches and back again, Wanda experiences a sexual awakening and achieves personal independence as she discovers that a girl doesn’t need a lot of sugar to be sensational! So, are you intrigued yet? Filthy Sugar is available online (Amazon & other online outlets) plus at your favourite bricks-and-mortar bookstore. I had the opportunity to chat online with the talented author and here’s what Heather shared with me….

Heather, it’s been 5 years since your book, Filthy Sugar, hit the bookstores – how has the journey been for you as an author? Thank you! Well, it’s been quite the journey! Filthy Sugar is my debut novel and it was released in May of 2020, at the beginning of the Covid-19 pandemic. That alone made my journey an unpredictable and unchartered one. I quickly learned to roll with the punches. There are often more lows than highs in this writing business so you’ve got to celebrate every win.

Has your publisher (Inanna Publications) been supportive and encouraging, especially during the Covid years when people were forced to find solo activities and entertainment such as reading? Definitely! The Covid years presented challenges that were new to everyone in the publishing industry. Everything – events, book sales – that had previously been brick and mortar had to quickly be moved online. The planned book launch was held virtually and was attended by over one-hundred people; most in-person bookstores probably wouldn’t have been able to accommodate such a crowd. Word on the Street (WOTS) was also moved online that year. Renée Knapp, who was Inanna’s publicist and marketing manager at the time, was always on hand to answer any questions I had and to help ease my anxieties – and there were many of them in those early days. Looking back, an unexpected benefit to the pandemic was that because people were stuck at home, and many had more free time and even more money on their hands, they were more likely to buy books. I had many friends who marvelled at how quickly Inanna fulfilled their book order. Remember how much fun it was receiving a package in the mail during the Covid days?

The heroine of your story, Wanda, is a sassy 19yr old with dreams of dancing with Ruby Keeler and hanging out with Garbo and Harlow – her screen idols. They say “write what you know” so is this era and the B&W films of the time you favourite personal interests? Yes, my father introduced me to classic movies. He loved all of those great glamorous dames: Greta Garbo, Audrey Hepburn, Elizabeth Taylor. My favourite memories are of watching films like Roman Holiday and A Streetcar Named Desire with him. While researching Filthy Sugar, I immersed myself in the movies of pre-Code Hollywood: films that were made before the enforcement of the Production Code in July of 1934. The 1932 sex comedy Red-Headed Woman, which stars Jean Harlow (pictured below), had a big influence on my novel. I also reference it in the book as it’s one of Wanda’s favourite movies. My father passed away in 2010. I wish he was alive to read Filthy Sugar because I think he’d like it – although he probably wouldn’t approve of Wanda’s raunchier antics!

And what inspired the story…are your characters based on personal friends or perhaps the great dames of the screen – Mae West, Barbara Stanwyck, Joan Crawford? In January of 2015, for no reason at all, or at least no reason that I can remember, I decided that I was going to read as many books written and published in the 1930s as I could. I began with Henry Roth’s 1934 novel Call It Sleep. My partner, noting my new interest in the decade, bought me a second-hand copy of Pierre Berton’s 2001 historical book The Great Depression: 1929-1939. I began to submerge myself in 1930’s history and pop culture. The ambivalence of the decade fascinates me. Although it was a time of great suffering, the 1930s produced some of the most beautiful music, films, literature, fashion & décor and visual art, all of which has had a great influence on future generations. It was also a time of important social upheaval and change: birth control, unions, workers’ rights (including the minimum wage and 40-hour work week) all came into fruition during the decade. The characters in Filthy Sugar are fictional but, like the youth of their day, they themselves are inspired by the stars and characters that they see in the movies. Wanda is obsessed with Jean Harlow and Greta Garbo and I pictured Eddie, the burlesque house’s drummer, as speaking like Jimmy Cagney.

Have you done many in-store book signings and readings? Any coming up? Because my book was released during the pandemic, I unfortunately didn’t have the chance to do in-store book signings. However, I was able to participate in online readings and when things began to open up again in 2022, I read at the Bright Lit, Big City reading series at Hirut Cafe (pictured below) and later that year, I was invited to speak at the Vintage Film Festival in Port Hope. I spoke on the topic of “Dangerous Dames – Celebrating the Women of Pre-Code Gangster Movies”. It was an amazing experience and I got to share Filthy Sugar with like-minded movie fans. Coming up, I will be presenting “How to Write a Novel When You Don’t Have Time to Write a Novel” at the Toronto Public Library. My presentation will be at the Agincourt branch on Saturday, July 5th at 2pm. Anyone who is interested in attending can call the library at 416-396-8943 to register.

You set the story in 1930’s Toronto as opposed to New York or Chicago…..why? The city that Filthy Sugar is set in is fictional: it could be any urban city in North America during the 1930s. This was a conscious choice to give me artistic license and freedom. Wanda’s world is Blondell’s Department Store (a fictional store named after Joan Blondell, one of my favourite actresses from the pre-Code period); the Apple Bottom burlesque theatre where she becomes a star and “the World Behind the Market”, which is what she calls the “slum” where she lives.

Has your publisher suggested an appearance and book sales during Word on the Street this fall? As far as I know, I won’t be at the Word on the Street this fall but I did attend with my publisher in 2023. It was a lovely afternoon of book signings and catching up with friends in the literary scene, many of whom I had not seen since before the pandemic…see photo below

Is there a sequel in the works or are you working on an entirely different concept or plot for your next book? At this time, there is no sequel in the works but you never know. I am currently working on my second novel, The Memory of Crows, which is a noir inspired tale of sibling rivalry.

So congratulations again to Heather on the past 5 years of Filthy Sugar…hopefully the book will continue to be bought or taken out of the libraries, read online or listened to via audio books. Maybe a film? Reads just like one of those fabulous movies Wanda loved.

Filthy Sugar by Heather Babcock
Inanna Publications – available in paperback, e-book and audio book from all your favourite bookstores, AppleBooks & Amazon.

RENOWNED TORONTO POET & AUTHOR NORMAN CRISTOFOLI UNVEILS DEBUT CRIME NOVEL “NOVEMBERS”

NOVEMBERS by Norman Cristofoli
Paperback ISBN 9798886937572 $23.95
E-book ISBN 9798886937589 $4.50
Published by Austin Macauley Publishers

A brutal murder occurs in the opening chapter; it’s graphic and painful and relentless: remember those first 20mins. in Saving Private Ryan? Yeah, that relentless. And what an intriguing start to this engrossing crime mystery from Toronto author & poet Norman Cristofoli. In the first book in a series featuring Det. Sergeant Aristotle Boyle, Cristofoli grabs the reader by the throat and doesn’t let go as he takes us through the seamy underworld of bondage & domination and sado-masochism, and the drudgery of his investigation – life as a real detective is not all tv cop show glamour. All the procedures of evidence gathering, suspect elimination, motives, and of course, sex, drugs and …well, you get the idea. Each character Cristofoli writes is fully fleshed out (I loved his description of a woman’s “butterscotch hair”), and he sets each scene with easy-to-visualize surroundings; Toronto neighbourhoods are familiar to us and the reader may want to head out and retrace Boyle’s steps and those of the mysterious killer. Maybe a murder/mystery walking tour could be in the future?

Our hero is not perfect, he’s been written as a man with numerous inner demons as well as a penchant for attractive, sexy women. The reader can “feel” the heat between him and female characters who may be on the wrong side of the law…or at least just rubbing up against it.

Novembers makes for an enthralling read, and will keep your attention down to the closing chapters…will Boyle find the killer? His investigation becomes an obsession, leading his team through the twists and turns of this intricately planned homicide with just a handful of clues. Stir in Boyle’s love of Greek philosophy, Ouzo and Cuban cigars and you have a recipe for the ultimate crime mystery!

About the Author
Norman Cristofoli began his creative career as a young man writing poetry in the city of Toronto, Canada. In 1984, a-top of Mount Snowden in Wales, he made the transition from a person who wrote poetry to a person who is a poet. He has published several chapbooks of poetry and prose and produced two audio compilations of his spoken-word performances accompanied by musicians. He was the creator and publisher of the Labour of Love literary magazine for twenty-five years, and in 2020, he published his play, The Pub, followed by his first major compilation of poetry entitled Relinquishing the Past. Novembers is the first in a series of murder/mystery novels.For more information, please visit https://www.austinmacauley.com/us

New book about George Harrison’s DARK HORSE RECORDS hits the shelves & author Aaron Badgley’s 100’s of hours of research result in a great look at music history

Dark Horse Records: The Story of George Harrison’s Post-Beatles Record Label
Author: Aaron Badgley
Sonic Bond Publishing
Publication date: January 26, 2024
$24.95 Available on Amazon, Barnes & Noble and select bookstores
204 pages plus 16 pages of colour photos
ISBN: 978-1-78952-287-7

Written by respected broadcaster and Beatles expert, Aaron Badgley, this is the first book to discuss Harrison’s label in such detail. This book is like reading the intimate diary of George Harrison’s life in music, his recording label, his collaborations and lifelong friendships with other trailblazing artists whose music is still played and appreciated today. In fact, Harrison played with, produced and wrote for a virtual who’s-who of the rock and pop world and helped create a whole new genre of music – World Music. His long-time collaborations with Indian superstar Ravi Shankar and his daughter, Anoushka, brought a world audience to the unique and melodic sounds of India where George found such spiritual enlightenment during his 60’s Beatles days.In 1974, with Apple winding down, Harrison still aspired to help new artists, so rather than trying to salvage Apple, he set up his own label, Dark Horse Records, but on a much smaller scale. His plan was to release records from new artists as well as some of his old friends, with an eye to eventually releasing his own music. While Dark Horse had an encouraging beginning with a hit single from the band Splinter, the label suffered increasing problems, failing to establish itself in the way Harrison hoped. However, some incredible and varied music was created from 1974 to 1977, including some of Harrison’s best solo material. Towards the end of its initial life, Dark Horse dropped most of its artists and released mainly Harrison’s solo work. Thankfully, since 2020, George’s talented musician son, Dhani, has taken the reins and has made Dark Horse viable once again, signing legends Cat Stevens and Billy Idol, and releasing music from Joe Strummer and Leon Russell. Finally, in 2023, it was announced that Harrison’s entire solo catalog was going to be re-released on Dark Horse. Badgley’s book tells the story of the label from the beginning, through its struggles and on to its exciting renaissance in the new millennium.Dark Horse Records was not a vanity label set up exclusively for George Harrison’s music. It was a record label and company that attempted – and succeeded – in being unique, that desired to make a difference. Harrison had a passion for helping artists and introduce them to the world. He felt there was room in the music business to accommodate many different styles and a label with diverse acts could not only exist but thrive. It was more of a philosophy than a business plan, and the world was a better place because of it. Dark Horse Records is now in the hands of Harrison’s musician son, Dhani, along with his widow, Olivia.

I recently spoke with Aaron who kindly filled me in on how the book came to be and how Harrison’s music has impacted his own….

Aaron, congratulations on your new book Dark Horse Records. What inspired you to write about this relatively unknown part of George Harrison’s life? First, thank you. The reason for writing this is because it’s a relatively unknown part of George Harrison’s life and career. His All Things Must Pass, Concert For Bangladesh, Cloud Nine and The Traveling Wilburys get a lot of attention, but there is this other chapter in his life that is equally as important. Dark Horse Records was a chance for Harrison to help others and to promote new and undiscovered talent, like he did with Apple Records (The Beatles own record label). I think this time period really deserved to be explored and explained. It has always been a very fascinating chapter in his history for me. The label was so eclectic, like George himself. You have British folk (Splinter), classical Indian music, blues, jazz-rock, rhythm and blues, and pop. In very few years he did a lot for these artists and had a remarkably diverse label. Not to mention his own music. I would argue that he made some of his best solo albums on Dark Horse Records.Most people feel that the Lennon & McCartney- written songs are the biggest influences on their own lives or have impacted the music industry the most….where does George Harrison’s writing and recording fit into the public zeitgeist? That is an excellent question! I am not really sure how to answer that, but with songs like “While My Guitar Gently Weeps” and “Here Comes the Sun”, I think he joins their ranks. As a solo artist, his All Things Must Pass Album was a triple album and now considered a classic. Maybe at the time he was overshadowed by Lennon & McCartney but I think he has caught up with them in the public’s eye. Even McCartney admits that “Something” is one of the greatest love songs ever written. I think that there has been a serious re-evaluation of his work and he is being appreciated by whole new generations.George’s wife, Olivia, and son Dhani (pictured below) have cherished and sustained his legacy, both in music and peace activism – how do you think future generations of music lovers will embrace George Harrison’s music? I find it interesting that Dhani has also resurrected the Dark Horse Records label. He has signed Cat Stevens, Billy Idol and has released Leon Russell and Joe Strummer (of The Clash) solo music so I am glad to see they are also keeping his record label alive along with his music and spirit. I hope that this music lives on forever, quite frankly, and is embraced by all future generations. I was thrilled to see the new Beatles single, “Now and Then” top the charts all around the world, including Spotify and other streaming charts. Because Harrison never tried to follow trends and jump on bandwagons, I think his music has aged well and will continue to age well. He had his own distinct style and it sounds as good today as it did when it was first released. Harrison is really coming into his own these days, and my 24 year-old daughter tells me that friends and people of her age group are really enjoying discovering his music, both with The Beatles and solo.You’ve enjoyed a long career in radio playing great music, chatting with music makers and offering opinions and reviews – how do today’s songs compare with those of the 60s and 70s and do you wish more under-40s would listen to the rock and pop classics of that era? When I was growing up, listening to AM radio, like CHUM and CFTR (in Toronto), what I loved about it, in hindsight, is that they would play everything. Oldies and new songs. So, as kids of that era, we all knew Buddy Holly, Elvis, Janis, and all sorts of artists along with the current top 40. I think that is missing today. Radio is so fragmented that young people only listen to their genre and never get the chance to branch out. There are some fine artists today making really creative and wonderful music, and as much as I enjoy discovering new bands, I notice radio will not play new music by anyone over 40. This is a shame. Because when I hear some new artists, I can hear the older bands coming through their sound. So, I wish the young listeners were also aware of the artist’s influences as they enjoy the music. Was the music of my youth better? I don’t know. But, when I was young, the music of my parents’ generation was Bing Crosby or even Al Jolson, which was pretty square at the time. Now, I love Bing and listen to him a lot. Maybe as the youth get older, they will look back and discover this incredible body of work, not only of George Harrison but all the other artists.So tell us, was George your favourite Beatle, if not, who was? I am one of five boys, and my mother used to say, ‘I love you all equally, just differently’. I guess that is how I see The Beatles. I don’t really have a favourite, but I do go through phases. Some months, I just listen to McCartney, other months it may be Lennon. I love George, I love his lyrics and his musical ability and his spiritualism. His solo albums are full of fantastic, astounding songs, of which I never ever tire. I guess that may not answer your question, but that is the best I have.How/where can people buy your book? My book is available through Amazon, Barnes and Noble, Indigo, basically all the book sellers. It is also found in select stores and Burning Shed website.

For younger fans of both The Beatles and Harrison as a solo artist, perhaps a reminder of his tragic final years is needed: in May 1997, Harrison was diagnosed with throat cancer. He was treated with radiotherapy, which initially seemed successful. Then two years later, on December 30^th 1999, Harrison and his wife, Olivia, were attacked in their home. Harrison suffered over 40 stab wounds and part of his punctured lung had to be removed. And yet, Harrison continued to record, helping new bands and old friends such as Bill Wyman, Jeff Lynne, Albert Lee and Jim Capaldi. On 29 November 2001, George Harrison lost his battle with cancer and passed away.

About the author
As a youngster, Aaron Badgley developed a profound love of The Beatles and music in general, also developing a fascination with record labels. At the age of 19, he started working in radio and by 20, he was a production manager for a number of stations in Canada. In 2005, Aaron debuted his syndicated radio show The Beatles Universe, which ran for six years. Currently, he is the host of Here Today and Backwards Traveller radio shows and cohosts From Memphis To Merseyside and The Way-Back Music Machine (with Tony Stuart). He writes for Spill Magazine and Immersive Audio Album, and has also contributed to the All Music Guide. Aaron resides in Toronto, Canada.At the back of the book, there are pages and pages of reference works and a bibliography so extensive, one can only imagine the hours, days, weeks, months Badgley put in to research for his book.

“WILD AT HEART” TAKES READERS ON AN EXCITING RIDE WITH 3 AUSTRALIAN BRUMBIES & 1 BRAVE HORSEWOMAN

Having all this Covid lockdown time to explore online stories from home (Australia), I was thrilled when I came across a Facebook post announcing the launch of an exciting new book, Wild at Heart, by French-born Aliénor le Gouvello, who undertook an intense and challenging solo journey stretching an extraordinary 5,330kms from Healesville in Victoria (the s.e. corner of the country) up to Cooktown in the tropical far north of Queensland; she had three horses that were once wild brumbies (the Aussie equivalent of mustangs) as her only companions.Throughout her grueling trek across some of Australia’s most spectacular terrain, Aliénor battled both isolation and the harsh elements, but she forged a close bond with her horses Roxanne, River & Cooper, as well as experiencing unexpected life-changing discoveries. Surrounded by wildlife that included deadly spiders, snakes and crocodiles, she also suffered tropical illnesses and injuries but pushed on to complete the ride and join an exclusive club of those few who have triumphed before her. Her sturdy bush horses all live with her now in peaceful retirement on her cattle station in outback Queensland.As a child, Aliénor dreamed of travelling and having adventures around the world. When she decided to take on the Bicentennial National Trail – Australia’s longest non-motorized, self-reliant trek – she had already completed a horseback trek in Mongolia as well as a sidecar motorbike expedition across Asia and Europe from Siberia to Paris. At the time of making the decision to mount up and trek the breadth of Australia, she was working in an aboriginal community near Uluru (the giant red monolith in the heart of the country) in the Australian Central Desert. She had recently fallen in love with Australia’s wild brumbies and hatched a plan for her most ambitious solo expedition to date; the adventure would also draw attention to the plight of Australia’s wild horses. The horses were originally brought in with the settlers, helping build the country and even taken with the troops to fight wars abroad; they are part of the country’s heritage and culture. Australia now has the largest population of wild horses in the world. They have adapted to all sorts of environments and can be found all across Australia. Their plight has been controversial in the media when the government has resorted to aerial culling as a mean to manage their population, a cruel method that leaves horses to bleed to death for days. Alienor’s trek was dedicated to bring a light on these very resilient horses and promote better management of them. These tough equines were perfectly showcased in The Man From Snowy River movie from back in the 80s – if you get a chance, do watch it and witness some of the most exciting horse chases ever recorded on film.As Aliénor said in a recent ABC television news interview about her book, “It was the longest and most challenging trek I’ve done so far but also the most rewarding and amazing experience I have had with horses,” she said. “I pushed my limits further than I could have imagined, you discover strengths you didn’t even know you have.” Wild at Heart tells of her physical and mental challenges of being a lone traveler and having to be so self-sufficient along with caring for her horses along the deserted track but the book contains some spectacular photographs, courtesy of world-renowned adventure photographer Cat Vinton.

Since her book launched last month, she’s been busy attending bookstore meet-n-greets (yes, Australia has mostly come out of Covid lockdown and gatherings are permitted) and giving numerous media interviews; in fact, Aliénor has become something of a “folk hero” and a champion of the brumbies. International sales of her book are available from the Book Depository website (yes, they ship around the world): https://www.bookdepository.com/Wild-at-Heart-Alienor-le-Gouvello-Cat-Vinton/9781922419200
Watch for my article/review in the June issue of THE RIDER newspaper (www.therider.com) and you can follow Wild at Heart on on social media at: www.facebook.com/wild.at.heart.australia

WILD AT HEART
By Aliénor le Gouvello, Photographs by Cat Vinton
Format: Paperback | 288 pages
Publication date: 30 March, 2021
Published by Affirm Press, Mulgrave, VIC, Australia
ISBN10 1922419206
ISBN13 9781922419200

ACTOR, ARTIST & POET PHILIP CAIRNS RELEASES BOOK OF POEMS ABOUT HOLLYWOOD LEGENDS….AND BED BUGS!!

Over the past five or six years, I’ve had the opportunity to promote plays, art shows or poetry readings by my friend and client PHILIP CAIRNS. He’s currently celebrating the release of his latest book HOLLYWOOD POEMS AND OTHER DIVERSIONS, now available from Amazon.ca. The first section of the book offers stream-of-consciousness narrative poems about Hollywood stars such as Elizabeth Taylor, Jayne Mansfield, Lee Grant, Anita Ekberg, Gloria Grahame and Canada’s own Jackie Burroughs. The author weaves biographical tidbits about these women into each poem, and includes snippets about his own life growing up as a gender-questioning, queer boy in Scarborough, then living as a struggling artist in Toronto’s Parkdale neighbourhood. The second half, “Bedbugs and Cockroaches” features satirical, comical stories and poems in which these itchy-scratchy critters come to life. They are like truth-telling cartoon characters, forcing the protagonist in each piece to face reality. The first half is mostly serious in tone and confessional while the second half will make you laugh out loud!Philip has already garnered glowing kudos and thumbs-up from fellow writers and literary media, and I recently spoke with him and asked him to share his thoughts on completing the book during this past year of Covid.

What was the inspiration for your new book of poetry & prose, Hollywood Poems and Other Diversions? It was David Bateman, my editor, who suggested the concept. He’s very familiar with my work through my public readings. We’ve also co-written short plays that were performed at various festivals. This book is 12 years’ worth of poems, written on the theme of the Golden Age of Hollywood, though not by any means the only poems I wrote during that period. I’ve been a movie freak since I was 9 years old. I was sleep-deprived all through my adolescence because I stayed up half the night watching classic films on the late show. As a teenager, I once saw 4 movies in one day with my best friend. I always identified with the actresses. I loved to get lost in a different world in the dark. I would often sit through a movie more than once. I once saw a double bill of a Robert Altman film and a Jane Fonda movie and I sat through both of them twice…8 hours of movies. I was in my late teens and seeing Bonnie and Clyde was a turning point for me; I came out of the theatre wanting to have sex with Warren Beatty and wanting to be Faye Dunaway. That was scary for a 14 year old. Many of the poems in my book are loving biographies of movie stars I love like Anita Ekberg, Gloria Grahame, Elizabeth Taylor and Marilyn Monroe. And Canadian icons like Mary Pickford and someone who was supportive of my work, Jackie Burroughs. But interwoven in many of the narratives, there are incidents from my life growing up as a queer, gender-questioning person in Scarborough. The second section of the book is pure fun, the Bedbugs and Cockroaches chapter. These critters come to life and do tasks like raiding a jewellery box and hiding pills, and they comment on the action with razor sharp accuracy. They are satirical and fun pieces and mostly fictional. They usually get laughs – I used to perform these works live a fair amount. I love to hear an audience laugh. Bringing laughter into people’s lives is manna from heaven. This is such a challenging planet to live on. Economically, it’s like being a hamster on a wheel.Have you spent time in Hollywood and visited any of the homes of those legends about which you write? I’ve never been to L.A. It seems kind of scary with all those back streets full of pup tents close to movie star mansions. I’ve been outside of Brad and Angelina’s former place in the French Quarter and I did go to the Cannes Film Festival a few years ago where I starred in a short film that played at the Short Film Corner. I went to lots of cocktail parties and met filmmakers from all over the world. It was surreal. I went to one queer party in a tent on the beach but that said, No Celebrities Allowed although it was hosted by a queer celebrity. When I left the party, there were fireworks over the water. We’d been to a screening of our movie that day as well. I think it was the happiest day of my life. I felt like Grace Kelly in To Catch a Thief without her jewels and fine gowns.

As a young man, were you a big movie fan and if so, who was your favourite star and what was your favourite film? Probably from 8 or 9 years old, I’ve loved movies. I was precocious. I was reading newspaper reviews of foreign films when I was 9 or 10. I wanted to be on TV from the age of 4 or 5. My favourites as a child were Hayley Mills and Annette Funicello. As a teenager, it was Marilyn Monroe and Elizabeth Taylor. In high school, I once asked my mother if she would write me a note for the office saying I had a dentist appointment. I told her I wanted to see a Marilyn Monroe movie on TV. You know what her response was? “Okay. You’ve been working hard at school and I know how much you like her so I’ll do it.” Wasn’t that cool? She and I didn’t always get along that well but that’s another story. My favourite film is The Wizard of Oz. Number two is 2001: A Space Odyssey. And Cabaret with Judy’s daughter, Liza Minnelli, is on my Top Ten list of fave movies. Judy Garland is my fave singer and her record, Judy at Carnegie Hall, is my favourite album. My second favourite album would be Dark Side of the Moon by Pink Floyd. Notice a theme here? And of course, All About Eve is on my Top Ten list, as well. I think I have about 25 films on my top ten list. I love many of Robert Altman’s films. Watching James Dean in Rebel Without a Cause and East of Eden on the late show when I was 16 was a turning point. I sobbed in my bedroom the whole next day. I love Brando, Montgomery Clift, Geraldine Page, Maureen Stapleton, Lee Grant, Bette Davis. The list goes on. I work as a background performer in film and TV – I feel lucky that I get to be on set with famous actors and watch them work and be well paid to do it. My family isn’t impressed because being a background performer is the lowliest position on a film set. It was worse back in the 1970s when I started out. I’ve been at this a long time, plugging away in the underground trying to be heard. I don’t go to a lot of auditions these days. I would love a really juicy part in a film. The character would be someone who questions their gender. I lived the life of a gay male for decades, and now I don’t identify as male or female. For me, gender is totally irrelevant. What I have between my legs serves as a function and gives pleasure but does not define who I am. What difference does it make what gender I am? At the same time, I wish to be considered for male roles in film, TV and theatre. Below, Philip performing poetry readings around Toronto. In the second part of the book, you’ve written about bedbugs – those stories are so funny and biting (pun intended!) – what motivated you to explore those themes? I suppose it was losing my bed to bedbugs. They kept spraying and spraying but they wouldn’t go away so I threw out my mattress and box spring. It was the only one I had ever bought as an adult. I have been sleeping on the floor every since. They are really horrid little creatures. I don’t know what made me give them voices. Weed, maybe? I can’t for the life of me recall. I love writing those pieces because the bedbugs and cockroaches can say things that people normally are too polite to say…like a little devil sitting on your shoulder. It’s almost like those pieces write themselves. I am just the channel or conduit. I think they work because audiences laugh and even request them.

Philip, you’re quite the renaissance man – a fine artist, a writer, poet and an actor for both film and theatre…what do you find more challenging or fulfilling? I think I do all these things because I don’t like to be bored and I bore easily. What I found hardest was making a living. I always had to have another part time job to get by, and I would have to juggle things. Sometimes the Universe is kind. I was rehearsing a play and I got 2 TV commercials which shot at night so it meant not much sleep but I could still attend rehearsals. And then finding time to paint, write, draw. I’m pretty driven but I also need down time to recharge. Often, it’s marketing time that goes out the window. I’d rather get out the drawing book and coloured pencils than start submitting myself for film roles or my work to publications. I think I find painting the most relaxing even though I feel it is not my strongest talent or skill. Reading my poetry in public or sitting in the audience watching one of my plays is exhilarating and fulfilling when you really connect with an audience. You can feel it in the air. Total silence. No snoring. Ha!! Hearing a big, big belly laugh from an audience is indescribably wonderful. I suffer from stage fright these days. I have a terror of forgetting my lines. But if I’m reading one of my poems, I’m fine. I have it right in front of me. I’ve been studying with the most wonderful acting teacher, Alan C. Peterson, which has taught me to tune out everything on a film set or on stage, and just focus on what is happening in a scene. That is all that is happening. Below, Philip running lines as Julius Caesar and as a glammed up blonde for a recent indie film Has the isolation and quarantining throughout this past year of Covid affected your writing or ability to earn a living? My income from film and TV has dropped considerably but then my expenses have dropped, too. I used to spend a fortune going out with friends and colleagues. Now, I make all my meals at home. But it has afforded me the time to assemble the book and edit and rewrite it which is much harder than the initial writing of a poem or story. It’s a great feeling when you’re in the zone and it’s flowing out of you onto the page or screen. That usually happens with the first draft. Since the first lockdown, I’ve written a lot and done a lot of drawing and painting. I don’t like to watch more than one movie or TV show per day, if that. It’s been a time of deep, deep reflection. What is awful is that all the dumb, stupid things I’ve done in my life have come bubbling up to haunt me, perhaps to teach me a lesson or something. It has helped me to grow but has been quite painful to behold.

Below is a selection of Philip’s paintings that have been exhibited in Toronto galleries… About the author: Philip Cairns writes poetry, performance-pieces, plays and short stories. His work has been published in Labour of Love, Resistance Poetry 2, Excalibur Monthly, Xtra! and The Body Politic. In Toronto, Philip has performed his own writing at “Plasticine Poetry” at The Central, A Space, The Art Bar, the Black Swan, the Gladstone Hotel, Glad Day Bookshop & the Theatre Centre. He was one of the organizers, and a frequent host for The Beautiful and the Damned Poetry Cabaret at The Central. He was MC for “Sexy Words” at Lula Lounge and “Bent Expressions” and “Smash Words” at Press Club. He performed in “Hard and Able #2” at Buddies in Bad Times Theatre, on the TV series “William Shatner’s Weird or What” and in “The Judy Monologues” at the Toronto Fringe Festival and in a province-wide tour (winning the Best Actor award at the London One Act Festival). Philip has exhibited his acrylic paintings, watercolours and coloured pencil drawings in numerous solo and group exhibitions in Toronto and Edmonton, most recently at Urban Gallery, the Parliament Street Library and at Arcadia Art Gallery in Toronto.

Philip has a number of interviews coming up in May, including CIUT-FM radio’s Howl! show as well as on the Art Bar online poetry show May 11. Follow Philip on Facebook for all the news… Facebook.com/philip.cairns.16

HOLLYWOOD POEMS AND OTHER DIVERSIONS
By Philip Cairns
Purple Poet Press (April, 2021)
$17.89 – Soft-cover, 186 pages
ISBN-13: 979-8701703214
Available from Amazon.ca

AUSTRALIAN AUTHOR CAPTURES OUTBACK TALE OF BETRAYAL AND REDEMPTION IN 1ST NOVEL “SPLINTERED HEART”

Over the past several months of Covid isolation and lack of film or tv production activity (i.e. potential clients), I’ve had lots of spare time to explore websites and news feeds from my homeland, Australia, and getting more and more homesick in the process. Thanks to viewing some fabulous films and TV shows on Aussie streaming platforms as well as Amazon Prime/Acorn TV, I discovered Down Under’s favourite leading man, Aaron Pedersen (pictured below), star of Mystery Road the movie (featured at the 2013 Toronto Int’l Film Fest) and the subsequent TV series of the same name (the second series is currently airing in Canada on Acorn TV, part of the Amazon Prime service).Having binge-watched 2 of his previous tv shows Water Rats (1996-2001) and City Homicide (2007 to 2011) and the Mystery Road movie sequel, Goldstone, I admit I’ve developed a huge crush on this handsome indigenous Aussie actor, so I joined a fun Facebook group made up of his most devoted fans, one of whom, Linda Dowling, is an award-winning successful author. Linda’s first 2 novels are currently available via Amazon Books, and I’m thoroughly engrossed in her first one, Splintered Heart, which takes place during the 60’s, an era when I myself was growing up in the bush just outside of Perth in Western Australia. So many references resonated with me but you don’t have to be an Aussie to fully appreciate the story, the heroine of the tale or the heat and vast emptiness of the outback. Dowling writes with great descriptive flair – I can almost hear the mournful call of the crows and feel the exhausting heat of the sun as I turn each page.This first book in Linda’s Red Dust series is set in the 1960s – teenager Lisa O’Connor is growing up in a brutal family environment living in the outskirts of Sydney, Australia. Abused and forsaken by those she should have been able to trust, Lisa is sent away to the notorious Parramatta Girls Home for ‘reform’ (this was, in fact, a real place which has thankfully since closed). While captive there, she experiences the depths of human depravity and sinks even further into despair. Luckily for Lisa, she’s rescued from this abhorrent life by her childless aunt who takes her to live at a remote sheep station (i.e. big farm in the middle of nowhere) in outback New South Wales. Lisa finds herself in a world that is different to anything she has known before, and she falls in love with the homestead, the harsh outback landscape and the Aboriginal culture. With the help of her aunt and uncle, two female Aboriginal elders and Billy, a very special young Aboriginal man, Lisa’s splintered heart and broken spirit begin to mend. Lisa’s determination and desire to overcome her horrific beginnings tell a saga unlike any other – both horrifying and inspiring, this is a book you won’t be able to put down.The award-winning, #1 bestselling author (pictured above) grew up in the Western suburbs of Sydney, Australia. During her childhood, Linda spent most of her time in rural areas and has continued to enjoy life in areas with natural surroundings. Her own aunt, a wonderful horsewoman, taught her a great deal about horses, riding and the outback and it was during her vacations with her aunt that Linda herself fell in love with the vast outback plains and the culture of the local indigenous population, their stories and their unique but simple way of living. In her professional life, Linda has established and managed four medico-legal firms, including her own. During the course of her career, she has been involved in reporting on coroner-centric matters and inquests. She has also worked with the NSW Police State Crime Command Centre and in various Royal Commissions where she was exposed to the worst of human nature; she has drawn upon her professional and personal experiences while writing her Red Dust novel series, but the stories are a work of fiction and do not depict any person, living or dead.

Linda has already received many positive reviews and kudos direct from the readers, including:

A compelling read. Prepare to laugh and cry, this book will truly evoke a powerhouse of emotions. Steeped in culture perseverance and the unbreakable spirit of a young girl in 1960’s Australia. Mary

I absolutely loved this book – an easy read that was hard to put down. A disturbing revelation into the brutal experiences occurring in the girls’ home in the 60’s and then a warming and uplifting transition to life in the outback and an interesting insight into our indigenous people. Looking forward to the next chapter. Sandra

Wow! This book was an intense read. The author writes about the harshness of family life in general that many people living in Australia grew up in the 60’s thru 80’s can relate to. While the storyline itself was heart wrenching and a lot darker than anything I have experienced in my life, it left me thinking about the events affecting those in the book and the racism experienced by Aboriginals long after I had finished the book. International Amazon Customer

Splintered Heart is available in soft-cover and Kindle versions on Amazon so why not buy yourself a great gift for Christmas – order Linda’s book now!

AUTHOR GEORDIE TELFER LAUNCHES “HOGTOWN EMPIRE” BOOK ABOUT NOTORIOUS 100YR OLD TORONTO COLD-CASE MYSTERY

Big CONGRATULATIONS to local author GEORDIE TELFER on his packed-house book launch last night held at Toronto’s Dominion Pub & Kitchen. He entertained his guests with selected readings, music and original songs that told the tale of the disappearance of Toronto theatre mogul & millionaire, Ambrose Small (pictured below), who led a life of dodgy dealings and showbiz shenanigans.“Hogtown Empire” is a tale of money, deception and betrayal with a cast of captains of industry, socialites and would-be con artists. It’s the culmination of several years of research, interviews and scouring official police and news archival records, much of which led Geordie in different directions complete with red herrings and false starts.Here is an exciting true-crime adventure story. Ambrose Small and his wife, Theresa, were wealthy entertainment impresarios who owned a prominent chain of theatres in southern Ontario. On December 2, 1919, the Smalls banked a cheque for $1-million, a down-payment on the sale of their theatrical empire. That night, as dusk fell, Ambrose disappeared into the darkness and was never seen again. What happened? Was he murdered? Did he disappear of his own volition? No body was ever found and, as far as anyone can tell, he took none of his money with him. Ambrose left behind his wife, his mistress, and his frustrated secretary. The case prompted an international man-hunt that spanned the globe and had renowned psychics of the day hearing voices and seeing visions. There were lurid rumours of infidelity and accounts of suspicious activities by Small’s enemies….so many enemies. The subject of films and TV shows, Canada’s longest running cold-case remains unsolved after 100 years. Ambrose Small was famous for his HUGE handlebar mustache so we made sure all the guests had their very own moo-stash on a stick…which worked well for the sing-along during the “Ambrose Small’s Mustache” song. It also provided lots of laughs at the photo wall, too! If you would like more information about this fascinating real-life unsolved mystery and to purchase a copy of Geordie’s book ($24.95), visit the official website: www.HogtownEmpire.com The book is also available from Amazon.com or .ca Geordie also hosts regular Hogtown Empire podcasts, also found on the website. And thanks to the Dominion Pub & Kitchen for the great service, deelish food and frosty drinks. Check them out in person: www.fabrestaurants.ca/restaurant/dominion