Category Archives: Events

MEET CONNIE BOYD, THE MAGICAL WOMAN WHO CASTS A SPELL OVER HER AUDIENCES!

CONNIE BOYD is a Canadian magician, inventor, producer and director, with a background in dance, theatre and circus. She is known for physically demanding, artistic magic such as the “solo” guitar suspension (the World Magic Awards 1999) and an up-side-down straight jacket escape over a bed of nails (Shanghai Magic Festival 2012). Connie has appeared on television shows such as “Masters of Illusion,” “the Best Magic of Las Vegas” and the “World Magic Awards”. She launched her magic career in Las Vegas in 1987, eventually starring & headlining in production shows such as the Folies Bergère at the Tropicana Hotel, Jubilee at Bally’s and opening for celebrity headliners such as the recently departed comedian and TV star Louie Anderson. Connie was named Best Cabaret Magician in 1999 at the World Magic Awards in Los Angeles and the “Prix du Public” at the Grand Prix du Magique in Monte Carlo in 1996.In 2006, Connie was asked to consult on talent with a cruise company in Europe which led to a new career producing, mentoring and directing multiple shows on cruise lines internationally, casting female magicians as the lead performers. In June 2020, she created Magical Women, a YouTube channel dedicated to documenting some of the best women in magic in the world in all facets of magic. She writes a monthly Magical Women series for Vanish Magic magazine and has recently been featured in Genii magazine and MagicSeen in the UK. She also created a conference on Digital Transformation for Magic in 2020 for “United Magicians for the World”. More recently, she launched a new series on the YouTube channel called Blast from the Past which features vintage videos of female magicians from the past.

Being such a busy lady, I was thrilled to get a chance to chat with Connie and ask her about her amazing career and all the women in magic she has worked with or met. What a great conversation we had!

Connie, you’ve created a wonderful web portal showcasing women in magic from around the world and their incredible talents. What inspired you to generate this platform? Pre-pandemic, I was extremely busy and happy producing, directing and mentoring magic shows and talent. I was in Italy when the lockdown started there in March 2020. I had magicians on cruise ships returning to Italy from winter seasons in the Caribbean and South America. Contracts were cancelled and my talent were repatriated to their home countries on three different continents. My own magic shows were literally “frozen in time”, indefinitely on “ghost” cruise ships at sea in the Mediterranean.

For the first time in thirty plus years, I didn’t have any magic obligations or projects to complete. After much reflection, I realized that there wasn’t a source or resource anywhere in the world, dedicated to documenting and supporting women in magic. I decided to create the Magical Women project and the “Magical Women with Connie Boyd” YouTube Channel, dedicated to represent female magicians past and present. I started by reaching out to female magicians I knew and everyone was enthusiastic about the project and willing to participate. Being a credible woman with success in magic helped; I understood the challenges many of the world-class magicians encountered as women in unconventional careers and in under-represented groups. Thanks to the pandemic I had a rare opportunity to record talent that would not normally be readily available.

Tina Lenert, a fabulous magician and one of the first magicians I interviewed, provided an apt quote that summed up how I felt at the start: “life begins at the end of your comfort zone” (Neale Donald Walsch).

Most of us know all the famous men in magic from David Copperfield to Penn & Teller, Doug Henning, Siegfried & Roy, way back to Houdini, Blackstone and of course, The Amazing Randi – why don’t we hear more about the women? There must have been some great female artists over the past century? One of the accomplishments I’m most proud of is participating and collaborating on the VANISH International Magic Magazine’s special edition “Female Magicians through the Centuries” that was published in February 2021 as a FREE publication. The essay and photos were provided by Sébastien Bazou, the publisher of “ArteFake” an entertainment e-publication in France. VANISH’s publisher and editor is a great advocate of diversity and generously created the graphics, layout and free Special Edition. You can view it here: https://bit.ly/3BrqWQx As you will note from the VANISH Special Edition women in magic have existed through time. It’s true that female magicians are still less than 2% of the magic community, but it’s important to note that the women who have committed to careers in magic are making a huge impact and statements that cannot be denied.

One of the wonderful elements I’ve discovered through the Magical Women project is the increasing number of female contemporary magicians. French magician Léa Kyle was the first female magician to place in the finals on “America’s Got Talent” last season and she’s currently headlining in Las Vegas. Venezuelan magician Dania Diaz was a finalist on “Spain’s got Talent” and was the first Latina female to reach the finals on “America’s Got Talent: the Champions” in 2019. Amanda Nepo is the youngest female magician at sixteen years old to fool Penn & Teller with magic that she invented. Australia’s Helen Coghlan is a four-time “Penn & Teller Fool Us, FOOLER”. The list goes on and on and it’s a truly exciting time for women in magic.

You have over 30years experience performing illusions and entertaining audiences with your prestidigitational skills – when did you first realize this was the career for you? I discovered magic in Las Vegas. In fact, I debuted my first magic act there in the late ‘80’s. My magic story is unorthodox. My professional background pre-magic was theatre and classical ballet, with aerial and juggling circus skills in the mix. I was performing in Las Vegas at the Riviera hotel in “SPLASH” with a juggling act when I discovered magic. I fell in love with the levitation magic of the headlining magician and puppeteer, Barclay Shaw. I studied and watched his mesmerizing performances nightly. Barclay was the catalyst for my magic career and it was he who suggested that I become a magician.Starting magic from zero wasn’t easy, but I discovered magic uses every skill I have and I’ve learned more. Good magic is a complete, theatrical artform, it taps into my creativity, physicality and artistic vision. I have been fortunate, able to invent magic and create magic effects that are specific to me and my skill sets. It’s challenging, it’s frustrating, but it’s also been a perfect fit. I was determined to succeed and it helped that I had exposure and access to some of the very best magicians and entertainers in the world.

You’ve interviewed and reviewed so many ladies of magic for your YouTube channel, magazines and blogs. Who are the outstanding magicians we should watch for now that theatres, casinos and clubs are opening up after Covid? There are SO many, I am pleased to report. Here’s the list that pops into my head: Léa Kyle, Daniz Diaz, Billy Kidd, Carisa Hendrix, Laura London, Alana, Helen Coghlan, Josephine Lee, Alexandra Duvivier, Amanda Nepo, LeRoya Sanford, Kayla Drescher, Krystyn Lambert, Tessa Evason, Katherine Mills, Anchal, Jen Kramer, Ekaterina and many, many more.Veteran magicians are also making a difference magically on and off stage with performances, philanthropic charities, mentoring and writing. This includes magicians such as Juliana Chen, Tina Lenert, Fay Presto, Julie Eng, Diana Zimmerman and Lisa Menna,

Magic overcomes all language barriers and appeals to all ages – what is your favourite audience composed of…families, grown ups, corporate shows? Since 2000, my magic shows have been on tour internationally on cruise ships, on television and in theatres. My favourite audience is a theatre full of a mix of families and adults; theatre and magic savvy and first timers. It’s a mix of people who wish to suspend disbelief and believe in magic for that moment in time and even those who wish to discredit it. The biggest reward is hearing the audible gasp when they react to your magic and performance. They can’t help themselves and respond with surprise, and that’s my favourite moment, always.Who has been your role model or favourite magician (male or female) over the years? First would be Barclay Shaw for helping me to discover magic, for never considering a woman couldn’t be a magician and for encouraging me to pursue magic. David Copperfield for his inspiring work and performances which encouraged me to work harder. Don Wayne, inspired me to create and to understand how to use magic techniques and the psychology behind the magic. Joanie Spina was brilliant on and off stage, she was instrumental to discovering who I was on stage and for staging many of my best acts. Recently, it’s Diana Zimmerman for her tireless support, encouragement and wisdom.

Without giving away any secrets, Connie, what has been your most astounding, amazing stunt…and, conversely, have you ever had anything go wrong? The number I most known for, that’s a signature piece, is a number I created called “Floating & Flying”. The magic is powerful as I am costumed in a simple leotard. In the midst of a classic floating ball magic act, I fly into the air to retrieve a floating ball over my head. This is a moment in my show that I receive the “magic gasp” I mention earlier.Has anything gone wrong? There have been many things, I have fallen into a band pit, been trapped in a trunk due to a missing key, forgotten my lines, forgotten which show I am performing, vaulted from a suspension on a rocking ship, spun like a top when a technician plugged a 110 volt prop into 220 volts, I’ve had the audience in hysterics with a urinating bunny and I’ve almost been snapped in half by a drunk volunteer.

What upcoming shows, videos, live tours do you have coming up for yourself? As the theatres and tours re-start there is great interest in a touring, all female magician magic show, I am very excited about that. At the moment there is a shortage of North American female illusionist performers. With my shows en route from Europe, I’m on the lookout for new up and coming talent to develop, cast and mentor. I’m currently working on a Magical Women coffee table book about contemporary Magical Women performing today. This is in conjunction to the research and monthly Magical Women articles I’ve created for VANISH International Magazine since August 2020. Lastly, I’ve created and am developing several magic routines to compliment my motivational speech about “finding the positives within negatives to reinvent yourself.”

And finally, is there a magic school you would recommend for ladies who would love to pursue magic as a career? In Canada there’s the Canadian Association of Magicians (CAM) is a good start to find magic clubs near you: https://www.cammagic.org

We have a Magical Women Facebook group for women in magic: https://www.facebook.com/groups/268813231889920

From Las Vegas: Luna Shimada a magician and the daughter of legendary Japanese magician Shimada. Luna created “the Shimada Legacy School of Magic” with virtual and local magic classes school: https://www.facebook.com/The-Shimada-Legacy-School-of-Magic-2145275525505784/

Jeff McBride has the “McBride Magic and Mystery School”. Jeff’s wife Abigail is very hands on with the program and Jeff has mentored several female magicians. https://www.magicalwisdom.com

Any other news or information you’d like to share, Connie? Next month is Women’s History Month. If you have sources to post the link for the free VANISH Special Edition, “Female Magicians through the Centuries” that would be great to share. Also, the “Blast from the Past” playlist from our YouTube channel pays tribute to many vintage female performances.

I invite you all to visit my websites: www.theMagicalWomen.com & www.connieboydmagic.com
VANISH International Magic Magazine: http://www.vanishmagic.com
VANISH Special Edition: “Female Magicians through the Centuries”:
https://www.dropbox.com/s/kmj5t47yszslfc6/VanishSpecialEditionJan2021.pdf?dl=0
YOUTUBE: www.youtube.com/c/MagicalWomenWithConnieBoyd
FACEBOOK & INSTAGRAM
Facebook Magical Women Group: https://www.facebook.com/groups/268813231889920
Facebook Magical Women Page: https://www.facebook.com/magicalwomen1
Instagram: https://www.instagram.com/themagicalwomen/
LINKEDIN https://www.linkedin.com/company/magical-women

Wow…I had no idea there was such a community out there for female illusionists. It was such a pleasure speaking with Connie and now I can’t wait to see one of her shows and experience the mystical world of magical women.
Connie is busy packing her bags and gathering her fellow magical ladies together and taking to the road for more shows, post-Covid.

OSCAR-WINNING DIRECTOR GUILLERMO DEL TORO CALLS ON THE EVASONS FOR ADVICE FOR HIS LATEST FILM “NIGHTMARE ALLEY”.

Over the past few weeks, my TV has been dominated by ads for an exciting new feature film, Oscar-winning director Guillermo del Toro’s noir-themed “Nightmare Alley” which opens this Friday, December 17th. The film stars Bradley Cooper and Rooney Mara along with an outstanding cast of A-listers including my fave Aussie ladies, Cate Blanchett and Toni Collette. I was thrilled, then, to receive a message from the world’s leading mentalist duo, Tessa and Jeff Evason, telling me about their participation in the film, too.When del Toro was going over the script, he wanted to ensure authenticity for the various scenes showing how mentalists work with their audiences. So after a few international phones calls and emails, he was introduced to the Evasons who are considered the best working mentalists in the world!I met Tessa and Jeff several years ago and they told me that one day we would work together – yes, they nailed that one for sure…now here we are. I spoke with them 2 days ago and asked them to share the experience of getting the phone call that has brought them into a whole new circle of friends and business opportunities.

Tessa & Jeff, tell me how you became specialist consultants on Guillermo del Toro’s latest Hollywood blockbuster, Nightmare Alley – how did he find you? It was the summer of 2019, we were at our cottage in Canada. We got a phone call from the office of producer Miles Dale. He said Guillermo del Toro was on the other line and he would like to chat with us about his upcoming film, Nightmare Alley. We looked at each other, wondered if it was a prank call, but it really was Guillermo on the line. OMG! He was just so friendly and warm, and incredibly nice. He told us we had some mutual friends, Teller (from Penn & Teller) and Derren Brown (mentalist from England), and that when he asked them if there was two-person mentalism team that he should speak with, they both said we were the ones.Without giving anything away, what did the Oscar-winning director ask of you? Guillermo said that he was a huge fan of magic, and a member of the Magic Castle (private club in Hollywood, which we are also members of). He felt it was important that he remain true to the original story, and to also be respectful of magic history. Our task was to read the script (and every revision that followed) to provide notes about any scenes that pertained to methods, psychology and the performance of mentalism. On the first phone call, Guillermo told us about his love and respect for magic. He was sensitive about exposure of secret methods, and he didn’t want to reveal any more than necessary in his movie, while keeping the storyline as authentic as possible. He wanted our perspective, as experts in the field of two-person mentalism, to advise and give insight line by line, scene by scene. Anyone who hasn’t studied what we have studied, to the depth and degree that we have studied and performed, has no idea what is possible with two-person telepathy. Some things in his original script sounded great and made for an interesting story, but just weren’t practical for a mentalism team to actually perform on stage during the era when the story takes place. Nightmare Alley was originally a novel by William Lindsay Gresham published in 1946. It has always had a degree of controversy among magicians and mentalists, yet it’s a film that we all love because we can relate to it in so many ways.

Del Toro is a big fan of magic and mind-reading – did you find him open to suggestions for certain scenes? Oh yes! He was quite receptive to the many notes and ideas we contributed. We read quite a few revisions of the script. We had a blast doing it! You know for us it was really about keeping the scenes that involved mind reading and mentalism as realistic as possible, while at the same time remembering Nightmare Alley is a movie, not a documentary, and therefore it had license to bend the truth. Production had an unfortunate major delay due to the pandemic, and we imagine they had to make quite a few changes along the way because of that. We’re very keen to see the finished product.

You have created a great reputation in the corporate events world for presenting astounding feats of mentalism – have you been able to sustain work throughout the pandemic? Did you adapt by conducting events online? We’re so fortunate to be working with some of the best entertainment agents and bureaus in the business. The agent who represents us, also represents many of the best magicians and mentalists on the planet. His name is Bill, and more than a business associate, he is a friend. He has given us so much encouragement and guidance before and during the pandemic. At first we were like everyone else, thinking life would soon get back to normal. As time went on, we resisted doing virtual shows. But then we tried doing a few guest spots on virtual charity events and we found that what we did worked really well virtually – sometimes even more unbelievable than live performances. Since then, we’ve been doing virtual shows regularly and we love it! Today, for example, we woke up early to do an 8:00am show for an audience in the UK, then later in the day we did a show for a North American group, and at 3:00am we performed for a group in Japan! We literally travel around the world to do 3 shows in less than 24 hours – how amazing is that?!

Do you think virtual shows may be the way of the future for corporate events and public shows? We have no doubt that virtual meetings and events are here to stay. And fortunately for us, magic and mentalism is one of the best forms of entertainment for online platforms. Attendees become active participants, and the more interactive the show is, the more engaged the audience becomes. It’s not just about watching the performer, a big part of the appeal for attendees is watching each other, so Zoom shows work really well. Many of the groups we have performed for tell us they plan to continue doing virtual events even after they return to doing live events. During these strange times, we’ve thought a lot about the performers who successfully transitioned from Vaudeville theaters to film, and later to radio and TV. Who knows where we’re headed with virtual shows, but we do know this is a time where we need to embrace change. In many ways it’s an exciting era and we’re thrilled to be part of it!

“They turned a roomful of arms-folded skeptics into intrigued believers.” – Toronto Star

“They left audiences aghast with their abilities” – Carte Blanche, South Africa

“Their mind-reading act was one of the most incredible displays this reviewer has ever witnessed.” – Evening Chronicle, Newcastle Upon Tyne What is the most exciting thing about being involved with Nightmare Alley? Would you like to be the go-to experts for other films or tv shows? Nightmare Alley is one of our favorite movies of all time, and Guillermo del Toro is such a legend. What an honor to be involved on any level! The most exciting thing about it is probably just to have had the opportunity and to be able to include it on our resume. Life is all about variety and having as many amazing experiences as possible. This certainly has been a significant highlight for us, and yes, we definitely would love to be the “go-to experts” for this genre for other films or tv shows or media appearances.

As 2022 is fast approaching, are you and your US booking agent planning any live events, corporate or public, next year or are you simply working on a day-by-day basis? Yes, we are planning live events and have quite a few dates booked on our calendar. In fact, we’ve already done a lot of live events. Our first show back after a year and a half hiatus was in August at Lilly Dale in upstate New York. It’s a beautiful little town, actually a hamlet, where psychics and mediums live and work. It’s known as the world’s largest spiritualist community. Working there was another highlight for us. Since then, we’ve also done colleges and corporate events in the US and in Canada. Next month (January, 2022) we are excited to be appearing nightly for ticketed public shows at Liberty Magic, a lovely intimate theatre in Pittsburgh, PA.To book a live or virtual show, corporate event, or learn more about Tessa and Jeff Evason and their amazing skills, visit: www.evason.com and be sure to check out Nightmare Alley when it opens in a cinema near you.

AUSTRALIA’S FANFORCE TV TO PRESENT 2ND ANNUAL “VIRTUAL INDIGENOUS FILM FESTIVAL” NOV.11-15

Over the past 6 months of Covid quarantine and isolation here in Toronto, I’ve spent a lot of time online getting reacquainted with my homeland of Australia, its film and TV industry, its leading players and cultural ambassadors – yes, as you can already tell, I’m homesick and can’t wait to board a QANTAS jetliner and get my butt back Down Under. My quest for Aussie content took me to Amazon Prime, AcornTV and other streaming platforms, resulting in binge-watching shows like Water Rats, City Homicide, and the feature films and tv series of Mystery Road…the common thread being star Aaron Pedersen (pictured below) who has captured my heart and imagination. The award-winning indigenous actor has led me to more in-depth research of the state-of-the-art for indigenous filmmakers, writers, directors and I was amazed at the depth of talent currently working in Australia. So why don’t we know about them up here in Canada and the U.S.? Lack of distribution deals? The assumption that other countries wouldn’t understand the specifics of cultural heritage and Aussie politics? I remember back in the 80s, Australia’s “new wave” of filmmaking ignited worldwide interest with such classics as My Brilliant Career, Picnic at Hanging Rock, Gallipoli (pictured below), Man From Snowy River, the int’l commercial hit Crocodile Dundee and TV mini-series such as The Thorn Birds that made Bryan Brown a huge int’l star. But these were all told by and for the “new” Australians, the white population. I remember watching Walkabout (1975) featuring a young aboriginal actor, David Gulpilil, but his character sadly ended up rather badly. Where were all the positive cinematic images of indigenous actors and their stories? Were there any indigenous actors or filmmakers? We never saw them on TV or in the cinemas. I’ve been away from home a long time and as I plan my return as soon as Covid allows, I’m comforted in the knowledge that this previous lack of inclusion is being addressed now thanks to the brilliance of directors such as Ivan Sen, Rachel Perkins, Wayne Blair and Warrick Thornton, and actors like Pedersen, Deborah Mailman, Ernie Dingo, and the now-legendary Gulpilil who remains a great presence on screen. I’m excited to be introduced to even more talent this coming week thanks to the 2nd annual Virtual Indigenous Film Festival and I encourage all film fans to join in online to celebrate the creativity and educational opportunities presented. Here’s all the info you need…..FANFORCE TV, the new Australian community-based streaming platform presents the second Virtual Indigenous Film Festival from the 11th of November till the 15th of November as part of NAIDOC* Week 2020. The festival will present award-winning Australian Indigenous films followed by live Q&A discussions and audience participation via Live Chat. *National Aborigines and Islanders Day Observance Committee (NAIDOC) Week events are held across Australia to celebrate the history, culture and achievements of Aboriginal and Torres Strait Islander peoples. NAIDOC is celebrated not only in Indigenous communities, but by Australians from all walks of life. [#NAIDOC2020 #AlwaysWasAlwaysWillBe ]

FANFORCE TV is showcasing 5 virtual events including film screenings of In My Own Words, The Song Keepers, The Flood, Wik vs. Queensland and Westwind: Djalu’s Legacy. Tickets for the individual virtual screening events are $6.99USD with an all access pass available for $19.99USD. For more information visit: fanforcetv.com
There is also an exciting lineup of guest speakers and expert panelists involved throughout the week including filmmakers’ Erica Glynn (In My Own Words), Naina Sen (The Song Keepers), Dean Gibson (Wik Vs Queensland), Victoria Wharfe Mcintyre (The Flood), Ben Strunin (Westwind) and Keri Tamwoy (Mayor of Aurukun). More guests to be announced! FANFORCE TV uniquely enables audiences to ask questions and discuss topics in real time with the guest speakers and community leaders via live chat and live streaming features. “We are thrilled to have a special screening of The Flood as part of VIFF and NAIDOC Week” says Victoria Wharfe McIntyre, writer/director/producer of The Flood. “Our film was born from a unique collaboration and tells a highly emotive, provocative and revisionist story about our nation’s history, it is fitting to showcase the film in an equally unique way via Live-streaming with a public discussion. This Q&A will be cracker and we are looking forward to some passionate, hard hitting and insightful comments and questions from the audience.” The Flood will follow its VIFF NAIDOC Premiere with Cinema screenings across Australia and New Zealand (and hopefully the rest of the world in early 2021). Dates to be announced shortly.

FANFORCE TV acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of this nation and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. Aboriginal and Torres Strait Islander peoples should be aware that this page may contain images or names of people who have passed away.

I encourage you all to expand your understanding of Australia – its people, its cultures, its history….and its inspiring Indigenous filmmaking community.

EXQUISITE EXHIBITION OF KABUKI & NOH FANS @ JAPAN FOUNDATION

As many of you know, I’m a huge fan lover and am never caught without my own beautifully designed fan to keep cool. My prized fan possession is one that Canada’s Grammy-nominated flutist, Ron Korb, brought back for me from Hiroshima where he performed at a memorial concert. It was so beautiful, covered with tiny origami cranes, that I had it framed (below).I couldn’t believe that I forgot to attend the spectacular exhibition of theatrical fans from Japan’s Noh and Kabuki theatre worlds at Toronto’s Japan Foundation located at 1 Bloor East (Royal Bank bldg) but after a reminder email, I dashed in today for a visit and boy, am I happy I did. Fans Onstage closes tomorrow Saturday Jan 11 so hurry hurry hurry! Admission to the Foundation’s gallery is FREE. To quote the information found on their website: Japan’s association with fans can be traced back to the Nara period (8th century) with the cypress fans made of wooden hinged strips, followed by the invention of paper folded fans in the Heian period (9th century). As early as the late 10th century the paper folded fans, which differed from flat unfoldable fans, were exported from Japan to the Korean peninsula and China as luxury imports. In the West, in ancient Egypt and Greece, there were records of folded fans, but the tradition of using fans died out during the Middle Ages. Whereas in the East the new technique of making fans – the application of paper on both sides of the fan ribs – was brought from China to Japan at the beginning of the Muromachi period (early 14th century). This new method of manufacture revolutionized the production and export of fans. Through Portuguese and Dutch traders folding fans were spread out from Japan to the global market and other cultures. Paper folded fans have been widely used in people’s daily lives in Japan, but also in the ceremonies of religions and politics, and particularly most effectively in the performing arts.

Noh theatre, which originated in the 15th century, uses fans in the same symbolic way as its masks. Noh actors are aiming on stage for some kind of unification of their souls with the spiritual being they find in the masks and fans. Therefore, the treatment of the objects is as rigid as the actors’ own bodies in order to achieve internal energy flow. The faces are covered by masks and the hands are often invisible, covered by the costume. One can see the fans as the replacement of hands, but the performers keep their wrists immobile to create concentrated, abstract movements. On the contrary, in Kabuki theatre – founded in the early 17th century – the actors’ wrists and arms are freely moving their fans. In Kabuki, the external effects are established by fans, reflecting commoners’ aesthetics. This is the opposite of the Noh theatre aesthetic which reflects Samurai warriors’ philosophy. In Kabuki dance, performers turn their fans from front to back quickly, or create swaying waves, maneuvering their fans with their arms and wrists. They even toss fans into the air and catch them.The difference of the internal versus external use of fans in Noh and Kabuki is physically evident in the proportion of the fans. Noh theatre fans have a silhouette almost like an upside-down equilateral triangle, whereas Kabuki fans are wider horizontally. In spite of these physical differences, one thing is common: they are all beautifully handcrafted. In both Noh and Kabuki, fans are far beyond decoration or props. They are the handheld splendours which can conjure universal imagery in the theatrical experience.For directions and times, visit the Japan Foundation’s website: www.jftor.org and remember – only 1 day left to see these magnificent works of art.

WELCOME TO TORONTO’S FALL “THE BABY SHOW”- EVERYTHING FOR EVERY LITTLE PERSON!

Well wasn’t that a fun time?! Not having kids of my own, I’ve never been around little people for any length of time but today I had a blast with lots of mummies, daddies and adorable tots at The Baby Show currently hosted in the Enercare Centre (Hall B) at Exhibition Place, Toronto. The show runs throughout this weekend – 1 more day left Sunday Oct. 6 – so hurry on down for all sorts of freebies, samples, information on baby’s health, food, furniture, fashions and lots of booths promoting support services for new mums and dads, too. Here’s the show’s Founder Sandy Pedrogao to tell you all about it…

Along with hundreds of families, I wandered around the aisles, meeting some of the vendors and learning so much about 21st century parenthood versus how my mum & dad raised me in the 50’s & 60’s…give the kid a cardboard box, some string and a wooden spoon and voila…there’s your toys, Glenda…haa haa!

Loved these folks (below) from www.babynimbus.com who offer cute onesies and other fun things with doodles and pics from local artists. I then met the charming couple (pictured below) operating www.thebabymamabox.com a monthly subscription box offering all sorts of samples and goodies delivered to your door. Boxes are customized for various age groups and also offer boxes just for mama herself. Products are hand-picked and mama tested so you’re sure to get the best.Here’s talented baker Walaa Alwan of Fantasy Cookies (yummm) who creates all sorts of delicious and oh-so-pretty cookies for special occasions like baby showers, christenings, baby’s 1st birthday…even engagement parties and wedding favours (get a head start on growing your family) Just along the aisle from Walaa, I ran into the crafty lady who knits & crochets cute critters for cute kids under the name www.monimon.ca They are soooo adorable and it reminded me of toys my mum used to knit for my sister and me back in the 60’s – I still have a little penguin she made me….aaaaaw.www.mondobebe.com (below) offered a very elegant booth with luxury furniture and accessories for the most discerning babes. They have stores in Quebec and one a little closer in Mississauga.The Baby Brands Gift Club was a hive of activity as they gave out all sorts of treats, samples and informative brochures and magazines to show attendees. As you can see by the photo below, they were very popular! Check out all the brand name products they offer at www.babybrandsgiftclub.ca So I was thrilled (and surprised) that all the wee ones were quiet and I witnessed very few tantrums or crying. I guess the babies picked up on the vibe that this show was just for them! There were samples and contests for parents and lots of booths offering comfortable changing facilities as well as peaceful feeding areas curtained off to provide privacy and calmness. Congratulations to Sandy and her publicist Jakki for a successful showcase of all things baby! Follow them on Fcbk: TheBabyShowToronto as well as Instagram: @TheBabyShows. Watch for announcements for their Spring show here in Toronto.

2019 CANADIAN INT’L AUTO SHOW OPENS TODAY IN TORONTO

Every February, my inner gear-head starts twitching with excitement – it’s time for the annual Canadian International Auto Show! Yesterday’s Media Day offered intro’s to new manufacturers, new designs, new technology and teased us with gorgeous luxury vehicles few can afford…me included.

One of the first exhibits I visited was Ford where I made a beeline for the brand new Mustang Bullitt edition. Oh my, she was a beauty. One of my fave Steve McQueen movies was Bullitt and the stories about the fate of his original hunter green Mustang are legendary. I let my imagination run wild as I snapped away… Ford also had a NASCAR vehicle on display (Joey Logano’s car) plus a life-sized Lego racer (below) Check out the new Jaguar – what a stunner. And Acura unveiled its latest model (below)New model unveilings are always exciting for the automotive journalists and this crowd was super excited to watch Cadillac present its new SUV (below)

Then over to the other side of the hall to see Maserati. My fave colour is blue so of course I had to snap this moment as the boys played with these bright shiny new toys!Now for the BIG trucks – so nice to feel so “petite” when standing alongside these beauties.

There’s also a cool WWI/WWII display courtesy of www.TankMuseum.ca in the hallway of the South Bldg – definitely a must-see for the little soldier in all of us!

I always enjoy a stroll thru the vintage auto displays and this year’s exhibit didn’t disappoint – many were “cherry red” so it made for some great photo opps. Back over to the North Bldg of the Metro Toronto Convention Centre and in the basement, you’ll find the exotics – the ultimate prizes for all car lovers. Aston Martins, Lotus and Stingrays oh my! Then I bumped into (literally) Brit car designer Mark Roberts of McLaren who kindly posed for a photo beside his creation, the McLaren Senna. Also located on the lower level of the North bldg is the Barrett Jackson collection of 60’s & 70’s muscle cars and they’re as sexy as all get-out! Don’t miss this display – if you’re like me and grew up in this era, fond memories will come flooding back… So if I’ve whetted your appetite for stunning autos, you have until Sunday Feb 24th to visit the annual exhibition of mega horse-power, style and technology. Tickets, directions and show info can be found at: www.autoshow.ca and if you have family members who prefer their driving to be stationary, there’s a big X-Box gaming area in the South bldg that should satisfy their needs/wants….…as well as other car-themed promotions…..and also a kiddie playland for the little ones. Have fun, drive carefully…

GRAMMY NOMINATED RON KORB RELEASES 20th SOLO ALBUM “WORLD CAFE” WITH OCT. 17TH CONCERT IN TORONTO

Three years ago, internationally acclaimed flutist & composer Ron Korb‘s album “Asia Beauty” was nominated for a Grammy in the Best New Age Album category. Ron has just released his latest album, “WORLD CAFE”, this time with a distinct Latin flavour, and it has been receiving a lot of attention from international music media as well as fans, and is rising quickly on various music charts. Ron’s previous albums have garnered critical and popular acclaim from around the world; he’s shared many musical journeys, from the wonders and mysteries of Japan and China, to the infectious joy and tender melancholy of Celtic song and dance. For his World Café album, he takes us to sunny Spain, the island of Cuba and the alluring lands of South America. He explores how things sound when crossing a rhythm from one region with a melody inspired by another. All the music is played by living, breathing musicians (no computer generated tunes here!) including renowned award-winning jazz, world and Latin musicians Hilario Duran and Johannes Linstead, with an emphasis on using acoustic instruments.

Here’s a quick taste of World Café …..

I recently sat down and chatted with Ron (fittingly, in a cafe) and asked him a few questions about his music….

With a personal collection of 250 flutes, your reputation as the “king of flutes” is well earned – which instruments did you play on this latest album? In World Café, the main instrument is my concert flute but I also used some Asian bamboo flutes and the ocarina on some tracks. I was also able to experiment with the Ellis-Korb flute mouthpieces that I’ve been developing with California flute maker Geoffrey Ellis. With the different cuts and various hardwoods we used, I could tailor the sound for each piece. It has been a long 6 year project creating the holy grail of embouchure designs and now Geoffrey and I are very excited about what we‘ve achieved together.Your previous album for which you received a Grammy nomination, Asia Beauty, explored Asian musical themes. What made you choose to record this latest album in the Latin style? World Café has been very well received but it has taken everyone by surprise, especially listeners who have just discovered my music in recent years. Older fans know I’ve already written and performed tunes like Casco Viejo, La Sirena, Desert Night and Dark Eyes. Even back in my student days I often would write tunes that had a Spanish flavour. Latin music is the rhythm of the heart and I had been looking forward to making an upbeat album with a Latin theme for many years. Now when I look at the finished physical CD I can hardly believe it is finally manifested. It’s like a dream come true and I’m very happy with the production and the way it sounds.How did you created the music for this album? For the last decade I have been writing songs with pen and paper. I have books of manuscript paper full of hand written sketches and ideas. When I’m away from home and an idea pops into my head I will just sing the melody or beat box the rhythm on to my phone and transcribe it later. After the musical phrases have had time to ferment, I revisit them and discard the less than brilliant sketches and focus on the melodies that have real magic. Some songs come together very quickly and others take years to find the right contrasting section. It’s always possible to finish off a song quickly but to write something really special takes a lot of time and effort.

It must be very rewarding to hear the completed album – what was the most enjoyable part of recording World Café? I would say the most rewarding aspect about making World Café is collaborating with the musicians. It is amazing to hear the songs come alive when you workshop it with a band. In the past, I used midi and computer software quite a lot but since doing my Ron Korb Live album in Quebec in 2004, I gradually transitioned to being completely acoustic. It’s far more expensive to work that way but I prefer the result. Working with legendary Cuban pianist Hilario Duran and guitarist Johannes Linstead was a particular highlight. When I wrote the song Hilario, I didn’t really think that he would record it. Again, this is like another dream come true. After I contacted him, Hilario invited me to his place and I showed him the song. He immediately liked it and suggested some Cuban players to join us on the recording. It was really a thrill to work with such authentic players.

Being so musical, you must play other instruments – which ones? Concert flute, bass flute, penny whistle, low whistle, shinobue, dizi, xun, bawu, Cambodian pie pook, ocarina. I play piano just enough for composing and songwriting. I also have sung backing and some lead vocals professionally.

On October 17th, Ron will be presenting World Café to a live audience for the first time. Performing at Jazz Cafe in Toronto, Ron will be joined on stage by an exciting group of musicians including Bill Evans (L) and Hilario Duran (C) pictured below with Ron.World Café represents a meeting place where people from many cultures can intermingle, laugh and make friends in a relaxed space – much like Ron’s own multicultural Toronto where this album was recorded. The album is available thru Ron’s website or via Amazon.ca, iTunes, Spotify & Tidal. Listen online or purchase the gorgeous full-colour hardcover 24pg CD package designed by Ron’s talented wife and photographer, Jade. These will be available at the event, too. Perfect as gifts, as well as for yourself. .

Tickets to the concert as well as Ron’s complete discography are available at: www.ronkorb.com

RON KORB presents WORLD CAFÉ

Wednesday Oct. 17^th at 8pm (doors open 7pm)

JAZZ BISTRO, 251 Victoria St, Toronto

Cover: $15 advance from www.ronkorb.com or $20 at the door

GO WILD! Toronto’s Urban Gallery unveils July’s group show “Wild in the City”

Yesterday, Saturday July 7, URBAN GALLERY 400 Queen St East in Toronto was packed with guests to celebrate the opening of their month-long group show, Wild in the City. Featured artists include Erik Chong, Libby Sims and Osvaldo Napoli who were in attendance, plus works from Lindsey MacKay who was unable to attend in person – she resides in Fredericton, NB. Take a virtual walk thru the gallery with me now…

The gallery filled up quickly once the doors opened at 2pm and lots of ooo’s and aaah’s were heard as visitors discovered the stunning and provocative paintings and sculptures. Erick Chong (below) has exhibited at Urban several times over the past 4 or 5 years and for this show, he brought a whole new style and theme to the show.Erik has several videos showcasing his unique style and technique – get to know this artist here:

I’ve followed Libby Sims‘ work for sometime – she creates beautiful abstract florals in bold colours and strokes, along with other subjects and shapes. A mature artist, Libby has studied abroad and has developed her distinct style that is instantly recognizable. Osvaldo “Ozzie” Napoli (below) is another mature artist although he is relatively new to the mainstream Toronto arts scene. His wire sculptures and large format multi-medium artworks create quite the statement and Ozzie’s fans turned out in force to see his latest work.The fourth artist feature in Wild in the City, Lindsey MacKay, was unable to attend in person – she resides on the East Coast. But her art spoke loudly for her, featuring people, places and activities found around the city. I personally love the wild eyed seagull featured in her “You Lookin’ at Me?” painting (below).And I like Lindsey’s “In the Moment” painting (below) – reminds me of Toronto’s “Salsa on St Clair” – this weekend’s annual street fair of dancing and Latin culture.So many interesting and thought-provoking images to enjoy, I hope you get a chance to drop by Urban Gallery this month to see Wild in the City yourself. For gallery hours and directions, visit: www.urbangallery.ca

get your rocks off at the spring gem expo in toronto!

Here’s the ultimate “rock concert” – if you like gorgeous gems and baubles, then this is the show for you.Big thank you to Salim Moorani, Founder of The Gem Expo, for inviting me to come out to the spring show which opened today at the Hyatt Regency Hotel on King W in Toronto – show runs tomorrow, Saturday Mar.17th 10am-6pm and Sunday Mar.18th 10am-5pm. www.thegemexpo.com Salim greeted me at the door along with his charming wife and daughter (below) and then let me wander the aisles, meeting up with vendors and gem ambassadors.I was pleased to run into the lovely folks from Sonatona Natural Gemstones & Minerals (below) who I met last year…they’re always ready with a smile and willing to share their extensive knowledge about their precious and semi-precious stones. www.stores.ebay.com/sonatona Lots of ready made jewellery as well as loose gems for crafters and home bead-makers…. One new vendor I was delighted to meet was Deb from Karibu Beads, featuring hand-made Kazuri Beads from Kenya. The story of these beads is fascinating so I encourage you to visit www.karibubeads.com to learn more. Here are just some of the gorgeous colourful beads I saw…. The Gem Expo also features some stunning glass work, too, including these giant “crystal balls” and some spooky stone skulls. Groovy, baby! How about some fossils? Check out these prehistoric shark teeth…yikes!Meet another new vendor, Ryan Desantos of Laya Skye Jewelry (below). He brings in handcrafted designs from Bali and I particularly liked the amazing “floating” rings that are all sterling silver with a rotating element so you can fiddle away and calm your nerves with them. One of them almost fit…I was soooo tempted. His new website is currently under construction but do check it out next month: www.LayaSkyeJewelry.com More fabulous bling…..what’s a girl to do?! Lots to see and buy so come on down this weekend – most vendors take credit cards and Debit cards/Interac, plus there are cash machines in the hotel.

“SOUTHERN FRIED” BRINGS THE MUSIC OF SKYNYRD & ALLMAN BROS. TO OSHAWA TRIBUTE BAND FEST. SEPT. 16

Local music promoter Sunrise Concerts is presenting a special 1-night-only showcase of the best rock tribute bands in the country on Saturday September 16^th (doors open at 5pm) at the General Sikorski Hall, 1551 Stevenson Rd N, Oshawa. Featuring Thunderstuck (AC/DC), Bon Jovi Forever (Bon Jovi), Southern Fried (Lynyrd Skynyrd/Allman Bros.), Bad to the Bone (George Thorogood) and the Stevie Ray Vaughan Experience (Stevie Ray Vaughan) the event will be hosted by comedian Kenny Robinson (winner of Canadian Comedy Awards’ “Phil Hartman Award” & star of numerous TV comedy specials). The venue offers seating plus bar & food service. Tickets are available from: www.ticketpro.ca There’s a special promotion valid until Sept. 5th – tickets are $45 per person in advance then $65 online and at the door after Sept. 5th.

This promises to be a fantastic night for fans of hard-driving rock, blues and southern rock so head out to Oshawa for this packed night of music and memories.

I recently spoke with David Forbes, the vocalist from Southern Fried who shared his thoughts on performing the music of two of the greatest southern blues/rock bands ever: Lynyrd Skynyrd and The Allman Brothers Band.

David, what first inspired you to perform southern rock classics from Lynyrd Skynyrd and Allman Bros? When I was about 14, an older cousin introduced me to Lynyrd Skynyrd music and eventually The Allman Brothers Band. I felt a real connection to this music.Are you the founder of the band or did you start playing in collaboration with one or more band members to get things rolling? I had been playing drums and doing lead vocals for about a dozen years when I made a decision to start a Southern Rock tribute and then I recruited a friend, Chris Bishop, to play bass and help me to get the band going. I was to front the band so I could focus on vocal performance. Chris was the one to come up with the name “Southern Fried” which was taken from a K-tel album of Southern Rock tunes.Was this musical genre your first passion or were you a closet country & western fan? I was already a big fan of KISS, Rush and Alice Cooper but I then started to gravitate towards some more blues-oriented music.

What has been the weirdest, wildest or most memorable gig you’ve played? Playing at Q107’s Million Vacations Party March 2011 where we opened for The Georgia Satellites and played in front of 3,500 people. That is one of my favorite gigs so far!Have you ever met any of the band members from Lynyrd Skynyrd or Allman Bros, and if so, what was your first comment/question to them? I have, in fact, met Derek Trucks and Warren Haynes (pictured below), both formerly of The Allman Brothers Band. I asked both of them if they would sign my guitar for me which they were kind enough to oblige. Apart from the September 16th gig in Oshawa, what other shows have you booked in the coming months…any Christmas or NYE concerts we should mark in our calendars? At the present time, we‘re booked for a private function at The Balmy Beach Club at the end of September and we should announcing a date soon for The Edge in Ajax with Steve Boyle.

You can follow Southern Fried on Facebook.com/Southern-Fried

Durham’s 1st Annual Rock Tribute Festival
Saturday Sept, 16th (doors open 5pm)
General Sikorski Hall, 1551 Stevenson Rd N, Oshawa
Tickets are available from: www.ticketpro.ca $45 pp (valid until Sept.5) then $65 pp

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