Tag Archives: Australian films

Forver First Love Poster (9)

AUSTRALIAN ADVENTURE ROMANCE MOVIE COMING TO CDN & US THEATRES AND STREAMING SERVICES, BRINGING DOWN UNDER LOVE UP NORTH!

I frequently complain about the lack of Aussie films being available online or even making into our cinemas in North America – not sure who negotiates all the distribution deals (esp. with tv content) but we Aussies abroad will soon be able to enjoy a new romantic adventure movie when FOREVER FIRST LOVE hits screens in September.

Set against the beauty of a baroque Filipino town, Forever First Love is a modern romantic drama. “The story follows international photographer Paul who finds his first love, Anna, in a one-in-a–million chance meeting in a crowded Filipino market. The travelers spend the day exploring the beauty of the 16th century town and whilst passions reignite, their principles on relationships, religion, and morality clash. Paul’s long held nostalgia for his dream girl is tested,” says Brisbane based writer and director, LUKE MAYZE (pictured below, directing the leading lady).  “The film is an exploration of the dynamics of gender roles in modern relationships and balances this generation’s reluctance to commit with the desperate need for connection.”Luke with Carlotta (2)This is the first feature film for Mayze, a multi-award winner who has found international success with numerous short film projects (Silver Stiletto, Prep Rules, Weight Of Sunken Treasure and It’s A Treat). The film is also the debut feature film for emerging Brisbane producers, Carmel Savage and Janelle Rayner. They secured funding for the film from private investors, shooting in the Philippines and Queensland and producing the film locally.  The film premiered in Latin America at the end of 2020 and has fast become an underground favourite.  Cinematographer, Shing Fung Cheung, won an Australian Cinematography Award for the production.

“Despite the difficulties of distribution due to COVID, we’re thrilled that the film has attracted a global audience with people seeking a style of escapism different from ordinary cinema,” Luke added. “Since the film’s release in Latin America, we’ve received an outpouring of  messages from across the globe in support of Forever First Love.

The film stars Australian actor STEVEN ROOKE (The Chronicles of Narnia, Australia Day, Wanted) alongside Italian actress CARLOTTA MORELLI (Tracy Ullman Show, Lip Service, Fratelli di Sangue), who auditioned for the role in London and rehearsed in a series of skype video calls before flying across the world to meet the production team. The stars only met in person a few days before filming commenced, with critical praise for their on-screen chemistry.IMG_5547When I first learnt about this new film, I reached out to Luke for more insights into his film and he kindly shared the following:

The story of Forever First Love is written from Paul’s point of view. Paul is an international photographer, who has followed his passion to the Philippines to capture that perfect image. In the chaos and heat of a crowded market, his first love, Anna appears in his lens. Paul convinces Anna to go on an adventure with him and together they explore exotic locations, share confessions and experience a night of passion that neither could have anticipated. But in the harsh reality of the morning after, Paul comes to realize that living his life through a lens will never be enough. Street Love (1)I am indebted to the talented and professional teams of people in the Philippines and Australia who made this adventure unforgettable and am proud to share Forever First Love as my debut feature film as both Writer and Director. I’ve taken inspiration from filmmakers such as Peter Weir, Alexander Payne and Steven Spielberg throughout my career and wanted to create a story that delves into our fundamental desire for human connection and attachment to the past. Forever First Love explores themes around love, identity, culture and the complexity of relationships when stereotypes and assumptions collide. I hope the film starts a dialogue around the perception of traditional love and the changing gender roles in modern relationships.IMG_5714 (1) IMG_5591 (1)

MY BRIEF REVIEW:   Written and directed by Luke Mayze, Forever First Love is the tender story of a rediscovered first love set against the chaos of an urban centre in the Philippines. Australian photographer Paul suddenly sees Anna, his teenage sweetheart, walk into his lens as he snaps the vibrant street scenes. He pursues her through the market where they finally meet and realize the passion is still there…at least for the duration of her stay in the city.

Mayze has written nuanced tender dialogue between the two characters, yet has imbued the leading lady, played by Carlotta Morelli, with a sense of maturity and empowerment, perfectly in control of her emotions. In a reversal of standard male/female roles, Paul, played to perfection by Steven Rooke, is overwhelmed by his feelings for Anna – still worshiping her or, at least the idea of her, as his beloved one and only. Both actors light up the screen; their verbal exchanges are both fiery and impassioned, challenging each other to view their present romantic predicament realistically while examining their past youthful entanglements; viewers may find themselves subconsciously taking sides, especially as the story reaches its conclusion.

With glorious cinematography by award-winning Shing-Fung Cheung and a masterful soundtrack that underscores each scene’s emotions by Peter Spierig, this is a film for those who appreciate human interaction without use of guns, blown-up buildings, car chases…it’s a very human story that requires no props or fancy CGI – it’s all heart and soul. Luke Mayze has spent many years creating award-winning shorts and as his debut feature film, Forever First Love promises future success for this multi-talented Australian filmmaker. His insightful and very intimate script hints that maybe he himself has experienced and survived such a love? Just wondering…..

CONGRATULATIONS to Luke, Carmel and Janelle, and the entire cast and crew.  I can’t wait to see the film in its entirety. Forever First Love hits US and Canadian screens the second week of September thanks to Galloping Entertainment & distributors Vertical Entertainment. You may also view the film via your favourite streaming platforms: Apple TV/iTunes, Amazon Prime, Google, FandangoNOW, Microsoft,  Redbox On Demand, Vudu, DirecTV, Comcast X1 and AT&T U-Verse. And tell the producers what you think of their film on social media: www.facebook.com/foreverfirstlovemovie

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THE FLOOD – Australian feature film launches to outstanding reviews, festival awards & audience applause

What an exciting past month and a half it has been for writer/director VICTORIA WHARFE McINTYRE and her cast and team at Wagtail Films.

Down Under has been fortunate to come out from under Covid-19 quarantine & lock-down and Aussies are now able to attend cinema screenings and awards shows. Parts of New South Wales, around Sydney, have had a slight resurgence but the good old digger spirit has kept everyone complying with self-isolation and the virus seems contained – for now. Victoria, her fellow producer Amadeo Marquez-Perez and several cast members have been attending special screenings in key markets across multiple States, presenting post-screening Q&A panels, answering audience questions and chatting with media. THE FLOOD also won Best Australian Film as well as Best Director (for Victoria) and Best Lead Actress (Alexis Lane) at the Sydney Women’s Int’l Film Festival (see below)127534267_388815942561120_4636346088338239138_o128064618_388815692561145_6503339943587915807_o 126527186_388815869227794_5518471104302822974_oAnd at the prestigious AACTA Awards in late November, Aaron Jeffery was nominated for Best Supporting Actor (for playing Wm. “Minto” Minton) shown here with Victoria.128205268_390952799014101_8314221819762701337_nThe latest high-profile kudos come from David Stratton, columnist for The Australian newspaper, who listed The Flood as one of the best films of 2020:StrattonWhat a great way to end this bastard of a year! Bravo to Victoria, her production team and brilliant, talented cast!!   I asked Victoria and some of the cast members to share their experiences and thoughts about working on THE FLOOD now that the public and media have spoken…..
Victoria, congratulations on the success of the special screenings and Q&A panels with yourself and the cast. What has been the audience reaction/feedback to the film so far?
Thanks – it’s been overwhelmingly positive, which is fantastic considering how full on and in your face some scenes in the film are – people say it’s bold and epic and they’ve never seen a film like it and most commonly, people want to watch it again.SWIFF panelTHE FLOOD is a film that stands up to repeat viewing – there is so much going on and so many shocking moments that the subplots and subtleties are easily overlooked in the first viewing, especially the gentle spirituality of the First Nation people and country as witness to humanity. Watch it again from that perspective and you see a very different film again.   It is multilayered in every way – each shot jam packed with visual and aural information and it is just gorgeous to look at.

It appears that your cast is really invested emotionally in your film – how has this helped shaped the promotional campaign with post-screening Q&A panels, festivals & awards events, and their online (social media) support?
We spent 2 months in a heightened spirit and natured-filled ‘hot house’ together, going into the darkness and the light, traversing our nation’s history and the deeply personal aspects of human experience. We forged bonds in fire, through enormous challenges and are wedded with the time spent with our First Nation people through daily ceremony, artistic creation and loving friendship.cast and crew 130256849_786172415272497_146459325288775464_o 132118349_10158988768527673_2785055598753939783_oWe all believe that the story we’ve told forms part of our nation’s healing and move towards true reconciliation with our First Nation peoples. We are united in our sense of the importance of that, and our cast are brilliantly doing all they can to share our message of truth-telling that leads to redemption and reconciliation and that is universal both socially and personally.

The Flood is now being released to the public in theatres across the country, just in time for Christmas – how has FanForceTV, NAIDOC and Madman Films supported the film during the time of Covid and into 2021?
It has been a very trying time to bring your first feature into the world, and easy to get into impatience and longing for the old cinema going days. But we’ve had great support and now we’re getting some great reviews, sold out sessions and lots of cinema bookings which has been a pretty good end to an annus horribilis for the arts community – although the beauty, strength and character of artists all around the world has shone through the digital realm and touched a lot of people. THE FLOOD has always made its own way in the world – so I trust in the process.SWIFFWhat is your next project…or are you just taking a good long holiday from work until you start thinking of the next production?  Ha! This year has been a holiday away from production so I’m looking forward to getting back in the saddle in 2021. Got a few projects on the go – have a science fiction film in the works with the ultimate message of don’t destroy the Earth – there is no other planet ‘B’, and a film with a dog…will have to see what takes off.

I also posed a few questions to cast members who were kind enough to share their experiences on-set and their future projects:

Shaka, how has this leading role of Waru impacted your career to date, and as you head off to the stage musical “Hamilton”, are you looking forward to the rehearsal process and nightly performances in front of live audiences?
The leading role in THE FLOOD has had a massive impact on my career. It’s given me the chance and experience to be on set almost every day, which gave me the opportunity to learn my craft and have a better understanding of acting for film and tv.  It’s also put me up front for publicity experiences such as radio, tv interviews and public speaking. I’ve become more comfortable in all aspects of the acting industry.
THE FLOOD has only just been released and people are only just seeing it, so the impact it has had on my career when it comes to future work has not yet arrived but I have no doubt it will create many more opportunities in film and tv. To play a strong, beautiful and heroic Indigenous character is something I’m very proud of and grateful to have had the responsibility to portray.eVvxEMXwI’m definitely looking forward to rehearsals for HAMILTON and being surrounded by talent and incredible artists, and then performing with them to the world. HAMILTON is more than just a musical – it is another life changing experience. I’m very proud to be a part of THE FLOOD and HAMILTON which are two very different and powerful life changing experiences

Alexis, you took on the role of the tough, take-no prisoners Jarah – do you see yourself as an action heroine or are you now looking to take on a less exhausting or a more romantic character in your next film?  I had a phenomenal time working on this action-packed, truth revealing film. Victoria is an incredibly giving director, allowing me to constantly grow and explore the depths of Jarah throughout filming. Finding Jarah’s natural resolve which then becomes her weakness…   Jarah is unable to let go and grow in forgiveness. Her journey then circles back around and her determination becomes an asset to her character once again. Just like my favourite line in the film from Waru “you’ll grow and change and when you prove yourself you will be forgiven”.ubGuPazE (3)It is still a rare opportunity in this industry to find a female lead that is a strong force yet a very human woman, and I’d be happy to continue down this path if it means showcasing women are more than just love interests or damsels.

Dean, you played not one but two roles in THE FLOOD – one a nasty cruel guy and the other, his brother, a much nicer character – do you find portraying “bad guys” more interesting or challenging than playing the good guy?
Playing the guy with bad behaviour can be very emotionally challenging, because his behaviour is so far removed from my core values/self, but at the same time that makes him very interesting in terms of being challenged as an actor.
The “good” twin has core values closer to mine but he also has traits very far removed from me, his inability to follow through with his resistance to the children being taken and being passive and weak enough to have a man take his eye out. If someone tried that on me they’d have a fight in their hands I tell ya, ha ha!!
Saying that, playing Paddy was also triggering for me because as a skinny teen I was incredibly shy and passive and somewhat of a coward, and to sit in that after outgrowing it, with attaining confidence over the years, felt like living through flashbacks in a way.
So my long winded answer (ha ha) is that they are equally interesting, but the twin with “bad” behaviours, the homicidal, racist, barbaric thing in ‘Shamus’ makes it more challenging to be in his shoes. Dean Kyrwood is pictured below (R) with Brendan Bacon (L)Brendan and DeanBrendan, you’re playing one of the most heinous evil bastards in The Flood yet I hear you’re a very sweet, kind man – as an actor, where do you find such intensity (and nastiness!) for your characterization of Tick?
The most heinous evil bastard in THE FLOOD….why thank you for your kind words ha ha! Finding intensity and nastiness in a character like ‘Tick’ doesn’t come easy but lucky for me I have over the last 20 yrs of my career played nothing but characters of the same realm.
But ‘Tick’ is by far one of the nastiest I’ve played and I thank Victoria for giving me the opportunity. I grew up in a very small region of north Victoria where, unfortunately, the racism towards native Australians was very much within the community, so given that, I was able to tap into some of what I knew and heard growing up. Also, to when looking at the rest of the gang within the film you see I’m working with some pretty big guys (Dean, Socs and Eddie) so given that I’m the smallest in the group it gave me more of a view to make the tiny bad guy seem the worst.
Also, when reading the script for the first time and working on the character’s name ‘Tick’ I looked at using that as giving him ‘Tourette’s’ and knowing that back in the 1940’s it would have been something that wasn’t known by many, and given that it would be something that most people back then would find quite scary, so that, too, also gave the character some more depth.
Even though ‘Tick’ was a nasty guy, it still took a lot to channel but knowing I had Victoria’s backing with taking him as far into the darkness that I could, he was still a very broken little man and one of the characters that will stay with me for a long time!

Aaron, you’ve enjoyed audience popularity on both the big and small screens – do you prefer the challenge of period dramas (The Flood), romance (McLeod’s Daughters) or comedies (Palm Beach), and why? 
I’m always most attracted to stories with meaning and heart and characters with depth. THE FLOOD speaks of reconciliation and redemption and elevating First Nation people through an action-packed thrill ride that entertains while it tackles a bunch of social issues. It treats the audience with a lot of respect for their intelligence and I love being a part of telling stories that.Aaron Jeffery2

The audiences have had such positive reactions and many shared their thoughts and opinions as they exited the cinemas: 
“Best Australian movie I have seen in a long while I am still getting over how emotional it was. It definitely compelling and am finally glad some of the truth telling of our Aboriginal peoples is out there! We just need to get that treaty happening and acknowledge the Statement from the Heart with Integrity compassion and justice !”

“Definitely need to see this movie again…after absorbing the brutal action…ready to follow the softer spiritual depth of this unique film.”

“Highly recommended – watching this movie felt so many emotions very thought provoking”
“The team from The Flood. An Australian story rarely told. Brilliant cast, amazing bushland setting, and great creative cinematic story telling.”
“Congratulations on an amazing, thought-provoking, beautifully brutal masterpiece!”
“It was amazing. So beautifully shot, creative, confronting, sad, but a comforting end. Will watch again!”
“WOW!!!! We loved the film….photography was amazing, great acting, great everything!!!!!”
THE FLOOD is now being released in cinemas to the general public and should hit North America (US and Canada) sometime early 2021, either in cinemas (Covid permitting) or via online streaming platforms. I highly recommend the film to learn about Australia’s recent history…but I might be slightly biased – I grew up in Australia and cannot wait to get home to celebrate with my Flood friends!
poster for social media

Big thanks to FanForceTV, Madman Films, NAIDOC and everyone at Wagtail Films for allowing me access to THE FLOOD.

https://www.facebook.com/thefloodfilm2020

VIFF NAIDOC Film Festival Poster FINAL SML 2

AUSTRALIA’S FANFORCE TV TO PRESENT 2ND ANNUAL “VIRTUAL INDIGENOUS FILM FESTIVAL” NOV.11-15

Over the past 6 months of Covid quarantine and isolation here in Toronto, I’ve spent a lot of time online getting reacquainted with my homeland of Australia, its film and TV industry, its leading players and cultural ambassadors – yes, as you can already tell, I’m homesick and can’t wait to board a QANTAS jetliner and get my butt back Down Under. My quest for Aussie content took me to Amazon Prime, AcornTV and other streaming platforms, resulting in binge-watching shows like Water Rats, City Homicide, and the feature films and tv series of Mystery Road…the common thread being star Aaron Pedersen (pictured below) who has captured my heart and imagination. Behind-the-scenes-shot.-MYSTERY-ROAD-THE-SERIES.-Aaron-Pedersen.-Photo-John-Platt.36310144-e1526434876208The award-winning indigenous actor has led me to more in-depth research of the state-of-the-art for indigenous filmmakers, writers, directors and I was amazed at the depth of talent currently working in Australia. So why don’t we know about them up here in Canada and the U.S.? Lack of distribution deals? The assumption that other countries wouldn’t understand the specifics of cultural heritage and Aussie politics? I remember back in the 80s, Australia’s “new wave” of filmmaking ignited worldwide interest with such classics as My Brilliant Career, Picnic at Hanging Rock, Gallipoli (pictured below), Man From Snowy River, the int’l commercial hit Crocodile Dundee and TV mini-series such as The Thorn Birds that made Bryan Brown a huge int’l star. But these were all told by and for the “new” Australians, the white population. gallipoliI remember watching Walkabout (1975) featuring a young aboriginal actor, David Gulpilil, but his character sadly ended up rather badly. Where were all the positive cinematic images of indigenous actors and their stories?  Were there any indigenous actors or filmmakers? We never saw them on TV or in the cinemas. I’ve been away from home a long time and as I plan my return as soon as Covid allows, I’m comforted in the knowledge that this previous lack of inclusion is being addressed now thanks to the brilliance of directors such as Ivan Sen, Rachel Perkins, Wayne Blair and Warrick Thornton, and actors like Pedersen, Deborah Mailman, Ernie Dingo, and the now-legendary Gulpilil who remains a great presence on screen. I’m excited to be introduced to even more talent this coming week thanks to the 2nd annual Virtual Indigenous Film Festival and I encourage all film fans to join in online to celebrate the creativity and educational opportunities presented. Here’s all the info you need…..fanforceFANFORCE TV, the new Australian community-based streaming platform presents the second Virtual Indigenous Film Festival from the 11th of November till the 15th of November as part of NAIDOC* Week 2020. The festival will present award-winning Australian Indigenous films followed by live Q&A discussions and audience participation via Live Chat. *National Aborigines and Islanders Day Observance Committee (NAIDOC) Week events are held across Australia to celebrate the history, culture and achievements of Aboriginal and Torres Strait Islander peoples. NAIDOC is celebrated not only in Indigenous communities, but by Australians from all walks of life. [#NAIDOC2020 #AlwaysWasAlwaysWillBe ]

FANFORCE TV is showcasing 5 virtual events including film screenings of In My Own Words, The Song Keepers, The Flood, Wik vs. Queensland and Westwind: Djalu’s Legacy.   The-Song-Keepers-Naidoc-Thumbnail In MY Own Words Westwind-Naidoc-Thumbnail Wik-Vs-Queensland-Naidoc-ThumbnailTickets for the individual virtual screening events are $6.99USD with an all access pass available for $19.99USD. For more information visit:  fanforcetv.com  
There is also an exciting lineup of guest speakers and expert panelists involved throughout the week including filmmakers’ Erica Glynn (In My Own Words), Naina Sen (The Song Keepers), Dean Gibson (Wik Vs Queensland), Victoria Wharfe Mcintyre (The Flood), Ben Strunin (Westwind) and Keri Tamwoy (Mayor of Aurukun). More guests to be announced!mma9255-stills-master_2 mma9288-stills-master_3FANFORCE TV uniquely enables audiences to ask questions and discuss topics in real time with the guest speakers and community leaders via live chat and live streaming features. “We are thrilled to have a special screening of The Flood as part of VIFF and NAIDOC Week” says Victoria Wharfe McIntyre, writer/director/producer of The Flood. “Our film was born from a unique collaboration and tells a highly emotive, provocative and revisionist story about our nation’s history, it is fitting to showcase the film in an equally unique way via Live-streaming with a public discussion. This Q&A will be cracker and we are looking forward to some passionate, hard hitting and insightful comments and questions from the audience.”The-Flood-Naidoc-Thumbnail THE FLOOD IMG_0349The Flood will follow its VIFF NAIDOC Premiere with Cinema screenings across Australia and New Zealand (and hopefully the rest of the world in early 2021). Dates to be announced shortly.

FANFORCE TV acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of this nation and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. Aboriginal and Torres Strait Islander peoples should be aware that this page may contain images or names of people who have passed away.

I encourage you all to expand your understanding of Australia – its people, its cultures, its history….and its inspiring Indigenous filmmaking community. naidoc-logo-300