Category Archives: Books & Authors

CANADIAN POET, ARTIST & ARTS JOURNALIST DAVID BATEMAN LAUNCHES HIS FIRST NOVEL “DR. SAD”

I’m pleased to introduce you to Canadian freelance arts journalist, artist and performance poet DAVID BATEMAN, who currently resides in Toronto, Canada. David has published several books of poetry and contributes literary reviews in several leading national and local newspapers & magazines. He has also taught creative writing and literature at post-secondary institutions across Canada. He has recently published his debut novel DR. SAD, and although Covid quarantining and stay-at-home directives have forced him to cancel live readings and book signings at bookstores and coffee houses around Toronto, David is utilizing the internet and social media to reach his fans and attract new readers (and book sales!).Story synopsis: Discover the difference between living a life and simply enduring on in this cross-campus, cross-country comedy of manners, queerness, poetry and HIV.

Bateman has crafted a brilliant novel featuring a main character, Stephen, who is a middle-aged teacher who is also gay. He’s content, except when he isn’t. He’s a poet. He has a new teaching job in Kamloops, British Columbia……Stephen has HIV. DR. SAD is the story of one man’s journey across Canada and through his diagnosis. It is the story of the distance between queer urban spaces and a small campus in small-town BC. It’s the story of discovering the self within the world and the world within the self, of discovering the difference between living a life and simply enduring one. This is a tragicomic cross-campus, cross-country romp that believes in the power of romance. Weaving together narratives of past and present, of Toronto’s Gay Village and the streets of Kamloops, this lively and dynamic semi-autobiographical novel dives deeply into gender and queerness, class and privilege, and the realities of aging. It is a dynamic and engaging hybrid, stylistically daring while remaining intimate and human. Leaping through time and mixing the playfully serious with the seriously playful, DR SAD blends poetry with prose and finds the humour in despair in one complete, glittering tragedy of triumph.I recently spoke with David, socially distanced, of course, and he shared his thoughts on the writing process and of life under Covid:

Congratulations on your first novel, David. What inspired you to share your small town/big city experiences in the semi-autobiographical DR. SAD? The diagnosis that begins the novel motivated me to write the openings chapters. It was a very curious and startling way of receiving the news, and I thought it would work well as an introduction to a kind of tragicomic, semi-fictional narrative around survival and endurance under challenging circumstances. The diagnosis was revealed in the first chapter, in the fist draft of the manuscript. After a variety of editing suggestions from various editors, I decided that moving this to a slightly later chapter would work better.

Your career has included arts journalism, book editor, poet and performance artist – now you add novelist to your CV; compared with your other pursuits, how difficult was it to complete the book? It was much more difficult with a longer project to find the time to develop it. With arts journalism, poetry, editing, and performance, over the years there have always been deadlines in those areas, so that made it easier for me to focus on an end result. But with a novel there was no sense of a deadline so it just kept being put off. But I had always wanted to write a novel, and started a few but never got very far. I was writing poetry more at the time, in my thirties and forties, and had a publisher in Calgary who published four collections of mine over a ten-year period, and that was my main focus. A longer narrative project always seemed out of reach, never enough time to devote to a novel length project. Soon after I returned to Toronto, after living and teaching in Alberta and B.C. for close to ten years, I applied for a year long Fellowship and was delighted and surprised when I got it, so basically, the funding and the lengthy time period, one year, motivated me to sit down almost every day and work on a first draft of the novel. The application for the fellowship included the original first chapter for the manuscript.

Covid has obviously put a stop to live readings and bookstore meet-n-greets with your fans – what’s been the most difficult or inconvenient part of the lockdown/stay home situation for you as a writer? Actually, I have found that the pandemic has afforded me more time to write, and develop various projects. I have been very fortunate to be in a relatively safe and comfortable environment over the past year and have had a couple of small grants that have supported my creative work. It is disappointing, of course, not to be able to take part in live readings and events, but I have found zoom and various online platforms to be very satisfying and inspiring to be able to continue to take part in events with a variety of other artists across the country, and beyond. But the hardest part of this I think has been not being able to go out and exchange ideas and hear other writers present their work in community settings. That was a very inspiring and motivating part of my life as an artist, and a lot of that has disappeared during the lockdown/stay at home period. And yet, on the other hand, online platforms have extended some of my connections as an artist to people from parts of the world I might never have had the opportunity to connect with through readings, festivals, interviews etc.

So many people are utilizing the pandemic stay-home time writing their own books of short stories, poems or novels – what advice can you share with them? I try to have a routine, dividing my time between painting and writing. Deadlines give me a focus, and even if there isn’t a set deadline from a gallery or a press or an arts publication, I try to write down rough deadlines, and creative ideas, and follow them as much as possible – with a list of projects itemized by priority. Of course I often stray from those deadlines, but just having them there, written down and always present in a way, can keep me interested and motivated in continuing the creative process within each separate area – poetry, painting, editing, arts journalism, and longer prose and performance works. And searching online about various grant possibilities is also helpful. Even if I don’t get them, which I often don’t, it can be a great source of motivation to re-consider various projects in the context of a grant application. This helps me to develop the project in formal ways I might not consider outside of a grant application framework – when I am sitting around just thinking or jotting down lists around ideas for a number of projects. Applications often ask artists to describe various ideas in specific itemized ways. I find this very helpful as I move forward with any given creative idea.

Any other comments you’d like to share? I try to think of everything I do as part of the creative process. Sometimes it can feel a little silly, and enormously privileged to be able to just binge on Netflix, or any of the big movie and television channels available. But especially now, within this pandemic, watching a variety of narrative structures, flash across the screen, whether they be contained within a kind of documentary style or pseudo reality tv show about a painter, or something as mainstream as Ozark or The Queen’s Gambit, or a series like Flowers or Fleabag, well, it all acts as inspiration for ideas and images that contribute to the ideas and images racing through my head. This has always been the case, as we live in an image world, but now, confined more to our homes and workspaces, film and television, and some reading, can be a welcome and nurturing distraction.David has a number of interviews in May, including the popular HOWL! radio show on CIUT-FM 89.5 with host Valentino Assenza on Tues. May 4th (10pm to 11pm) and another scheduled for taping in mid-May with Mark Tara of Rainbow Country radio (for broadcast in July). Follow David on his Facebook page: https://www.facebook.com/david.h.bateman

DR. SAD, Soft-cover, 310 pages
Price: $28.99 Cdn. (hardcover) or $15.94 (Kindle e-book)
University of Calgary Press (Dec.2020)
ISBN: 9781773 851037
Available from: Amazon.ca, Type Books & Glad Day bookstores in Toronto & Waterstones Books (UK)

AUSTRALIAN AUTHOR CAPTURES OUTBACK TALE OF BETRAYAL AND REDEMPTION IN 1ST NOVEL “SPLINTERED HEART”

Over the past several months of Covid isolation and lack of film or tv production activity (i.e. potential clients), I’ve had lots of spare time to explore websites and news feeds from my homeland, Australia, and getting more and more homesick in the process. Thanks to viewing some fabulous films and TV shows on Aussie streaming platforms as well as Amazon Prime/Acorn TV, I discovered Down Under’s favourite leading man, Aaron Pedersen (pictured below), star of Mystery Road the movie (featured at the 2013 Toronto Int’l Film Fest) and the subsequent TV series of the same name (the second series is currently airing in Canada on Acorn TV, part of the Amazon Prime service).Having binge-watched 2 of his previous tv shows Water Rats (1996-2001) and City Homicide (2007 to 2011) and the Mystery Road movie sequel, Goldstone, I admit I’ve developed a huge crush on this handsome indigenous Aussie actor, so I joined a fun Facebook group made up of his most devoted fans, one of whom, Linda Dowling, is an award-winning successful author. Linda’s first 2 novels are currently available via Amazon Books, and I’m thoroughly engrossed in her first one, Splintered Heart, which takes place during the 60’s, an era when I myself was growing up in the bush just outside of Perth in Western Australia. So many references resonated with me but you don’t have to be an Aussie to fully appreciate the story, the heroine of the tale or the heat and vast emptiness of the outback. Dowling writes with great descriptive flair – I can almost hear the mournful call of the crows and feel the exhausting heat of the sun as I turn each page.This first book in Linda’s Red Dust series is set in the 1960s – teenager Lisa O’Connor is growing up in a brutal family environment living in the outskirts of Sydney, Australia. Abused and forsaken by those she should have been able to trust, Lisa is sent away to the notorious Parramatta Girls Home for ‘reform’ (this was, in fact, a real place which has thankfully since closed). While captive there, she experiences the depths of human depravity and sinks even further into despair. Luckily for Lisa, she’s rescued from this abhorrent life by her childless aunt who takes her to live at a remote sheep station (i.e. big farm in the middle of nowhere) in outback New South Wales. Lisa finds herself in a world that is different to anything she has known before, and she falls in love with the homestead, the harsh outback landscape and the Aboriginal culture. With the help of her aunt and uncle, two female Aboriginal elders and Billy, a very special young Aboriginal man, Lisa’s splintered heart and broken spirit begin to mend. Lisa’s determination and desire to overcome her horrific beginnings tell a saga unlike any other – both horrifying and inspiring, this is a book you won’t be able to put down.The award-winning, #1 bestselling author (pictured above) grew up in the Western suburbs of Sydney, Australia. During her childhood, Linda spent most of her time in rural areas and has continued to enjoy life in areas with natural surroundings. Her own aunt, a wonderful horsewoman, taught her a great deal about horses, riding and the outback and it was during her vacations with her aunt that Linda herself fell in love with the vast outback plains and the culture of the local indigenous population, their stories and their unique but simple way of living. In her professional life, Linda has established and managed four medico-legal firms, including her own. During the course of her career, she has been involved in reporting on coroner-centric matters and inquests. She has also worked with the NSW Police State Crime Command Centre and in various Royal Commissions where she was exposed to the worst of human nature; she has drawn upon her professional and personal experiences while writing her Red Dust novel series, but the stories are a work of fiction and do not depict any person, living or dead.

Linda has already received many positive reviews and kudos direct from the readers, including:

A compelling read. Prepare to laugh and cry, this book will truly evoke a powerhouse of emotions. Steeped in culture perseverance and the unbreakable spirit of a young girl in 1960’s Australia. Mary

I absolutely loved this book – an easy read that was hard to put down. A disturbing revelation into the brutal experiences occurring in the girls’ home in the 60’s and then a warming and uplifting transition to life in the outback and an interesting insight into our indigenous people. Looking forward to the next chapter. Sandra

Wow! This book was an intense read. The author writes about the harshness of family life in general that many people living in Australia grew up in the 60’s thru 80’s can relate to. While the storyline itself was heart wrenching and a lot darker than anything I have experienced in my life, it left me thinking about the events affecting those in the book and the racism experienced by Aboriginals long after I had finished the book. International Amazon Customer

Splintered Heart is available in soft-cover and Kindle versions on Amazon so why not buy yourself a great gift for Christmas – order Linda’s book now!

AUTHOR GEORDIE TELFER LAUNCHES “HOGTOWN EMPIRE” BOOK ABOUT NOTORIOUS 100YR OLD TORONTO COLD-CASE MYSTERY

Big CONGRATULATIONS to local author GEORDIE TELFER on his packed-house book launch last night held at Toronto’s Dominion Pub & Kitchen. He entertained his guests with selected readings, music and original songs that told the tale of the disappearance of Toronto theatre mogul & millionaire, Ambrose Small (pictured below), who led a life of dodgy dealings and showbiz shenanigans.“Hogtown Empire” is a tale of money, deception and betrayal with a cast of captains of industry, socialites and would-be con artists. It’s the culmination of several years of research, interviews and scouring official police and news archival records, much of which led Geordie in different directions complete with red herrings and false starts.Here is an exciting true-crime adventure story. Ambrose Small and his wife, Theresa, were wealthy entertainment impresarios who owned a prominent chain of theatres in southern Ontario. On December 2, 1919, the Smalls banked a cheque for $1-million, a down-payment on the sale of their theatrical empire. That night, as dusk fell, Ambrose disappeared into the darkness and was never seen again. What happened? Was he murdered? Did he disappear of his own volition? No body was ever found and, as far as anyone can tell, he took none of his money with him. Ambrose left behind his wife, his mistress, and his frustrated secretary. The case prompted an international man-hunt that spanned the globe and had renowned psychics of the day hearing voices and seeing visions. There were lurid rumours of infidelity and accounts of suspicious activities by Small’s enemies….so many enemies. The subject of films and TV shows, Canada’s longest running cold-case remains unsolved after 100 years. Ambrose Small was famous for his HUGE handlebar mustache so we made sure all the guests had their very own moo-stash on a stick…which worked well for the sing-along during the “Ambrose Small’s Mustache” song. It also provided lots of laughs at the photo wall, too! If you would like more information about this fascinating real-life unsolved mystery and to purchase a copy of Geordie’s book ($24.95), visit the official website: www.HogtownEmpire.com The book is also available from Amazon.com or .ca Geordie also hosts regular Hogtown Empire podcasts, also found on the website. And thanks to the Dominion Pub & Kitchen for the great service, deelish food and frosty drinks. Check them out in person: www.fabrestaurants.ca/restaurant/dominion

AUTHOR GEORDIE TELFER TACKLES CANADA’S 100YR HISTORIC COLD-CASE CRIME WITH NEW BOOK, HOGTOWN EMPIRE!

I’d like to introduce you to my newest client, author GEORDIE TELFER and I’m excited to put all my publicity skills into marketing and promoting his thrilling new book, HOGTOWN EMPIRE, due for release later in the fall, just in time for seasonal gift-giving. Geordie explores all the urban myths and mysteries surrounding the infamous disappearance of Toronto theatre impresario Ambrose Small 100 years ago after he completed a million dollar transaction for the sale of his theatre and opera house properties…and then disappeared into the chilly night, never to be seen again. Geordie is a seasoned writer with numerous books on various subjects published by the same publishing house as my own NASCAR & Formula One books, Folklore Books, so it was synchronistic when I received his email asking for promotional assistance with his new book – but I’ll let him tell you about his literary background in his own words…

Found on Amazon.ca, some of Geordie’s previous books include… With a forward by Toronto’s official historian and respected author Bruce Bell, Hogtown Empire will launch on Oct. 22nd at The Dominion on Queen St East in Toronto, so watch Fordham PR’s social media for news and invitations.Then on the actual date of the 100th anniversary of Small’s disappearance (December 2nd) Geordie will be hosting a VIP reception in the Vault lounge in the basement of 1 King West Hotel & Condos – the original location of The Dominion Bank where Ambrose Small conducted his final business transaction. The original bank vault is still there (see title photo) and as you can see, it has a mighty big and impenetrable door!

For more news on this tantalizing true-crime book, visit the official website: www.HogtownEmpire.com

AUTHOR & FAMILY THERAPIST OFFERS ADVICE TO PARENTS ABOUT POT LEGALIZATION AND THEIR TEENS

With the legalization of pot in Canada last Wednesday October 17th, many parents & grandparents of teens and ‘tweens are nervous about starting the conversation about smoking, toking and vaping weed now that it’s more easily available. Did I raise my kid to stand up to peer pressure? Does my kid understand the fall-out from prolonged use of weed and long-term health issues? Will my teen’s future be compromised if they indulge in regular pot use?The author of the recently published The Anxious Teen (a guidebook for parents, teachers, mentors of teens suffering stress and anxiety) KRISTINA VIRRO (pictured below) sat down with me last week and answered a few questions that parents may have and advice they may need before broaching the subject over the family dinner table.What should parents look for to identify drug use in their teens? One warning sign is finding accessories associated with drug use, so parents can benefit from familiarizing themselves with what these are. Another warning sign is when a teen starts missing or skipping class, which is often associated with poorer grades. Finally, the smell of marijuana is a dead giveaway, though you might notice your teen using several air fresheners, candles, colognes and more to cover up the smell. What are the changes in behaviour or indications that your teen may be experimenting with pot or other drugs? You might notice a change in their friend group and a withdrawal from family bonding time. Since every teenager is unique, pay attention to any changes in their personality that just seem different, too. They might become more apathetic, less productive, possess less self-control, and start paying less attention to their personal hygiene. Or, they might become more aggressive, defensive, irritable, and paranoid, which could all be symptoms of drug use.How do you communicate your distrust of your teen’s friends or peers (who may be involved in drug activities) without causing them to react negatively or defend their friends? During adolescence, teenagers are actually biologically wired to enhance their connection to peers, meaning they often feel very loyal and protective of their friends. The worst thing you can do is insult friends, so stay far away from poking fun at them, calling them names, or making hurtful totalizing statements (i.e. “your friends are all losers.”) While your first instinct might be to cut contact between your teenager and their “sub-par” friends, it might be better to simply create some boundaries for the times they are spending time with them. Set curfews, check in on them a bit more often, or whatever you feel is best. Finally, create more opportunities for you and your teen to spend quality time together—alone or with the entire family—as this has been well-researched to minimize drug use.If you find weed in your teen’s room or school bag, what should you do/say? Take some time to process and/or release any feelings that arise before approaching your teen. Once you feel ready to approach the topic in a more neutral manner, start by being honest about finding marijuana. From there, communicate why you’re feeling concerned in a way that doesn’t sound accusatory. Speak in “I” statements and avoid extreme language like “always” or “never.” I also invite parents to consider taking a harm reduction approach, which is based on the idea that, for better or worse, drug use happens, and our goal should be to minimize its harmful effects rather than simply condemning them. A large body of research supports the efficacy of such a strategy. This might involve talking openly about drug use, creating guidelines, and/or using the drug when the effects will be the least disruptive. Should parents discuss their own youthful drug use with their teens and how do you start the conversation without sounding “preachy”? Being “preachy” involves excessively trying to teach moral lessons, and usually involves talking at someone rather with them. To avoid this, make the conversation collaborative. Be curious rather than judgmental and remind yourself that people used pot when you were young, too. If your teen feels like you’re blowing things out of proportion and not listening to them, they’ll become more secretive, which is precisely what you don’t want.Thanks, Kristina. And she offers lots more advice and approaches to parental and family interactions concerning drug use and abuse, as well as coping with the stress and anxiety teens are currently experiencing. You can get a copy of Kristina’s book from Amazon or iBooks, or directly from the author via her website: www.fresh-insight.ca

Ms. Virro’s Credentials:
Individual, Couples & Family Therapist (Master of Science, University of Guelph)
Registered Holistic Nutritionist (Canadian School of Natural Nutrition)
Master’s of Journalism (University of Western Ontario)
Certificate in Trauma-Informed Care (University of Buffalo, School of Social Work)

MEDIA PERSONALITY IEDEN WALL LAUNCHES NEW BOOK OF POETRY & PROVERBS

I recently had the pleasure of meeting IEDEN WALL, Toronto tv host, writer/producer, motivational speaker and now…. author! Ieden (pron. Eden) has just published a book of poetry and proverbs, the result of years spent discovering life, love and career, meeting the challenges of creating a productive and authentic life.“Being on my own at age 15 opened up a very unique lens through which I viewed the world. By sharing my poetic lyrics and pearls of wisdom, I have been able to impart many life lessons that I learned the hard way. I hope those reading The Wisdom of Wall will be empowered to survive the many pitfalls and speed bumps of life without suffering the way I did. And that makes me feel great.” – Ieden Wall (pictured above)

In his book, The Wisdom of Wall, Ieden engages a wide range of topics such as human existence, social and political unrest, love, romance, spirituality, religion and much more. He explores the world and the human condition with a sharp wit, an acute sense of irony and a mysterious sixth sense. In this book of poetry and proverbs, we find a complex mind in search for identity, lost memories, purpose and transcendence amid a dizzying gust of existential curiosity.

I sat down with the author and asked him about his inspiration for the book and what drives him to create:

What first inspired you to start writing your thoughts down in rhyme? Strange though it sounds, I was inspired by the genius of Leonard Cohen and then Bob Dylan and Tom Waits. Even at 15 years-old, I was so moved by their depth and creativity. I was on my own so young and the raw, brokenness of Cohen captured my imagination.

Having experienced a challenging life as a teenager and young adult, how do you think sharing your wisdom and poetic insights will help others surmount their own obstacles in life, relationships or careers? Too much wisdom can be a heavy burden, but my wish is that readers will find that special message that connects with them at just the right time and makes all the difference. The truth is a great liberator and there are many truths in my book, from cover to cover.

What advice were you given as a youngster that has stuck with you over the years? Don’t be afraid to share what is most precious to you. Good art and great art is separated by the many depths of honesty and revelation.

To date, you’ve had a successful career in broadcasting as well as motivational speaking – how difficult is it to sit down and write in a solitary environment? Writing in a solitary environment was cathartic, in the deepest sense. I am a walking paradox. Enigmatic to myself and others. [smile] On one hand I love interactive performance art like broadcasting and stand-up comedy. On the other hand, I adore the soulful isolation that gives birth to honest, raw poetry.

How relevant do you feel poetry is in today’s world? I believe it depends on the poet. I suppose poetry about the inner beauty of butter churning is not so relevant to our high-tech generation [laughs] but the deepest matters of the heart are always in high demand — even more so now as technology pushes us into our brains and away from our hearts.

I hear you may be considering collaborating with musicians to create recordings of your spoken word accompanied by original music – any favourite artists on your “wish list”? Well I’m currently trying to lure Garth Brooks away from his 60 bedroom, 25 bathroom shack in Montana and back into the recording studio. He would do a fabulous job with my poem called “No Love to be Won”.

Any advice to would-be poets/authors looking to take that first step in putting pen to paper? Be honest. Be brave. Be yourself. Enjoy the process and detach from the outcome.

Wall has already garnered kudos and thumbs-up for his literary work from fans such as …

“A Canadian poet with a distinct charm and remarkable grace.” – Dr. Jonathan Sarna, Newsweek

“Wall’s ability to fuse absurd humour with the poignancy of humanity is brilliant.” – former Mayor of Toronto, David Miller

“The Wisdom of Wall is 200 pages of grace, charm and an agile wit. Wall does something that few poets have been able to do here in Canada – he delivers deep, profound messages, with the punch of a comedian and the rhythm of a master lyricist.” – comedy legend & Founder of Yuk Yuk’s Mark Breslin

with Mark Breslin

“There is nobody out there quite like him. So much soul under Wall’s veneer of wry humour.” – John Terauds, The Toronto Star

“A wonderfully wise and thoughtful read.” – filmmaker Robert Lantos

SPECIAL BOOK SIGNING EVENT
The author will be selling & signing copies of The Wisdom of Wall on Saturday October 14 (8pm to 9:30pm) at the 5-star Shangri-La Hotel (VIP screening Room, 3^rd Floor) located at 188 University Avenue, Toronto. Live music and video segments will accompany the readings.

If you would like to attend, please RSVP to me at FordhamPR@rogers.com – space is limited so email soon.The book will also be available for sale online at EdenTV.ca or Amazon.com on October 15^th. Published by Cosmic Landscape Publishing.

RIP-ROARING TALES OF A LIFE SURROUNDED BY MUSIC AND DARING ADVENTURES!

SKINHEADS, FUR TRADERS and DJs
An adventure through the 1970s

Book launch party at The Rivoli on Queen West, Toronto, this coming Sunday Sept. 10 @ 8pm

When I heard that tv personality and music media insider Kim Clarke Champniss was writing his autobiography covering his childhood and teen years in England and his 70’s adventures in Canada, I knew I would be reading much about my own history…but with just a few geographical differences. I was born a few months before Kim came into the world, so we were both exposed to the same popular music of the Brits and American rock-and-roll in the mid to late 50’s. But while Kim experienced the whole mods’n’rockers evolution in person, I would only hear about it from far off Australia to where my parents had emigrated in ’59. Unfortunately my family would end up way out in the bush, cut off from any form of entertainment other than 4 radio stations and two television channels that only broadcast from 11am until 10pm. Kim, as he tells it in his book, was right there at ground zero in London for the changing social moods and music styles, going from bovver boys to The Beatles. So it was with a touch of envy that I turned the first page…..

Champniss writes like Jackson Pollack painted: bold colourful strokes with trickles of familiar music history, lobbing in droplets of dusty old names that suddenly come back to me – Régine, Slade, Lyons tearooms and Marc Bolan. Then once the reader arrives with Champniss in Canada’s far north, his descriptions of living and working for the Hudson’s Bay Co in the isolated, snow-bound Eskimo Point during the early 70’s will have you pulling a blanket up around your ears – so cold, so windy and wild you can almost feel the biting gusts of Arctic air whirl around you.

The pages turn easily as the reader follows Kim’s journey back to civilization (Winnipeg?) then several road trips across the States and through Canada, with the music of the time playing in your head: glam rock, Motown hits then disco. His brief 1975 return to England plugged Champniss into the emerging sounds of new pop and rock music along with an increased social and political awareness – these were also the days of random IRA bombings and economic unrest as the European Common Market developed. Upon returning to Canada, Champniss soon found his calling as a DJ, working in top nightclubs around Vancouver and he enthusiastically shares his memories of the dawn of the disco era.

Apparently, our lives had intersected in Perth, Western Australia, my childhood home and Kim’s home for a short time in the mid-70s while waiting for entrance into the University of Western Australia (my alma mater). He and his (by now) wife Lily even lived close to where my family had once resided, the beachside town of Cottesloe. But Oz didn’t work out as expected and they soon returned to Canada’s west coast where Kim immersed himself even more in the music scene. Rock, pop and soul would be joined by punk and new wave, and reading through the artists’ names Champniss notes, the clubs, the cities that gave rise to the new music, gives readers of a certain age that warm feeling of remembrance that sends one off to the basement to pull out the old vinyl and dust off the ancient turntable.

This book definitely leaves the reader wanting more…and fortunately there is a lot more as Champniss ends this story just before he heads to Toronto in the early 80s to join the revolutionary new music & video tv station that we came to know as MuchMusic.Not only is this an autobiography with exciting adventures we can relive with the writer, it is a great music history lesson to be shared with younger readers. I first met Kim when he had arrived in Toronto from Vancouver whilst hanging out at renowned music publicist Richard Flohill’s floor-to-ceiling record lined apartment in Cabbagetown. I remember thinking what a bright, energetic young man Kim was, full of music trivia and fascinating stories of his many adventures around the world. I cannot wait for the next chapter when I know he’ll have more great tales to share.

SKINHEADS, FUR TRADERS and DJs
An adventure through the 1970s
Published by Dundurn Press
200 pages, 29 illustrations, black & white
Available in Paperback $23.99 ISBN: 9781459739239
Or eBook $11.99 ISBN: 9781459739253

Kim Clarke Champniss (a.k.a. KCC) is an award-winning broadcaster who was a popular VJ on MuchMusic and special assignment reporter for The NewMusic. KCC is also the author of The Republic of Rock ’n’ Roll. He lives in Toronto.

ABOUT THE BOOK
A true story of an adventurous pop-loving teenager who, in the early 1970s, went from London’s discotheques to the Canadian sub-arctic to work for the Hudson’s Bay Company. His job? Buying furs and helping run the trading post in the settlement of Arviat (then known as Eskimo Point), Northwest Territories (population: 750). That young man was Kim Clarke Champniss, who would later become a VJ on MuchMusic. His extraordinary adventures unfolded in a chain of On the Road experiences across Canada. His mind-boggling journey, from London, to the far Canadian North, to the spotlight, is the stuff of music and TV legends. Kim brings his incredible knowledge of music and pop culture and the history of disco music, weaving them into this wild story of his exciting and uniquely crazy 1970s.

JOIN CIUT 89.5FM RADIO SPRING MEMBERSHIP CAMPAIGN WITH THE HOSTS OF “HOWL!”

Over the past three decades, I’ve had the privilege of working with the hosts of CIUT radio’s “Howl!” spoken word/music show (Tuesdays, live at 10-11pm) who have interviewed numerous clients of mine, supported events I’ve promoted and I’ve even appeared on-air myself chatting about life as an arts publicist. Howl! is one of the few live media platforms available to local Toronto artists to promote their creations and performances, and as CIUT 89.5FM is holding it’s annual Spring membership drive May 8-14, I would like to encourage all my readers/followers to kindly support this amazing grassroots radio station.Nancy Bullis and Valentino Assenza share hosting duties, alternating on-air duties each week. They have welcomed poets, authors, musicians, actors, theatre folk, songwriters – all sorts of entertainers who add to our city’s cultural landscape. Please join them Tues. May 9th between 10pm and 11pm and call-in or log on to the CIUT website to donate (details at end of this story)

Above - Valentino, Nancy & studio engineer Robert

Above L to R – Valentino, Nancy & studio engineer Robert

“It is an honour, a privilege and a sheer joy to prepare for and interview writers and artists in Canada of all genres to showcase their work on HOWL,” Nancy told me. “The radio is a great place for them to introduce new work and CIUT 89.5FM provides for this opportunity. A conduit is available here for, as you say, Glenda, “the grassroots promotions & media opps for emerging artists via HOWL!” Exactly! I think that society would be a dismal place without music, poetry, spoken word and the other arts to help us understand who we are and for artists of all kinds to express themselves. I’m a big believer in Kurt Vonnegut’s “canary in the coal mine theory of the arts.” It truly is my pleasure to be part of HOWL, CIUT 89.5FM since December 1999.”

And Valentino added…. “For me, life is about words, and so I make HOWL! about words too. Whether it’s a series of them that make up a novel or a cool poem, sound lyrics in a song, HOWL! is about words, and how powerful they are, and I like to expose the people that transcend words through their art.”

Above, Nancy interviews Grammy-nominated flutist and composer Ron Korb prior to his departure for LA and the Grammy red carpet. And below, she’s with Cuban jazz trumpeter and composer Alexis Baro whose CD launch was the following weekend.Before Nancy and Valentino took the helm at Howl!, the show was the sole domain of legendary poet, artist and musician Nik Beat (pictured below). I remember working closely with Nik back when the CIUT studios were located in an old Edwardian house on St. George St…up 2 flights of rickety stairs, into the rafters. Nik was one of the first people in the city to support poetry and spoken word performers and he and I just clicked when we first met at one of my Scribes & Muses! (or S&M for short…LOL) performances back in the late 80’s. I headed up an artists’ collective of writers, poets, musicians who performed live around the city – Nik was the only media host who gave us on-air time. Needless to say, I am indebted to Nik and Howl!/CIUT for the successes that came from those early days.So to honour Nik and all those artists he helped over the years, and for Nancy & Valentino’s ongoing weekly showcase, please reach out and support the station which supports the artists. Thank you.

CIUT 89.5 FM SPRING 2017 MEMBERSHIP DRIVE
Presenting the Sound of Your City for 30 years
On Air Campaign Runs May 8-14
Your contributions and support have kept CIUT thriving for 30 years and we want to continue to be the sound of your city for another 30 + years!
Donations can be made right now by simply clicking on the Donation button on the website www.ciut.fm
Phone lines are open 6am-2am 416-946-7800 OR 1-888-204-8976
Show your support on this 30th anniversary because we can’t do it without you!
GOAL: $60,000 Total so far: $2,700

MEET THE PUBLISHERS OF ARABELLA, CANADA’S PREMIERE ART & DESIGN MAGAZINE

Having been a regular reader of ARABELLA, the quarterly magazine featuring the best in art, design and architecture, I thought my own readers would like to learn more about this gorgeous glossy mag and meet the publishers who bring us the beautiful images and stories of those who create and exhibit such masterpieces. You can view the magazine here: www.arabelladesign.com

Debra and Brian Usher have been supporting Canadian and international artists and galleries with their magazine for many years – in fact, I first met them at Westmount Gallery in Toronto several years back when I was working with artist Bruce Lawes whose stunning hyper-realistic equine paintings were being showcased there at the time. While gallery visitors ooo’d and aaah’d at Bruce’s work, I quietly sat in a corner eagerly thumbing through the current issue of Arabella, intrigued by the contents and marveling at the new artist discoveries to be had inside the covers. (2 of Bruce Lawes’ equine paintings have been featured on the cover – below) After many years of living and publishing their magazine in Toronto, a couple of years ago Debra and Brian decided the time was right for a move down east so they purchased an historic home and barn in the seaside town of St. Andrews, New Brunswick and established their business in this picturesque new location. I recently caught up with them via phone and asked them to share their thoughts on the art world, publishing and their new home amidst the salt air and crashing Atlantic waves….

What first inspired you to launch a big glossy art magazine? We didn’t start with the idea of “big and glossy” but instead looked at what other art magazines were doing and tried to determine how well they provided art consumers and art lovers with an experience that portrayed both the art and the artist in the most effective way. The artists and galleries we talked to were concerned about reaching a wider audience as the standard “art tours” had pretty much ran their course and their audiences were dwindling. We started with the business idea – how can we best promote and support the sale of art? To accomplish this we needed to really reach a national and international audience.

Editor-n-Chief, Debra Usher

A magazine with national and international distribution required a look and feel unlike anything on the book-shelves. While “big and glossy” is often seen as a waste of a natural forestry resource, it in fact was an important feature for ensuring that ARABELLA was going to be treated much like a coffee-book, a keepsake that could take readers on an artistic and engaging journey that lasts beyond a quick scan and becomes a lasting visual and narrative treasure.

When we looked at “the competition” for the most part, other art related publications seemed to be more focused on “critical dialogue” as this was central to their not-for-profit, charitable commitments to “educating the public”. As a result their editorial content tends to place more of an emphasis on thoughtful, academic analysis and less on the raw, emotional experience of the visual. We knew we had to get beyond the boundaries of conventional art publications. ARABELLA had to be about beauty in all its forms and provide readers with an unforgettable reading experience! It was a gamble on our part but we had all sorts of feedback that the audience for critical dialogue was much smaller than the audience of those who want to be visually and emotionally engaged by the art, the artists and their stories. Maybe it’s just a different audience, but we now believe they overlap. So, we started ARABELLA in order to help support and promote artists and galleries from a commercial perspective first and recognized that in order to sell art the consumer or reader had to get as close to the art as possible. In designing our format, we emphasized the visual through full colour large scale imagery which requires the highest quality of printing – or as you say “big and glossy”.

As opposed to presenting “analysis and critical dialogue” from an external, expert perspective, we decided to focus on what is now pretty much accepted as the most critical aspect of selling – i.e. namely to tell stories, particularly from the perspective of the artists and the gallery owners. ARABELLA gives artists and galleries their own voice and helps readers connect with the people behind the art.Are you both artists yourselves? Have you dabbled in any creative arts? Both our careers have involved multiple aspects of creative arts. Brian and I have been involved in painting, photography, and creative crafts.

For the most part, these activities have been secondary to us pursuing business careers that focused on helping entrepreneurs grow their businesses through effective change management and leadership development. Anyone involved in these aspects of businesses will recognize and identify with the creative processes and innovation required for success.

With so many newspapers and magazines going out of business on almost a monthly basis, how do you keep Arabella relevant & popular? Well actually that’s two questions. I’ll deal with last one first. The relevance and popularity factors are pretty much driven by having a strong network in the commercial side of the art world. We are constantly monitoring and research trends and patterns through direct contacts; as many forms of media as possible; and feedback from artists, as well as our readers.

The format and editorial focus on the magazine, as outlined above, is built on understanding what is popular and relevant with our readership. It pretty much follows that we have a very strong chance of addressing customer needs.

The issue of newspapers and magazines going out of business is really a direct result of these mediums failing to understand what readers are looking for in their lives. ARABELLA recognizes a critical reality – namely that we are in the entertainment business. Our readers are looking for an opportunity to take a journey, to appreciate beauty and make it a part of their lives.

Having said that, our biggest challenge is funding the production of the magazine through direct advertising revenue. This is a problem that we share with newspapers and other magazines.

Brian, a couple of years ago, you moved home & business out to St. Andrews, New Brunswick, from Ontario – how did this move impact your work and lives? And can you tell us about your lovely new home? Our move to St. Andrews was first and foremost a lifestyle decision. We were first enchanted by the people, and the architectural and cultural charm of the town and the region. Something about moving to the sea seemed almost like a natural at this point in our lives.

There’s no denying that there were clear economics involved as the real estate values were significantly more affordable. But at the same time we realized that a lot of what we do to produce the magazine is actually done via the internet and we actually had already established a virtual team of writers, photographers, and designers. With access to “relatively high-speed” internet we thought the move was well worth it.

Brian Usher, Publisher

There have been some limitations – but most of these are now under control as we have now established a local New Brunswick production team and we are looking to reach a wider audience by using a Toronto-based publicity specialist and targeted advertising to continue to expand our footprint in the market. The one limitation Debra will be sure to mention is access to the range of food stuffs we were used to in Ontario. But no question the seafood is bountiful and we have a much better appreciation for what’s involved in being a part of the fishing industry on the East Coast. It’s certainly not an easy occupation, particularly given the amount of time spent on the ocean in winter months.Our new home (pictured above) is locally described as a Maritime Gothic Revival residence and is listed in the Canadian Registry of Historic Places. The original house was built in 1825 as a rectory for the first Roman Catholic priest and the house is now known as The Anchorage.

This style is characterized by the three Gothic gables that break the plane of the roof-line. The central and largest cross-gable, with a pitched roof, is flanked by two smaller cross-gables with jerkin head roofs. The cross-gables are heavily molded and each contains Gothic Revival windows. Gable returns and single-story bay windows are used in the side façade. This attractive property has beautiful grounds which, when built, occupied an entire block-face.It has both the charms and the wrinkles of a building that age. One of St. Andrews most historically significant homes, The Anchorage has been fully restored and up-dated while remaining faithful to its design and character. The main house has undergone several renovations and extensions over the years with the addition of a major size barn/garage now adjoining the swimming pool area. This building is almost critical for housing all of Debra’s various

Your gallery advertisers are treated to lots of non-traditional perks such as editorial coverage of their shows and individual artist profiles – how has this impacted your relationships with advertisers? You’re right! The promotional aspects of the business involve a combination of advertising placement; features on galleries and artists; and social media promotion for artists, galleries and events. It’s an extensive package and the editorials are extensive (usually 16 pages) and provide an excellent marketing vehicle for individual artists and their galleries. This service is not offered by other Canadian or US art magazines. With more and more magazines going strictly online, have your subscribers remained loyal to the quarterly hardcopies? Let’s face it, Arabella is more like a collectors’ coffee table book than a regular magazine. ARABELLA is available both in print and online versions. You’re right about the magazine being more like a collectors’ coffee table book. That was our intent from the get-go. We have both print and online subscribers but the unanimous feedback we get is that there’s nothing like the print version. Only print can present the visually stunning content and readers consistently remarks about the importance of “touch” and physically turning pages. You’ve just released a new hard-cover art book, The Love of Flowers, and previously had published It Starts With a Dream, your first hard-cover book highlighting images of Canadian art, architecture and design. What’s next on your book publishing agenda – can you give us a hint or two?
We are currently planning the creation of a book to be released in the spring of 2018, as homage to the coastal areas of Canada and the artists who capture its mystery and its siren call. Four hundred (400) pages of extraordinary art and artist profiles will be showcased through a myriad of forms, styles, and mediums. At the forefront of the book, Canada’s legendary artists – both living and remembered – will be featured. These will include Alex Colville, Mary Pratt, Christopher Pratt, Tom Forrestal, William Forrestal, Fred Ross, David Blackwood, and Maude Lewis. Following these featured Canadian icons will be 40 other Maritime artists, each celebrated with an eight-page profile, with full-bleed images of their best art and words to describe their own personal stories. This book will heighten any art collection, jump off bookshelves in Indigo and Barnes and Nobles stores across the continent, become gracious gifts for family and friends, and will have a special spot on coffee tables everywhere.And any exciting new artists or galleries being featured in the next Arabella (and when is it due for publication)? Frank Hyder is truly one of our more unique artists to grace the pages of Arabella Spring 2017. His unique sculptural heads and swimming fish are bound to capture our readers’ attention.

Spring 2017 will have an assortment of artists but this issue more than any other will showcase the work of artists across the country as well as their will be quite a selection of 3 dimensional work as well as paintings and craft.

We are bringing back two stunning architectural homes – one from Paris and the other from California.

A new feature is the gallery listings and shows at the back of the periodical. We are trying to make each issue more in keeping with a book, and the cover will be slightly heavier – more life a soft cover book.

We introduce in this issue the start of Gallery Owners and Collectors Comments which should interest a lot of readers to hear different points of view from around the country.

To read the current issue online, plus subscription and advertising information, visit: www.arabelladesign.com

A little more about ARABELLA magazine:

ARABELLA’s mission is to produce the most exquisite Canadian Art, Architecture & Design magazine edited for those with a passion for transforming the ordinary into the extraordinary and living life well. A truly unique Canadian magazine created for people who aspire, are achieving, or have already accomplished a luxury style of life reflecting what it means to be Canadian.
Each issue presents original, in-depth editorial on the best of Canadian contemporary and historical fine art; galleries to visit; artists to collect; architecture and living spaces; unique stores to visit; business and personal life style profiles, landscaping and interior design; luxury properties for sale; unique travel destinations; and food and wine to savour.

ARABELLA is dedicated to supporting and promoting creative talent and related businesses through specialty print and digital media publishing, special events/destination marketing, and professional development programs. We believe in the power of arts and culture in building stronger communities, national identity and economic development.

ARABELLA, our major quarterly magazine publication, is now in its ninth year and is distributed across Canada (Chapters & Indigo, Coles and Smith Books) and the US (Barnes & Noble, Books a Million) and has a global digital circulation on all major platforms. With each quarterly issue we reach 350,000+ readers.

ARABELLA’s print and digital publications play a critical role in presenting Canadian creative talent to the widest possible audience while providing in-depth, visually compelling insight into the best of art, residential architecture, landscaping, interior design and luxury lifestyle products and services.

ARABELLA’s vision is to go beyond the boundaries of conventional publications and produce the most exquisite Canadian Art, Architecture & Design magazine for consumers who aspire, are achieving, or have already accomplished a luxury life style and have a passion for transforming the ordinary into the extraordinary and living life well. It’s about beauty in all its forms and providing readers with an unforgettable reading experience!

With layout and design features unlike any other North American print or digital magazine, each issue (which is more like a book) provides visually compelling, in-depth information and insight on the best of art, residential architecture, landscaping, interior design and luxury lifestyle products and services from the traditional to the contemporary, from the local to the internationally inspired.