Monthly Archives: November 2024

GARY TOPP RECOUNTS A LIFE PROMOTING CANADIAN & INT’L BANDS IN NEW BOOK “HE HIJACKED MY BRAIN”

HE HIJACKED MY BRAIN: Gary Topp’s Toronto
Published by UXB Press
320 Pages
Price: $49.99
Available from uxbpresscanada.bigcartel.com

I arrived in Toronto in 1975 and immediately found myself in the middle of a music vortex – all sorts of genres, venues, artists and local indie promoters, the best of whom, in my opinion, were known as The Garys (Gary Topp and Gary Cormier). The Garys booked and promoted punk, rock, alternative (before that genre had a name) and the bizarre. While I was queen of the discos in the late 70s, I also secretly hung out at places like the New Yorker, The Edge, Larry’s Hideaway, the Roxy, the Isabella, and all the grubby, grungy little underground venues and speakeasies that offered stage time to the hundreds of musicians plying their trade in Toronto.

Reading Gary Topp’s first-person recounting of Toronto’s music scene over the past five+ decades, I marveled at the number of shows I actually attended myself. Fortunately, not being fueled by drugs or (too much) booze, I was able to remember so many evenings at the clubs thanks to the hundreds of photos and poster images in the book and the myriad of quotes and first-hand recounting of tales only insiders could know. Bravo, Gary (pictured below), for amassing this diary-like tome containing first-person recollections from yourself and your colleagues that will instantly transport readers back to the days when so many of us held down 9 to 5 day jobs then turned into bar flies, punk rockers, and rabid fans of the artists on stage each night.Any Toronto music fan worth his/her salt will want to add this book to their collection. It truly is a series of history lessons from the people who created the scene, and Gary’s recollections are clear and sharp. He brought in international artists just on the cusp of greatness proving his and his partner(s) eye for talent (The Police, Roxy Music, Simple Minds, B-52s) and artists who scared other club promoters to death such as Iggy Pop, The Ramones, The Cure and the now-legendary local band Rough Trade. He always treated bands with respect and gave them the break they needed when nobody else would. Gary was a gambler and we are all the better for his commitment to the music. His career is a blueprint of how to build a life in music promotions ; he had no template to follow so he made it up as he went along…readers will follow his journey from working at the old Roxy cinema as a young man, to booking musicians and finding new ways to fill theatres and sell tickets. He created the iconic annual outdoor Police Picnic concerts in the 80s starring the edgy Brit band as well as line-ups of popular artists who might never perform here under regular circumstances.  He knew how to collaborate with venue operators to create a win-win-win result, and generated exciting posters and promo materials long before internet and email democratized the business of show. To borrow from a promotional piece on the book “From taverns to concert halls, cinemas to circuses, the city’s most daring and visionary promoter transformed Toronto’s cultural landscape over five decades. Packed with first-hand accounts and rare photographs, the book vividly celebrates the revolutionary events that countered Toronto’s culture.”He Hijacked My Brain is a veritable who’s who of bands and artists who challenged our collective musical appetites such as The Viletones, Buzzcocks, Plasmatics, The Cramps, Violent Femmes, even Grandmaster Flash and Husker Du. I could go on and on and on naming names of artists who owe a debt of gratitude to the author, as well as paying tribute to the venues and other music promoters, managers and supporters whose stories are all included….but just buy the damn book!Gary is launching He Hijacked My Brain on Sunday December 1st at the old Masonic Temple at Yonge & Davenport in Toronto but it’s now SOLD OUT (typical of a Gary Topp  gig!) but he does it again at 7pm in The Red Room – Mason’s Inner Sanctum, Masonic Temple/Concert Hall, 888 Yonge St. ticketweb.ca

CONGRATS TO ALL THE IFFA WINNERS & AWARD SHOW PRODUCERS DOWN UNDER!

I previously introduced readers to the Int’l Film Festival of Australia – the Awards ceremony was held last week in Melbourne and was a huge success. Here’s a brief summary, courtesy of their Assistant Project Coordinator, Carolina, as well as a few photos from the red carpet and stage. Bravo, Team IFFA!

IFFA Awards 2024: A Night of Glitz, Glamour, and Global Talent
The International Film Festival of Australia (IFFA) 2024 wrapped up in spectacular fashion, bringing together film industry icons, rising stars, and global talent for a night of celebration and creativity. Held at Melbourne’s iconic Palms Crown, the event was a resounding success, overflowing with stunning performances, heartfelt speeches, and unforgettable moments. It was a night that not only celebrated the finest filmmakers but also showcased IFFA’s commitment to inclusivity, elevating the global film community.A Red Carpet to Remember
Before the awards were handed out, the red carpet buzzed with energy as the brightest stars of the film world arrived, dressed to impress. It’s not every day that you get to meet so many industry legends in one place, but IFFA made it happen. The excitement was palpable as guests shared smiles, posed for photos, and caught the best moments of the night. Everyone looked absolutely stunning, with dazzling suits and elegant dresses adding to the special occasion. It was a glamorous start to a night that promised to be unforgettable.  Here’s the gorgeous Moraya Wilson (R) being interviewed on the red carpet…A Night of Unforgettable Performances
The evening kicked off with Cody Simpson‘s incredible live acoustic performance (pictured below), which had the audience completely captivated. His soulful voice and raw talent added a beautiful touch to the event, leaving everyone in awe.One of the highlights of the night was Moraya Wilson’s innovative QR session, where guests could engage with the event in an interactive and modern way. It was a perfect blend of technology and art, making the night even more memorable.

Presenters Who Shined
The IFFA Awards 2024 brought together a stellar lineup of presenters who guided the night’s proceedings with grace and charisma, delivering plenty of fun moments that added extra excitement to the evening. Louis Child, James Pratt, and Paul O’Brien brought their unique charm to the event, ensuring that the awards were presented with style and glamour. Their quick wit and engaging personalities kept the audience entertained throughout the night, adding even more sparkle to an already glamorous affair.A Celebration of Global Talent
This year’s IFFA Awards showcased the incredible diversity and talent of filmmakers from around the world, with over 100 creators joining the celebration. From Australia to the farthest reaches of the globe, the festival offered a platform for all voices to be heard. Special categories for younger filmmakers, students, and emerging child actors, alongside the more traditional awards for feature films, animation, documentaries, and short films, made sure every level of talent was recognized.

Cultural Performances That Lit Up the Stage
Adding an extra layer of excitement to the evening were cultural performances that left the audience spellbound. A lively Latin dance performance injected energy and passion into the night, while a mesmerizing Bollywood dance number (pictured below) brought the glamour and rhythm of Indian cinema to the stage. These performances perfectly complemented the spirit of the evening and highlighted the rich cultural diversity of the IFFA community.Honoring Exceptional Talent Across Categories
The evening was all about recognizing the hard work and incredible talent of filmmakers from around the world. Among the winners, Joel Pierce took home Best Actor in a Short Film for Mirror Mirror, and Priyanka Nomula won Best Actress for Echo. Raj Sisodiaa won Best Director for Papa aur Smartphone, while Chris Beadnell’s The Note earned Best Screenplay.

In the Feature Film category, Just a Farmer claimed the coveted Best Feature Film award (pictured below), dominating the evening with multiple nominations across various categories. The film’s powerful narrative about the struggles of farmers, their mental health challenges, and the tireless effort behind getting food onto our tables captivated audiences. Just a Farmer is a heart-touching and eye-opening portrayal of the reality many farmers face daily, showcasing the hidden sacrifices behind every meal. The film’s emotional depth and social significance were truly deserving of the recognition it received. Sunny Deol’s powerful performance in Gadar 2 earned him the Best Actor award, and Cristiana Dell’Anna won Best Actress for Cabrini. Other notable awards included Best Supporting Actor Daniel Wu for Decoded, and Best Supporting Actress Susan Pryor for Just a Farmer. The Best Director award went to Dev Patel for Monkey Man, while Just a Farmer also took home Best International Feature Film.The Animation category was swept by A Robot’s Dream by Morteza Halimi, a very impressive work that utilized 10% AI, demonstrating how creativity can be enhanced through technology. This groundbreaking approach allows us to appreciate how the right tools and technology can elevate the creative process, resulting in an extraordinary piece of art. Joy of Art by Takaya Onishi claimed the Documentary award. The Best International Short Film award went to The Wandering Island, further showcasing the festival’s global reach and its celebration of diverse voices from around the world.The night also celebrated younger filmmakers, with Harrison J Thomas’s Melody winning Best Under 18 film. JJ Pantano (pictured below) took home the Best Emerging Child Actor award for Unsung Hero, marking the beginning of a promising career for this rising star.A Shining Night in Melbourne
The IFFA Awards 2024 was truly a night to remember, filled with stars, creativity, and celebration. Melbourne, with its vibrant culture and the stunning Palms Crown, served as the perfect backdrop for an evening that honored the best of the film world. The event highlighted the magic of storytelling, showcasing filmmakers’ talents and reinforcing IFFA’s mission to promote global cinema. As the stars shone brightly both on and off the stage, it was clear that the night was a fitting tribute to the art of filmmaking and the talented individuals who are shaping the future of cinema. With such a successful and heartwarming celebration this year, we have big expectations for next year’s IFFA Awards. We can’t wait to be surprised once again by the incredible talent and unforgettable moments that will define the future of the festival.
For more information, visit iffa.com.au and follow us on Instagram at @iffaawards.

So CONGRATULATIONS to all the winners, performers, hosts, organizers…it looks like a fabulous night was had by all.

RON KORB RECEIVES 2 GRAMMY NOMINATIONS FOR COLLABORATIONS W/ FELLOW WORLD-RENOWNED ARTISTS!

It looks like it’s red carpet time again for Canada’s leading flutist/composer! I’m so proud of my friend and client RON KORB who scored 2 more Grammy nods for albums recorded with India’s superstar composer and musician, RICKY KEJ, and for his collaborative work with Japan’s composer, producer and instrumentalist, MASA TAKUMI.
Several years ago, Ron’s album Asia Beauty was nominated for Grammy’s Best World/New Age Music album and I was thrilled to secure red carpet fashions for Ron’s beautiful wife, Jade (pictured above in Canadian designer Lucian Matis gown) then 2 years ago, the fab couple again found themselves in Los Angeles, rubbing shoulders with the world’s greatest musicians and Ron hit the stage to accept his two collaborative honours (below, with Masa Takumi) and later with Ricky Kej & Stewart Copeland for the winning Divine Tides Global music album. I spoke with Ron after all the nominations had been announced last Thursday and he kindly answered a few interview questions …..

Congratulations, Ron, on this year’s Grammy nominations for your outstanding collaborations with Indian superstar Ricky Kej, and on Masa Takumi’s album. You’ve previously won with both of these artists – you must be their lucky penny! How did these collaborations come about?  Ha ha…I think I am a lucky charm. Certainly we are all grateful for the good fortune we just received. Ricky called me and said he was putting together one of the inaugural albums for a new label called Vedam Records which is part of Universal Music Group, and Masa asked me to play on Kashira which was part of a score for Himuro Renji a Japanese Yakuza Film released this year. Linked below are the 2 nominated tracks on which Ron played….

During those 2 years of Covid isolation, you worked remotely with international musicians via internet accessibility – is this the way now that artists in far flung corners of the world get to work with each other? And how does that all work from a production perspective?  Even before the pandemic many producers and musicians were working remotely but during COVID there was no other way and that changed things forever. It is, in many ways, much easier to work remotely but I do miss the real life interaction you used to get from working with clients and other session players in those big studios back in the old days. That said, all the bed tracks of Global Canvas were done live off the floor and in person and I was with the players for most of then over-dubs too.

Your latest (30th) album, Global Canvas, was short listed for a Grammy nod this year and although it just missed the final cut, your work with Ricky and Masa will enable you to walk the red carpet in February alongside your fellow musicians. Do you see this as a great opportunity to connect with other composers and performers? Do you enjoy the “schmoozing” at the Awards ceremony and all the parties?  It is really wonderful attending the Grammy parties in Los Angeles that start the week before the actual broadcast. One of the best events is the nominees’ dinner which is the night before the ceremony. It’s an amazing party where you meet so many incredible musicians and producers. Everyone is so happy that night and that is when they give you your medallion and take an official photo.  Canada does a good job, too – the SOCAN and the Canadian Consulate parties are also particularly nice. (pictured below- at previous Grammy Awards with Ricky Kej (L), Jade, Ron, Paul Avergrinos, film composer Bear McCreay + his wife)

(above – at Socan soiree prior to Awards night)

Global Canvas is already garnering critical and audience acclaim around the world – do you anticipate receiving international honours as did your previous albums ?  I hope it can, I know this will sound insincere, but what I actually enjoy the most is getting feedback from fans and learning that people are really enjoying the music.

When writing and recording Global Canvas, you met Cambodian human rights activist Arn Chorn Pond through a personal introduction from legendary musician, Peter Gabriel. You dedicated your Angkor Wat track to him – has this connection made you even more aware of the affect of music on the world?  I think Peter Gabriel is very interested in the spiritual power of music. The Angkor Wat song does touch on that feeling. When we toured the ruins, we were amazed by the ancient architecture and I hope some of that feeling of that awe is felt within the song.You’ve performed live in some of the world’s greatest concert venues, in front of royalty and world leaders, and solo’d with great symphony orchestras in China, Japan, and all across Europe as well as home here in Canada. How does it feel to perform for such diverse audiences?  That is one of the blessings about being a musician – you can travel to a different part of the world and interact with people and even a crowd of people in direct way. Music is a very intimate form of communication. With my own music I’ve learned certain songs work better in Asia and others work better in the western world.

How can music lovers hear your new album and other music you’ve created?  Physical CDs and Mp3s copies can be ordered through my own website www.ronkorb.com and the music can also be heard on Spotify and all the streaming services.

Congratulations, Ron…fingers crossed it’s gonna be another double Grammy night for you, Masa and Ricky!
Follow Ron’s Grammy journey on his social media and of course, I’ll be posting photos of all the Awards’ week festivities with Ron & Jade.

 

 

MEET CLAUDJA BARRY, ONE OF THE LEGENDARY LADIES OF DISCO

Yes, I’ll admit it, I’m a sucker for 70s & 80s music – in fact, the disco era was my “coming of age” – you could always find me dancing at Toronto’s big clubs and hotel lounges where I became part of the “disco dollies” set who were out dancing 3 or 4 nights a week. Exhausting? Yes, but as Gloria Gaynor said…”I Will Survive”.  There were so many incredible queens of disco including Donna Summer, Candi Staton, Anita Ward, Tina Charles and one of my favourites, CLAUDJA BARRY.

So famous was she, Claudja has been featured in the book “First Ladies of Disco” by James Arena (avail. on Amazon) and even wrote the forward to the book.Claudja has built an amazing recording career, as well as acting in Hollywood films and on theatre stages creating unforgettable characters, after studying at the world-famous Lee Strasberg Theatre Institute in New York City. She’s performed in plays in both NYC and Toronto, then went off to Europe starring in numerous stage productions in the UK and Germany where Claudja met successful Munich-based music producer Jurgen Korduletsch. Together, she and Korduletsch formed a creative partnership with Jurgen producing and Claudja co-writing and performing. Her full bio is available on her website: https://www.theclaudjabarry.com/bioI had the pleasure of meeting Claudja this past summer, when she made a special appearance at the annual Pride concert in downtown Toronto. She is still so gorgeous, articulate and passionate about her career so I was thrilled when she agreed to be interviewed for my blog – I just wish I could have gone to visit her in the Caribbean to deliver the questions in person…

Claudja, what an incredible and lengthy career you’ve enjoyed…and are still enjoying. With your #1 hit on the Billboard dance Chart in 2006, and subsequent recordings, are you still enjoying live appearances and fan meet-n-greets?  Performing is my lifeline to joy and pleasure. I feel alive whenever I’m in front of an audience. The immediate feedback is something that I enjoy. I get schooled at each performance. Meet and greets used to be interesting because I meet new people and longtime fans, but we have to be much more aware of who we’re meeting up close and personal.I understand you originally fell in love with theatre and also studied voice and classical music. Was it your theatrical experiences that triggered your love of singing and embracing disco music which, in itself, was very theatrical? I just wanted to perform on whichever platform or genre presented itself. I would have loved to do opera. I studied for 3 years…I would have been a great CARMEN. I would have had to continue studying for another 7 years, but along came Boogie Woogie Dancin Shoes…a little different from Carmen LOL.  Looking back now, I’m terribly proud of being among the pioneers who developed and defined DISCO Music. I think of myself as being the Leontyne Price of Disco music. Throughout the 80s, you spent time in Europe, performing and recording, and you partnered with German producer, Jurgen Korduletsch, who helped create some of your biggest hits. That must have been an extraordinary experience for you…can you share any stories from that period of your career?   JK was my producer throughout my recording life. He, along with Bobby Orlando and Jorg Evers, created the sound of Claudja Barry. During that time musicians from the Munich Philharmonic played on most of my albums. We recorded in Munich and toured all through Europe. One of the most exciting countries was Italy. I remember opening the Festival Bar in front of 100,000 people in the Verona Arena. What a thrill that was for me.

 

Over the years since disco ruled the radio airwaves, you have continued to work both as a singer & recording artist, but also developing your filmmaking skills. Can you tell us about your current documentary project.  I’m producing a documentary on the impact of disco on today’s pop music….but more on that at a later date.

You’ve had so many “firsts” in your long career including becoming the first inductee into Canada’s Black Music Hall of Fame along with legendary pianist, Oscar Peterson. What other honours and awards have you received?


You’re enjoying a resurgence in popularity, especially with younger music fans discovering your artistry, are you planning any concert appearances or tours in 2025?  That is my plan. I’m in talks with concert promoters specializing in disco-themed tours and concert presentations.

Thank you so much, Claudja, I can’t wait to see what next year holds for you; I’m looking forward to viewing your documentary.  Claudja’s music videos are available on YouTube and you can follow her on social media, too.  IG @claudja_barry