Tag Archives: filmmaking

CANADIAN INT’L FAITH & FAMILY FILM FEST STARTS TODAY!

Just as the Toronto Int’l Film Festival (TIFF) closes, the 5th annual Canadian Int’l Faith & Family Film Festival opens! My dear film industry friends BRIAN KAULBACK (CIFF Ambassador and member of judging panel) and festival Co-Founder & Exec. Director JASON BARBECK invited me down the the exclusive Hotel X on Toronto’s waterfront today to talk about this unique family and faith-focused festival that runs online for an entire month, and features films, shorts, documentaries, even animated films that are suitable for ALL the family. Jason graciously offered to share information about CIFF with me via a series of video chats so I encourage you to click on and learn about the cool content and activities at this year’s festival.

Every year, the CIFF Film Festival exhibits and celebrates the most outstanding faith and family content produced from every part of the world. Films are selected and nominated by a panel of judges on the basis of content, quality and originality.  CIFF is one of the fastest growing segments of the international film festival markets, and the only one of its kind in Canada.audience Film lovers, industry professionals and media outlets will celebrate the best in new faith and family cinema from established and emerging filmmakers and talent. This year, CIFF will be showing films from 22 countries around the world via their website: www.cifflix.com  Get your online passes there NOW. The festival runs until mid-October so you can catch all the films as well as tonight’s Awards Gala from the comfort of your home.

And there will be lots of celebrities and stars in virtual attendance, too….

colmCIFF Film Fest welcomes submissions from filmmakers around the world so come on all my Aussie movie making mates…here’s how YOU can submit your latest production and access a growing audience of film lovers who appreciate inspiring, family-oriented and faith-based content……

I encourage you to visit the festival’s official website: www.cifflix.com or follow them on Facebook, Twitter & Instagram.logo

Director/writer TRICIA LEE is ready for her own close-up at this year’s Toronto Int’l Film Festival

Back in October of 2013, I was thrilled to work with Canadian writer/director TRICIA LEE, promoting her horror feature film Silent Retreat which made its World Premiere at the Toronto After Dark Film Festival that year. The film did very well with both audiences and critics and since then, Lee has been on an upward career trajectory.

The accomplished and versatile filmmaker earned her US Green Card as an “artist of extraordinary ability” with Canadian and British citizenship, and has directed 11 shorts and 3 award-winning features since starting out in 2004. And she directed newly-minted superhero star Simu Liu in her 2017 short film Meeting Mommy.

Tricia has been recognized as one of Hollywood’s Top New Writers on the 2020 Black List, CAPE List, Young & Hungry List, Athena List, and the BitchList.  Her script pitch for Good Chance was an Academy Nicholl Fellowship semi-finalist, Francis Ford Coppola’s American Zoetrope Screenplay Competition grand prize winner, Cinequest Best Feature Screenplay winner, WeScreenplay Diverse Voices Features winner, Sundance Lab second-rounder and selected for the prestigious Producers Guild of America Power of Diversity Master Workshop. Attached are Leonardo DiCaprio’s Appian Way, Janet Yang (Joy Luck Club) as producers and Kheng Tan Hua (Crazy Rich Asians, Kung Fu Series) as lead actress – BRAVO, TRICIA!
Currently, Tricia’s script for her next feature titled IDOL is part of this year’s “Breaking Through the Lens” program at the Toronto International Film Festival that just opened on September 9th so I was excited to chat with Tricia about that and her other achievements since we worked together in 2013.TIFF
Tricia, you’ve worked consistently and successfully for more than a decade, creating some of the most innovative and exciting genre films why is becoming a finalist in this years Breaking Through the Lens TIFF so important to you personally and for your career?   Looking back on my career, it’s amazing to see how far I’ve come, but also how far I still want to go.  In order to continue a long-lasting career, I have to keep innovating and creating new projects and telling new stories.  Breaking Through the Lens choosing my new project, IDOL, to be showcased during TIFF is this project’s first walk outside!  The opportunity to share the pitch with financiers and distributors is a great way to share this script with people who can potentially help make the film.  I want to take my career to the next level and I hope that we can bring this film to the screen and touch, move and inspire people.

For a number of years, you were one of only a few female directors working in the horror genre what attracted you to horror stories and did you have a different perspective that your male counterparts?  What I love about genre, is that we can speak about deeper issues through metaphor.  With entertainment, I always want to hide the pill in peanut butter, as they say.  Is that how you get dogs to eat medicine? I thought peanut butter was bad for dogs, or maybe that’s chocolate… anyways…
I don’t know that my perspective was more female than my male counterparts.  My perspective is simply… my perspective.  It comes from the intersection of who I am, how I grew up, where I’m from, how my parents treated me, the significant others I’ve chosen, etc.  And also what I wanted to talk about at that time in my life.   My second feature Silent Retreat, which pre-dated the #MeToo movement, was about women being silenced.  I wanted to make a film about women standing up and using their voices.  And I collaborated with a male, Corey Brown, to make that film.  That film was a combination our creative perspectives.

You’ve spent a great deal of time undertaking shadowing mentorshipsfrom Jeff Woolnough on SyFys The Expanse, Erik Canuel, producing director on CBSRansom, Peter DeLuise on Freeforms Shadowhunters and most recently, the highly-regarded powerhouse – Nancy Meyers on the Walmart BoxOscars® commercial. How has this benefited you as a story-teller as well as working with actors?  This career is all about learning.  I think life is about learning.  I am so grateful for having been given the opportunities to watch these talented, experienced directors work.  Everyone has a different style and approach, and in my own directing, I get to take tidbits from each shadowing experience to create my own process. IMG_7986.1I’m a person who makes a lot of lists, so I literally write down my process and anytime I learn something new from one of my mentors, I add it to my list.  Being a director, I don’t get to practice my craft every day, so these lists help me remember what I’ve learned for when I do have the chance to get on set and work the directing muscle.  Also, I practice working with actors to implement what I’ve learned.  I work actors on their auditions, break down the beats, give them direction and help shape a performance.IMG_7121You have also worked on more family-friendly projects like Meeting Mommy starring Simu Liu (Marvels latest superhero Shang-Chi) and have been developing diverse and inclusive projects what are your immediate goals and/or future projects?  Layered, vulnerable dramas that are heart-warming and heart-breaking at the same time, with a sprinkle of comedy is where my natural intuition lies.  I only started writing about 4 years ago, when I moved to Los Angeles.  I asked myself, would I rather go through the pain of reading scripts or the pain of writing scripts.  And I just found that people weren’t writing the kinds of stories that I wanted to tell.  So I took on the pain of writing! And I’m glad, because it has been a way for me to explore my own voice I have been developing more stories that star Asian characters and have taken a deep look within myself to put my truth onto the page.  I want to make films that give a voice to under-represented communities, not because it’s the fad right now, but because it breaks my heart that someone can hate or commit violence against someone else just because they are different.  I will never run for president, so this is my way of reaching people, to touch, unite and inspire them and create powerful change in our culture.  I want to tell stories that resonate deeply with audiences and unforgettably pierce their hearts.
Immediate goals are to secure financing for my scripts IDOL, a music biopic about William Hung (from American Idol – see below) and GOOD CHANCE (starring Kheng Tan Hua from Crazy Rich Asians) which was on the 2020 Black List.william hungYou and your husband Mark own a number of condos that you operate as AirBnBs, plus youve previously worked as a piano teacher and an experiential marketer.is there anything else you want to try, apart from making movies?  No. Film is my life.  I will not retire from this career.  All the other things I’ve done in my life were side gigs, which allowed me the freedom and time to make my films.  I took part-time flexible jobs so that I never had to ask for vacation or permission to make my films.  When I was on set, I would just tell them that I couldn’t work that month.  I have a crazy resume, but it has always been towards one goal: being a filmmaker.

Any advice youd like to offer to aspiring filmmakers, especial women, and on the various career paths they can take to achieve success, life balance and happiness?  Honestly, I’m not great at life balance.  I definitely focus on career too much and am working on finding balance myself.  I find that the scripts and movies that I’ve made that resonate with people the most are the ones where I dig into myself and tell my truth.  I encourage all of you to take the time to sit with yourself.  Think about why is it you want to make this film, what do you want to say with it, how do you want the audience to feel when they walk out?  And make sure that every scene wraps around that nugget.  When you put something of yourself on the page, it shines through.  Those are the films that pierce people’s hearts and will help you take the next step in your career.  It can be slow and long, or it can be a quick rise to the top.  But never give up if telling stories through this medium is really what you want to do.DSC_0014Thanks for sharing your insights and advice, Tricia, and I can’t wait to see how your script faired at TIFF this year. Looking forward to seeing Idol when it hits cinema screens and the festival circuit. You can all follow Tricia on all her social media platforms linked on her website: www.tricialeedirector.com

 

More film festival fun in Toronto with Nollywood stars

On Wed. Sept. 14, Nollywood filmmaker OMONI OBOLI had her first public screening for her film OKAFOR’S LAW at the Scotiabank Cinemas in downtown Toronto where she was joined onstage by co-star UFUOMA McDERMOTT for an audience Q&A afterwards. 20160914_224701Looking lovely in one of the gorgeous gowns supplied by Gail McInnes of Stylist Box, Omoni fielded numerous questions about her career and meeting the challenges of being a female director in a predominantly man’s world. 20160914_224645 20160914_224703 20160914_224649Ufuoma (above) sported a short sparkly cocktail dress that twinkled brightly on the stage.

Omoni then greeted fans outside the theatre, posing for selfies for nearly an hour!20160914_23063120160914_230858 20160914_23071920160914_231409And so did Ufuoma!20160914_230817Omoni was joined by TIFF/City to City Programming Associate Olena Decock, who also moderated the Q&A session, for a few photos, too.20160914_231857The fabulous Uche Jombo (below) then joined us …20160914_232443….and then once the moviegoers had left the theatre, we decided to have some fun and play!20160914_232726

Tomi Adeoye kicks up her heels

Tomi Adeoye kicks up her heels

20160914_232512The cinema’s cocktail lounge was closed and deserted so our little group took advantage of the cool lighting and views across the city of Toronto.20160914_233722 20160914_233600 20160914_233750 20160914_233900 20160914_234318 20160914_234735My one quick photo opp with Omoni….it’s been fun working with her and her cast during TIFF. This woman is a real pro and I was honoured to be a part of her film fest experience.
20160914_234813We found a lot of cool spots to take pics so every few feet it was a case of “strike a pose”!20160914_235441 20160914_235036 20160914_235323I love this pic of Ufuoma (below)….very moody, very “film noir”.20160914_235501We had waaaay too much fun but fortunately we were all able to sleep in a little in the morning after.  It’s been a blast working with these incredible women from Nigeria’s flourishing film community and I look forward to continuing the relationship once they head home. 20160914_235603 20160914_235606

 

 

 

 

 

 

 

 

 

 

 

 

NOLLYWOOD FILMMAKER OMONI OBOLI STARTS HER TIFF MEDIA ROUNDS WITH THE LOVELY FOLKS AT AFRO-GLOBAL TV & PLANET AFRICA

We had the perfect start today for Nollywood filmmaker and star OMONI OBOLI as she launched her media campaign for her film OKAFOR’S LAW, participating in this year’s Toronto International Film Festival: she enjoyed an hour long interview with Toronto-based AfroGlobal TV and Planet Africa magazine publishers.20160906_113744 20160906_120045Sitting down with show host, Patricia Bebia Mawa, Omoni (pictured below on her throne-like interview hot seat) talked at great length about being a female director and writer in what has mainly been a male domain. She also shared how she manages to maintain a fulfilling home life with her husband and children while building her career and expanding her professional horizons.20160906_120128 20160906_130347The crew and other AfroGlobal TV personalities joined Omoni for post-interview photos – as you can see she quite the hit in the studio!20160906_130536 20160906_130559 20160906_130613 20160906_130722Okafor’s Law has its world premiere red carpet next Monday (Sept.12) at 8:45pm at the Isabel Bader Theatre in Toronto. Check the official festival website for screening dates and times, and to purchase tickets online. www.tiff.net/.  And to watch this episode of AfroGlobal TV tune into Rogers channel 708 if you’re in Toronto or follow Afroglobal Television on Facebook for the video link.Okafor's Law red poster flat

 

Canadian-Nigerian filmmaker LONZO NZEKWE shares indie success story & this year’s TIFF spotlight on his home country

I first met self-taught Canadian-Nigerian filmmaker LONZO NZEKWE about 5 years ago when he asked me to promote the debut screening of his first feature film, Anchor Baby, here in Toronto during the annual Toronto Int’l Film Festival. Although Anchor Baby was not part of the Festival, we arranged that the screening take place at a major cinema multiplex during the period when most int’l film media and industry folks were in town. The screening was a resounding success with a packed house (we actually turned people away), lots of media coverage and Lonzo was off and running with his feature film that was made mostly in and around Toronto on a shoestring budget.anchor-baby33865_165229630154037_4176194_nOver a dozen or so int’l film awards later…Screen Shot 2016-06-29 at 8.15.51 AMScreen Shot 2016-06-22 at 9.31.53 PM….the writer/director has now brought his latest project, a 37min. crime thriller, Meet The Parents, to the screen and that, too, has started amassing critical kudos and awards including the Best Short Film award at the 2016 Africa Movie Academy Awards. Meet The Parents by Lonzo Nzekwe 12289712_10156318942150525_7545685570378629312_nI recently sat down with Lonzo and asked him to share some insights into his self-made career, and about the upcoming Toronto Int’l Film Festival where he will be supporting fellow filmmakers and stars of Nollywood, as the Nigerian film industry is called, who are coming into town as part of this year’s TIFF City to City: Lagos program.

Having only spent a short time studying filmmaking, can you share some of the most challenging obstacles you’ve experienced being a self-taught producer/director?
One of the major challenges is getting funding for new film projects. Up till now, all my film productions have been self-funded because it’s tough to get investors when you are an independent filmmaker. Another challenge is getting media exposure for the films after they’ve been shot, but thanks to social media and my IronFlix movie streaming platform, I’m now able to reach a global audience without breaking the bank.

Your first film was the feature length Anchor Baby (2010) which went on to win so many international awards after premiering here in Toronto. How did such immediate success impact your career and/or goals for your future?
Anchor Baby (pictured below) catapulted me to the front of the line after its success. The film played in Nigerian cinemas for about 12 weeks, the UK for 6 weeks, Ghana and Canada for about 2 weeks. As dark as the ending of that movie is, there’s something special about the film as a whole because it pulled no punches and it’s brutally honest. All the 13 film awards including Best Film at the Harlem International Film Festival and two nominations at the 2011 Africa Movie Academy Awards made people take notice. I guess at the time, they wanted to know what’s up with this self-taught first time filmmaker.38609_150496438294023_1449759_nYour most recent film was a short titled Meet The Parents which is garnering critical acclaim as well as moviegoer praise. It recently won Best Short Film Award at the 2016 Africa Movie Academy Awards – what sort of comments/responses have you received about this second film from the African and worldwide film community?
It’s interesting because after I made Anchor Baby,  a few people thought its success was a fluke. The truth is that Anchor Baby was easy for me to make and I knew at the time that I have the potential to write and direct other good movies. By the way, Meet The Parents is 37 minutes long and I consider it a mini-feature film because it actually feels like you’re watching a full feature length film. When you watch Meet the Parents, you can clearly see the growth on the writing and technical aspects of my filmmaking. I’ve received great reviews from film industry people here in Canada as well as Nigeria. Recently, a well respected industry insider in Toronto watched the film and wrote that he likes the film’s look, especially the real sophistication in the way I crafted the images and sound. I jokingly tell people that the film has a “38 Special” flow to it because a snub-nosed 38mm handgun played an important role in the major turning point of the film.

As a film writer, what inspires your stories? I gather Meet The Parents was inspired by a Jay Z song?
I get inspirations from my pains, worries, love, loss and life in general. Meet the Parents was originally inspired by a Jay Z song of the same title in his 2004 Blueprint 2 album. It’s about a father who abandoned his infant son for a life on the streets and 15 years later, fate brings father and son together again in deadly street fight that will alter their lives forever. I’m a huge Jay Z fan from his Reasonable Doubt days and his music in general has been a source of inspiration as a black filmmaker. He paints vivid pictures with words and every time I heard that song, I get these haunting cinematic images in my head that won’t go away. So I decided to put it into film in my own personal interpretation and also added other plausible twists and turns that made the film special.

You recently launched another exciting project, this time it’s a film, documentary & TV streaming platform called IronFlix that offers entertainment from Africa-based production companies.  What inspired this new business and how did you create IronFlix.com?
I believe that filmmakers should create their own path to success instead of waiting for someone to else to get you there. I started IronFlix because I kinda see the direction film consumption is heading. VOD streaming is not the future; it is now! I want to be able to reach my audience anywhere in the world without depending solely on cinemas and traditional television networks.

I originally came from Nigeria, a country that built their film industry (Nollywood) from scratch without help from the government. Most people like me (Nigerian filmmakers) don’t worry about things like “Oscar So White” because we try as much as possible to create our own opportunities and create a market for our work. No one can marginalize us and tell us the types of movies or stories to tell. We have our own film industry, film festivals, cinemas and the Africa academy awards that’s slowly being recognized around the world. One of my main goals is to collaborate with like-minded individuals working in Nollywood, Hollywood and other western film industries to help spread genuine African stories to a global audience.

What are the top films being viewed on IronFlix that we should all watch out for?
Some of the great films and Tv shows you can watch now on IronFlix include Anchor Baby, Ojuju, Making of A Mogul, Pamper Your Mum, Form 36 and many many more.

Your next film project is called Laundrymen – is that a short or feature film? Can you share any teasers or background info on this new production?
Laundrymen will be a feature film. I’ve been developing it for over three years now and it’s a revenge crime thriller. It will be my most ambitious project till date and I’m looking forward to starting production. I’m still raising funds to shoot it so if you know anyone interested in financing a great film, please contact me let’s make it happen.

What advice (or cautions) can you offer emerging indie filmmakers starting out along a similar career path as you did?
All I can say is just do it. Most people talk about what they are going to do when they have the right money, equipment, cast and crew etc. Truth is, you will never have everything right the way you want it. Also, make sure whatever film you’re making is saying something, and it’s something you can be proud of after all is said and done. Your time is way more valuable than money because you can’t replace the time you lost on a film that isn’t about anything.39839_150497681627232_4139089_n

You can follow Lonzo on his journey with Meet the Parents, as well as his activities during TIFF via social media:
https://www.facebook.com/MeetTheParentsMovie/
http://www.ironflix.com
http://www.imdb.com/title/tt1666555/

And I’ll be posting updates throughout TIFF so subscribe to my blog or follow me on Facebook.com/FordhamPR or Twitter & Instgram: @FordhamPR