Tag Archives: Canadian artists

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URBAN GALLERY CELEBRATES CANADA150 WITH STUNNING GROUP SHOW “O CANADA”

Yesterday, URBAN GALLERY (400 Queen St East, Toronto) opened the doors to officially launch their summer group show O CANADA (runs until July 29), featuring 17 Canadian artists with diverse cultural backgrounds and artistic styles whose individual visions of Canada celebrate the country’s 150th anniversary. Come take a virtual walk with me thru the gallery….

The stunning image by Erik Chong features the lyrics to the Canadian national anthem in all three official languages and Erik posed proudly in front of his painting, “Beautiful Day” (below)20170708_141459Celebrated wildlife photographer Linda Langerak has 3 gorgeous photos of BC creatures in the show (below) – I love the bald eagles…20170708_141140Kirk Sutherland created the frame around his “Terra Nova” painting from found architectural salvage featuring maple leaf designs. How clever is that?20170708_150459Caught this cool shot and realized afterwards that it was all about the stripes….LOL!20170708_150006Pauline Langmaid (below) drove in all the way from Bracebridge to showcase her glorious abstract landscapes…or should I say “lake-scapes”? 20170708_142055Pauline’s two paintings proved very popular with gallery visitors…20170708_160719 20170708_145939Another popular image was celebrity chef & photographer Lyndon Wiebe‘s photo of a windswept view of Port Hope (below). Lyndon brought out an extended print showing more of the scene – located to the west of the town where housing development meets grassland.  20170708_144818(0) 20170708_161500Film industry professional and accomplished photographic artist Karen Silver chose a chilly winter scene of a Toronto park and a lonely bicycle. Now that’s one seat I would not like to sit on…LOL!20170708_142229Kris Bovenizer (below centre) talks with a guest about her two acrylic on canvas works…the sea-faring image on the left is now a label on bottles of a limited edition maple syrup bottled for a Canadian business leader (as Canada150 corporate gifts for his clients). How cool..and congrats to Kris. 20170708_151736And Kris posed with fellow artist Kirk Sutherland and gallery owner Calvin Hambrook (below)20170708_144136Manije Sabet Sarvestani (below) brought two oil-on-canvas works: “Canada Day in Quebec City” (on left) and “Thornhill Festival” (on right). The soft-spoken artist let her work do all the talking and these certainly announced her talent loudly!20170708_145703Kent Bridges was the first artist to score a “red dot” (a sale) for his “Life in a Northern Town”. Here he is (below left in red) with purchaser and fan David Currah of Toronto’s Fife House. Congrats to Kent who was all smiles as he celebrated the sale.20170708_140935 20170708_145308Ronald Regamey uses a technique known as “quilling” to create beautiful 3 dimensional paper & glue artwork. Here’s Ronald being snapped by Calvin in front of his latest piece titled “Alive”.20170708_145416(0) 20170708_145438…Ronald had a number of family and friends congratulating him on his gallery appearance – they were so animated and excited it was hard to get them all to stand still for a photo…LOL20170708_150035Gallery curator Allen Shugar and poet/artist Brenda Clews also met under Ronald’s work….20170708_150050…while Linda Langerak snapped away with Kirk (below)20170708_150521The delicious food was catered by Urban Source Catering and the platters were themselves works of art.20170708_141011 20170708_140959Colin Nun (below left) who recently had his own successful solo show at Urban Gallery, shares his thoughts on his work “Canada” with KJ Mullins (below R) editor of NEWZ4U.ca20170708_152712In fact, a lot of guests remarked on the uniqueness of Colin’s oil-on-canvas typographical and topographical view of the country.20170708_141116Snapd newspaper photographer Gianmarco dropped by to cover the event and got busy snapping the artists…20170708_153729 20170708_153539I managed to grab a quick pic of Joan Andal Romano with her “True North” mixed media on canvas. So many intricate details to view, it must have taken her many hours to create.20170708_15425920170708_140749Several artists were unable to attend, 3 delivered beautiful Canadian landscapes – Stacey Kinder‘s “Light” featuring a stand of trees in the fall, Christine Marin‘s “On Bear Trap Road” (2nd pic) and Grace Dam‘s snowy “Canmore” (3rd pic)….20170708_140802 20170708_145552Dam CANADIAN ICONS -CANMORE ALBERTA 48w x 60h oil on canvas..and Aisha Chiguichon was represented by this provocative acrylic on canvas titled “Stereotypes”CHIGUICHON StereotypesVictoria General attended but the shy artist preferred to let her work take centre stage and declined a photo. Victoria works in charcoal on paper – here are “We Need a Bit More Sand, I Think” (upper) and “I’ll Have to Call You Back” (lower).20170708_151807The reception drew many art lovers and more red dots should be appearing alongside these Canada150 artful tributes. I hope you get a chance to visit in person and support the talented artists at Urban Gallery.20170708_144203 20170708_150135 20170708_150423

Urban Gallery, 400 Queen St East, Toronto  www.urbangallery.ca20170708_155624

Urban Gallery is also available for rental if you wish to host your corporate or private party, reception or even a sit-down dinner with delicious food & refreshments courtesy of Urban Source Catering. Visit the website for details.

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ARTUSIASM ART GALLERY OPENS “SUMMERFEST 2017″ GROUP SHOW IN TORONTO

How nice to walk into an art gallery and be met with such warmth and welcoming hospitality – artist Tanzina Amin and her husband Carlos Sa Rodrigues of ARTUSIASM GALLERY located at 1684 St Clair West, Toronto, were the perfect hosts last night as they opened their “Summerfest 2017″ group show featuring works by local artists in multiple mediums.20170616_192040 20170616_192439 20170616_191829I was pleased to introduce fellow gallery owner and artist Lola Livingston of Stockyards Gallery to Tanzina and Carlos, who welcomed the opportunity of sharing “stories from the trenches” of operating an art gallery in the city. Here’s Lola (pictured below L) with Tanzina and Carlos…all smiles as they celebrate another successful opening!20170616_192609 20170616_192552I love Tanzina’s bold abstract portraits…she works with a bright and colourful palette and I would love to add one of these stunning paintings to my own modest collection.20170616_194138 20170616_194151 20170616_194156I spied so many more exciting works….there was a style and technique for every taste and I hope to see lots of “red dots” denoting sales when I visit again. Check out these delicate watercolours (below) and the florals, too.20170616_192017

Constellation by Leslie Karen Hall

Constellation by Leslie Karen Hall

Peach Coloured Rose by Lowell Lo

Peach Coloured Rose by Lowell Lo

…..and these Aspen trees by Leah Dockrill kept drawing me back. It was as if they were alive and I could almost hear the rustling of their leaves!20170616_193855Tanzina and Carlos always make sure gallery visitors are well fed and watered at their opening events….the home-made samosas are deelish20170616_191850Artist and gallery regular Linda Deramaix strikes a pose (below) underneath her own artwork titled “Resilience”. Nice to see you again, Linda!20170616_191951So many difference pieces to stimulate your artistic senses….20170616_193843 20170616_194057 20170616_192020…and lots of artwork to provoke conversation….20170616_194543Summerfest 2017 runs to the end of this month (June) and I recommend you drop in on Tanzina and Carlos to enjoy all the beautiful works (all of which are affordable and are looking for new forever homes!) by talented local artists. Artusiasm Gallery is located at 1684 St Clair Ave West and you can learn more about their services, hours & artists at:  www.artusiasm.com20170616_194820

 

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A VISIT TO ARTUSIASM ART GALLERY, TORONTO

Last Friday evening, I had the pleasure of visiting a charming new storefront gallery along St. Clair West in Toronto – ARTUSIASM GALLERY – owned by Carlos Sa Rodrigues and his talented artist wife, Tanzina Amin pictured below.  Their current show, Life in the City, runs until May 1st.

Photo courtesy Linda Langerak

Photo courtesy Linda Langerak

Accomplished photographer and artist Linda Langerak invited me to the opening soiree and I was so pleased I accepted – what an exciting array of art from established and emerging local artists, and I was thrilled to find a number of pieces by a favourite painter friend, Kirk Sutherland (below).20170421_201952 18011082_1918219125130778_2553514075971526526_nOwner Tanzina is also quite the talent with a paintbrush – I really like her colourful exotic portraits (below)20170421_202542 20170421_202751 20170421_203648Another artist friend, Aisha Chiguichon, was also exhibiting there with 2 pieces, and she was having fun posing for friends just like a red carpet veteran!20170421_203558 20170421_202434 20170421_202444…even Linda started snapping away at all the work by fellow artists (below)20170421_203605I managed to round up several artists for a photo call…look at all those happy smiling faces!20170421_202518 20170421_20313520170421_203624The general consensus from the artists was that they all felt respected and well cared for by Carlos and Tanzina who even built a special access ramp for wheelchair-bound artist H. Jordyn Taylor, pictured below with her painting “Below the Stains of Time”. The usually shy Jordyn had a blast meeting lots of new fans of her work.20170421_203306Another lovely painting I discovered was “Don’t Tell Me to Smile” by Helena Napal, pictured below with her work.20170421_202346There were a couple of really fine cityscapes featuring the iconic CN Tower…20170421_201930 20170421_202057…and lots of familiar street scenes and abstracts, too.20170421_202015 20170421_202028 20170421_203518So many local Toronto artists are showcased in this show and I strongly recommend you drop by Artusiasm Gallery located at 1684 St Clair West, Toronto before the show closes on May 1.  You can’t miss the gallery – just look for this stunning streetcar painting in the window!20170421_202954Congratulations to Tanzina, Carlos and all the artists for a wonderful opening!  Check their website for details: www.artusiasm.com20170421_211419

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INTRODUCING CANADIAN CONTEMPORARY ARTIST JOHNY DELUNA

I recently met contemporary Canadian artist JOHNY DELUNA (below) whose colourful large acrylic-on-canvas paintings both inspire and intrigue me. He has a solo exhibition this summer (June 5-19) at the Art Square Gallery (opposite the AGO) in Toronto, and I wanted to give art fans an early heads-up so they do’t miss his extraordinary work. xxheadshotjohn1jpgI recently had the pleasure of chatting with Johny over a coffee, viewing his portfolio of mostly 3′ x 4′  canvases, each portraying deeper, darker stories beneath the exterior of bright, joyful images.  Every masterwork has been thoroughly thought out, exploring abstract themes in Johny’s riotous palette of primary colours.  I asked him a few questions about his work, his inspirations and the upcoming summer solo show….

You came late to painting professionally – what was your previous career focus and how did that inform your work?  I always loved painting, but couldn’t make a living at it – I needed a decent job to pay the bills.  The urge to paint never left me, but the responsibilities of looking after a family etc. took precedence.  I didn’t return to painting for over 25 years.  Whenever possible I took on projects that had a significant creative component.  I worked on a wide variety of projects including scientific film production, script writing, advertising , marketing and digital product development. However the need to paint was always lurking close to the surface.  I was always a closet painter.

I actually started painting as a child and worked actively on artistic experimentation and exploration until I was about 25. I was untrained so I tried all sorts of things – found materials, melted and painted plastics, wood burning (pyrography), wire sculptures, stone sculptures and acrylic paints. I mostly painted large semi-abstract canvases. I liked the expanses of color and motion.Collateral Damage MARCHWhat has been the main inspiration for your style and colour palette?  The main inspiration for my work is observing the human condition. I try to say things about, happiness, sadness confusion, hypocrisy, ignorance, cruelty, indifference and self delusion. I never put myself above these frailties – but I laugh at my own weaknesses more than I laugh at others. I try to embed my stories deep enough in the paintings so that each viewer can experience them in their own way.art squI was never a great admirer of pointillism; my style of painting was the result of experiments just to get myself painting again. I simply love bright colors – there are no bad ones. They are like kids in a park – laughing, running and playing together.

Dancing in the Dark

Dancing in the Dark

Upon initial viewing, your paintings are full of humour and lightness, however, behind each work there seems to be a darker meaning. Can you explain your artistic interpretations and share one such story from a particular painting?  As I said, my paintings are mostly observations, parables or vignettes. These are the catalysts for the paintings.  I try to present ideas obliquely. This gives me more freedom of expression and a wider visual lexicon to play with.  It also gives the viewer more freedom of interpretation.

I try to entice the viewer into the work through color, energy, humor and curious or bizarre imagery.  Behind all that is the story – the viewer is free to go as deep as they want. I hope everyone see’s the works differently.One of the more oblique works is about learning to accept people for who they are – not who we think they should be. My painting called  I’d Love You If You Were Someone Else (below) for instance, is an argument between a table and a chair.chairYou paint in a contemporary pointillism style in large format – how detailed and time-consuming is this compared with the bold brushstrokes of other artists?  Each artist approaches their work differently. If an artist can create a stunning piece in ten minutes – that’s great. The piece works or it doesn’t no matter how long you labor over it.  My paintings take about 3-5 weeks to complete. I don’t use a brush – I use a simple calligraphy pen and liquid ink. I can only work a few hours at a time – because I can’t focus any more.

Detail from "The Kiss"

Detail from “The Kiss”

Your upcoming solo exhibition is called Spontaneous Levitation – what inspired this title?  Well – Spontaneous Levitation is a bit of a play on the word levity – humour. I hope the show feels fresh, free, and energizing.  img420

At my last show, I met a painter from Brazil. He showed me some photos of his large canvases. They were wonderful. He had injured his shoulder badly in a car accident and had not painted for a number of years. He wandered around the show for about half an hour. On the way out he smiled and shook my hand…“Obrigado,” he said “your work makes me hungry to paint again”.

1457016348What advice would you give to aspiring artists looking to create a life as a professional painter? The only advice I can offer aspiring artists is

  1. Get a day job so you can afford to paint what you want.
  2. Try to be honest and express your inner voice – it’s scary but do it
  3. Open yourself to the unknown – the otherness
  4. Never give up.
"April in New York"

“April in New York”

"Fear of Flying"

“Fear of Flying”

I can’t wait to see Johny’s work in person, hanging on the walls of Art Square Gallery, 334 Dundas St West, Toronto (directly opp. the Art Gallery of Ontario) between June 5 – 19, 2017.  I’ll be posting more details on the show closer to the date so stay tuned.  In the interim, you can follow Johny on Twtr @johnydeluna or visit his website: www.johnydeluna.comThe Usual Suspects

27. Arabella Summer-Fall 2016

MEET THE PUBLISHERS OF ARABELLA, CANADA’S PREMIERE ART & DESIGN MAGAZINE

Having been a regular reader of ARABELLA, the quarterly magazine featuring the best in art, design and architecture, I thought my own readers would like to learn more about this gorgeous glossy mag and meet the publishers who bring us the beautiful images and stories of those who create and exhibit such masterpieces. You can view the magazine here:  www.arabelladesign.com

Debra and Brian Usher have been supporting Canadian and international artists and galleries with their magazine for many years – in fact, I first met them at Westmount Gallery in Toronto several years back when I was working with artist Bruce Lawes whose stunning hyper-realistic equine paintings were being showcased there at the time. While gallery visitors ooo’d and aaah’d at Bruce’s work, I quietly sat in a corner eagerly thumbing through the current issue of Arabella, intrigued by the contents and marveling at the new artist discoveries to be had inside the covers. (2 of Bruce Lawes’ equine paintings have been featured on the cover – below)9. Arabella Winter 2010 21. Arabella Spring-Summer 2014After many years of living and publishing their magazine in Toronto, a couple of years ago Debra and Brian decided the time was right for a move down east so they purchased an historic home and barn in the seaside town of St. Andrews, New Brunswick and established their business in this picturesque new location. I recently caught up with them via phone and asked them to share their thoughts on the art world, publishing and their new home amidst the salt air and crashing Atlantic waves….

What first inspired you to launch a big glossy art magazine?  We didn’t start with the idea of “big and glossy” but instead looked at what other art magazines were doing and tried to determine how well they provided art consumers and art lovers with an experience that portrayed both the art and the artist in the most effective way.  The artists and galleries we talked to were concerned about reaching a wider audience as the standard “art tours” had pretty much ran their course and their audiences were dwindling.  We started with the business idea – how can we best promote and support the sale of art? To accomplish this we needed to really reach a national and international audience.

Editor-n-Chief, Debra Usher

Editor-n-Chief, Debra Usher

A magazine with national and international distribution required a look and feel unlike anything on the book-shelves. While “big and glossy” is often seen as a waste of a natural forestry resource, it in fact was an important feature for ensuring that ARABELLA was going to be treated much like a coffee-book, a keepsake that could take readers on an artistic and engaging journey that lasts beyond a quick scan and becomes a lasting visual and narrative treasure.

When we looked at “the competition” for the most part, other art related publications seemed to be more focused on “critical dialogue” as this was central to their not-for-profit, charitable commitments to “educating the public”.  As a result their editorial content tends to place more of an emphasis on thoughtful, academic analysis and less on the raw, emotional experience of the visual.  We knew we had to get beyond the boundaries of conventional art publications. ARABELLA had to be about beauty in all its forms and provide readers with an unforgettable reading experience! It was a gamble on our part but we had all sorts of feedback that the audience for critical dialogue was much smaller than the audience of those who want to be visually and emotionally engaged by the art, the artists and their stories. Maybe it’s just a different audience, but we now believe they overlap.23. Arabella Winter-Spring 2015 24. Arabella Summer 2015So, we started ARABELLA in order to help support and promote artists and galleries from a commercial perspective first and recognized that in order to sell art the consumer or reader had to get as close to the art as possible. In designing our format, we emphasized the visual through full colour large scale imagery which requires the highest quality of printing – or as you say “big and glossy”.

As opposed to presenting “analysis and critical dialogue” from an external, expert perspective, we decided to focus on what is now pretty much accepted as the most critical aspect of selling – i.e. namely to tell stories, particularly from the perspective of the artists and the gallery owners.   ARABELLA gives artists and galleries their own voice and helps readers connect with the people behind the art.22. Arabella Fall 2014Are you both artists yourselves? Have you dabbled in any creative arts?  Both our careers have involved multiple aspects of creative arts. Brian and I have been involved in painting, photography, and creative crafts.

For the most part, these activities have been secondary to us pursuing business careers that focused on helping entrepreneurs grow their businesses through effective change management and leadership development.  Anyone involved in these aspects of businesses will recognize and identify with the creative processes and innovation required for success.

With so many newspapers and magazines going out of business on almost a monthly basis, how do you keep Arabella relevant & popular?  Well actually that’s two questions.  I’ll deal with last one first.  The relevance and popularity factors are pretty much driven by having a strong network in the commercial side of the art world. We are constantly monitoring and research trends and patterns through direct contacts; as many forms of media as possible; and feedback from artists, as well as our readers.

The format and editorial focus on the magazine, as outlined above, is built on understanding what is popular and relevant with our readership. It pretty much follows that we have a very strong chance of addressing customer needs.

The issue of newspapers and magazines going out of business is really a direct result of these mediums failing to understand what readers are looking for in their lives. ARABELLA recognizes a critical reality – namely that we are in the entertainment business. Our readers are looking for an opportunity to take a journey, to appreciate beauty and make it a part of their lives.

Having said that, our biggest challenge is funding the production of the magazine through direct advertising revenue. This is a problem that we share with newspapers and other magazines.

Brian, a couple of years ago, you moved home & business out to St. Andrews, New Brunswick, from Ontario – how did this move impact your work and lives? And can you tell us about your lovely new home?  Our move to St. Andrews was first and foremost a lifestyle decision. We were first enchanted by the people, and the architectural and cultural charm of the town and the region. Something about moving to the sea seemed almost like a natural at this point in our lives.

There’s no denying that there were clear economics involved as the real estate values were significantly more affordable. But at the same time we realized that a lot of what we do to produce the magazine is actually done via the internet and we actually had already established a virtual team of writers, photographers, and designers.  With access to “relatively high-speed” internet we thought the move was well worth it.

Brian Usher, Publisher

Brian Usher, Publisher

There have been some limitations – but most of these are now under control as we have now established a local New Brunswick production team and we are looking to reach a wider audience by using a Toronto-based publicity specialist and targeted advertising to continue to expand our footprint in the market.  The one limitation Debra will be sure to mention is access to the range of food stuffs we were used to in Ontario. But no question the seafood is bountiful and we have a much better appreciation for what’s involved in being a part of the fishing industry on the East Coast. It’s certainly not an easy occupation, particularly given the amount of time spent on the ocean in winter months.2. The Anchorage and BarnOur new home (pictured above) is locally described as a Maritime Gothic Revival residence and is listed in the Canadian Registry of Historic Places. The original house was built in 1825 as a rectory for the first Roman Catholic priest and the house is now known as The Anchorage.

This style is characterized by the three Gothic gables that break the plane of the roof-line. The central and largest cross-gable, with a pitched roof, is flanked by two smaller cross-gables with jerkin head roofs. The cross-gables are heavily molded and each contains Gothic Revival windows. Gable returns and single-story bay windows are used in the side façade. This attractive property has beautiful grounds which, when built, occupied an entire block-face.1. The AnchorageIt has both the charms and the wrinkles of a building that age. One of St. Andrews most historically significant homes, The Anchorage has been fully restored and up-dated while remaining faithful to its design and character.  The main house has undergone several renovations and extensions over the years with the addition of a major size barn/garage now adjoining the swimming pool area. This building is almost critical for housing all of Debra’s various

Your gallery advertisers are treated to lots of non-traditional perks such as editorial coverage of their shows and individual artist profiles – how has this impacted your relationships with advertisers?  You’re right! The promotional aspects of the business involve a combination of advertising placement; features on galleries and artists; and social media promotion for artists, galleries and events. It’s an extensive package and the editorials are extensive (usually 16 pages) and provide an excellent marketing vehicle for individual artists and their galleries.  This service is not offered by other Canadian or US art magazines.11. Arabella Summer 2011 12. Arabella Fall-Winter 2011With more and more magazines going strictly online, have your subscribers remained loyal to the quarterly hardcopies? Let’s face it, Arabella is more like a collectors’ coffee table book than a regular magazine.  ARABELLA is available both in print and online versions. You’re right about the magazine being more like a collectors’ coffee table book. That was our intent from the get-go.  We have both print and online subscribers but the unanimous feedback we get is that there’s nothing like the print version. Only print can present the visually stunning content and readers consistently remarks about the importance of “touch” and physically turning pages.20. Arabella Winter 2013 26. Arabella Spring 2016You’ve just released a new hard-cover art book, The Love of Flowers, and previously had published It Starts With a Dream, your first hard-cover book highlighting images of Canadian art, architecture and design. What’s next on your book publishing agenda – can you give us a hint or two?
We are currently planning the creation of a book to be released in the spring of 2018, as homage to the coastal areas of Canada and the artists who capture its mystery and its siren call. Four hundred (400) pages of extraordinary art and artist profiles will be showcased through a myriad of forms, styles, and mediums. At the forefront of the book, Canada’s legendary artists – both living and remembered – will be featured. These will include Alex Colville, Mary Pratt, Christopher Pratt, Tom Forrestal, William Forrestal, Fred Ross, David Blackwood, and Maude Lewis. Following these featured Canadian icons will be 40 other Maritime artists, each celebrated with an eight-page profile, with full-bleed images of their best art and words to describe their own personal stories. This book will heighten any art collection, jump off bookshelves in Indigo and Barnes and Nobles stores across the continent, become gracious gifts for family and friends, and will have a special spot on coffee tables everywhere.arabellaMailercopycopyAnd any exciting new artists or galleries being featured in the next Arabella (and when is it due for publication)?  Frank Hyder is truly one of our more unique artists to grace the pages of Arabella Spring 2017. His unique sculptural heads and swimming fish are bound to capture our readers’ attention.

Spring 2017 will have an assortment of artists but this issue more than any other will showcase the work of artists across the country as well as their will be quite a selection of 3 dimensional work as well as paintings and craft.

We are bringing back two stunning architectural homes – one from Paris and the other from California.

A new feature is the gallery listings and shows at the back of the periodical. We are trying to make each issue more in keeping with a book, and the cover will be slightly heavier – more life a soft cover book.

We introduce in this issue the start of Gallery Owners and Collectors Comments which should interest a lot of readers to hear different points of view from around the country.

To read the current issue online, plus subscription and advertising information, visit: www.arabelladesign.com

A little more about ARABELLA magazine:

ARABELLA’s mission is to produce the most exquisite Canadian Art, Architecture & Design magazine edited for those with a passion for transforming the ordinary into the extraordinary and living life well. A truly unique Canadian magazine created for people who aspire, are achieving, or have already accomplished a luxury style of life reflecting what it means to be Canadian.
Each issue presents original, in-depth editorial on the best of Canadian contemporary and historical fine art; galleries to visit; artists to collect; architecture and living spaces; unique stores to visit; business and personal life style profiles, landscaping and interior design; luxury properties for sale; unique travel destinations; and food and wine to savour.

ARABELLA is dedicated to supporting and promoting creative talent and related businesses through specialty print and digital media publishing, special events/destination marketing, and professional development programs. We believe in the power of arts and culture in building stronger communities, national identity and economic development.

ARABELLA, our major quarterly magazine publication, is now in its ninth year and is distributed across Canada (Chapters & Indigo, Coles and Smith Books) and the US (Barnes & Noble, Books a Million) and has a global digital circulation on all major platforms. With each quarterly issue we reach 350,000+ readers.

ARABELLA’s print and digital publications play a critical role in presenting Canadian creative talent to the widest possible audience while providing in-depth, visually compelling insight into the best of art, residential architecture, landscaping, interior design and luxury lifestyle products and services.

ARABELLA’s vision is to go beyond the boundaries of conventional publications and produce the most exquisite Canadian Art, Architecture & Design magazine for consumers who aspire, are achieving, or have already accomplished a luxury life style and have a passion for transforming the ordinary into the extraordinary and living life well. It’s about beauty in all its forms and providing readers with an unforgettable reading experience!

With layout and design features unlike any other North American print or digital magazine, each issue (which is more like a book) provides visually compelling, in-depth information and insight on the best of art, residential architecture, landscaping, interior design and luxury lifestyle products and services from the traditional to the contemporary, from the local to the internationally inspired. 18. Arabella Summer 2013

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JUST RELEASED: STUNNING NEW BOOK OF FLORAL PAINTINGS FROM CANADIAN AUTHOR & PUBLISHER DEBRA USHER

For a number of years, I’ve been reading a wonderful quarterly Canadian magazine featuring stories on artists, art galleries and news about the business of the art world – it’s called Arabella Design and can be found in major bookstores across the country as well as by subscription.Arabella cover

I first met publisher DEBRA USHER and her charming husband BRIAN while visiting one of my favourite galleries in Toronto, Westmount Gallery, when I was working with internationally renowned hyper-realism artist Bruce Lawes who had a special exhibition at the gallery – see Bruce’s equine art featured on the magazine cover (above). While waiting for media and art lovers to arrive, I spent some time flipping through the pages of back issues of Arabella and chatted with Debra and Brian about their ongoing support of emerging as well as established artists and regional galleries.

A few years later, I’m now able to support Debra & Brian as they rollout the promotional campaign to introduce their spectacular hard-cover book, THE LOVE OF FLOWERS, to readers and those who love all things floral. But be warned…this ain’t your grandma’s pretty flower book! The 450 pages are packed with nearly 2,000 glossy images of paintings depicting all manner of blooms from a wide variety of common garden flowers as well as exotics from far away lands. The book is big, bold and sexy and is the perfect addition to any personal library or coffee table. Once you start flipping through the pages, you won’t be able to stop!1. Beauty of White Flowers 18. Dennis MagnussonI recently spoke with the author and publisher and asked her about the inspiration for the book:

I am extremely proud of this book and the artists represented on the 450 full-colour pages. There are over 1900 paintings and images and 50 stories represented in this hard cover book.

 After the death of my mother, I decided to present a floral tribute to her in our spring edition of Arabella magazine and asked floral artists from all over Canada and the US to send in images of their paintings. Because of the overwhelming response, an idea to incorporate all of these stunning paintings into a book was formed and now here we are – The Love of Flowers was born and I’m so happy to be able to share all these glorious images with my readers.

Artists who paint flowers and capture the beauty and time of a fleeting moment are truly special but very often ignored in the artistic world. This book showcases both the range of talent and diversity of ideas out there. Each artist has a unique reason they paint flowers and our floral landscape and the book is a journey of the world around us that we sometimes miss. So I invite you to come travel down a road with a fragrance so delightful, is filled with colours and transfixes the heart and soul with both love and laughter.   Debra Usher, author (below)Debra-UsherHaving just received my own copy of The Love of Flowers, I can tell you that this is an extraordinary book, ideal as a family keepsake and something to be shared with children, grandchildren, friends and neighbours. The luxe matte finish of the hardcover invites the reader to turn the first page where the colours jump out at first viewing. Each of the artists, most of whom are Canadian, is profiled along with the richly toned images of their skilled works, and turning the pages, you will discover all sorts of flowers and blooms that will brighten even the dullest winter day.10. Brian Davis 22. Adriana Rinaldi 4. Rena BiermanDebra is currently planning several book signing appearances across the country, the first of which takes place at Handworks Gallery in Saint John, NB on Thursday February 9, then at the Sunbury Shores Arts & Nature Centre in St. Andrews, NB on Sat. Feb 11, with additional appearances and art lectures in BC slated for March. Please check the Arabella website and Facebook page for upcoming events in your region.

The Love of Flowers
450pg full-colour, hardcover book (1,900 images + 50 artist stories)
Published by Arabella Inc.
$85.00 (plus shipping & handling) available online

The Love of Flowers will soon be available in major bookstores but why not order your copy now direct from the publisher:  http://www.arabelladesign.com/flower_book.htm

20161201_172830

URBAN GALLERY INTRO’S EXCITING NEW ARTIST USING FLUORESCENT PAINT TO CREATE PROVOCATIVE IMAGES OF FAMILIAR FANTASIES

Local artist MEGHAN THOMAS had a fantastic opening reception for her show, LUMINOSITY, at URBAN GALLERY (400 Queen St East, Toronto) this evening. Thanks to the temporarily hung “black lights” overhead, her fantastical large-format paintings literally sparkled, revealing all manner of hidden images and treasures within each canvas.  The show runs through December and ends January 14th, 2017. For directions and gallery hours, visit:  www.urbangallery.ca20161201_174630 20161201_174612 Here, let Meghan tell you about her work and inspirations herself….

20161201_173043Guests to the gallery were mesmerized by Meghan’s Hollywood/fantasy inspired work…armed with black-light flashlights, fans wandered from piece to piece shining the light across the paintings and finding hidden messages and images in the fluorescence. Even Fritz Lang’s iconic “Metropolis” robot was given a new updated vibe (below)20161201_172549 20161201_174654…and Willy Wonka got the Meghan treatment, too (pictured above). And below, Humpty Dumpty sat on a new wall thanks to Meghan’s imagination..20161201_173019And we were all feeling a little flushed after reading the hidden messages glowing in this wicked “trainspotting” tribute (below)20161201_173028Gallery visitors really enjoyed the experiential viewing of Meghan’s art and UrbanSource Catering fed their tummies while the paintings fed their souls. Below are my favourite mini samosas with yoghurt dip….yummmm!20161201_182211Here’s the fab artist herself wearing a fun glow-in-the-dark satchel while gallery curator, Allen Shugar enjoys a chuckle with her!20161201_173057Meghan’s proud mum (below, centre) was there, too, sharing tales of her talented daughter with visitors20161201_174437Other artists dropped by, including Brenda Clews here being photographed by Stacey of Snap’d Cabbagetown newspaper.20161201_181908 20161201_182227Actor Chris Currie (below right) schmoozed with gallery owner Calvin (below left)20161201_182313Allen and Calvin check out Lucy and her TV “Vitameatavegamin”episode. We ALL love Lucy!20161201_173255 20161201_181947Hope to see you at Urban Gallery, 400 Queen St East in Toronto between now and January 14th, 2017. If you’d like to learn more about Meghan and her unique style, visit her website: www.megswarpaint.com

www.urbangallery.ca

20161116_181458

GINA GODFREY UNVEILS HER NEW GALLERY SHOW IN TORONTO

Digital artist GINA GODFREY welcomed guests to her downtown Toronto gallery last night as she launched her latest show, “Black and White and Green with Envy”, just in time for holiday gift-giving. And to make her stunning prints accessible to everyone, Gina’s created smaller prints ideal for those with smaller wall spaces…..for the modest price of $150 (see partial selection below).20161116_180321 20161116_180243The exhibition features large format art based on Gina’s collages and photographs which she then digitally alters to create stunning designs and images. I love this group (below) that includes a little Sinatra on the side!20161116_181028 20161116_181015And these pieces certainly challenge your eyes and perspective. Fabulous!20161116_181125 20161116_181325 20161116_181135This is an extremely cool foursome (below)… I added some close-up details…what do you think?20161116_181236 20161116_181300 20161116_181255 20161116_181245Her friend, Deb Belinsky (below, left) of Tableau premium water solutions dropped in to support Gina (below, right)….20161116_181109…and enjoyed the deelish spread along with other guests…yummmm!20161116_181116If you’d like to visit Gina and experience her work, please visit www.ginagodfrey.com for hours & directions (her gallery is centrally located, close to Yonge & Bloor).20161116_181347 20161116_181206

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TORONTO’S URBAN GALLERY LAUNCHES DUAL ARTIST SHOW FOR OCTOBER

Throughout October, URBAN GALLERY is pleased to showcase two Toronto artists whose journeys into distant landscapes where light and shadow ignite the senses allow the viewer to experience life with heightened awareness and inspiration. This wonderment helps to reveal the genuine beauty of living life in the moment.  Last night, the gallery hosted an opening party where both artists welcomed friends, family and potential new art collectors to their show.  VISTA TRAILS and THE GEOGRAPHY OF LIGHTruns from October 6 to October 29, 2016, featuring Annie Mandlsohn (Painting, Sculpture & Mixed Media) and Robert J. Brodey (Photography)20161006_174000 20161006_182228For over 30 years, Annie Mandlsohn (pictured below with a gallery visitor) has exhibited her artwork across Canada. She graduated with a Bachelor of Fine Arts Degree (B.F.A.) from Concordia University in Montreal specializing in visual arts and music, and also holds a Master in Environmental Studies Degree (M.E.S.) from York University in Toronto.20161006_173911Annie has lived and worked in urban, rural and remote areas of the country, and has travelled across Canada, USA, Europe and Japan. Her love of faraway places, often where tourists do not go, leads her to experience various cultures and adventures she encounters, finding unique journeys guided by an inner compass. The beauty of nature and the spirit and power of landscapes are reflected in her work (samples of which are pictured below)20161006_173806 20161006_173427 20161006_174131 20161006_174015VISTA TRAIL framed Pastel 19x16 MOUNTAIN LAKE Collage Indian and Nepalese paper abalone beads 24X34 MandlsohnI got a chance to chat briefly with Annie before losing her to a crowd of art fans!

Robert Brodey is a Toronto-based writer and photographer whose longing for new places has sent him travelling around the world, writing and shooting for the likes of Street Kids International, Outpost Magazine, The Toronto Star, and The Houston Chronicle. Below are a few of Robert’s stunning portraits and landscapes featured in this current show…20161006_17103620161006_171045 20161006_171139I have always been attracted to movement and change.  I love the element of surprise, the contrasts, and the rush that comes when all the senses light up. For me, what is distant holds a degree of mystery and stokes the fire of imagination and curiosity. I need to experience it.  In that way, travelling is a conscious seeking — for different cultures, different landscapes, and, yes, sometimes even different light.     Robert J. Brodey

Here, let Robert tell you more about his work himself……

Artist, actor and poet Philip Cairns in front of Annie's artwork

Artist, actor and poet Philip Cairns posed in front of Annie’s artwork

Gallery curator Allen Shugar (R) talks with Annie's fans/collectors

Gallery curator Allen Shugar (R) talks with Annie’s fans/collectors

Gallery assistant Kelly chats with performance artist and art lover David Roche

Gallery assistant Kelly chats with performance artist and art lover David Roche

There are always scrumptious treats at Urban Gallery's artist receptions!

There are always scrumptious treats at Urban Gallery’s artist receptions!

Annie was interviewed by Mark Hasan of KQEK.com arts blog

Annie was interviewed by Mark Hasan of KQEK.com arts blog

20161006_182328VISTA TRAILS and THE GEOGRAPHY OF LIGHT2 runs from Oct.6 to Oct.29 at URBAN GALLERY, 400 Queen St East, Toronto  For gallery hours, visit: www.urbangallery.caUG-Letterhead-BC

 

 

 

 

 

20160910_141623

GRACE DAM OPENS HER SOLO SHOW @ URBAN GALLERY IN TORONTO

Toronto’s URBAN GALLERY turned up the a/c for the launch of GRACE DAM‘s hot solo exhibition “The Artist Unmasked” which runs until October 1st.  Family and friends turned out on the sultry Saturday afternoon to celebrate her show and sale of paintings that reflects the complexity of life, the challenge of relationships –and the connections between earth and sky.20160910_144606“My approach combines figurative and abstract elements to explore the emotions and meaning inherent in my surroundings. My subject matter, sparked by the mood and politics of the day, is then researched and studied before I attempt to capture it on canvas. My message may appeal or it may provoke –my aim is to tempt the viewer to linger long enough to tease out the meaning.”    Grace Dam

20160910_14143620160910_14172620160910_141452Fellow artist Erik Chong and his wife Jeanette (below) arrived to show support…20160910_143352…as did good friend Linda Kaplan, shown below with Grace.20160910_143150Grace’s husband, Howie, admired her work…20160910_141635…as did her lovely daughter Hillary (below)20160910_141932Below, Wayne Abell of UrbanSource Catering and KJ Mullins, publisher of Newz4U.ca were happy to come out and celebrate Grace’s grand opening….20160910_142304

The Wait 48w x 36h Oil diptych Canadian Icons (Niagara Falls diptych) 48 x 60 oil on canvas Image THE MASK by Grace Dam -oil on canvasFor further information on Grace’s paintings and gallery hours, please visit: www.urbangallery.ca/20160910_144606