Category Archives: Art

VISITING MY ANCIENT RELATIVES AT THE ROYAL ONTARIO MUSEUM

It’s been a while since I took a spin around the galleries at Toronto’s ROM and as I’d been given a “golden ticket” to view the Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India (selected photos at end of blog) exhibition, I decided to capitalize on the all-access pass and take in some of my favourite displays, in particular the Etruscans (from whom I believe I am descended), the ancient Romans & Greeks, followed by the European 15th – 20th centuries for good measure. There were some exquisite jewellery displays of Etruscan baubles I’d never previously viewed – now I know from where I get my passion for carnelians & garnets… Moving thru the various centuries of ancient civilization, so many great photo opps presented themselves…. The Athena Parthenos (above) is recreated here with a model worshiper (bottom right) to show the original scale of this magnificent Greek goddess statue. And I loved the Cypriot busts (below) – the laurel crowned fellow on the right looks like he’s just been told an off-colour joke!Through a set of doors and around a corner, I spied the “In the Age of Rembrandt” exhibition so I flashed my VIP pass and in I went…Such beauty and elegance…several Dutch masters painting during the same era as Rembrandt are featured and as you pass thru the exit of this gallery, you’re bade farewell by a pair of Rembrandt’s stunning portraits… I then proceeded into more recent centuries and viewed the room-scapes set up so visitors can get a taste of furnishings and lifestyles from the Tudors to the mid-20th century. Don’t you just love these mid-century modern chairs (above)? And haven’t we all had our bums in some of these seats, too?

Now back to the Indian exhibit – it closes Sept. 2nd and it’s well worth the museum entry fee just to see it. Stunning artworks, furnishings, royal jewellery & costumes…so much to admire and wonder at. Check out the Royal Ontario Museum’s website for hours & directions: www.rom.on.ca/en

ARTIST ALLEN SHUGAR UNVEILS MAGNIFICENT COMMISSIONED INSTALLATION IN TORONTO

This past Wednesday, artist and curator for Urban Gallery ALLEN SHUGAR unveiled his stunning “Summer Sumachs” painting installed in the new luxury Chartwell retirement residence called The Sumach located on…Sumach Street (of course!) in downtown Toronto.Located inside the entrance foyer, the 3 x 3 panel painting overlooks the reception desk where residents and visitors can enjoy viewing Allen’s interpretation of the native sumach tree in full bloom – perfect for brightening up those grey winter days. I took the opportunity to briefly interview the artist about this work……

Allen, congratulations on your recently unveiled installation at the new Chartwell retirement residence in downtown Toronto. Being on Sumach Street, your painting featuring the colourful sumach tree on multiple panels fits perfectly into the space – tell us how you were contacted for this commissioned work. At Urban Gallery, we occasionally receive requests from companies (in this case Daniels Corporation) for artists to submit proposals for commissioned art works. In the past, we have passed these requests on to artists who have exhibited in the gallery and whose work we felt was particularly suited to the project – resulting in some successful and lucrative commissions for those artists! I myself had never responded to one of these requests before, but this one really sounded like it was right in line with the type of work I like to do, so I thought, why not!

How long did this magnificent work take to complete, and in what medium did you work? The painting is oil-on-canvas. I was on a very strict schedule in order to meet a pre-established installation date. I had just slightly over 2 months to complete the work and this had to include enough drying time (oil paint is slow to dry) so that the pieces could be handled safely for installation. It was a very tight timeline for a painting of this scale and I really had to work furiously in order to meet the deadline!

Did the client give you certain parameters or directions as to content and style of your work? A lot of my paintings are nature studies and it was some of those that I sent off as examples of the type of work I was proposing. The client was particularly interested in a painting of mine called TRANSITORY FOREST which is painted on 9 panels and totals 6 feet square in size. They requested a painting of the same size and format but they wanted Sumach, in full summer bloom, as the subject matter. This made perfect sense with the new building being called The Sumach Building, located on Sumach Street in downtown Toronto and it suited me just fine, because I’ve always admired Sumach trees and this gave me the opportunity to paint them.

As the curator of Urban Gallery (since it opened in 2012) who is responsible for working directly with the individual guest artists organizing the hanging of each month’s shows, how does it feel to see your own work presented in such a fashion? I’m very pleased to have this work installed in a public location. It’s on a scale that would make it unlikely to find a home in a private residence and here, in the lobby of The Sumach Building, it can be enjoyed by all the residents and their guests throughout the year. I think it might be particularly appreciated in the winter when it can almost stand in for that much missed glimpse of green from a window.Any other commissions on the horizon, and how about any upcoming shows of your work at the gallery? I did complete another commission just before starting on this one. It was a smaller work painted on 3 panels for a residential installation. It was also a nature study entitled “Morning Mist” (pictured below) and depicted a branch of a Ginkgo tree in Autumn colour. At the moment, I am busy working on a number of paintings with a wide variety of subjects – nature, figurative and abstract – which I hope will become part of my next show at Urban Gallery. Thanks to hosts Katrina (Lifestyle & Programs Mgr) and Margaret (Gen’l Manager for the building) for arranging the visit and hosting an artist talk with a group of residents who were interested in the art hanging in the various community rooms in the building. Here, Allen engages with his very enthusiastic audience… We were also given a tour of this new residence by Katrina and oh my, the attention to detail in the fixtures and fittings…wow! They have a small cinema, a reading room, a games room, a well-appointed gym, a large rooftop patio and a fabulous full-service dining room; there are several layouts & sizes for the rental units all with washer/dryers, dishwashers…all the mod cons. The Sumach offers a selection of personal services for those needing a little extra care, too. Definitely worth checking out if you are planning for retirement. www.thesumachbychartwell.com

To learn about Allen, visit his website www.allenshugar.com to see past and current artworks, and feel free to drop into Urban Gallery, 400 Queen St East, Toronto, to view works he’s curated for other artists. urbangallery.ca

Above, Allen poses in front of his previous multi-panel installation at Urban Gallery for his 2017 solo show

URBAN GALLERY HOSTS NICOLAS PEARSON’S SOLO SHOW “IMAGINARY NONSENSE” FOR MONTH OF JULY, 2019

The first thing you notice when entering Urban Gallery this month is the riot of colour! Big, bold and full of energy, each canvas offers stunning graphics, mixed media and just simply….joy. Local artist NICOLAS PEARSON delivers an exciting solo show in Imaginary Nonsense: A kaleidoscopic journey of abstraction through painting which runs through July 31st at Toronto’s leading non-commission gallery located at 400 Queen Street East…and it’s well air-conditioned for those who find the heat and humidity unbearable (like this writer). Here’s Nicolas to tell you about his art and his inspirations….

My work is primarily abstract oil and acrylic paintings. I produce my work in a subconscious manner where I start with an idea and jump into the painting, changing my vision as I go through the process as inspiration hits me. Inspiration comes from my fascination for the natural world and random mundane items I encounter in my daily life that enthuse me. Anything can be a visual stimulant and can be incorporated in my art, the idea that anything and everything can become art gives me motivation. I started this fascination when I experimented with mixed media collage using everyday buttons off a dress shirt or jacket. These items, which would normally just form a practical purpose, are now being used to create an artistic expression. I also use twine, cheesecloth and impasto painting techniques to create texture and areas of interest in my work. – Nicolas Pearson

Born and raised in Toronto Canada, Nicolas attended the McMichael Art Gallery summer camp for art where he would later work for a few years. He studied fine art and art history at the University of Toronto’s joint program with Sheridan Collage, graduating in summer 2012. During university, he also participated in a summer study abroad program for Modern Art History, with a focus on Italian Art in Siena, Italy, in 2010. He was also involved in several group shows including the Chancellors Exhibition at the University of Toronto 3 years in a row, and a one-day pop-up show at the Gladstone Hotel.

Today, his latest works were admired by gallery visitors and friends… Here is the artist with gallery curator Allen Shugar (below), and gallery owner Calvin Hambrook (lower)..and sharing the camera with one of his energy-filled paintings (below)Here are some exquisite close-ups/details from some of his work…. The show runs throughout the month of July, closing on the 31st, with another opportunity to meet the artist on Sat. July 27th (2-4pm) so we hope you will join us to celebrate this talented Canadian artist. Space is limited so kindly RSVP to: info@urbangallery.ca

Urban Gallery, 400 Queen St East (just E of Parliament)
www.UrbanGallery.ca

URBAN GALLERY HOSTS OPENING RECEPTION FOR BRIAN GIBSON’S SOLO SHOW “ICONS” FOR PRIDE MONTH

Throughout June, Toronto celebrates its LGBTQ community and each year URBAN GALLERY hosts an art exhibition as part of the city’s PRIDE festivities.

This year, hyper-realist portrait artist BRIAN GIBSON is launching his ongoing project ICONS featuring legends from Hollywood and the music industry. This past Saturday, the gallery was filled with Brian’s family, friends and fans, along with a DJ spinning tunes by some of his artistic subjects. Brian (below left) and his partner, Danny (below right) enjoyed sharing stories behind each portrait and how each star has impacted Brian’s work in this special ongoing series of paintings. Portraiture has been a historic representation of society and the continuing similarities found in the human experience. Hair & clothing styles may change but we are fundamentally the same throughout time. ~ Brian Gibson.

Gallery curator Allen Shugar (below R) really enjoyed hanging this show and being surrounded by such famous faces…as did gallery director Calvin Hambrook (below L) Even a young Sophia Loren made an appearance alongside Judy Garland (below)The guests were enthralled by the uncanny likenesses… …and Brian was happy to chat with everyone and pose for photos…The whole gallery was a-buzz with people sharing memories of concerts attended or movies they watched starring these “icons”…

ICONS runs until June 29th so we look forward to introducing you to Cher, Marilyn, Doris, Rock and Prince!
URBAN GALLERY, 400 Queen St East, Toronto
www.urbangallery.ca

URBAN GALLERY PRESENTS PHOTOGRAPHER PENG-KUEI (BEN) HUANG – SCOTIABANK CONTACT PHOTOGRAPHY FESTIVAL

After yesterday’s successful launch to the annual Scotiabank CONTACT Photography Festival, Urban Gallery invites lovers of photography and art to visit BEN HUANG‘s haunting solo exhibition “SOLEMN PINES, FADING THINGS” running throughout the month of May.

In the beginning there was an earthquake, then a massive wave took everything. But just as things couldn’t get any worse, an explosion at Fukushima coast released dangerous amounts of radiation. Survival instinct took over: residents left behind things that were precious to them as they escaped. And the trauma remains, like ghosts of the dead lingering upon the land. Over time, as debris is cleared and towns are being rebuilt, the sorrow persists. Ben Huang began visiting Tohoku coast in Northeastern Japan in 2012 with an idea of documenting the transformation in the aftermath of the disaster. Throughout his numerous journeys since then, he learnt how a supposed recovery effort has had a profound impact on the environment and the people living there. These photographs are a testament to such a change; they tell a story of hope and uncertainty of the future, as well as grieving for the lost. It is hopeful yet somber, fragile yet strong, and vulnerable but determined as the region and its inhabitants come to terms with the tragedy. ABOUT THE PHOTOGRAPHER: Native of Taiwan, Peng-Kuei “Ben” Huang first moved to Indonesia in 1990 and later to Los Angeles, California in 1993. In 1997, he attended Pitzer College where he studied international politics. He began to take an interest in photography in 2001 and left for San Francisco where he earned a BFA degree in 2004. In 2008, he attended the Magnum Workshop Toronto under the guidance of renowned photographer Larry Towell and was selected as one of the finalists for the Scotia Bank Prize. Ben has been living in Canada since 2005 and splits his time between Canada and East Asia. www.benhuangphotos.com

Ben was thrilled to welcome family and friends to Urban Gallery which was soon packed and buzzing! Toronto arts journalist, Mark Hasan, interviewed Ben (below) who was happy to share his thoughts on the current state of the environment, esp. around the Fukushima reactor that released dangerous amounts of radiation and is still impacting the world’s oceans.You have another opportunity to meet Ben in person – Saturday May 25th (2-4pm) – the gallery looks forward to welcoming those interested in the art of photography and learning from Ben’s first-hand accounts of how Japan is recovering from the earthquake & tsunami. All photographs are available for purchase – the archival pigment prints are 16″ x 24″ (framed or unframed) and are in limited editions of 20. Further details: www.urbangallery.ca

LORI RYERSON’s solo show “OFF THE BEATEN PATH” runs thru April 27 at URBAN GALLERY, TORONTO

Yesterday, Saturday April 13th, Urban Gallery’s artist of the month LORI RYERSON (pictured below) hosted a meet-the-artist event after her big launch reception last week. Those fans who couldn’t make it for the grand opening of her show “Off the Beaten Path” poured into the gallery and another photographic artwork was quickly sold…red dot firmly affixed to one of my personal favourites, “Tears of a Peacock” (below)Most of the photographs featured in Lori’s show illustrate the remoteness and emptiness of spaces in far off lands… My photography is usually the result of serendipity. I look for an alignment of things that convey a story, for the narrative in abandoned urban landscapes. I try to capture what silence looks like. These are the stories I tell through my lens. – Lori Ryerson, 2019

Here’s Lori to tell you about the show in her own words:

Lori enjoyed sharing her inspirations and travel stories with gallery visitors….…and Lori’s sister, Lisa, dropped in to wish her well with the show (below)…as did her fellow artists and friendsOver the years, Lori has amassed a huge portfolio of photographs, many of which have been compiled into books that her fans appreciate and stand in line to purchase at her shows… Off the Beaten Path runs until April 27th at Urban Gallery, 400 Queen St East, Toronto (just 1 blk E of Parliament). Gallery hours and directions: www.urbangallery.ca

If you’d like to learn more about the artist, follow her on social media or visit her website: www.focalocity.ca

ARTIST HANNA KOSTANSKI PAINTS THE PAST & ILLUSTRATES THE BEAUTY OF ABANDONED BUILDINGS

I have the pleasure of introducing you to my new client, artist HANNA KOSTANSKI, whose work I first discovered in 2017 when she presented her solo show at Urban Gallery in Toronto (below) She was born in Szczecin, Poland, and in the 80’s her family emigrated to Hamilton, Ontario, where she grew up and first discovered her love of painting. Hanna attended the Ontario College of Art & Design where she obtained her BFA in 2007. She still resides in Hamilton with her husband and two rescue dogs and a black cat who really runs the house! Hanna’s work can be found in dozens of private and public collections, including a hospital, several law offices and hotels in both Toronto and Hamilton.

Her most recent series of paintings are based on photographs found at the City of Toronto Public Archives. These images span several decades and show a nostalgic view of the city as it once was. They celebrate the past while showing the development of Toronto and the ways in which people helped shape it. In contrast to Hanna’s previous collections which embody the loneliness of an environment in the absence of human touch, this series celebrates the vibrancy of people interacting with the streets and neighbourhoods.

Bay & Adelaide Streets circa 1940s

I’ll let Hanna tell you herself about her passion for vintage views and recreating mid-century street scenes…

For over a decade, my work has been focused on the visible passage of time, experienced through the exploration and documentation of abandoned and decaying buildings in cities like Hamilton, Detroit and more recently, Toronto. I’ve always been fascinated with historical architecture, specifically how we interact with our buildings and structures, and what happens when that interaction ceases to exist. – Hanna Kostanski

It was wonderful visiting Hanna in her home studio, seeing where and how she works… … and discovering new works currently being undertaken (below) We’re currently researching showcase opportunities at this year’s DOORS OPEN TORONTO, a weekend in May where the public can visit historic buildings and venues. Hanna’s brilliant painting of the Yonge & Dundas intersection, circa 1978, would be the perfect illustration of Toronto’s past so I’m busy pounding the pavements and visiting building management offices to secure a spot for this incredibly detailed view of the busiest spot in Toronto!Hanna is also in high demand for commissioned work and she’s currently working on a number of pieces for birthday and retirement gifts so some very special paintings will soon be going to some equally special homes. If you would like to learn more about Hanna and get in touch for your own commissioned slice of the past, visit her website and follow her on social media: http://www.hannakostanski.com Watch my social media (Fcbk, Twtr, IG) over the coming weeks for more video interviews with this talented artist.

A Parisian street scene, given the Kostanski touch!

The heavy industrial side of Hamilton, ON, also gets the Kostanski treatment

MR. HYDDE’S GROOVY GALLERY OPENING FOR “HAPPY TYME” SOLO SHOW

I discovered a great gallery on Spadina Ave (Toronto) last night when I attended the opening soiree for the fabulous Mr. Hydde‘s solo show titled “Happy Tyme”. Coldstream Fine Art represents a number of exciting contemporary Canadian artists and I was thrilled to see Mr Hydde’s new works hanging in this space. His show runs util March 23rd so please scroll down and check the websites linked at bottom of this blog for info & gallery directions.Upon entering the 2nd floor gallery, I was amazed by the brightly coloured large, fanciful paintings, each of which intrigued with Mr. Hydde’s embedded text and imbued with his sense of humour and social commentary. I managed to grab a quick Q&A video with the man himself….

I met up with some friends from the Toronto arts community including (below) Val Peter (L), Tanya Solonyka (C) and Michelle Dinelle (R) who were their to support our talented friend, Mr Hydde.I had my eye on this one, Flowerz (below) and decided to commit. Yes, that’s my red dot alongside. The eyes followed me around the gallery and kept drawing me back so….I just had to have it!I encourage you to visit Coldstream Fine Art and view Mr. Hydde’s work in person…see if any of the other eyes follow YOU around the gallery. Thank you for supporting local artists. Coldstream Fine Art, 80 Spadina Ave, Ste. 208 www.coldstreamfineart.com/

www.mrhydde.com

VANESSA CUARTAS’ COLOURFUL HORSE PAINTINGS STAMPEDE INTO URBAN GALLERY, TORONTO

URBAN GALLERY‘s artist for December 2018 offers up a whole herd of colourful, vibrant horses galloping across the gallery walls: VANESSA CUARTAS presents lively abstract equine portraits in her solo show BRIO that runs now until December 29th….a glorious exhibition on which to end the year!

Of Colombian heritage, Vanessa is originally from Miami, and now resides in Toronto. She graduated with a Bachelor of Arts from the University of Central Florida with an emphasis on graphic design, later receiving an Art Direction Diploma from the Miami Ad School. Throughout her school years and any personal time, Vanessa always found time to paint as much as she could, and rode her family’s horses regularly. She became passionate about the Puerto Rican Paso Fino breed and if you look carefully at her paintings, you can see their influence in the conformation (stance) of each subject. We spoke with Vanessa just before the gallery doors were opened and here is what she shared…

A designer by day and artist by night, her passion for painting has grown stronger in recent years. When she first moved to Toronto, she was without an established circle of friends and struggling to find an artistic focus so Vanessa decided to do what she loved most: paint horses. Her unique contemporary style has found an appreciative audience and her circle of friends has grown exponentially, many of whom attended the gallery on Vanessa’s opening day, Saturday Dec. 8th (below). Her bold colorful BRIO series conveys movement and a lot of positive energy that attracts attention, even from the littlest art fans….Joining Vanessa at the opening were her husband, Mario (below R) and brother JP (below (L)And gallery curator, Allen Shugar (below L) and gallery director Calvin Hambrook (below R) joined Vanessa to celebrate her opening.If you love horses, you will LOVE this exhibition…. …and within the first half-hour of her opening reception, Vanessa had already sold one piece, titled “The Journey”(below)

If you missed the opening reception, you can come meet the artist Saturday Dec.15^th (2pm to 4pm) and you can also visit the gallery weekdays and Saturdays throughout the month of December. Log on to www.UrbanGallery.ca for hours and directions – located at 400 Queen St East, Toronto.

TORONTO ARTIST JUDITH McKAY UNVEILS SOLO SHOW “HIRAETH” @ URBAN GALLERY

Running throughout the month of November, Hiraeth is thesolo show featuring stunning and colourful contemporary landscapes and “tree portraits” presented by JUDITH McKAY at Urban Gallery, 400 Queen St East in downtown Toronto.The Toronto artist explores fantasy as a means of finding peace in a frenetic world. Trees are her allegory for the endless pursuits of modern life: rooted, yet branching out to reach the sky.

Largely self-taught, Judith’s style is free-flowing. She uses both thick impasto and fluid colour to achieve movement and boldness. Fearless about colour, she uses a vibrant palette, applying interference and iridescent paints to achieve surrealistic effects. Her style is constantly evolving via frequent participation in workshops and exhibitions, as well as studying the techniques of other artists.

Judith (below L) was joined by her husband Rob Sylvester (below R), and her daughter Shannon (below C) came in all the way from New Jersey to celebrate the big opening reception!The gallery looked bright and welcoming on such a grey Saturday – and soon the guests started pouring in, admiring all the canvases….

ARTIST’s STATEMENT: Hiraeth (here-eye-th) is a Celtic word that means a wistful longing for a place to where you cannot return. A place that perhaps never was. The desire for a sense of peace and belonging are emotions I seek to capture in my work. Such desire can often turn to frustration when the real world doesn’t live up to fantasy, and so I depict trees, firmly rooted yet dancing in the wind, to symbolize resiliency as we continue to seek our true home, despite adversity. For this exhibition, I chose a vibrant palette and the use of high gloss medium and reflective paints to create an ethereal effect, as if awakening from a beautiful dream that quickly evaporates and eludes us. The pieces selected for display are meant to truly express what Hiraeth means to me. ~ Judith McKay

I had the opportunity of chatting briefly with Judith prior to opening the doors of the gallery and she kindly shared with me her process and inspirations, especially for this collection….

If you would like to see Judith’s gorgeous, lush paintings, visit www.urbangallery.ca for gallery hours and directions, and follow Judith on her Instagram account: @judithmckayart

Hiraeth runs now until Nov. 30th at Urban Gallery, 400 Queen St East, Toronto.

Thank you for supporting Canadian artists!