Tag Archives: Dale Chihuly

Dale Chihuly Fire Ruby Basket Set with Slate Lip Wraps, 2017 14 x 36 x 30"
© Chihuly Studio. All Rights Reserved.

TORONTO’S SANDRA AINSLEY GALLERY INTRODUCES DALE CHIHULY’s STUNNING NEW GLASS EXHIBITION OCT. 24

Back in 2016, I was thrilled to see the exquisite glass masterpieces of famed artist DALE CHIHULY at the Royal Ontario Museum in Toronto; I walked around gasping at each stunning, delicate piece, marveling at Chihuly’s skill and imagination. Huge colourful chandeliers & installations stood alongside elegant vases and festive orbs (see my pics below)…so much to see…but dare not touch! 20161227_140807 20161227_135446Four years later, I am once again thrilled to view the upcoming Chihuly exhibition at the famed Sandra Ainsley Gallery when I attend their virtual launch this coming Saturday afternoon, Oct. 24th. Here’s what I’ll be seeing (and you can, too, until January 24, 2021)

CHIHULY, an exhibition by world-renowned artist Dale Chihuly, marks the gallery’s seventh exhibition with the artist. It will feature a selection of work that represents the breadth of the artist’s career in the thirty years since he met Sandra Ainsley, including Aquamarine Icicle Chandelier and Sea Green and Yellow Persian Installation (pictured below), two new works created specifically for the Sandra Ainsley Gallery. For the  first time in Canada, CHIHULY will exhibit his Light Drawings—vibrant compositions on acrylic panels which are intensified by interior illumination.

Dale Chihuly Sea Green and Yellow Persian Installation (detail), 2020 © Chihuly Studio. All Rights Reserved.

Dale Chihuly Sea Green and Yellow Persian Installation (detail), 2020
© Chihuly Studio. All Rights Reserved.

This carefully curated exhibition will present pieces from the artist’s best-known series such as Baskets, which Chihuly started in 1977 as an experiment testing fire, gravity and centrifugal force; Chandeliers, reflective sculptures designed to mass and control colour on a grand scale; Persians, featured in many of Chihuly’s most dramatic and well-known installations; and Ikebana, assemblages of long stemmed flowers and leaves of glass set within large-scale vessels. Works from some of Chihuly’s most technically challenging series will also be included such as Jerusalem Cylinders, vessels adorned with large glass crystals which Chihuly created for his landmark exhibition Chihuly in the Light of Jerusalem 2000, and Rotolo, dense coils of glass fused to a solid base that Chihuly developed in 2013.

CHIHULY will bring the viewer into the artist’s process and personal reflection through his Drawings (Works on Paper), Light Drawings, and the rarely shown Pilchuck Stumps. Drawings open a small window into the artistic process as Chihuly expresses his creative ideas on paper; Light Drawings are a reflection of Chihuly’s travels through Europe as a young man who marveled at the beauty of stained-glass windows and the power of natural light moving through them; and Pilchuck Stumps, glass vessels that were blown into wood and bark molds in 1992 and named for the Pilchuck Glass School which Chihuly co-founded in 1971.

Dale Chihuly Aqua Green Macchia with Russet Lip Wrap, 1981 7 x 11 x 7" © Chihuly Studio. All Rights Reserved.

Dale Chihuly Aqua Green Macchia with Russet Lip Wrap, 1981 7 x 11 x 7″
© Chihuly Studio. All Rights Reserved.

CHIHULY will open to the public with scheduled viewings due to anticipated public demand. Sandra Ainsley Gallery is following all the recommended Covid-19 protocols and restrictions. Follow the Sandra Ainsley Gallery website or social channels for the latest information. To schedule an opening day appointment or private viewing please contact Sandra Ainsley Gallery at 416-214-9490.

Sandra Ainsley Gallery is the only art gallery in Canada to represent Chihuly’s work. Visit sandraainsleygallery.com for the complete virtual exhibition. Lots of parking and easy to reach via TTC, I highly recommend an in-person visit to experience this master artist’s unique craft…just stand and look, take it all in and feel the emotions each artwork evokes.

Dale Chihuly Fire Ruby Basket Set with Slate Lip Wraps, 2017 14 x 36 x 30" © Chihuly Studio. All Rights Reserved.

Dale Chihuly Fire Ruby Basket Set with Slate Lip Wraps, 2017 14 x 36 x 30″
© Chihuly Studio. All Rights Reserved.

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TORONTO’S SANDRA AINSLEY GALLERY IS AN ART-GLASS LOVERS’ HAVEN!

I was visiting my artist friend Nancy Bennett’s studio this morning and noticed that one of the art gallery’s I’ve been meaning to visit was in the same building. Over the past few years, I’ve developed a passion for colourful contemporary art glass, fueled mainly by the stunning works of Dale Chihuly (you can read my blog about his exhibition at the Royal Ontario Museum last year) but also my love of mid-century modern Scandinavian glass which I collected myself back in the 70’s. But today, I entered art glass heaven when I walked through the door of the SANDRA AINSLEY GALLERY located near Bermondsey and Victoria Park. My jaw literally dropped open as my eyes slowly focused on the massive space displaying some of the most incredible glass sculptures I’d ever seen.20170721_112305 20170721_110847 20170721_111022Where do I start? Well first off, the giant Chihuly sculptures suspended from the 22ft high ceilings were awe-inspiring…20170721_110722 20170721_110823…some of his giant “bowls” were so tactile, it took all my strength of character (and good manners) NOT to reach out and touch ’em!20170721_11074620170721_11113020170721_110756But it was the work of legendary Murano glass master LINO TAGLIAPIETRA that particularly grabbed my eyes and my soul! And here’s why….20170721_110836 20170721_110925 20170721_110949 20170721_112734Charming and knowledgeable gallery assistant, Daniel, kindly gave me Maestro Lino’s background that I’d like to share with you here:

Lino Tagliapietra’s career is defined by a dedication to workmanship, innovation, and collaboration. Born in 1934 on the renowned glass-blowing island of Murano, Italy, Tagliapietra began his apprenticeship at age 11 with Muranese master Archimede Seguso from whom Tagliapietra achieved the status of Maestro Vetraio by the age of 21. For over forty-two years, Lino worked in various for-profit Murano factories including Vetreria Galliano Ferro, Venini & Co., and finally as the Artistic and Technical Director of Effetre International (1976-1989). Tagliapietra has been an independent artist since 1989, exhibiting in museums around the globe, receiving countless honors, openly sharing his far-reaching knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. As James Yood, adjunct professor of art history at the School of the Art Institute of Chicago and regular contributor to GLASS magazine wrote, “there are probably no two words more respected and honored in the history of modern sculpture in glass than ‘Lino Tagliapietra’; he is the living bridge, the crucial link between the august history of Venetian glass and the ceaseless wonders of what today we call the modern Studio Glass Movement”.Lino Tagliapietra Working ImageOf the influences on Lino Tagliapietra glass art work, one of the most profound was his participation in La Scuola Internazionale del Vetro symposia, held in Murano in the 1970s, which brought the finest Muranese masters together with artists from other disciplines around the world. Today, Lino Tagliapietra has established himself as one of the greatest glass artists of all time. Tagliapietra-blown glass works are in the collections of many major glass museums throughout the world and are sought after avidly by collectors of glass art. Some of the public collections which include Lino Tagliapietra blown glass sculpture are the Carnegie Museum of Art in Pittsburgh, the Columbus Museum of Art in Columbus, the Corning Museum in New York, the Hokkaido Museum of Moder Art in Japan; The Museum of Glass in Tacoma, Washington; the Metropolitan Museum of Art in New York, the Palm Springs Art Museum in California, The Renwick Gallery in Washington, D.C.; the Tokyo National Modern Art Museum and the Victora and Albert Museum in London.

As Daniel told me, although he’s not physically blowing the glass himself anymore, the master oversees all the work done in his studio and continues to create exquisite glass masterworks that should be collected NOW.

Another gorgeous installation is this one (below) by Philip Baldwin & Monica Guggisberg. I really liked their muted colour palette and sensual shapes. Again, I had to force myself to keep my hands by my side!! Being an Aussie, of course I fell in love with this massive cockatoo painting (below). Back home in the outback, cockatoos and budgies fly in huge flocks of thousands of birds so this piece made me a little homesick.20170721_111420I really liked these unusual glass bowls (below + header photo) by Shay Salehi20170721_111949…and also the clay sculptures (below) by current featured exhibitor Susan Collette whose show runs until July 29th. 20170721_110540 20170721_110618 20170721_110632There are so many more astounding pieces that you can look at, walk around, stand in front of and stare in wonder at…..20170721_113032 20170721_112806 20170721_112645 20170721_111141 20170721_111223 20170721_111236…that you’ll need to take a packed lunch as you’ll want to spend a long long time absorbing the colours, the textures, the shapes.

You can learn more about the current exhibitions and the talented artists regularly represented by visiting: www.sandraainsleygallery.com  But of course, visiting the gallery in person is so much better.WhiteSAGLogoAlignedHighQuality20170721_111542 20170721_111716 20170721_111731