Tag Archives: stand-up comedians

BRILIANT STAND-UP COMEDIAN AL VAL CAME IN LIKE A WRECKING BALL TO BREAK DOWN COMEDY GENDER BARRIERS

Over the past few years, mainstream media and audiences have been introduced to many talented and exciting transgender performers, actors, artists, musicians….all the while learning about their challenges and life experiences. I have a number of friends who have transitioned but I’ve never sat down to ask questions or even just listen to their stories, there’s so much to learn and understand, and to celebrate their achievements in life, career and day-to-day living whilst experiencing bullying and a lack of compassion.

I was recently introduced to a very funny comedian – Al Val – who not only talks about her path taken from male to female, but she also pokes fun at the journey and those she’s encountered along the way. The award-winning funny lady believes if you can laugh at something that scares or mystifies you, then you’ll realize there is nothing to be shocked or afraid of. There are too many misconceptions and judgements about people’s sexualities; I personally believe it’s none of anyone’s damned business. And I must admit, I learnt a lot when Al Val recently shared her thoughts with me in an online interview.

Over the past couple of years, you’ve taken very brave steps by becoming the real you – what prompted you to evolve into Al Val?  So my gender identity was something I’d been struggling with since I was a teen, and over the years I’d developed an admittedly pretty sophisticated compartmentalizing pattern; any form of ‘feminine’ expression was kept completely secret to the outside world, while on the outside I presented as this dreadlock-wearing ladies’ man frat boy, mostly as a projection, a form of self-protection… But eventually the weight of performing a lie became more and more unbearable, especially when it was rotting my intimate relationships from the inside – this ‘terrible secret’ I thought I’d take to the grave with me. My personal life and my mental health had reached somewhat of a breaking point, and I decided I didn’t want to look back at the end of my life ashamed at how effectively I’d hidden from everyone. However, I’ve gone by ‘Al Val’ since the start of my comedy career and well before (it’s an abbreviated form of my full name, Algis Valiulis, which is obviously a branding/marketing nightmare). I like to think that there are elements of my delivery and an essence to my personality that have always remained constant – an ‘Al Val’ that hasn’t and won’t change no matter what – but the ‘new me’ is much more vulnerable, honest, and liberated… And that’s pretty special.

2 years ago, you won Male Break-out Comic of the Year and now you’re aiming to challenge for the Best Female – has the comedy community embraced you in your new identity or have you experienced painful push-backs or prejudices when moving forward as a trans-female artist?  I’m extremely proud of the comedy community in Toronto where I live (and Canada in general!) and how generously and open-heartedly they have supported me! I count myself fortunate. Surely there are subcultures, as there would be in any community, that are perplexed and offended by who I am and what I stand for. I’ve even heard whispers of some comics spitefully convinced that I’ve “doing all of this for the clout” which is… baffling. Sure bud, I’ve subscribed to a lifetime of having puffy little marshmallow nipples and getting weird looks in the women’s washroom, but it’s all worth it when 4 people comment that they like my wig on TikTok!

However, those people tend to make up a small population of background noise compared to the outpouring of support I’ve received from the broader comedy community. Honestly, the ‘male’ part of that breakout award was never out of malice; at that point I was still dancing all over the line between male and female, and a lot of people thought that what I was doing was a kind of drag act. I hadn’t openly been identifying as a female at that point. I’m sure moving forward that any awards I get nominated for will be for a ‘female’ category; otherwise I’m going to get those four TikTok fans of mine to ‘cancel’ whoever organizes them.

Your act includes many references to the challenges you’ve experienced as a trans woman, both in showbiz and your life in general. Do you find that by sharing these situations, you not only make people laugh, but also make them think?  I believe that I do! I’ve always subscribed to the idea that prejudice is really a side effect of ignorance, and ignorance can easily be overcome by exposure. On several occasions I’ve been approached by audience members after a show who will tell me that they’ve never met a trans person before, and that my act not only made them laugh but had given them something to relate to. My act is deliberately relatable – I illustrate my faults and insecurities with (sometimes painful) honesty. As a result, people essentially get to ‘meet’ a trans woman and get to connect on that human level: to learn that human universals like insecurity, shame, pride, embarrassment, triumph and failure – we all feel them. This is the human experience. It certainly helps that comedy is one hell of a bonding force between folks, and is also a warm and fuzzy way to process some terrifying and painful feelings and experiences. I do also think that my act explores traditional gender and sexual dynamics that maybe people don’t notice! Moving from one ‘polar end of the gender spectrum’ to the other has granted some interesting insights into how people are expected to behave, how they’re treated, and how they process the world depending on their sexuality and gender.In addition, the fact that I’m ‘new to womanhood’ from my bro-ey, masculine origins allows me to almost speak a sort of common universal language to both men and women, from the perspective of an underdog who’s struggling to fit in, get her shit together and to figure it all out. How can you not cheer for me and maybe take something from the experience? I’m a goddamn pioneer!

Did going through the Second City improv classes & Conservatory Program help you think quickly on your feet when responding to any negative reactions from audiences or people you just run into in day-to-day life?  It’s interesting – I find that the improv training I received from Second City, while profoundly valuable in its own way, wasn’t as directly ‘translatable’ as the years’ experience I’ve had touring Canada and performing at all kinds of places, in some often uncomfortable (and maybe even vaguely dangerous) scenarios. In my opinion, Second City is excellent at training you to build funny and relatable scenes with a team of cooperative mates; however, there is a distinct ‘crowd work’ skill that you can effectively develop through trial and error: getting your teeth metaphorically kicked in by a drunk, hostile crowd at a bowling alley in Red Deer; fighting for the attention of a handful of Leafs fans at an open mic during a playoff game in Oshawa; doing an hour of squeaky-clean material during intermission at a provincial bible quoting competition in Muskoka; performing onstage between a dying Ficus plant and a massive portrait of the queen at a legion in Milton…..but I digress. (Sorry, just got caught up reliving some war stories there…) My point is that personally for me, thinking quickly on my feet is a skill I developed in part through training, but in much larger part through experience on the road. Second City did teach me some crucial skills though, like saying ‘yes, and-’ in all social interactions (onstage and off) to build rapport with people, and to mime starting a lawn mower with astounding realism.As for any hostility I might meet in day-to-day life, I’ve been lucky enough to avoid anything significantly threatening; but if I do, I know my paralyzing fear of conflict and lack of any offstage self-confidence would probably freeze me in place and make me a defenseless target. Funny how a microphone and a stage can change things so significantly…

You currently host a weekly podcast, PodGis…do you present virtual performances, tell stories or chat with guests?  My podcast has become my fun little corner of the universe that is unrestricted by any sort of parameters of the stage and any expectations to be ‘on’ all the time. Yes, it is a comedy podcast in which I tell stories and wing premises as I go, but I do get personal on a level even deeper than I do onstage, and sometimes do some deep, personal dives into how I’m coping, how I’m living, and what my transition experience is like during that given week. It’s an excellent extra insight into my disorganized, imaginative brain… Aside from the occasional special appearance of a friend as a guest, it’s a solo project for now. It’s my interesting, lively little corner of spontaneous self-expression, done my way. I suppose I’m being guarded in how much outside engagement I invite, knowing that there are plenty of people who would troll me and antagonize me for a lark. It’s a level of emotional bullet proofing that I’m working on.With these damned Covid restrictions that prevent live performances, are you creating any online or YouTube content that fans can watch?  I’m considering adding a video component to “PodGis” and posting the full videos on my YouTube channel (“Al Val”) to accompany the audio (available everywhere podcasts are broadcasted!), but in the meantime, am using this lockdown period to revitalize my Twitch channel “ALVALTheEmotionalGamer”, where I will be regularly streaming live makeup tutorials/ transformations, playing video games and basically hanging out with whoever wants to laugh and engage with me!

And how can we follow your comedy journey – do you have a website or social media? My website www.alvalcomedian.com is up and running, and as soon as these pesky restrictions lift I will have more booked shows to post on my event calendar there, as a single place you can continue to visit to stay up to date on all my live appearances!  Otherwise, I post content regularly on Twitter, Instagram and TikTok, all under the account name @alvalcomedy  Add me and check out the cute, silly things I’m out there doing.

Any advice or thoughts for young comics or fellow transgender people looking for direction with their lives?  To young comics, or comics of any age starting out: there is no standard timeline of progression, nor any standardized measure of ‘success’ in comedy; these are often illusions that we use to beat ourselves up that we’re not doing enough, or that we are somehow inadequate. Your primary focuses in my opinion should be self-exploration, self-expression, and self-improvement; the rest is just noise. In fussing about how well you’re competing with others and where you ‘should’ be in your career, you’re suffocating your art. Focus on the things you find funny and with time and practice and a collection of defeats (lots of them – be prepared to suck for at least a while!), you’ll develop an inspired, authentic voice that your audience will naturally be attracted to. Be you, take the pressure off yourself and stay in touch with the reasons you pursued comedy in the first place: it’s fun! Have fun and play; you only really truly fail when you give up completely.

I suppose my advice to transgender people would be similar in regards to failure: every step you take and every aspect of yourself that you explore is a courageous victory, and the only ‘failure’ that exists would be to give up completely on yourself. Yours is the unfortunate challenge of navigating an identity that doesn’t fall comfortably into the norm, so treat yourself with patience and love, lean on the support of the ones who love you and practice gratefulness toward the qualities of yourself that make you such a resilient, special little badass!

I guess what I’m trying to say is whether you’re embarking on a comedy career or a revelation regarding your gender identity or even both, art is an imitation of life and life is really a journey of exploration. You cannot fail if you’re exploring, learning, discovering, growing. Be patient. Be brave. And don’t take bathroom graffiti personally; I wouldn’t trust anyone who thinks that something worth saying is something said with a poop and a sharpie.

Al Val has enjoyed a meteoric rise in the Canadian comedy scene. Since 2018 when Al came out as trans, she has made appearances at Just For Laughs New Faces showcase, JFL NorthWest, Off-JFL/Zoofest, and has taped stand-up sets for CBC Gem (New Wave of Standup), Crave TV (The Stand-Up Show with Jon Dore), and JFL Originals. Host of her own weekly solo stream-of-consciousness podcast PodGis, a graduate of Second City’s Conservatory Program, and one part of improv-rock musical duo “OverDude”, there’s no wonder this multitalented whirlwind was voted by her peers as 2020’s “Breakout Comic of the Year” (in the ‘male’ category, no less – really stickin’ it to the fellas!).

I can’t wait until we get back to post-Covid live shows so I, too, can join comedy fans watching Al Val’s exciting career arc…maybe her own tv special? A Vegas residency? A movie? Anything is possible and Al Val proves that every day.

TORONTO FUNNY MAN CELEBRATES COMEDY MILESTONE & SUPPORTS INDUSTRY WITH UNIQUE WEBSITE

Back in the 80’s when I managed Yuk Yuk’s Komedy Klub in Toronto (and was the agent for all the comedians), one of my chores was booking and running the Monday “Amateur Night” shows.  So many comedians who are now well-known came thru my office door back them, many more were hopelessly untalented or those who did show promise just never got the breaks. One Monday night regular always stuck in my mind – David ReubenRuby_1 Dec 2012Back the early 80’s, Dave was trying to find his comic voice and develop his stage personae. Every Monday morning, I would get his phone call asking for a spot and I would give him his 5 minutes to try out new material and work the not-always-kind amateur night audiences. He may not have been the funniest guy on stage back then, but he certainly was the most polite and pleasant person to deal with – no ego, no “fronting”, no entitlement attitude.  He soon became my favourite.  In the late 80’s, I lost track of Dave after I had left Yuk Yuk’s and started my own comedy agency & promotions company, but in the early 2000’s, I heard that he had started The Comedy Greenroom, a website offering all sorts of valuable gigging information for comedians as well as promoting shows to the general public. What a great idea!  He also became a regular performer and producer of Ein-Stein’s Happy Hour comedy showcase on Sunday nights at the popular University of Toronto hangout. I recently caught up with Dave and asked him about the upcoming milestone for the weekly comedy series as well as how his career has gone over the past 30 years since we worked together.

What prompted you to start The Comedy Green Room website?
Having started comedy in 1983, well before the Internet, I compiled a list of comedy venues in Canada, the USA and internationally. Being fascinated with technology I took some courses in HTML and learned the basics of web design. Let me stress the basics! Always one to help his fellow comics I decided to start a comedy website with a list of comedy clubs, festivals and performers. The name The Comedy Green Room came about because my favourite times in comedy are hanging out in the “Green Room” backstage before and after shows.CGR_logo 2007[2]What information does it offer comedy fans and comedy professionals?
www.thecomedygreenroom.com offers comedy fans info up and coming comics as well as professional comedians around the globe. Many of today’s comedy stars were on the site before they became house hold names.  For professionals, the site offers info on comedy clubs, festivals and open mic rooms. The monthly newsletter is sent to comics and comedy fans in Canada, the USA and Internationally.

Over the years, you’ve done stand-up comedy yourself as well as acted as a talent scout for new comedy stars; do you prefer performing yourself or being the person who brings the stars to the public’s attention?
Performing is my first love and always will be. As they say in the movie Punchline! “Comedy is my Mistress” and I have sacrificed so much chasing this dream my whole adult life. This past September 7th marked 33 years of battling the comedy addiction!  But in reality, I wanted to be a stand-up comic since I was 5 years old and saw my first stand-up comedian on the Ed Sullivan Show on a small black and white TV. Nothing beats the immediate gratification of having an audience laugh in a live setting.  And since starting The Comedy Green Room, I have taken on a mentor roll myself to many of Canada’s young comics. Many have gone on to great success in Canada and the USA. This gives me great pleasure and pride; I guess maybe I should have been a teacher which was an idea I had in University until I got sidetracked by life,ruby-dec_2010The Hogtown Comedy Festival [2002-2006] started by myself, Arie Kizel, and OJ Kness was a labour of love that showcased up and coming Canadian comics, helping launch their careers. The Toronto Comedy Guild [2001 to 2005] run by myself and Steve Rivers gave young comics a chance to perform in bars across Toronto. They made $20 for the night which gave them bus fare and some self-esteem.  Ein-Stein’s Comedy night has been running since 1996 and was started by Arie and the venue’s owner OJ. I started performing there in 2000 then started producing the show in 2003 after both Arie and OJ asked me to help out due to family obligations.
It’s a weekly show that I book, promote and sometimes host. I’ve help hundreds if not thousands of young comics by giving them a venue to start out in and explore comedy. The only thing asked of them is to be polite to the bar staff, show up on time, and get off stage after their allotted time.  Sometimes easier said than done!

Who has been your most exciting connection/addition to the site (and why)?
The most exciting connection was when Jennifer Lee Pryor called me about a year before Richard passed away and said that Richard loved the site, wanted to be on it and wanted to meet me. I walked around for two weeks 3 feet off the ground.  The Pryor’s allowed me to use a photo of Richard from his 1972 appearance on the Tonight Show which you will find on the home page of The Comedy Green Room.  We were making preparations for a fundraiser for Richard and a meeting with him about the time he passed away.pryorThe second most exciting thing was being invited to Johnny Carson’s home town of Norfolk Nebraska to be an adviser on the Johnny Carson Comedy Festival. I got to tour the Johnny Carson Museum, visit his childhood home and the auditorium named after him. A great thrill for the kid who would sneak downstairs to watch the monologue and the comic on The Tonight Show every night at 11:30pm.
The third most exciting thing was the ability of The Comedy Green Room to bring stand- up comic Paul Adams and father [comedy writer for Bob Hope] Charlie Adams of the UK to Toronto for The HogTown Comedy Festival. Paul ended up living in Toronto for 18 months.

The comedy industry in Canada isn’t necessarily a funny business as there are some pretty nasty characters out there with personal agendas that go beyond entertaining the masses.  Have you encountered any of these negative beings and how have they impacted your career? Or have they just made you stronger and more determined?
I have been a fighter since I was born as a preemie at 4lbs. Many people say I am the toughest person they know.
Comedy has been an up-hill battle for me from the moment I stepped on the stage at the original Yuk Yuk’s on Bay Street in Toronto in 1983. I was the crowd favourite on Monday night’s CHUM104 amateur night and became a cult figure filling the room to capacity weekly. However, Mark Breslin, founder of Yuk Yuk’s did not think I was funny. In fact, he said, “You have no talent, you’re a terrible writer but the audience love you.” I was advised to give up stand-up comedy. My response was – see you next week! But the next weeks piled up and I was buried on Amateur Night for 10 agonizing years until the management of Yuk Yuk’s agreed to give me a showcase. Again, I was slapped in the face by being put on 15th out of 15, but I killed that night and have the tape to prove it. But Mr. Breslin again said I was not good enough to be on his regular shows at Yuk Yuk’s.
I left Yuk Yuk’s that night in1993 and have never performed on their stage again. I worked on my act and writing for 7 years (shades of Dangerfield) and came back as “Ruby, the Darkest Mind in Comedy” in 2000. But this time I was determined to do it my way and most importantly have fun. All the good things in my career have happened because of my attitude of having fun and being nice to other comics.
I have made peace in my mind about the 10 years of not being wanted by Yuk Yuk’s, but, in my mind I was the one comic in the Canadian comedy boom of the 1980’s who was not given a chance. Yet, I was the hardest working and toughest of the group.  Sometimes it hurts that I have been shunned by people & organizations in the Canadian comedy community such as the Canadian Comedy Awards, Just For Laugh’s, critic Glenn Sumi, Absolute Comedy, The Humber Comedy School to name a few. But, I guess when you are your own man these things happen.
Over the past 16 years, I’ve fought ageism in comedy as many young comics will not put me on their shows because they feel I am too old. Yet, I am the favourite comic of Ein-Stein’s where the audience is a University of Toronto crowd. I have killed at college and multi-cultural shows – I am everyone’s crazy uncle who says the wrong thing.

Who have been your biggest influences and supporters?
Kenny Robinson (pictured below) has been my biggest supporter and booster in the Canadian comedy scene since we met 33 years ago. He has fought for me to be his opening act many times and went against other comics to defend my right to be in this business. Kenny has also argued for me with bookers and club owners. He was the only Canadian comic who agreed to be on www.thecomedygreenroom.com when I started the site on New Year’s Eve 2000. Everyone else I approached said it was a stupid idea or they were afraid to be on the site because it might hurt their career.KennyThe late great Sam Kinison (below) was also a great supporter of mine. When he saw my act he said to throw it out and start from scratch and find a unique voice. Best advice I ever got.SamHappy Hour Comedy @ Ein-Stein’s Bier Halle in Toronto is s celebrating a big anniversary later this month – how many years have you been running the site and promoting live shows?
The weekly event has been running since the fall of 1996 and was started by Arie Kizel and the owner of Ein-Stein’s, OJ Kness. For many years, it was the only Sunday night open mic in Toronto. I first performed at Ein-Stein’s in 2000 and came on board as the producer in 2003.EinsteinsAny advice for stand-up comedy up-and-comers….?
Work hard, perform, write, be polite and do not burn bridges.

And how do we buy tickets to the big anniversary show?
In keeping with the history of Ein-Stein’s there is NO COVER to get in and seating is first come first served. We ask that a donation be made to The Foundation for Nutrition and Inflammatory Bowel Diseases in Children www.nibdinkids.com because laughter is the best medicine!
Happy Hour Comedy @ Ein-Stein 20th Anniversary Show – Sunday Oct. 16th 8pm
Host Mr. Ronnie Edwards: Performers include Terry Clement, Darryl Purvis, Blair Streeter,  Mike McGregor, Monty Scott, Dean Young, Tyler, Morrison, Darren Frost,. Dave Patterson, Dave Sokolowski, Adrian Sawyer, Pat MacDonald, Jennifer McAuliffe, Caitlin Langelier,  Sarah Ashby, Dena Jackson, Patricia Severn, The Nat Turner Revue……and many more surprise guests.Happy Hour_imageEin-Stein’s, 229 College Street, Toronto. No cover but we encourage donations that will benefit www.nibdinkids.com