I discovered a great gallery on Spadina Ave (Toronto) last night when I attended the opening soiree for the fabulous Mr. Hydde‘s solo show titled “Happy Tyme”. Coldstream Fine Art represents a number of exciting contemporary Canadian artists and I was thrilled to see Mr Hydde’s new works hanging in this space. His show runs util March 23rd so please scroll down and check the websites linked at bottom of this blog for info & gallery directions.Upon entering the 2nd floor gallery, I was amazed by the brightly coloured large, fanciful paintings, each of which intrigued with Mr. Hydde’s embedded text and imbued with his sense of humour and social commentary.I managed to grab a quick Q&A video with the man himself….
I met up with some friends from the Toronto arts community including (below) Val Peter (L), Tanya Solonyka (C) and Michelle Dinelle (R) who were their to support our talented friend, Mr Hydde.I had my eye on this one, Flowerz (below) and decided to commit. Yes, that’s my red dot alongside. The eyes followed me around the gallery and kept drawing me back so….I just had to have it!I encourage you to visit Coldstream Fine Art and view Mr. Hydde’s work in person…see if any of the other eyes follow YOU around the gallery. Thank you for supporting local artists.Coldstream Fine Art, 80 Spadina Ave, Ste. 208 www.coldstreamfineart.com/
Every February, my inner gear-head starts twitching with excitement – it’s time for the annual Canadian International Auto Show! Yesterday’s Media Day offered intro’s to new manufacturers, new designs, new technology and teased us with gorgeous luxury vehicles few can afford…me included.
One of the first exhibits I visited was Ford where I made a beeline for the brand new Mustang Bullitt edition. Oh my, she was a beauty. One of my fave Steve McQueen movies was Bullitt and the stories about the fate of his original hunter green Mustang are legendary. I let my imagination run wild as I snapped away…Ford also had a NASCAR vehicle on display (Joey Logano’s car) plus a life-sized Lego racer (below)Check out the new Jaguar – what a stunner.And Acura unveiled its latest model (below)New model unveilings are always exciting for the automotive journalists and this crowd was super excited to watch Cadillac present its new SUV (below)
Then over to the other side of the hall to see Maserati. My fave colour is blue so of course I had to snap this moment as the boys played with these bright shiny new toys!Now for the BIG trucks – so nice to feel so “petite” when standing alongside these beauties.
There’s also a cool WWI/WWII display courtesy of www.TankMuseum.ca in the hallway of the South Bldg – definitely a must-see for the little soldier in all of us!
I always enjoy a stroll thru the vintage auto displays and this year’s exhibit didn’t disappoint – many were “cherry red” so it made for some great photo opps.Back over to the North Bldg of the Metro Toronto Convention Centre and in the basement, you’ll find the exotics – the ultimate prizes for all car lovers. Aston Martins, Lotus and Stingrays oh my!Then I bumped into (literally) Brit car designer Mark Roberts of McLaren who kindly posed for a photo beside his creation, the McLaren Senna. Also located on the lower level of the North bldg is the Barrett Jackson collection of 60’s & 70’s muscle cars and they’re as sexy as all get-out! Don’t miss this display – if you’re like me and grew up in this era, fond memories will come flooding back…So if I’ve whetted your appetite for stunning autos, you have until Sunday Feb 24th to visit the annual exhibition of mega horse-power, style and technology. Tickets, directions and show info can be found at: www.autoshow.ca and if you have family members who prefer their driving to be stationary, there’s a big X-Box gaming area in the South bldg that should satisfy their needs/wants….…as well as other car-themed promotions…..and also a kiddie playland for the little ones. Have fun, drive carefully…
URBAN GALLERY‘s artist for December 2018 offers up a whole herd of colourful, vibrant horses galloping across the gallery walls: VANESSA CUARTAS presents lively abstract equine portraits in her solo show BRIO that runs now until December 29th….a glorious exhibition on which to end the year!
Of Colombian heritage, Vanessa is originally from Miami, and now resides in Toronto. She graduated with a Bachelor of Arts from the University of Central Florida with an emphasis on graphic design, later receiving an Art Direction Diploma from the Miami Ad School. Throughout her school years and any personal time, Vanessa always found time to paint as much as she could, and rode her family’s horses regularly. She became passionate about the Puerto Rican Paso Fino breed and if you look carefully at her paintings, you can see their influence in the conformation (stance) of each subject.We spoke with Vanessa just before the gallery doors were opened and here is what she shared…
A designer by day and artist by night, her passion for painting has grown stronger in recent years. When she first moved to Toronto, she was without an established circle of friends and struggling to find an artistic focus so Vanessa decided to do what she loved most: paint horses. Her unique contemporary style has found an appreciative audience and her circle of friends has grown exponentially, many of whom attended the gallery on Vanessa’s opening day, Saturday Dec. 8th (below).Her bold colorful BRIO series conveys movement and a lot of positive energy that attracts attention, even from the littlest art fans….Joining Vanessa at the opening were her husband, Mario (below R) and brother JP (below (L)And gallery curator, Allen Shugar (below L) and gallery director Calvin Hambrook (below R) joined Vanessa to celebrate her opening.If you love horses, you will LOVE this exhibition….…and within the first half-hour of her opening reception, Vanessa had already sold one piece, titled “The Journey”(below)
If you missed the opening reception, you can come meet the artist Saturday Dec.15th (2pm to 4pm) and you can also visit the gallery weekdays and Saturdays throughout the month of December. Log on to www.UrbanGallery.ca for hours and directions – located at 400 Queen St East, Toronto.
Running throughout the month of November, Hiraeth is thesolo show featuring stunning and colourful contemporary landscapes and “tree portraits” presented by JUDITH McKAY at Urban Gallery, 400 Queen St East in downtown Toronto.The Toronto artist explores fantasy as a means of finding peace in a frenetic world. Trees are her allegory for the endless pursuits of modern life: rooted, yet branching out to reach the sky.
Largely self-taught, Judith’s style is free-flowing. She uses both thick impasto and fluid colour to achieve movement and boldness. Fearless about colour, she uses a vibrant palette, applying interference and iridescent paints to achieve surrealistic effects. Her style is constantly evolving via frequent participation in workshops and exhibitions, as well as studying the techniques of other artists.
Judith (below L) was joined by her husband Rob Sylvester (below R), and her daughter Shannon (below C) came in all the way from New Jersey to celebrate the big opening reception!The gallery looked bright and welcoming on such a grey Saturday – and soon the guests started pouring in, admiring all the canvases….
ARTIST’s STATEMENT: Hiraeth(here-eye-th) is a Celtic word that means a wistful longing for a place to where you cannot return. A place that perhaps never was. The desire for a sense of peace and belonging are emotions I seek to capture in my work. Such desire can often turn to frustration when the real world doesn’t live up to fantasy, and so I depict trees, firmly rooted yet dancing in the wind, to symbolize resiliency as we continue to seek our true home, despite adversity. For this exhibition, I chose a vibrant palette and the use of high gloss medium and reflective paints to create an ethereal effect, as if awakening from a beautiful dream that quickly evaporates and eludes us. The pieces selected for display are meant to truly express what Hiraeth means to me. ~ Judith McKay
I had the opportunity of chatting briefly with Judith prior to opening the doors of the gallery and she kindly shared with me her process and inspirations, especially for this collection….
If you would like to see Judith’s gorgeous, lush paintings, visit www.urbangallery.ca for gallery hours and directions, and follow Judith on her Instagram account: @judithmckayart
Hiraethruns now until Nov. 30th at Urban Gallery, 400 Queen St East, Toronto.
With the legalization of pot in Canada last Wednesday October 17th, many parents & grandparents of teens and ‘tweens are nervous about starting the conversation about smoking, toking and vaping weed now that it’s more easily available. Did I raise my kid to stand up to peer pressure? Does my kid understand the fall-out from prolonged use of weed and long-term health issues? Will my teen’s future be compromised if they indulge in regular pot use?The author of the recently published The Anxious Teen (a guidebook for parents, teachers, mentors of teens suffering stress and anxiety) KRISTINA VIRRO(pictured below) sat down with me last week and answered a few questions that parents may have and advice they may need before broaching the subject over the family dinner table.What should parents look for to identify drug use in their teens? One warning sign is finding accessories associated with drug use, so parents can benefit from familiarizing themselves with what these are. Another warning sign is when a teen starts missing or skipping class, which is often associated with poorer grades. Finally, the smell of marijuana is a dead giveaway, though you might notice your teen using several air fresheners, candles, colognes and more to cover up the smell. What are the changes in behaviour or indications that your teen may be experimenting with pot or other drugs? You might notice a change in their friend group and a withdrawal from family bonding time. Since every teenager is unique, pay attention to any changes in their personality that just seem different, too. They might become more apathetic, less productive, possess less self-control, and start paying less attention to their personal hygiene. Or, they might become more aggressive, defensive, irritable, and paranoid, which could all be symptoms of drug use.How do you communicate your distrust of your teen’s friends or peers (who may be involved in drug activities) without causing them to react negatively or defend their friends? During adolescence, teenagers are actually biologically wired to enhance their connection to peers, meaning they often feel very loyal and protective of their friends. The worst thing you can do is insult friends, so stay far away from poking fun at them, calling them names, or making hurtful totalizing statements (i.e. “your friends are all losers.”) While your first instinct might be to cut contact between your teenager and their “sub-par” friends, it might be better to simply create some boundaries for the times they are spending time with them. Set curfews, check in on them a bit more often, or whatever you feel is best. Finally, create more opportunities for you and your teen to spend quality time together—alone or with the entire family—as this has been well-researched to minimize drug use.If you find weed in your teen’s room or school bag, what should you do/say? Take some time to process and/or release any feelings that arise before approaching your teen. Once you feel ready to approach the topic in a more neutral manner, start by being honest about finding marijuana. From there, communicate why you’re feeling concerned in a way that doesn’t sound accusatory. Speak in “I” statements and avoid extreme language like “always” or “never.” I also invite parents to consider taking a harm reduction approach, which is based on the idea that, for better or worse, drug use happens, and our goal should be to minimize its harmful effects rather than simply condemning them. A large body of research supports the efficacy of such a strategy. This might involve talking openly about drug use, creating guidelines, and/or using the drug when the effects will be the least disruptive. Should parents discuss their own youthful drug use with their teens and how do you start the conversation without sounding “preachy”? Being “preachy” involves excessively trying to teach moral lessons, and usually involves talking at someone rather with them. To avoid this, make the conversation collaborative. Be curious rather than judgmental and remind yourself that people used pot when you were young, too. If your teen feels like you’re blowing things out of proportion and not listening to them, they’ll become more secretive, which is precisely what you don’t want.Thanks, Kristina. And she offers lots more advice and approaches to parental and family interactions concerning drug use and abuse, as well as coping with the stress and anxiety teens are currently experiencing. You can get a copy of Kristina’s book from Amazon or iBooks, or directly from the author via her website: www.fresh-insight.ca
Ms. Virro’sCredentials:
Individual, Couples & Family Therapist (Master of Science, University of Guelph)
Registered Holistic Nutritionist (Canadian School of Natural Nutrition)
Master’s of Journalism (University of Western Ontario)
Certificate in Trauma-Informed Care (University of Buffalo, School of Social Work)
Last night (Wed. Oct.17), Grammy-nominated and internationally acclaimed RON KORB delivered a sizzling show from the stage of Toronto’s Jazz Bistro, introducing tracks from his latest solo album, WORLD CAFE, showcasing Latin-themed original instrumentals. Ron was joined on stage by world-renowned musicians who also played on the album: Bill Bridges, Bill Evans, Steve Lucas and Larry Crowe, with special guests Hilario Duran (piano) and Joseph Macerollo (accordion).
That same day, nomination ballots for this year’s Grammy Awards were also distributed to academy members around the world and all fingers are crossed that Ron receives another Grammy nod like his previous album, Asia Beauty.
In World Café, Ron takes us to sunny Spain, the island of Cuba, and the alluring lands of South America where he merges a rhythm from one region with a melody inspired by another. World Café represents a meeting place where people from many cultures can intermingle, laugh and make friends in a relaxed space – much like his own multicultural Toronto where this album was recorded.The packed audience at Jazz Bistro swayed to the rhythms and there was a lot of chair dancin’ during the two sets; the show must have blown up on social media based on all the phone cameras held high to catch the action….like this beautiful accordion solo from Joseph Macerollo…
The evening was hosted by the always-charming Miss Ziggy Lorenc (Zoomer Media) who many in the crowd remembered from her Citytv days – Ziggy now hosts a nightly show during the week on Zoomer Radio AM640 called Stardust and Midnight Blue. Here she is (below, L) with friend Barbara (R) and on stage MC’ing the show.As for many of Ron’s albums, the cover and accompanying 24-pg full colour booklet was designed by his talented wife, Jade, seen here (below, R) with fans. This next brief video was hard to shoot – all I wanted to do was dance!! So please pardon my cha-cha-cha moves and enjoy another brief taste of World Café here:
Ron’s final set resulted in multiple encores and lots of CD sales with some audience members purchasing multiple copies as presents for friends and family! To learn more about Ron, listen to World Café and previous albums, visit www.ronkorb.com or you can download World Café from Spotify, iTunes or Amazon. Thank you for supporting Canadian musical artists.
Today, October 13th, marks the 48th anniversary of the establishment of diplomatic relations between Canada and China. Yesterday, I was honoured to attend the opening of a one-week cultural exhibition of contemporary paintings illustrating the famed 300 poems from the Tang Dynasty at the Robarts Library, Uni. of Toronto, thanks to the kind invitation from Justin Poy (The Justin Poy Agency), one of organizers along with the Inst. of Traditional Chinese Painting Creation & Research. ABOVE LtoR: Jack Leong, Andre Schmid, Consul Jingjing Sai, Larry Alford, Justin Poy, Jerry Shi, Binghuang Shi
Justin, along with local dignitaries and visiting Chinese representatives, introduced the special celebratory installation of stunning traditional watercolour and ink illustrations created by 130 of China’s leading contemporary artists including Xiang Li, Hong Biao Liu, Hui Zhong Ren and Dong Fang Wang.The poems of romance, longing & passion were written in an ancient language and are extremely difficult to translate into English, something Justin, along with his Chinese collaborators, is trying to remedy with an upcoming book, perhaps in time for the 49th anniversary next year. The beauty of the scrolls is undeniable and regardless of my lack of understanding of the language, the subjects exuded the thoughts and feelings behind each poem. This delicate painting (below) in the softest of pastels and pinks caught my eye and I returned to it over and over again. I would love to know the meaning of the poem it illustrates as it obviously resonated with me on a subliminal level.So many beautiful scrolls decorated the Richard Charles Lee Canada-Hong Kong Library on the 8th Floor so I hope you can visit over the next week and see for yourself.EXPRESSIONS OF CHINA runs Oct. 12-19 at the Robarts Library (U of Toronto), 130 St George Street. Supported by the Art Committee of Chinese Artists Association. For more information contact: 647-821-7050.
This past Saturday, Toronto’s URBAN GALLERY proudly introduced a new artist – OSVALDO (Ozzie) NAPOLI – whose solo show FAÇADE caused quite the stir with stunning wire sculptures and paintings. Ozziewas born in Montevideo, Uruguay, migrated to Toronto in 1975 and now resides in Richmond Hill, Ontario. He attended the Ontario College of Art & design (OCAD) in the 80’s and took courses in the Art Department at Central Technical School; he was also mentored by long-time friend and legendary Canadian bronze sculptor, Sorel Etrog.
Ozzie (R) with gallery curator Allen Shugar
I’ll let Ozzie tell you about his work in his own words…
Artist’s Statement: I am mainly self-taught and I express myself through sculpture and painting, and a combination of both disciplines. I’m taken by the three-dimensional world and the beauty of the human form and social condition. The inspiration behind all of my work is people in general and the intricacies of social behaviour. I am fascinated by the complexity of the human mind and the mysteries about how we all perceive reality. I’m particularly interested in the superficialities that can be presented and at the same time considering what else might be there beyond appearances. I use art as a platform to communicate with the world and examine the humanity within us. ~ Osvaldo NapoliOzzie welcomed many art loving friends and was interviewed by KJ Mullins, publisher of NEWZ4U.ca (pictured below with Ozzie).Ozzie presented several large pieces and free standing sculptures as well as a series of smaller artworks comprised of wire, acrylic paint, modelling wax and other mediums that caught many an eye….…here are a few in close-up. ….. more examples of Ozzie’s unique and intricate metal work and molding – so much to see in each piece and each has a story behind it:And even more free-standing figures (below)…plus one of the gallery visitors looking eye-to-eye with one mysterious metallic creature:Not only did gallery visitors love looking at all the artwork, they were also thrilled to pose with the artist!Below, Ozzie’s wife, France (below, centre) with family friends who dropped in to cheer on Ozzie at his first ever solo show. If you’re weren’t able to attend the opening reception, Ozzie will be present in the gallery on 3 additional dates: Meet the artist: Saturday Oct. 13 • 2pm to 4pm 2nd Reception: Saturday Oct. 20 • 3pm to 6pm Meet the artist Pt II: Saturday Oct. 27 • 2pm to 4pm
FAÇADE, Solo exhibition by OSVALDO NAPOLI runs October 4 to October 27, 2018 atAnd here is Ozzie’s tribute in bronze to his long-time friend and mentor, Sorel Etrog:
Three years ago, internationally acclaimed flutist & composer Ron Korb‘s album “Asia Beauty” was nominated for a Grammy in the Best New Age Album category. Ron has just released his latest album, “WORLD CAFE”, this time with a distinct Latin flavour, and it has been receiving a lot of attention from international music media as well as fans, and is rising quickly on various music charts. Ron’s previous albums have garnered critical and popular acclaim from around the world; he’s shared many musical journeys, from the wonders and mysteries of Japan and China, to the infectious joy and tender melancholy of Celtic song and dance. For his World Café album, he takes us to sunny Spain, the island of Cuba and the alluring lands of South America. He explores how things sound when crossing a rhythm from one region with a melody inspired by another. All the music is played by living, breathing musicians (no computer generated tunes here!) including renowned award-winning jazz, world and Latin musicians Hilario Duran and Johannes Linstead, with an emphasis on using acoustic instruments.
Here’s a quick taste of World Café …..
I recently sat down and chatted with Ron (fittingly, in a cafe) and asked him a few questions about his music….
With a personal collection of 250 flutes, your reputation as the “king of flutes” is well earned – which instruments did you play on this latest album? In World Café, the main instrument is my concert flute but I also used some Asian bamboo flutes and the ocarina on some tracks. I was also able to experiment with the Ellis-Korb flute mouthpieces that I’ve been developing with California flute maker Geoffrey Ellis. With the different cuts and various hardwoods we used, I could tailor the sound for each piece. It has been a long 6 year project creating the holy grail of embouchure designs and now Geoffrey and I are very excited about what we‘ve achieved together.Your previous album for which you received a Grammy nomination, Asia Beauty, explored Asian musical themes. What made you choose to record this latest album in the Latin style? World Café has been very well received but it has taken everyone by surprise, especially listeners who have just discovered my music in recent years. Older fans know I’ve already written and performed tunes like Casco Viejo, La Sirena, Desert Night and Dark Eyes. Even back in my student days I often would write tunes that had a Spanish flavour. Latin music is the rhythm of the heart and I had been looking forward to making an upbeat album with a Latin theme for many years. Now when I look at the finished physical CD I can hardly believe it is finally manifested. It’s like a dream come true and I’m very happy with the production and the way it sounds.How did you created the music for this album? For the last decade I have been writing songs with pen and paper. I have books of manuscript paper full of hand written sketches and ideas. When I’m away from home and an idea pops into my head I will just sing the melody or beat box the rhythm on to my phone and transcribe it later. After the musical phrases have had time to ferment, I revisit them and discard the less than brilliant sketches and focus on the melodies that have real magic. Some songs come together very quickly and others take years to find the right contrasting section. It’s always possible to finish off a song quickly but to write something really special takes a lot of time and effort.
It must be very rewarding to hear the completed album – what was the most enjoyable part of recording World Café? I would say the most rewarding aspect about making World Café is collaborating with the musicians. It is amazing to hear the songs come alive when you workshop it with a band. In the past, I used midi and computer software quite a lot but since doing my Ron Korb Live album in Quebec in 2004, I gradually transitioned to being completely acoustic. It’s far more expensive to work that way but I prefer the result. Working with legendary Cuban pianist Hilario Duran and guitarist Johannes Linstead was a particular highlight. When I wrote the song Hilario, I didn’t really think that he would record it. Again, this is like another dream come true. After I contacted him, Hilario invited me to his place and I showed him the song. He immediately liked it and suggested some Cuban players to join us on the recording. It was really a thrill to work with such authentic players.
Being so musical, you must play other instruments – which ones? Concert flute, bass flute, penny whistle, low whistle, shinobue, dizi, xun, bawu, Cambodian pie pook, ocarina. I play piano just enough for composing and songwriting. I also have sung backing and some lead vocals professionally.
On October 17th, Ron will be presenting World Café to a live audience for the first time. Performing at Jazz Cafe in Toronto, Ron will be joined on stage by an exciting group of musicians including Bill Evans (L) and Hilario Duran (C) pictured below with Ron.World Café represents a meeting place where people from many cultures can intermingle, laugh and make friends in a relaxed space – much like Ron’s own multicultural Toronto where this album was recorded. The album is available thru Ron’s website or via Amazon.ca, iTunes, Spotify & Tidal. Listen online or purchase the gorgeous full-colour hardcover 24pg CD package designed by Ron’s talented wife and photographer, Jade. These will be available at the event, too. Perfect as gifts, as well as for yourself. .
Tickets to the concert as well as Ron’s complete discography are available at: www.ronkorb.com
Toronto-based artist GRACE DAM (pictured below) has been a frequent exhibitor at URBAN GALLERY – her landscapes have garnered high praise in a number of previous group & solo shows, and in SEX LOVE LIES, Grace explores her figurative as well as abstract inspirations with a series of large canvases on show at the gallery until September 29th (400 Queen St East, Toronto).Grace graduated from Ontario College of Art & Design in Toronto with a degree in Fine Arts, minor in Photography. Her time is split between Toronto, where she researches and produces works, and the rugged Rocky Mountains in Western Canada where gigantic peaks, serene lakes and wildlife provide refuge and inspiration to her. She paints everything and anything that moves her; most of her works convey messages, be they personal, social or political, her views imply quietly. One of the most complex things in life is the interaction or connection to others around us. Something we can observe but never quite control. My figurative works reflect aspects of the complication in the communication between human beings. Certain looks, even a smile or a passing raising of the eyebrows can imprint in our memory that precise moment like a never fading recorded tape. ~ Grace DamMy personal favourite has to be “The Paper” 48″ x 48″ oil on canvas (pictured below with the artist) illustrating the angst and pain felt by the man upon reading the message on the paper. Grace’s treatment of the sweater and pants fabrics is quite wonderful…you can almost reach out and feel the textures….Even the catering, courtesy of Urban Source Catering was artful and very much in keeping with Grace’s work.I encourage you to visit the gallery in person to enjoy the provocative figurative canvases as well as the boldly coloured abstracts…..The exhibition runs until September 29th – details, gallery hours & directions: www.urbangallery.ca