AUTHOR HEATHER BABCOCK CELEBRATES 5 YEARS OF “FILTHY SUGAR”

May 2025 marks the 5th anniversary of Heather Babcock‘s book “Filthy Sugar”. This titillatingly titled book is, in fact, a provocative (and fictional) look at the life and times of a young woman of the 1930s let lose in a city full of colourful characters, gangsters, hoofers and burly-q queens during a time of economic depression and squashed dreams.  As the book’s promo says:

Set in the mid-1930s, Filthy Sugar tells the story of Wanda Whittle, a nineteen-year-old dreamer who models fur coats in an uptown department store, but lives in a crowded rooming house with her hard-working widowed mother and shrewd older sister, in the slums; a world where “death is always close but life is stubborn.” Bored with the daily grind and still in shock from the sudden death of her father, Wanda finds both escapism and inspiration in the celluloid fantasies of the Busby Berkeley musicals, Greta Garbo dramas, and Jean Harlow sex comedies. Strutting up and down the aisles of Blondell’s department store, Wanda fantasizes that she’s Ruby Keeler, the tap-dancing sweetheart from 42nd Street (pictured below) But Wanda wants more than to wear a glamourous woman’s coat—she wants to live inside of her flesh.

Her dreams come true after a chance encounter with the mysterious proprietor of the Apple Bottom burlesque theatre. Suddenly Wanda is thrust into a world of glitter and grit.  Descending from the roof top of the Apple Bottom theatre on a red velvet swing, Wanda Whittle morphs into a dream named Wanda Wiggles; sweeter than a strawberry sundae and tastier than a deep dish apple pie. At the Apple Bottom she meets Lili Belle, a naughty cartoon flapper brought to life, Queenie, a sultry headliner whom Wanda feels drawn to like a bee to a butterfly bush; the sweet and salty club drummer Eddie, and Brock Baxter, the Apple Bottom’s vaudevillian comic whose apple cheeked, pretty boy exterior belies his sinister intentions.
All will have an impact on Wanda’s journey. Cowardly boxers, shady coppers, dime store hoodlums, and painted ladies—Wanda will encounter them all. On her voyage from rags to riches and back again, Wanda experiences a sexual awakening and achieves personal independence as she discovers that a girl doesn’t need a lot of sugar to be sensational!  So, are you intrigued yet? Filthy Sugar is available online (Amazon & other online outlets) plus at your favourite bricks-and-mortar bookstore. I had the opportunity to chat online with the talented author and here’s what Heather shared with me….

Heather, it’s been 5 years since your book, Filthy Sugar, hit the bookstores – how has the journey been for you as an author?  Thank you! Well, it’s been quite the journey! Filthy Sugar is my debut novel and it was released in May of 2020, at the beginning of the Covid-19 pandemic. That alone made my journey an unpredictable and unchartered one. I quickly learned to roll with the punches. There are often more lows than highs in this writing business so you’ve got to celebrate every win.

Has your publisher (Inanna Publications) been supportive and encouraging, especially during the Covid years when people were forced to find solo activities and entertainment such as reading?  Definitely! The Covid years presented challenges that were new to everyone in the publishing industry. Everything – events, book sales – that had previously been brick and mortar had to quickly be moved online. The planned book launch was held virtually and was attended by over one-hundred people; most in-person bookstores probably wouldn’t have been able to accommodate such a crowd. Word on the Street (WOTS) was also moved online that year. Renée Knapp, who was Inanna’s publicist and marketing manager at the time, was always on hand to answer any questions I had and to help ease my anxieties – and there were many of them in those early days. Looking back, an unexpected benefit to the pandemic was that because people were stuck at home, and many had more free time and even more money on their hands, they were more likely to buy books. I had many friends who marvelled at how quickly Inanna fulfilled their book order. Remember how much fun it was receiving a package in the mail during the Covid days?

The heroine of your story, Wanda, is a sassy 19yr old with dreams of dancing with Ruby Keeler and hanging out with Garbo and Harlow – her screen idols.  They say “write what you know” so is this era and the B&W films of the time you favourite personal interests?  Yes, my father introduced me to classic movies. He loved all of those great glamorous dames: Greta Garbo, Audrey Hepburn, Elizabeth Taylor. My favourite memories are of watching films like Roman Holiday and A Streetcar Named Desire with him. While researching Filthy Sugar, I immersed myself in the movies of pre-Code Hollywood: films that were made before the enforcement of the Production Code in July of 1934. The 1932 sex comedy Red-Headed Woman, which stars Jean Harlow (pictured below), had a big influence on my novel. I also reference it in the book as it’s one of Wanda’s favourite movies. My father passed away in 2010. I wish he was alive to read Filthy Sugar because I think he’d like it – although he probably wouldn’t approve of Wanda’s raunchier antics!

And what inspired the story…are your characters based on personal friends or perhaps the great dames of the screen – Mae West, Barbara Stanwyck, Joan Crawford?  In January of 2015, for no reason at all, or at least no reason that I can remember, I decided that I was going to read as many books written and published in the 1930s as I could. I began with Henry Roth’s 1934 novel Call It Sleep. My partner, noting my new interest in the decade, bought me a second-hand copy of Pierre Berton’s 2001 historical book The Great Depression: 1929-1939. I began to submerge myself in 1930’s history and pop culture. The ambivalence of the decade fascinates me. Although it was a time of great suffering, the 1930s produced some of the most beautiful music, films, literature, fashion & décor and visual art, all of which has had a great influence on future generations. It was also a time of important social upheaval and change: birth control, unions, workers’ rights (including the minimum wage and 40-hour work week) all came into fruition during the decade. The characters in Filthy Sugar are fictional but, like the youth of their day, they themselves are inspired by the stars and characters that they see in the movies. Wanda is obsessed with Jean Harlow and Greta Garbo and I pictured Eddie, the burlesque house’s drummer, as speaking like Jimmy Cagney.

Have you done many in-store book signings and readings? Any coming up?  Because my book was released during the pandemic, I unfortunately didn’t have the chance to do in-store book signings. However, I was able to participate in online readings and when things began to open up again in 2022, I read at the Bright Lit, Big City reading series at Hirut Cafe (pictured below) and later that year, I was invited to speak at the Vintage Film Festival in Port Hope. I spoke on the topic of “Dangerous Dames – Celebrating the Women of Pre-Code Gangster Movies”. It was an amazing experience and I got to share Filthy Sugar with like-minded movie fans. Coming up, I will be presenting “How to Write a Novel When You Don’t Have Time to Write a Novel” at the Toronto Public Library. My presentation will be at the Agincourt branch on Saturday, July 5th at 2pm. Anyone who is interested in attending can call the library at 416-396-8943 to register.

You set the story in 1930’s Toronto as opposed to New York or Chicago…..why?  The city that Filthy Sugar is set in is fictional: it could be any urban city in North America during the 1930s. This was a conscious choice to give me artistic license and freedom. Wanda’s world is Blondell’s Department Store (a fictional store named after Joan Blondell, one of my favourite actresses from the pre-Code period); the Apple Bottom burlesque theatre where she becomes a star and “the World Behind the Market”, which is what she calls the “slum” where she lives.

Has your publisher suggested an appearance and book sales during Word on the Street this fall?  As far as I know, I won’t be at the Word on the Street this fall but I did attend with my publisher in 2023. It was a lovely afternoon of book signings and catching up with friends in the literary scene, many of whom I had not seen since before the pandemic…see photo below

Is there a sequel in the works or are you working on an entirely different concept or plot for your next book?  At this time, there is no sequel in the works but you never know. I am currently working on my second novel, The Memory of Crows, which is a noir inspired tale of sibling rivalry.

So congratulations again to Heather on the past 5 years of Filthy Sugar…hopefully the book will continue to be bought or taken out of the libraries, read online or listened to via audio books. Maybe a film? Reads just like one of those fabulous movies Wanda loved.

Filthy Sugar by Heather Babcock
Inanna Publications – available in paperback, e-book and audio book from all your favourite bookstores, AppleBooks & Amazon.

RON KORB PRESENTS SPECIAL SAKURA CONCERT CELEBRATING CHERRY BLOSSOMS @ THE JAPANESE CANADIAN CULUTRAL CENTRE

Congratulations to Ron Korb and the staff & volunteers at Toronto’s Japanese Canadian Cultural Centre for presenting a wonderful concert to celebrate sakura season this past Thursday evening. Featuring taiko drummers, dancers and a children’s chorus, the show featured many songs from Ron’s latest album, Global Canvas, as well as traditional music and tunes from Ron’s previous albums.

It was a packed audience in the stunning Kobayashi Hall with several VIPs in attendance including Matsunaga Takeshi – Consul General of Japan, Senator Dr. Vivienne Poy, Bruce Kuwabara QC founding partner of KPMB, Noriko Yamamoto – Executive Director at The Japan Foundation, and numerous media celebs including Ken Stowar Program director of CIUT Radio and host of Global RhythmsAdi Braun former Classical FM host and current host of Soulscapes, Tom Treumuth – music producer and podcaster, Sonya Davidson of The Toronto Guardian, and Dr. Ed Turgeon, Dean of Music Algoma University with his wife Dr. Anne Louise-Turgeon who make up the classical piano duo Duo Turgeon.

Starting with a charming address by the Consul General of Japan, Matsunaga Takeshi, JCCC Director James Heron then spoke about Ron and the entertainment and activities being held during the Sakura month, then Bruce Kuwabara introduced his cousin, Ron Korb.The evening started with the thundering power of Kyowa Daiko taiko drummers. Throughout the show, Ron and his band were joined by solo dance artist Atsuko Abeta, and the dance groups Sakura Kai and Ayame Kai, as well as koto and shamisen player Aiko Fujii all of whom were adorned in beautiful kimonos and were featured in several songs to wonderful affect. There was also a traditional geisha song (last video)

So many colourful dancers and haunting tunes….(photos courtesy of Susan Howling)After the concert, Ron met up with fans to autograph his latest album and pose for pics with friends… Above, Ron with podcaster and music producer Tom Treumuth, and below Lydia Washchuk and Ken Stower pose with Ron’s poster prior to the concert.You can follow Ron on social media linked via his website: www.ronkorb.com

Pick-up your CD copy of Ron’s latest album, Global Canvas, on his website or stream via your favourite streaming platform

Join Women at Play(s) 7 opening in Toronto Mar.28, taking us on comedic & dramatic journeys in seven short plays

Women at Play(s) 7 is a festival of original short one-act plays written, directed and performed by Canadian women-identifying playwrights, directors, and actors. This seventh edition features seven short plays for a dramatic, comedic, unexpected rollercoaster of a show. From Boomers to babies, from China to the Cheakamus, from literature to larceny, these plays take viewers on a journey through the lives of a truly diverse group of characters.
Runs Mar 28-30 and Apr 2-6 at the Alumnae Studio Theatre (70 Berkeley Street) Toronto (upstairs – sorry, no elevator)
Dates: Mar 28-30, Apr 2-9 7pm – Saturday and Sunday Matinees 2:30pm & 7pm
Tickets: Regular: $28 and students/seniors/art workers: $22
https://www.ticketscene.ca/events/50820/  or at the door (cash only)
Reservations: womenatplays2023@gmail.com  To accommodate those with mobility issues, a shortened PWYC version has been added at an accessible venue: the Performing Arts Lodge  – 4 of the 7 plays will be presented. PAL is located at 110 The Esplanade, Toronto on April 10 at 7pm
Email reservations to: womenatplays2023@gmail.comWomen at Play(s) was created in 2005 by Artistic Director Marianne Sawchuk (pictured below) to provide a creative outlet for women playwrights, directors and actors. It was conceived to inspire artistic achievements in theatrical performance for women. WaP is a grassroots artist profit shared organization that showcases women of all diversities, 2SLGBTQIA+ inclusive, from Gen Z to Silver Foxes for an audience of those who want to experience a variety of great theatre.For the seventh Women at Play(s) 7, non-binary actors have also been welcomed into the collective. Women at Play(s) had 3 successful shows in Vancouver where WaP 3 broke the Jericho Arts Centre’s house record on closing night and had, so far, 3 successful shows in Toronto where it has managed to survive the pandemic. In 2023, Marianne Sawchuk was honored with a Playwrights Guild of Canada Tom Hendry “Bra D’Or” nomination for her ongoing support of women playwrights in Canada.

For more info, you can follow Women at Play via social media:
https://www.facebook.com/womenatplays/
https://www.instagram.com/women_at_plays/
https://linktr.ee/womenatplays

GREAT NIGHT OF THEATRE TO RAISE FUNDS FOR THIS YEAR’S FRINGE FESTIVAL

Thrilled to see friend and theatre buddy TRICIA WILLIAMS promoting a fundraiser performance for the Fringe-bound Grown Ass*d Broads Talkin’ Dirty that features legendary Canadian stage & screen actor VALERIE BOYLE. Tricia passed along all the details and, if you’re in Toronto this Friday night, I encourage you to head down to the Performing Arts Lodge to enjoy a night of theatrical hijinks.  Here’s what it’s all about….On Friday March 14th, there will be a fundraiser for the upcoming 2025 Toronto Fringe Festival comedic play, Grown Ass*d Broads Talkin’ Dirty. This night of music and comedy promises to be fun and full of hilarity, and features renowned singer/actor who also wrote the play, the indomitable Valerie Boyle (pictured below)Valerie starred, wrote and produced her own one-woman show,Sophie Tucker,which toured Canada, as well as workshopped in London, UK, and she was also Shirley in Shirley Valentinewhen the play toured Canada. She also starred as Mother Superior in Nunsense for twelve productions – a role she is going to resurrect again in 2025 at the Victoria Playhouse, Petrolia, for the Nunsense 40th Anniversary. Valerie also has numerous big & small screen roles to her credit including a turn on Murdoch Mysteries. She is a Canadian treasure.

Another featured performer will be Curtis Sullivan (pictured below) whose time at the Stratford Festival includes the roles of Admiral von Schreiber in The Sound of Music, Captain Watson in Carousel, Tony (cover) in The Boyfriend and Giuseppe Palmieri in The Gondoliers. Rounding out this night of show-stopping musical performances will be Tiffany Deriveau (below) who has performed in Soul Sistas as Tina Turner, Wanda in Beehive: the 60s Musical, Mama Morton in Chicago and Crystal in Little Shop of Horrors, in various theatres across the country.Bringing the comedy will be Christel Bartelse (below). As a solo artist, Christel has wowed Fringe audiences and beyond with her one-woman shows including CHAOTICA, ONEymoon, Significant Me, All KIDding AsideThe Surprise and Encore. She has been nominated twice for a Canadian Comedy Award and has toured every major Canadian fringe festival, as well as several in the U.S. and has performed twice at the original Edinburgh Fringe Festival.The emcee for the evening will be Tricia Williams who has graced the Toronto Fringe Festival stage for the past three years in hit shows such as the Sorauren Book Club, Hymns and Hearse and Disarming Venus. She is also a cast member of Grown Ass*d Broads Talkin’ Dirty along with Jorie Morrow, Andrea Davis, Morrie Sinkins and Julie Burris.The fundraiser will take place at the Performing Arts Lodge (PAL), 110 The Esplanade in the Crest Green Room Theatre. Tickets are $20 cash at the door and $10 cash for residents of PAL. Doors will open at 7:00 pm and show time is 7:30 pm.

So come on down to PAL, just around the corner from the St. Lawrence Market and have a great night of fun and laughs with a cast of great Canadian actors…including my friend, Tricia. Tell her I sent you!

Celebrating Int’l Women’s Day 2025

Big shout-out to all my sisters around the world…the women who lead, the woman who create, the women who inspire.  Over the years, I’ve been lucky enough to meet so many fabulous talented women who have brought joy to my life as well as helped educate and inform me. I reached out to a number of women who have left a tangible imprint on my current life so I asked them to offer up their thoughts, their own inspirations and how they live their lives in such a positive and engaging fashion….here is what they said.Celebrating Inspiring Women ...So many women throughout history across multiple disciplines spring to mind but it is anthropologist Margaret Mead whose words remain embedded in my consciousness, “Never doubt that a small group of thoughtful committed citizens can change the world; indeed, it’s the only thing that ever has.” We all do what we can to make the world a better place and my films are built on frameworks that speak to truth, understanding, forgiveness, love and reconciliation…with a bit of action, adventure and fun thrown in. Art is where thoughtful committed citizens can change the world. And the beauty is we can all do it. ~ Victoria Wharfe-McIntyre, Australian film director, writer and producer (below)Throughout my life, I have been inspired by the amazing women around me – their resilience, spirit, and strength in facing and overcoming changes while caring for others. The sister bond of support and encouragement, working together, sharing our stories – there are too many to mention. I remember my mother teaching me stories through singing our Anmatyerr song lines for as long as I can remember. Mum would sing songs about our family dreamtime stories and told stories by drawing symbols in the sand. This deep connection to my culture and heritage is reflected in my song ‘Heading Home’ where I sing: ‘Lying in my mother’s arms feeling safe and sound. She sang of Tjukurpa and her Homeland as she drew in the sand.’ These experiences have profoundly shaped who I am as an artist and a woman, carrying forward the ancestral storytelling traditions that continue to inspire my work. ~ Rhubee Neale, Indigenous Australian artist (below)When I think about the women artists who’ve influenced me, my practice and my work the most, I’m seeing that they influenced me by being welcoming and supportive in addition to being talented artists with their established practices. Though I was a newbie, Irina Schestakowich immediately treated me as a fellow artist, sharing opportunities, materials and introducing me to her contacts. Being part of a community provided a foundation to anchor my practice. Though I met Janet F. Potter through painting, she’s shown me that following the muse to the craft side is another way of expressing our vision. Paper, textiles, rocks, sticks are as important as paint to her work. Learning from Janet I’ve incorporated textiles and whimsy into my work. I learned to trust and follow my muse. I hope my work inspires artists to trust their instincts, find the community that will support them. They should create what they’re inspired to create and trust that the audience will find them and value them. In other words, do the work you’re inspired to do and trust that the world needs it and wants it. ~ Nancy Bennett, Canadian artist at Labatt Studio, Toronto (below)To start with, I’d like to share one of my favourite quotes….I believe in kindness. Also in mischief. Also in singing, especially when singing is not necessarily prescribed.” ~ Mary Oliver, US poet. As a musician and composer, I appreciate her philosophy which continues to inspire me on a daily basis. She is known for her poignant observations of the natural world. Her work has a romanticism that refuses to acknowledge the boundaries between nature and the observing self. I think the natural world is the essence of creativity in its purest form. ~ Petra Salsjö, Australian film & tv composer (below)I owe who I am today to my mother, Rasheda Islam—an amazingly strong and resilient woman, a trailblazer far ahead of her time in a traditional and conservative society. In the 1960s, she raised me to think for myself, ask questions, and speak my mind without fear of judgment. She also taught me never to let traditional norms define me as a girl/woman. Her wisdom and guidance taught me to stay grounded in my values and navigate challenges with patience, calmness and prudence. She was always poised, proper and well spoken, respected by everyone around her. After pausing her education to care for a young family, my mother returned to university to complete her Master’s in Literature followed by a degree in Education. She started her teaching career after becoming a grandmother—showing me that it’s never too late to follow your passion. Although she is no longer physically present, she remains my greatest source of inspiration, empowering me to embrace new beginnings, pursue my artistic passion, and dedicate myself to healing and sharing my teachings with others. She was, is, and always will be, my true mentor and guiding angel. – Tanzina Amin, artist, teacher & gallerist (below) Women possess the power of the universe but it’s up to women to understand how it works. Successful women use that power. ~ Adonay, recording artist, songwriter & business woman (below)

So all these wonderful women have contributed to my personal happiness by sharing their talents and own personal joys. Thank you, ladies.  But who was my earliest inspiration growing up as a little girl in the West Australian bush? Hmmm….well, I spent hours in the local library learning about history (yes, I was a bit of a geek even back then) and was always intrigued by a warrior woman who changed history –  Boudica, Queen of the Iceni, who took on the occupying Romans who had slaughtered her tribe, killed her husband and raped her daughters in 61 AD. She took up arms, rallied her tribe and lead a revolt against the occupying Roman troops, raising towns and settlements as she headed towards Londinium (London). She set the most western outpost of the Roman Empire ablaze! Sadly, she was killed and the Iceni were conquered and absorbed into the main population of the British Isles. All this took place near where I was born and where both sides of my family originated (there’s even a town called Fordham in Essex county). So here’s to all the Boudicas out there continuing the fight against oppression, cruelty, misogyny and the path of destruction and bullshit created mostly by men.  HAPPY INTERNATIONAL WOMEN’S DAY!

 

BLACK HISTORY MONTH IN CANADA

I reached out to a number of friends for comments on Black History Month and what it means to them. Like all artists, many are a bit slow to respond with quotes but here are messages from four friends who have had an impact on my life and I have huge respect for their ethics and opinions.

First up, Michael Williams who many will know from the early days of MuchMusic (1980s) when he was the first face of colour appearing regularly on our TVs. He’s now producing and working with artists while keeping in front of cameras and hosting live events across the country.I live 24-7/365 days a year – Black History Month is an opportunity to learn more about yourself and teach those around you so that your history, our history, is no mystery. But I understand that black history is truly Canadian history now and is being taught in the schools (at least in Ontario) and hopefully coast to coast, that’s what I love about Canada the most.
Michael Williams
CEO, Greydread Productions Inc. and celebrated original veejay of MuchMusic

I’m thrilled to welcome a few words from Kenny Robinson, one of the comedy greats who started back in the 80s when Canadian comedians ruled!! Kenny has had several comedy TV specials over the years and is the founder of the Nubian Disciples of Prior, a collective of black comedy artists that frequently presents special showcases, one of which is coming up soon…With President Trump trying to erase Black History Month in the States, I’ll say EVERY DAY is Black History for me. Political, business, sports and entertainment: the internet has made is possible to discover something new every day.
Kenny Robinson, renowned stand-up comedian and founder of the Nubian Disciples of Pryor

And I’m honoured to include the following quote by well-respected poet and health & wellness entrepreneur Wakefield Brewster. Wakefield’s poetry and spoken word performances have engaged, enraged and entertained audiences across the country.The two easiest camps to identify with during Black History Month are: “Yes! Black Pride, Black Power, Black History Month!” …and “Damn! We still NEED this?!”  I’m in both camps, and here is where I pitch my tent: in the last 5 years of world-changing events: President Obama, #45, COVID-19, the murder of George Floyd, the re-energized presence of BLM. Those five events if you will, gave me the opportunities to change my life. In the midst of global interruption, in the wake of economic upset, I was able to establish a new rhythm and financial moderation. I was not the only one, Black or otherwise, to thread the needle of the worldly chaos. These events allowed “smaller people” to do “bigger things”. There was now more room where very little, to none at all, once existed. I’ve been Living My Lyrical Life as a Poet of The People for a quarter-century, now. Only since 2020, have I become Poetically and personally seen, heard, felt, and embraced (especially by Calgary), like never before. Black History Month brings focus and attention to Our People, and all that we are; more than slavery, heralds of History, presently thriving, and living our legacy. Happiest Black History Month, every single day.
Wakefield Brewster
YYC Poet Laureate Emeritus, Professional Poet & Spoken Word Artist
Page2StageProductions Inc.
Professional Health & Wellness Practitioner
WakeFull Wellness Registered Massage Therapy & Healing Space
www.wakefieldbrewster.com

And here is the indomitable recording star Claudja Barry who has had so many “firsts” as a black artist in Canada I’m gonna let her tell you all about it. She has had hits in every decade since the 70s and is set to release new music later this year. Bravo, Claudja! https://www.theclaudjabarry.com/ 

Thank you so much to all for sharing your thoughts on BHM…am hoping to share more comments from other artists on the subject before the end of the month.

CELTIC ROCKERS “TARTAN TERRORS” BRING OUT THE BRAVEHEART IN US ALL!

I’d like to introduce you to the TARTAN TERRORS – a fierce warrior-like band of musicians who perform Celtic rock music with a little step-dancing  thrown in. Think…Riverdance meets Braveheart, with bagpipes and a punk attitude! The band members are all multitalented musicians and their fiddle player is an award-winning step-dancer, too. Tartan Terror shows are full of humour and energy with audiences up on their feet throughout most of the show; dancing and hollering are encouraged!With a distinctive sound and a proud tradition of making Celtic music fun and accessible to any audience, the Tartan Terrors bring their Celtic Invasion to concerts, festivals and fairs across North America, blending the energy of a rock show with humour and stepdance. They’ve played highland games, renaissance fairs, battle re-enactments (we have to invite Mel Gibson to come out and do his “you’ll never take our freedom” speech!) and in large soft-seater concert halls. They’re perfectly suited for Steampunk fairs, too. They present exciting original music as well as traditional Celtic songs but with a definite edge. So get your kilts on and shine up your knees as Tartan Terrors are about to invade your town in 2025, starting with their Robbie Burns tour of Ontario that kicks off in Brantford on Friday January 10th (tour details at end of this post).

I recently spoke with band spokesman, CHRIS KERBA (bodhran, acoustic guitar & vocals) pictured below, and he shared his thoughts and band history….Who created the Tartan Terrors and what was the inspiration?  The Tartan Terrors started 29 years ago by siblings, Ellen & Ian Irmisch They had been dancers their whole lives as their mother ran a dance school. They started a show at the Ontario Renaissance Festival in Oakville ON. Their father had dubbed them the “wee tartan terrors” and the name stuck. Over the years, they added more musicians and as the band grew it became a variety show including skits, dancing and music. As members came and left the group, the shift from a variety show to a music-oriented group evolved. Now, we’re a Celtic rock band that incorporates traditional Ottawa Valley Step Dancing in our shows. Pictured below, band co-founder Ian Irmisch (Bodhran & Emcee)What were the band’s first gigs and how well were you received by audiences? Did they expect such rousing performances?  The first time I saw the Tartan Terrors was in 2005 at a Ren Faire in Hamilton ON. At this point, it was still the variety type show. Every single performance they had was packed. People were laughing, dancing, and singing along. If you had told me then that in 2 years, I’d be putting on a kilt and performing with them, I’d probably have laughed at you. They were bigger than life!

By including a fiddle-playing step dancer (Emily) the band offers a whole different dimension – how important is that extra vibe to the show?  I remember the first time I met Emily; she was a sub fiddle player for the group as we were looking to fill the role with our former fiddle player taking a step back. I picked her up at her place in Oshawa and we began our drive to Maine. Unfortunately, there was a massive accident on the 401 into Quebec and we were diverted through Cornwall and through NY state. At a time when GPS systems didn’t handle well with rerouting, Emily and I easily added 5 hours onto our drive. That was the start of, I feel like, has become a great friendship. She was really quiet at first and I couldn’t help but think “What’s this shy young lady going to add to our show?”. I was in for a spectacular surprise. We performed our show and Emily, at that point, had only played fiddle for the group. I remember being absolutely blown away by her abilities on fiddle. Not only had she learned all of our material, but she performed it and kept chasing excellence between shows. I texted Ellen on the trip and told her, in no uncertain terms, that we HAD to keep Emily. We had a string of Christmas shows coming up and that I’d take half of my pay if it meant we could offer Emily enough to join those shows. Luckily, Ellen had already had the same thoughts.As the shows progressed, Emily and Ellen choreographed a routine for our final number of the night that combined Ellen’s traditional highland dance/Irish hard shoe dancing with Emily’s Ottawa Valley Step Dancing…the audience LOVED it. We had a video that had hundreds of thousands of views around the world. It was awesome.

Sadly, 8 years ago, Ellen was diagnosed with cancer. While she kept touring with the band and performing as much as she could, unfortunately, she wasn’t able to dance the number of songs she wanted to. Emily stepped up HUGE. She would take over some of the dancing duties from Ellen and choreographed new routines for our songs. As Ellen’s health deteriorated, more and more Emily filled those shoes (yes, pun absolutely intended). Unfortunately, Ellen passed away 6 years ago (in August). Emily and her abilities on fiddle and dancing have become a staple in our shows and her abilities are unparalleled.

Each band member has extensive music education and cross-genre experience; in an age when most “musicians” have never put their hands on an instrument (thanks to computer generated music) how important is that familiarity with each instrument?  I don’t want to throw shade at musicians who don’t “create” their own music. Technology has evolved and, as professionals, we have to evolve as well. They have a different skillset that I’ll never know or understand. For me, personally, I’ll always prefer to have an instrument in my hands. I’m fairly certain that the same applies for everyone who puts on a kilt for the Terrors.(Pictured below- Peter McArthur on bagpipes, Charlie McKittrick on drums, Jake Saenz on bass & Phill Hood on electric & acoustic guitar & vocals)


I have to preface this properly because I’m not saying I’m not good at what I do. I pride myself on being a solid rhythm guitar player and a pretty decent bodhran player. But when I look around the stage, it’s not lost on me that I’m the least talented/educated, musically, on stage. Watching everyone else play their instruments, what looks like, effortlessly will constantly be mind blowing to me. The part that really blows my mind is knowing that every person on stage is a multi-instrumentalist, and not just “oh they dabble” no, they can PLAY more than one instrument. It’s wild. Now, while they make it look easy, I know that there are decades, yes decades, of practice, blood, sweat, and tears into honing their craft.The band has played across Canada and the US – do you aspire to hit the glens of Scotland and Ireland, too?  Short answer? Have band, will travel! We love playing. Give us a stage and we’ll perform. We would love to cross the pond and play in Scotland, Ireland, the UK, Australia, New Zealand…anywhere and everywhere.

You have a number of shows booked in Ontario over the next couple of months, then down into the States starting in the early spring. What can audiences expect from the Tartan Terrors in 2025? New music? New merchandise? More dancing?  We’ve been reworking some of our older material that we stopped playing for a few years and we’ve been writing our butts off. The creative wheels are always turning and we’re constantly workshopping new ideas. For our January show, we’re bringing back an old pipe tune and we’re premiering 2 brand new songs. We’ve got new posters, pictures, Christmas ornaments, shirts, colouring books…all kinds of new things at the merch table!

Can fans listen to the Tartan Terrors on streaming services or do you prefer offering your music on vinyl or CD, and how can fans purchase the tunes?  We’re all over your favourite streaming platforms. We’re working on getting our older catalogue uploaded there as well. Ian says it the best on stage “You can download us 5,000 times and we make $0.0043”. I wish it wasn’t the reality of the situation, but as any musician now will attest to, it’s the reality. Our money is generated when people buy tickets to shows and then buy merchandise. Think of it as a way of supporting the band and getting a cool souvenir out of the deal. We still have CD’s but are going to be releasing a vinyl album featuring some of our favourite Terrors tracks along with some live versions of the songs. I’m not sure if that’s to be public knowledge or not, but here we are. As it’s our first vinyl release, we’re going to be printing a limited number of records…so keep an eye out for that and don’t wait. The best place to buy is at our shows, but we do have an online store on our website that we’ll mail you merch too.
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You can follow Tartan Terrors on social media: @tartanterrors and all band news, merchandise, shows and tickets available on their website: https://tartanterrors.com/ 

RON KORB RECEIVES 2 GRAMMY NOMINATIONS FOR COLLABORATIONS W/ FELLOW WORLD-RENOWNED ARTISTS!

It looks like it’s red carpet time again for Canada’s leading flutist/composer! I’m so proud of my friend and client RON KORB who scored 2 more Grammy nods for albums recorded with India’s superstar composer and musician, RICKY KEJ, and for his collaborative work with Japan’s composer, producer and instrumentalist, MASA TAKUMI.
Several years ago, Ron’s album Asia Beauty was nominated for Grammy’s Best World/New Age Music album and I was thrilled to secure red carpet fashions for Ron’s beautiful wife, Jade (pictured above in Canadian designer Lucian Matis gown) then 2 years ago, the fab couple again found themselves in Los Angeles, rubbing shoulders with the world’s greatest musicians and Ron hit the stage to accept his two collaborative honours (below, with Masa Takumi) and later with Ricky Kej & Stewart Copeland for the winning Divine Tides Global music album. I spoke with Ron after all the nominations had been announced last Thursday and he kindly answered a few interview questions …..

Congratulations, Ron, on this year’s Grammy nominations for your outstanding collaborations with Indian superstar Ricky Kej, and on Masa Takumi’s album. You’ve previously won with both of these artists – you must be their lucky penny! How did these collaborations come about?  Ha ha…I think I am a lucky charm. Certainly we are all grateful for the good fortune we just received. Ricky called me and said he was putting together one of the inaugural albums for a new label called Vedam Records which is part of Universal Music Group, and Masa asked me to play on Kashira which was part of a score for Himuro Renji a Japanese Yakuza Film released this year. Linked below are the 2 nominated tracks on which Ron played….

During those 2 years of Covid isolation, you worked remotely with international musicians via internet accessibility – is this the way now that artists in far flung corners of the world get to work with each other? And how does that all work from a production perspective?  Even before the pandemic many producers and musicians were working remotely but during COVID there was no other way and that changed things forever. It is, in many ways, much easier to work remotely but I do miss the real life interaction you used to get from working with clients and other session players in those big studios back in the old days. That said, all the bed tracks of Global Canvas were done live off the floor and in person and I was with the players for most of then over-dubs too.

Your latest (30th) album, Global Canvas, was short listed for a Grammy nod this year and although it just missed the final cut, your work with Ricky and Masa will enable you to walk the red carpet in February alongside your fellow musicians. Do you see this as a great opportunity to connect with other composers and performers? Do you enjoy the “schmoozing” at the Awards ceremony and all the parties?  It is really wonderful attending the Grammy parties in Los Angeles that start the week before the actual broadcast. One of the best events is the nominees’ dinner which is the night before the ceremony. It’s an amazing party where you meet so many incredible musicians and producers. Everyone is so happy that night and that is when they give you your medallion and take an official photo.  Canada does a good job, too – the SOCAN and the Canadian Consulate parties are also particularly nice. (pictured below- at previous Grammy Awards with Ricky Kej (L), Jade, Ron, Paul Avergrinos, film composer Bear McCreay + his wife)

(above – at Socan soiree prior to Awards night)

Global Canvas is already garnering critical and audience acclaim around the world – do you anticipate receiving international honours as did your previous albums ?  I hope it can, I know this will sound insincere, but what I actually enjoy the most is getting feedback from fans and learning that people are really enjoying the music.

When writing and recording Global Canvas, you met Cambodian human rights activist Arn Chorn Pond through a personal introduction from legendary musician, Peter Gabriel. You dedicated your Angkor Wat track to him – has this connection made you even more aware of the affect of music on the world?  I think Peter Gabriel is very interested in the spiritual power of music. The Angkor Wat song does touch on that feeling. When we toured the ruins, we were amazed by the ancient architecture and I hope some of that feeling of that awe is felt within the song.You’ve performed live in some of the world’s greatest concert venues, in front of royalty and world leaders, and solo’d with great symphony orchestras in China, Japan, and all across Europe as well as home here in Canada. How does it feel to perform for such diverse audiences?  That is one of the blessings about being a musician – you can travel to a different part of the world and interact with people and even a crowd of people in direct way. Music is a very intimate form of communication. With my own music I’ve learned certain songs work better in Asia and others work better in the western world.

How can music lovers hear your new album and other music you’ve created?  Physical CDs and Mp3s copies can be ordered through my own website www.ronkorb.com and the music can also be heard on Spotify and all the streaming services.

Congratulations, Ron…fingers crossed it’s gonna be another double Grammy night for you, Masa and Ricky!
Follow Ron’s Grammy journey on his social media and of course, I’ll be posting photos of all the Awards’ week festivities with Ron & Jade.

 

 

MEET CLAUDJA BARRY, ONE OF THE LEGENDARY LADIES OF DISCO

Yes, I’ll admit it, I’m a sucker for 70s & 80s music – in fact, the disco era was my “coming of age” – you could always find me dancing at Toronto’s big clubs and hotel lounges where I became part of the “disco dollies” set who were out dancing 3 or 4 nights a week. Exhausting? Yes, but as Gloria Gaynor said…”I Will Survive”.  There were so many incredible queens of disco including Donna Summer, Candi Staton, Anita Ward, Tina Charles and one of my favourites, CLAUDJA BARRY.

So famous was she, Claudja has been featured in the book “First Ladies of Disco” by James Arena (avail. on Amazon) and even wrote the forward to the book.Claudja has built an amazing recording career, as well as acting in Hollywood films and on theatre stages creating unforgettable characters, after studying at the world-famous Lee Strasberg Theatre Institute in New York City. She’s performed in plays in both NYC and Toronto, then went off to Europe starring in numerous stage productions in the UK and Germany where Claudja met successful Munich-based music producer Jurgen Korduletsch. Together, she and Korduletsch formed a creative partnership with Jurgen producing and Claudja co-writing and performing. Her full bio is available on her website: https://www.theclaudjabarry.com/bioI had the pleasure of meeting Claudja this past summer, when she made a special appearance at the annual Pride concert in downtown Toronto. She is still so gorgeous, articulate and passionate about her career so I was thrilled when she agreed to be interviewed for my blog – I just wish I could have gone to visit her in the Caribbean to deliver the questions in person…

Claudja, what an incredible and lengthy career you’ve enjoyed…and are still enjoying. With your #1 hit on the Billboard dance Chart in 2006, and subsequent recordings, are you still enjoying live appearances and fan meet-n-greets?  Performing is my lifeline to joy and pleasure. I feel alive whenever I’m in front of an audience. The immediate feedback is something that I enjoy. I get schooled at each performance. Meet and greets used to be interesting because I meet new people and longtime fans, but we have to be much more aware of who we’re meeting up close and personal.I understand you originally fell in love with theatre and also studied voice and classical music. Was it your theatrical experiences that triggered your love of singing and embracing disco music which, in itself, was very theatrical? I just wanted to perform on whichever platform or genre presented itself. I would have loved to do opera. I studied for 3 years…I would have been a great CARMEN. I would have had to continue studying for another 7 years, but along came Boogie Woogie Dancin Shoes…a little different from Carmen LOL.  Looking back now, I’m terribly proud of being among the pioneers who developed and defined DISCO Music. I think of myself as being the Leontyne Price of Disco music. Throughout the 80s, you spent time in Europe, performing and recording, and you partnered with German producer, Jurgen Korduletsch, who helped create some of your biggest hits. That must have been an extraordinary experience for you…can you share any stories from that period of your career?   JK was my producer throughout my recording life. He, along with Bobby Orlando and Jorg Evers, created the sound of Claudja Barry. During that time musicians from the Munich Philharmonic played on most of my albums. We recorded in Munich and toured all through Europe. One of the most exciting countries was Italy. I remember opening the Festival Bar in front of 100,000 people in the Verona Arena. What a thrill that was for me.

 

Over the years since disco ruled the radio airwaves, you have continued to work both as a singer & recording artist, but also developing your filmmaking skills. Can you tell us about your current documentary project.  I’m producing a documentary on the impact of disco on today’s pop music….but more on that at a later date.

You’ve had so many “firsts” in your long career including becoming the first inductee into Canada’s Black Music Hall of Fame along with legendary pianist, Oscar Peterson. What other honours and awards have you received?


You’re enjoying a resurgence in popularity, especially with younger music fans discovering your artistry, are you planning any concert appearances or tours in 2025?  That is my plan. I’m in talks with concert promoters specializing in disco-themed tours and concert presentations.

Thank you so much, Claudja, I can’t wait to see what next year holds for you; I’m looking forward to viewing your documentary.  Claudja’s music videos are available on YouTube and you can follow her on social media, too.  IG @claudja_barry

LEGENDARY MUSICIAN “NASH THE SLASH” IS SUBJECT OF NEW DOCUMENTARY….now nearing completion

When I first arrived in Toronto in the mid-70s (from Australia, via UK), I was obsessed with disco and all the popular dances – I quickly became one of Toronto’s “disco dollies” who danced at all the popular clubs, getting the crowd hot and thirsty, and becoming known as a draw for the crowds. The high point of my club career was dancing on stage with Barry White & The Love Unlimited Orchestra when they passed through Toronto. Loved the man, loved the voice, loved the kaftans! But disco was already on the outs and I was looking to embrace something new and by accident I discovered the underground world of alternative, punk, electronic and, well, let’s just say the bizarre world of Nash the Slash. I guess I was drawn to his theatrics as well as his musical skills. A one-man band who could rock out with his violin & mandolin and pull in jaded punters who were looking for something new, something independent, something extraordinary.You may have heard of Nash the Slash but if you haven’t, Nash was a unique musician who bound his face in bandages to perpetuate the mystery of anonymity. He straddled the worlds of punk rock, prog-rock, classical and industrial (before it had a name.) And he was considered a ground-breaker in contemporary music circlesHe was an extraordinary entertainer who attracted attention from others of his ilk: debuting in 1975, Nash the Slash used then unheard of tape-loops, a drum machine run through fx pedals, a glockenspiel and an electric violin and mandolin to create a live score for the legendary 1929 Salvador Dali/Luis Bunuel surrealist film, Un Chien Andalou.

And according to Lester Bangs of Rolling Stone magazine….“Nash the Slash is the kind of opening act that makes the headliner work that much harder.”

Along with other local indie bands like Songship (fronted by Mary Margaret O’Hara & Peter Mifsud), I would follow Nash wherever he played, marveling at his deft violin playing, as well as his distinctive compositions. I was working at a concert event at The Diamond Club (now The Phoenix), when I got to hang out with him backstage after a rousing performance – poor guy was drenched in sweat so with a promise from me not to tell anyone what he looked like, he started peeling off the layers while I held out a plastic shopping bag to collect the sodden bandages. I will keep my promise.When I learnt about the documentary being made about him and the need for funding, I offered my publicity services to Colin Brunton, Exec. Producer of Nash the Slash Rises Again!  I recently chatted with Colin (pictured below) and asked him to share his memories of Nash and tell us about the Go Fund Me program so I could reach out to his fans through my blog and social media networks….Colin, what first inspired you to make a film about Toronto’s mysterious musician, and entertainer? And when did Side Three Media take the lead?  Nash was a good friend of mine, and I’d always wanted to make a film about him, but the idea really took root when he passed away in 2014.  I had an idea of how to approach it, but schedules didn’t work out, and Side Three got the rights a couple of years later.  I teamed up with them a year or so after that.

You had a great relationship with Nash that started in the 70s – how did that come about?  I met Nash in 1973, when I was a teenager working at Gary Topp’s Original 99 Cent Roxy Theatre in the east-end of Toronto. The Roxy was a vital gathering place for the counterculture, turning people on to not just an eclectic programme of films, but also cutting-edge music between shows, and it had a reputation as a place where you could openly smoke weed. It was wild.  Nash was a regular there and lived in an apartment behind the projection booth, a living Phantom of the Opera.  We became friends. As our careers progressed, I’d hire him to do film soundtracks, and we kept in touch until the end. I wasn’t allowed to phone him before noon. Toronto had an amazing underground/alternative music scene back in the mid-70s and into the 80s – how did Nash (and you) navigate those waters? How did Nash become such a cult figure?  The mid-seventies in Toronto was a defining period of culture in this city:  pre-packaged hippie culture was on the outs, and the world was begging for something new. It was an exciting time.
Nash was a wildly creative musician with an artistic integrity not often seen anymore. He also had a flair for promotion and was able to keep his true identity a secret for decades.  His shows were mind-blowing: a one-person electronic orchestra on stage surrounded by banks of equipment and tape-machines, custom FX boards, an electric violin and electric mandolin; film images projected onto a screen; jigsawing violins to death and breathing fire.  Totally entertaining. What most fascinated a group of twenty-year-olds we had a test-screening for was his ability to do all of this without computers; he was one hundred per cent analog. He was a very clever guy. Genius. Did Nash produce music videos and if so, did MuchMusic support him by frequently showing them across the country back when MM was a real music tv network?  Nash was just too weird for the mainstream, so he did everything himself: promotion, management, marketing, everything. He was the first musician in Canada to create his own record label; the first to use tape-loops; the first to run drum machines though FX pedals. He never received grants to make videos, and record companies weren’t interested. Nash had a few videos that got played, but without a major label behind him, he never made it into heavy rotation on MuchMusic. But he gave great interviews and was a favourite amongst City TV’s “The New Music” which he was on a lot in the 80’s.

This film should fill in some gaps in Canadian music history – with the recent success of documentaries on MuchMusic itself, Doug & the Slugs and now The Tragically Hip, it seems the country is finally ready to celebrate unique Canadian recording artists. How do you think Nash would feel about being celebrated in this manner?  I’ll tap my foot to Doug & The Slugs, and I like Gord Downie, but Nash was more creative, original and daring. Canada is famous for ignoring their own and no one has been more grievously ignored than Nash the Slash.  Once this film gets out into the world, I’m sure he’d say, “It’s about fucking time!After several Gov’t & private funding rounds, the production still needs another $40K for completion, hopefully the bulk of which would come from both the Canada Council and the Toronto Arts Council. But most likely you’ll need $s from fans of Nash and the public, hence the crowd-funding campaign. Any message you’d like to send out to fans of Nash and the Canadian music industry as a whole?  We’re hoping the arts councils come through, but we’re not banking on it.  We need support at the grass-roots level:  people donating, no matter how small. They get their name in the credits, a shout-out on social media, and bit of a dopamine rush.  And they’ll be able to say that it couldn’t have happened without them; it’s a chance to have their name attached to something very cool and kind of underground.  Toronto’s going to be a lot more interesting with Nash the Slash back in it.

So good luck to the filmmakers: Colin Brunton, Kevan Byrne, Leanne Davies and Tim Kowalski.  This is a film that needs to be made and shown – they are currently only $40K short of their goals. If you’re a music fan, esp. lovers of indie artists and Canadian music history, visit the GoFundMe page and even if it’s $20, please donate tohttps://www.gofundme.com/f/nashtheslashrisesagain

Follow the producers on these social media platforms:
www.facebook.com/NashTheSlashDoc 
www.instagram.com/nashtheslashdoc
www.x.com/nashtheslashdoc
www.tiktok.com/@nashtheslash24