South African born and raised, and now Toronto resident Romi Samuels’ solo show “The Lion, the Watch and the Wardrobe” runs Oct. 25 to Nov. 5 at Gallery 1313, 1313 Queen St West in Toronto with an opening reception on Thurs. Oct. 26 (6-9pm) . Romi’s floor-to-ceiling canvases illustrate the wild beasties that surrounded her family home in South Africa, painted in bold strokes of black and white. She also brings together a collection of colourful “portraits” of items found in her wardrobe, many of which belonged to her artist mother, plus a very special family heirloom – a pocket watch.
Her work features distortions, thick paint and strong colours. Her creative inspirations include the great South African painters Irma Stern, Wolf Kibel, and Maggie Laubser who were strongly influenced by the teachings of the German expressionists. To learn more about Romi please visit her website at www.romispaintings.weebly.comI recently had the opportunity of chatting with Romi when I asked her about her early artistic influences and her childhood in South Africa which has obviously informed many of the paintings in her upcoming show.
How did you become interested in painting? My first introduction to the art world was as a newborn. I have been told that my mother parked my stroller under the grapevine while she set-up still life paintings and give art classes on our patio. Growing up, there were always paintbrushes in our house, palette knives, coloured pastels, twisted tubes of paints, batik dyes, lino boards, linseed oil, art books, not to mention the sketch books which were given to me even before I knew how to write – I still have a childish pencil drawing of my family relaxing in a train compartment, which I did when I was about 7 years old. There were also outings to art galleries and of course my mother’s beautiful paintings (see below) which covered the walls in our home, and I always hoped that one day, like her, I would be able to decorate my own house with my paintings.What was the first subject of your painting? Now that I think about it I am amazed to remember that my first painting which I did in nursery school was of a crocodile with its mouth wide open (probably inspired by one of our many trips to the Kruger Park – a huge game reserve in South Africa, almost the size of a small country). And now, some 45 years later, I have, in my current show, a painting of a crocodile in that exact pose (see below). My first oil painting which I did much later, was a still life with various objects including an African clay pot with a traditional Ndebele motif. So Africa has always featured in some way in my paintings and even now, living in Canada it continues to work its way into my art.How did your early years in South Africa influence your work? As a child my most exciting holidays were our family trips to the Kruger Park. I have vivid memories of waking up at the crack of dawn, hopping into the car with a delicious picnic lunch, hoping to be the first out of the camp gates onto the dust roads looking for game. I remember how we would suddenly stop the car at the slightest hint of movement and I’ll never forget the excitement of joining a whole row of cars, straining to see what all the fuss was about, or sitting for hours at a waterhole waiting for a thirsty animal to come and drink. And then there was the thrill of eventually spotting a lion in the distance or of being dangerously close to an elephant crossing the road. So yes, these amazing images of the African bushveld have been subjects of my paintings since childhood.In a previous series of paintings, I focused on the people’s struggle for survival in post-Apartheid South Africa which I did on large canvases. These paintings are of ragged children in the veld, mothers with babies on their backs begging for money, craftsmen, construction workers and security guards slaving for a meager wage.On a more personal level, some of my “Wardrobe” pictures also include sentimental items which travelled with me to Canada. So even though I have been living in Canada for 17 years, my paintings still reflect the bittersweet nostalgia of the ex-pat. Do you have a favourite medium in which to create? For many years oils were my favourite, but now, I have also begun to enjoy acrylics mainly because they dry so quickly! I’ve also started working with collage and mixed media which add a lot of interesting texture to my work. For quick drawings, ink is one of my favourite mediums – I especially like the combination of a gentle washes and hard lines.What do you hope gallery visitors leave with after attending your upcoming show. Firstly, because my paintings are so large and imposing, I hope to share that experience of being in such close proximity to the magnificent African fauna. Also, because my paintings are more expressive than literal, I want to communicate their intense emotion to which we as human beings can relate. I also hope that gallery visitors will see that even my “Wardrobe” paintings are not just still-lives, but rather expressions of the personalities behind them. So basically, my intention is that that people will come away identifying on an emotional level with my paintings or responding to them emotionally or even just realizing that as human beings everything we see or create is influenced by our own emotional responses.What is next for Romi? I never know in advance what I am going to paint. I usually start off playing around with something which develops into an idea and then becomes a body of work. So my next series will be as much of a surprise to me as it will be to you. [laughs]
Opening reception takes place on Thursday Oct. 26th (6-9pm) at Gallery 1313, 1313 Queen St West, Toronto. For gallery hours & directions: www.g1313.org Light (kosher) refreshments will be served so if you would like to attend and meet Romi, kindly RSVP to FordhamPR@rogers.com Space is limited so email me a.s.a.p.